Catching up with award winning author Janet Gover!

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Welcome back, Janet.

How time flies by. You were my guest back in 2014!

Wow – is it really that long? It’s great to be back chatting to you again.  

Since then a lot has happened – how have you found working during lockdown? Has it been a challenge to stay focused; mentally and physically?

2020 was a tough year for everyone. This year hasn’t started too well either, but I am holding on to hope that things are getting better – even if it’s a bit slow. The big change for me has been my husband working from home. Luckily we’ve managed to make him a small office at the other end of the house, as far away from my office as possible, so we don’t disturb each other too often when we’re working. But we do miss our Sunday walks that seemed to always end with a nice lunch at some pretty rural pub.

It has been hard to stay focussed, although writing is a great escape for me. And deadlines are a great motivator. I have kept to my schedule, but it’s been slighter harder work than in the past.  

How much has changed in your writing world since we first chatted?

So much… it’s hard to know where to start. I’ve just had my 14th book released. Close To Home is a story of two strong matriarchs in one small country town. I think it’s my favourite book. But I say that about every new book.

I have given up my ‘day job’ and am now a full time writer and writing tutor, which is the achievement of a long held dream.

And I’m now contracted to Harper Collins (Harlequin) Australia, who are just the best publishers I’ve ever worked with.

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What have been the highlights?

So many highlights…. some of them are as simple as suddenly having that lightbulb moment when I’m struggling with a scene or a book.  The big ones? Let’s see…

In 2017 I won the RNA’s Epic Romantic Novel of The Year award for Little Girl Lost.  To receive such an award from an organisation that means so much to me was a real honour – even if Prue Leith did pronounce my name wrong when she announced it.

Finally writing the Wuthering Heights re-imagining I’ve always wanted to do. Heathcliff’s story set against the Thatcher years and the miners’ strike. I co-wrote this with my friend Alison May and I remain so very proud of it.

Meeting and signing with my agent, Julia Silk – who has turned my writing world around. And in the same breath, signing with my Australian publisher, and meeting my editor Rachael Donovan. Only virtually so far, but one day we will get to meet in person. There will be cake. 

You are now the organiser of the RNA’s amazing New Writers Scheme – please share what a challenging and yet rewarding experience this is?

For those who don’t know about it, it’s a scheme which gives 300 unpublished authors a chance to have a manuscript read by a experienced published author, who will offer some guidance on how to become a better writer and achieve that goal of publication. I graduated from the scheme more than a decade ago, and have been a reader for many years. Now I organise it. It’s very time consuming, but I love doing it… its nice to give something back for the help I received.

The hardest part is matching a new writer with the reader who can help them the most. And the very best part is when I get an email from a new writer who had been offered a publishing deal. That means so much to me and to the readers.

What are you working on now?

I’m deep in edits for book number 15. The working title is The Librarian’s Daughter and it’s scheduled for release in 2022. It’s based around a mobile library in rural Australia… just like the one that used to call on my little community.  And in some ways, it’s also a tribute to all the books I read and loved as I was growing up.

It’s a complex book, structurally. I’m trying to ensure that, for the reader, it doesn’t seem complex at all – but flows smoothly from one moment to the next.

What is next for Janet?

Hopefully, soon, a trip back to Australia. More books of course. I have been playing with a couple of ideas for very different books to my rural stories. I’ll always write those rural stories of course, because I love them so much. But maybe there’s room for something else too.

And one of these days – a long Sunday walk followed by a nice pub lunch.

Congratulations on your many successes and best wishes for all your future projects!

Thanks for stopping by again, Janet.

Close To Home

A warm winter welcome to romance writer, Suzanne Snow!

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Welcome, Suzanne, and congratulations on the upcoming release of The Cottage of New Beginnings! Before you tell me about the book let’s go back to when you began your writing career. Was writing books always something you wanted to do?  

Yes, I’ve wanted to be a writer since I was very young. I read all the time as a child and loved to make up stories about adventurous girls and their ponies. I always hoped to be an author one day.

Reading your website it is clear that you love romance set against a rural setting.  Are you definitely inspired by setting rather than a character initially?

A landscape is usually the first thing that draws me to create a story. It might be a village or a beautiful view, but there’s always a community at the heart of my writing. Once I have my setting, I begin to imagine the characters who might live there, and those who might be newly arrived and why. I hope to convey a real sense of place in my writing.

Does family and faith play a strong part in your plots as they do in your life?

Friendship and family are very much part of my writing and faith is something shared by a few of my characters but not all. Charlie and Sam Stewart, the young vicar of Thorndale and his wife, have proved popular with readers and they do return in later stories. Sam in particular is mischievous with a lovely heart, and great fun to write.

What character traits do you think are essential in a hero/heroine?

I write heroes who are sensitive without being overly sentimental; and honourable, even if that is not immediately apparent. Kindness, an ability to understand when they are wrong and passionate also go a long way.

I like heroines to be independent, have confidence and warmth. Both hero and heroine need to have some self-awareness, along with the opportunity and willingness to change and develop.

Do you always aim to deliver a feel-good story with a happy ending?

I do, yes. I read romantic fiction as well as write it, and I so enjoy characters falling in love, whether that’s a gradual realisation or something more immediate. As an author, I hope for my readers to feel uplifted, following characters working out their differences to consider a future together.

Since joining the RNA you have been taken on by an agent and signed a three-book deal (huge congratulations on that!). How important has being a member of the RNA been in finding your route to publication?

I don’t think I can overstate the importance of the RNA to unpublished romantic writers. I’ve made great friends and received lots of support since joining and benefitted from opportunities to learn, and Conference is just one of them. I believe it’s important to discover how publishing works, along with the roles of industry professionals such as editors and agents, whether you plan to follow a traditional or indie route to publication.

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What is your favourite part of the writing process?

I love to actually just write a draft, something I mostly do early in the mornings. When the story is flowing well and the characters are making themselves heard, then it’s a complete joy and difficult to stop. Editing is also something I find very satisfying, and I enjoy going back and finding ways to improve the manuscript.

What is your least?

I’d probably say the amount of time I manage to spend distracting myself researching something online when I should be writing!

How have you coped with life during a pandemic?

Life has changed, as for so many people, and my husband now works from home and my son is studying mostly online for his A levels. We are thankful to have close family nearby and have been able to support one another during the pandemic and very much appreciate the community we are a part of. The house is busier now and we are all adapting to a new way of working. I’ve also realised how many simple things we took for granted, like meeting up with family and friends for a meal, and I’m really looking forward to being able to hug my wider family again.

I think we are all waiting that day. Having come this far on the road to publication what advice would you give to anyone considering joining the RNA’s New Writers’ Scheme?

Join, if you possibly can, the opportunities to develop your knowledge and make friends are so brilliant. And once you are a member, do try and get the best from your membership by taking part in the activities on offer, whether that’s social media, online learning, chapter meetings (currently all online) and attending events. The RNA is excellent at welcoming people, and Conference, once it is able to run again, is a real highlight and not to be missed if at all possible.

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What is next for Suzanne?

Right now I’m finishing my Christmas story, which is set in Thorndale, and I’m looking forward to the publication of my second novel, The Garden of Little Rose, in February 2021. After that I’ll be planning my fifth book and hopefully spending some time on a tiny Hebridean island for research, rules permitting.

That sounds lovely!

Thank you for the opportunity to be included on your website, Valerie, I’ve really enjoyed answering your questions.

Suzanne x

You are very welcome. If any readers have any other questions please leave them below.

Merry Christmas, Suzanne and good luck with the book!

A day in the life of Margaret James

A warm welcome back to Margaret James who is sharing a day in her busy life as an author, tutor, mentor and journalist.

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My writing days are from Monday to Friday – I try to have weekends off to do family and friends stuff – and begin at about ten in the morning. I’ve tried starting earlier, but I’m an owl rather than a lark, and find I can’t write anything before I’ve had that second coffee.

So, from ten o’clock onwards I do some online housekeeping – answering emails, writing blog posts, spending a bit of time on social media, and making notes for future articles and author profiles in Writing Magazine, the UK’s bestselling title for authors of all kinds.

I’ll have a break about eleven-thirty and take a walk around my very tiny inner city garden, snipping anything that’s grown too big for its space and checking the bird baths and feeders are full.

The afternoons and evenings are my most creative times. So then I’ll be busy writing articles, working on a novel (there is always a novel in development) and maybe writing a few short stories, too. My local writing group sets homework (I know – it’s outrageous!), giving us a one or two word theme, and asking us to produce a piece of work up to about 300 words long. I’ve written lots of pieces of flash fiction that way.

I might also do some reading for competitions. I’m involved in several and I enjoy reading the entries. I never know when something amazing is going to pop up with the next click. Some competition entrants also ask for reports on their stories, and it’s good for me to have to think hard about what they’ve written. Oops, I sometimes think, as I point out that the author has spent the first few pages describing the set-up for the story, I’ve been guilty of that. I’m part of the team that runs Creative Writing Matters, and we organise several short story competitions every year, as well as the Exeter Novel Prize.

I’m also the author of three creative writing guides with my writing partner Cathie Hartigan. We’re very proud of the success of The Creative Writing Student’s Handbook.

The late afternoons and early evenings are for winding down, perhaps meeting friends in town, maybe going to the cinema or having something to eat, and having the obligatory good natter, too. Then it’s home to open my laptop again, just to make a few notes on what I’ve done that day, and before I know it it’s two o’clock in the morning and I really, really, really need to go to bed!

My crime and mystery novel The Final Reckoning is published by Ruby Fiction and is available in ebook and audio format from all the usual platforms, including Amazon and Kobo.

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Here’s the blurb.

What if you had to return to the place that made you fall apart?

When Lindsay Ellis was a teenager, she witnessed the aftermath of the violent murder of her lover’s father. The killer was never found.

Traumatised by what she saw, Lindsay had no choice but to leave her home village of Hartley Cross and its close-knit community behind.

Now, years later, she must face up to the terrible memories that haunt her still. But will confronting the past finally allow Lindsay to heal, or will her return to Hartley Cross unearth dangerous secrets and put the people she has come to care about most at risk?

I always love to hear from readers, so please feel very welcome to contact me!

https://www.facebook.com/margaret.james.5268
https://twitter.com/majanovelist
https://margaretjamesblog.blogspot.com/

 

Catching up with Margaret James!

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Welcome back, Margaret! I was amazed when I realised that you were my first guest in 2013!

I was amazed, too! My goodness, doesn’t time fly? Perhaps this is because writing a novel is such a long process and sometimes another year goes by without us really noticing? It’s very good to be back. I see that since we were last in contact you’ve had several of your books published by Endeavour Press.  Many congratulations!

Thank you! I love the cover of your new novel ‘Girl in Red Velvet’, which is book 6 in the Charton Minster Series. What inspired you to create this series?

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The inspiration for the Charton Minster stories was driving past a country house in Dorset at least a decade ago. I wondered who lived there and later that evening my imagination started to run riot, conjuring up a whole family and their descendents. The first novel in the series is The Silver Locket, which is Rose Courtenay’s story. The subsequent five novels are about Rose’s children and grandchildren and even her great grandchildren.

Who is the ‘Girl’ in Red Velvet?

The girl in Girl in Red Velvet is Rose Courtenay’s granddaughter Lily Denham, who goes to university in the 1960s and meets two men who become her friends, the three of them have some great fun together, but then Lily finds she is falling in love with both of them. She makes a choice which looks as if it will turn out to be a very bad choice indeed. Or will it? What do all three of these people want and how will they get it? I hope I’ve given them plenty of challenges but that I’ve also given all their stories satisfying endings.

Do you remember the 60s with fondness?

I do because I was young and at university myself and having a lovely time living away from home. It’s quite difficult for younger people alive today to realise what a huge place the world was then. I went from living in a small rural community where I never met anyone who wasn’t British and white to living in a big city where I met and made friends with people from all over the world.

What is next for Creative Writing Matters?

We’re expanding our range of writing-related services all the time. We run two major international competitions (The Exeter Novel Prize and the Exeter Story Prize which incorporates the Trisha Ashley Award for a humorous story) and we offer mentoring and various shorter courses and smaller competitions, too. We’ve found that offering feedback on competition entries has proved very popular so next year we will be doing more in that respect by offering feedback on some of our short story competitions as well as on entries for the Exeter Novel Prize.

What is next for Margaret?

It’s reading the entries for this year’s Exeter Story Prize, which closed on 30 April. We’re constantly astonished and impressed by the range and quality of entries, so although this is a pleasurable task it’s always quite demanding, too.

I wish you every success with all your amazing ventures. Reader’s can follow Margaret on: Facebook Twitter    or you can visit  Margaret’s blog

An Interview with Ben Adams

I am delighted to have author Ben Adams as my guest this month. Ben’s critically acclaimed novels Six Months to Get a Life and Six Lies chart two men’s journeys as they strive to make sense of their respective midlife crises.
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Welcome, Ben,

Please share with us how and when you discovered the joy of writing fiction!

I can’t remember a time when I didn’t enjoy making up a story. My dad is blind. Instead of reading books to me, he used to captivate me at bedtime, making up stories that would transfix me and keep me awake for hours. I caught the bug and used to invent equally inventive stories involving the most hideous of monsters. As I got older, my fiction expanded to include ingenious excuses for not having done my homework. Roald Dahl expanded my imagination still further as did Douglas Adams and Sue Townsend. But ultimately, I blame my dad.

When and how did you make the break from unpublished to published author?

I always wanted to write a novel. In my 20s I dabbled with crime fiction but too many hours spent staring at blank pages and a lack of life experiences meant that I couldn’t make my stories sing.

In my 30s I mostly wrote boring work-related web content and the occasional acerbic complaint letter to the authorities or to the dog over the road – it defecated on my drive.

And then my 40s came along. Sometimes it takes a life event to set you off on the right track. Six Months to Get a Life, my first novel, was ultimately triggered by my own family upheaval. It’s a story about a man overcoming a divorce and doing his best to build a new life for himself and his children. Having been through the pain myself, I felt able to give my characters some real depth. It was the first time I had felt truly able to write something believable, something memorable.

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And luckily, I found a publisher who believed in the characters as much as I did.

How would you describe Graham Hope, your protagonist in Six Months to Get a Life?

Graham, like a lot of the characters I invent, is a fairly unremarkable fellow. At heart he is a good guy but like most people going through a divorce, he can occasionally be a bit maudlin. And even bitter. He’s someone who generally knows what the right thing to do is, even if he doesn’t always do it. He’s concerned about his relationship with his children. He’s also concerned about his relationships with women. Or rather his lack of relationships with women.

It isn’t easy to take a difficult subject and inject humour and hope into the story successfully. How did you balance the harsh realities of life against the sense of renewal and wit?

The simple truth is that no one would have enjoyed Six Months to Get a Life if Graham hadn’t been able to laugh at himself. If a story about coping with divorce, learning to live separately from your children or arguing over maintenance payments didn’t contain a few comedic release points, the reader would more than likely be contemplating suicide by the end of chapter 3.

The same goes for my second novel, Six Lies. Dave Fazackerley, the protagonist in Six Lies, discovers after she has died that his mother wasn’t his mother after all. And to make matters worse, he was already reeling from his wife’s decision to run off with a librarian. About the only thing Dave actually managed to cling on to was his sense of humour…

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Writing a novel is a major achievement for anyone, but how hard have you found getting to grips with marketing and using social media to build up your author platform – or are you a natural?

I am probably your typical author. Inventing stories is my passion. I love talking to people about mine and their stories too. But trying to understand the difference between a Facebook page and a Facebook profile, uploading content to a website, getting my head around boring twitter protocols and ridiculous book marketing websites is, quite frankly, the bane of my life.

I do understand the need to establish a good author platform though. Twitter indirectly led to me being invited on to the BBC Breakfast sofa. It also led to you and I connecting. These days, few authors will be successful without a bit of investment in their author platform.

What tips would you give to anyone, of any age, who is determined to become a published writer?

Firstly, you need to write exceptionally well. The best way to do that is to write, write and write some more. The more you write, the better you will become. Oh, and read a lot too. Learn from writers within your chosen genre, but don’t copy them.

Secondly, you need to build your emotional resilience. Believe in your own talent. Don’t let a little self-doubt put you off. Imagine if JK Rowling had thought, ‘Oh, this is crap,’ when she was giving Harry his lightening bolt scar and gone off and got a proper job.

Thirdly, see the previous question and take a deep breath…

What is next for Ben?

I have written my third novel in draft form. Provisionally entitled ‘Trouble in the Staffroom’, it is a school-based drama-come-romp. I am really proud of the draft as it currently stands and am loving the feedback I am receiving from beta readers. Hopefully, Trouble in the Staffroom will be published in September to coincide with the start of a new school year.

I am really enjoying reading Six Months to Get a Life and wish you every continued success.

@benadamsauthor

Ben Adams on Facebook

Ben’s Website

Death Came to Chatsworth

SAM_0573One of my highlights of 2013 was calling in at Chatsworth House. I had been to a very interesting and fun gathering of romance writers at the RNA conference in a heat wave at Sheffield University.  Although Chatsworth was open they were still filming scenes for the Christmas adaptation of Death Comes to Pemberley. This I found fascinating to watch and admired the patience of actors and technicians as they reset and acted each take needed, especially in costume in the unusual heat. The amount of attention to detail for each take was admirable especially as much of it is edited for the final version.

Chatsworth House is a magnificent place with a fascinating history of political cunning, fortunes won and lost and a family who strive to keep the place in all its former glory through the Chatsworth House Trust.

PD James sequel to Pride and Prejudice was a very bold and skilful adaptation of one of the most popular classic romances still appreciated today, by using her vast experience as a crime writer to change it into a darker mystery. Elizabeth and Darcy’s matured love is challenged as their connection to Wickham threatens their good name and fortune.

As a member of both the CWA and the RNA I loved this bold move as love and hate fuel both genres.

The year finished with a chance to watch and enjoy the finished televised drama.

Val