Meet historical fiction author, Elizabeth Bailey

I am really delighted to invite my fellow Sapere Books author, Elizabeth Bailey, as my guest this month.

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Welcome, Elizabeth!

My first question has to be where did your love of storytelling and writing begin?

My father read to us and my older sister made up stories for my brother and me, thus fostering an early interest in literature. I can’t remember when stories were not part of my life. Difficult to recall when I began to write them. In school, for festivals, and for pleasure.

My first fairy tale featured a hero who had to rid the lake of a plague of giant spiders in order to win the princess – hence romance. But the darker side was there too in an epic tragi-poem of a sailor who murders the mermaid who loves him. Shades of the future there?

There is a touch of horror in there for me too – spiders!

Do you find switching between the two very different genres of romance and crime keeps your writing fresh?

To be honest, I don’t switch much. I’m either writing romances one after another, or mysteries ditto, whatever happens to be driving the bread and butter. I contributed to anthologies with five other authors, producing a string of Regencies which became the Brides by Chance Regency Adventures. My Lady Fan mysteries had languished when I lost my first publisher. When Sapere picked them up, I began a feverish assault on those and haven’t swapped back yet. I write the occasional snippet of something completely different when the mood strikes.

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You touch on the paranormal in some novels, is this an area of research that you find fascinating?

I am absolutely sold on the supernatural. Powers above the norm, which I believe we all possess if we can access them. Telepathy is everywhere. You think of someone out of the blue and then they ring you up. Magic. Saying which, I was hooked on the Harry Potter series and I’m a sucker for fairy tales. As for past lives, we have all lived many times before. Far too much proof for doubt. One of my paranormals is based on an incident from one of my own past lives. I have no truck with the prevalent one-life belief!

That is fascinating. I admire your certainty.

In the ‘Lady Fan Series’ your protagonist is a woman who has to overstep the conventions of a lady in her day. This is a difficult challenge for an author and is a factor I also try to balance. How do you enable her to complete her investigations in a credible way for the period?

This is why I gave her Lord Francis. He is both husband and champion, her protector, and he can go where Ottilia can’t. If she does venture where ladies don’t, she is always accompanied by a stout male guardian – Francis or her Barbadian steward. Nevertheless, she still gets into dangerous situations. Her medical lore is gained from helping her brother doctor Patrick, with whom she lived for years before her launch into solving murders.

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Her background is “the middling sort” – genteel but not moving in the first circles. She observes the aristocratic milieu she is now in with an outsider’s eye, and she is free of the shibboleths governing the behaviour of ladies in that strata. That’s why she oversteps the bounds of convention, relying on her status for impunity. She has married into the elite where eccentricity is tolerated. In other words, she gets away with it!

Writing a series with recurring characters means that they have to continue to grow and develop with each new novel. How do you keep track of their biographies so that this development is consistent?

Wow, I have no idea! Every story has its own “bible” with cast, places, etc and snippets of potential plot, all of which I add to as I go along. The basics are copied into the new bible for a new book. If I’m missing one, I get it from an old bible. I probably ought to keep a spreadsheet, but I know I’d never manage to keep it up! I’ve always written this way – a cast/plot document and a text document, plus research docs, discarded text in a temp doc in case I need to retrieve it.

How I keep track is a mystery, but I do. So far. The characters who keep coming back are a fistful really. When other family members intrude, it’s usually in a minor way and about the only thing I have to figure out is how old they are now. Francis and Ottilia have developed without much help from me. They evolve story by story. I do enjoy their relationship. They have their ups and downs, but I find readers are engaged by their enduring love story.

When I began the series, I determined to marry them off after the first book because a personal bugbear of mine is those off/on romances that persist through a whole series. Why can’t they just get it together? Instead, I decided to give each story a secondary romance, but in the event, it turned out my hero and heroine are still very much the romantic couple in every story. I didn’t plan it. They just are, those two!

You have had some fascinating career roles to date: acting, directing, teaching and of course writing. Has each one contributed something to your current profession of being an author?

Absolutely. Theatre has shaped my writing. Dramatic structure parallels story structure in terms of build-up, highs and lows, climax and denouement, not forgetting cliff-hanger scene endings, “curtain” in drama. There’s also motivation, emotional journey, conflict (inner and external), character, dialogue, sub-text – the spaces between the words and character introspection. As an actress, these things became part of me. As a teacher, I had to dissect them. Ditto as a director, viewing my “staged drama” as a whole moving picture. The difference is that words encourage the reader to watch “the play” in their imagination.

You have been blessed with cross-cultural experience and travelled widely throughout your life. Do you agree that these aspects of life help to deepen an author’s ability to create engaging characters and plots?

I think it has given me a large tolerance of other cultures. Perhaps most telling, an understanding that human nature is pretty much the same, nation to nation. Such cultural differences as there are consist by and large of moral standards and artistic appreciation. But the human condition is what it is throughout. We all run the gamut of emotions and struggle with our personal demons as we try to survive. Observation enables you to engage as you mirror the inhabitants of the world around you.

Who or what would you say has had a strong influence on your life/work ethic?

My values echo my father’s. A true gentleman, he had wide tolerance, liberal ideals, intelligence. Articulate, funny, considerate and kind, he was a big teddy bear to me. As to work ethic, I imagine my mother’s bundle-of-energy personality must have rubbed off on me. Not that I could keep up! But I do have her drive to push through and get things done.

You have been published and self-published. What would you say are the main advantages or disadvantages of each?

Oh, this is a hard one. These days, you can’t talk of leaving promotion to others because both avenues require you to play your part in touting the books. I think traditional publishers help with visibility and take the burden off in terms of editing, proofing, formatting, book cover design and initial launch. On your own, you have to do it all and that’s tough. On the plus side, you have artistic control and personal satisfaction, even if sales are not as easy to promote.

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What advice would you give your younger self if you could as you set out on a life as an author?

Well, this is interesting because I am constantly giving advice to new authors. I’m not sure I would give the same advice to my younger self because things were very different in publishing when I started out. I had also already struggled to make it as an actor so persistence was not new to me. I think I would say: “Just do it. You’ll regret it if you don’t.”

What is next for Elizabeth Bailey?

Here’s where I reveal the dream! If I get my dearest wish, it will be a TV series of Lady Fan. That would put the icing on the cake of my writing career.

Thank you for taking the time to answer all my questions and I wish you every success in your career and in life. I hope you realise your dream!

 

 

 

An Interview with Alison May

Director Alison MayI am delighted to welcome the new chair of the Romantic Novelists’ Association, Alison May. Welcome and congratulations, Alison!

Before we talk about the RNA I would like to ask you about your own writing life and you’re your lovely books written independently or as one half of Juliet Bell.

What were your first breakthrough moments as a published writer?

I sold my first book, Sweet Nothing, in 2013 and it was actually the very first novel that I wrote. I’d been writing seriously for 11 years at that point though but it had taken me about six of those to work out that I wanted to write a novel. So my biggest and first major ‘breakthrough’ moment as an author was probably realising that I wasn’t built to a be a Very Serious Playwright, but am much happier writing novels.

My second big breakthrough was discovering the RNA’s New Writer’s Scheme, which I joined in 2011. The New Writers’ Scheme gives unpublished authors membership of the Romantic Novelists’ Association and a critique on a full manuscript each year from a working author in your sub-genre. Joining the RNA also gave me access to a whole world that I never understood before – a world of writers, but also editors and agents. I think it takes a village to shepherd a novel from idea to publication and the RNA is my village.

You co-write novels with writer and TV journalist Janet Gover, as Juliet Bell. Does this present very different challenges to writing your own novels?

Completely different. Neither of us are big planners when we’re writing on our own – Janet is probably more of a planner than me but that’s not saying much. Writing collaboratively we have to plan. We hardly ever actually write together in the same room so we have to plan the story to stop either one of us getting over excited and killing off a character the other desperately needs in the next chapter. That makes it a really different writing experience.

Writing collaboratively is also a great way to stop you from being precious about your own work. Having a writing partner who can, and will, just put a red line through your masterpiece is a sobering experience but ultimately a very healthy one I think for any writer.

How would you describe an Alison May novel?

That’s tricky! I started my career writing romantic comedies, and I still love to write comedy. I’m planning a return to that genre after I finish my current novel-in-progress. But, my most recent Alison May book, All That Was Lost, is neither romantic nor comedic. It’s an emotion-driven story about a woman who’s built her whole life on one single lie – the lie that she can talk to the dead.

How would you describe a Juliet Bell novel?

Juliet Bell writes modern retellings of misunderstood classics. She’s a sucker for a Bronte novel with a hero who is really anything but heroic!

What key advice would you share with aspiring writers?

Read lots and write lots. There is no substitute for actually getting words down on the page.

It’s definitely worth investing whatever time and money you can spare in developing your craft. I’m a big fan of writing courses and retreats – I run them myself and you should definitely all come on one – but they’re something to do if you are able on top of actually writing not instead of it.

Each author has their own favoured way of working – would you share yours with us?

I’m currently working on book 9, so you’d think that by now I’d have a definite process, wouldn’t you? Realistically it’s different for every book. There are a few constants though. I write horribly shoddy first drafts, and do most of the work on shaping the idea into an actual novel when I edit and revise. I always hate the book at around twenty thousand words, and regularly chuck out the opening 20k of a first draft and start again. I do very little plot planning and what I do I generally never look at while I’m actually writing. So what process I have is messy and disordered but if I try to organise and plan more and create order then I don’t write at all. It turns out messiness suits my writer brain.

 What project(s) are you working on next?

I’m currently working on a dual timeline contemporary and historical novel about witchhunts, both literal and metaphorical. It’s my first novel with a substantial historical storyline – the earliest I’ve gone in time before in 1967, and this goes back to 1695 so it’s a big departure for me from writing contemporary fiction, but I’m really excited about it.

You have just taken over from the lovely Nicola Cornick as chair and next year is very important as the RNA is 60!

What is your vision for the future of the RNA?

I see the next couple of years for the RNA as being about two things. Firstly I want to protect and nurture the things that are already so brilliant about the organisation – the sense of community, the mutual support, and the generosity towards new writers. I’m really keen to ensure that that sense of community continues and to ensure that it’s an inclusive community that welcomes writers of all forms of romantic fiction and from all backgrounds.

Secondly, I think every Chair wants to develop the association and make sure we keep moving forward. We have our diamond anniversary year coming up in 2020 with lots of events planned and lots of online activity to help our members engage directly with readers. We’re also working to develop some new education activities, alongside our existing New Writers’ Scheme, to provide professional development opportunities for both published and unpublished authors.

What has being a member of the organisation meant to you over the years?

So much. It’s almost impossible to overstate the career benefits of joining the RNA for me. I found my first publisher after a recommendation from my New Writers’ Scheme reader. I heard about my agent through a contact I made in the RNA. It’s a genuine privilege to be involved in leading the organisation.

I also can’t overstate the personal benefits. I’ve already said that the RNA is my village in writing terms, but that’s true in life terms as well. My RNA friends are some of the first people I message in a crisis or turn to celebrate good news.

How has the romance genre changed since you joined?

There are always trends and fashions in romantic fiction. I joined the RNA around the time Fifty Shades of Grey came out and kickstarted a boom in erotic romance. At the moment we’re seeing a big peak in sales of lighter, more escapist fiction. Sagas are also selling in huge numbers at the moment, often set in the mid twentieth century, and following a heroine, or group of heroines, through a range of trials in their lives, not just finding love.

Romantic authors are also at the forefront of tackling issues raised by movements like ‘Me too’. It’s absolutely right that we’re thinking about consent as a central part of how we write about sex and relationships.

LGBTQIA+ romance is also finding new readers at the moment which is brilliant to see. We want readers to be able to access as wide a range of romantic stories as possible – every reader deserves to see their own version of Happy Ever After on the page. And if you’re a reader who can’t find that in a book yet, why not join the New Writers’ Scheme and write your own?

Looking forward, how excited or optimistic are you about the future of the romance genre within publishing?

Incredibly excited. If you look at Netflix and other streaming services you can see that there’s a huge appetite for romantic stories. As romantic novelists we’re competing with all of those other forms of entertainment, but ultimately I believe that story is king. If you can tell a satisfying romantic story then there are readers out there desperate to hear that story.

Do you think organisations can stay genre specific, or is there a need for a more open working relationship within the industry, which reaches out to other genre specific organisations? 

I don’t think it’s an either/or question. There are no plans at the moment for the RNA to stop being a genre-specific organisation. I think there are genre-specific challenges that it’s good to be able to view as a single group. In romantic fiction, for example, we’re still fighting the perception that books predominantly written and read by women are somehow ‘less than’ and I think it’s valuable to have a strong genre-specific voice to address those sorts of issues.

But I’m also really keen to work across genres with other organisations. We’re really pleased to have a strong relationship with the CWA for example. Some of our local groups have already organised joint events, and I hope more will do so in the future. We also share ideas with one another at a Chairperson level and I think both organisations are stronger for having that relationship.

BIOGRAPHY
Alison May is a novelist, short story writer, blogger and creative writing tutor who grew up in North Yorkshire, and now lives in Worcester. She worked as a waitress, a shop assistant, a learning adviser, an advice centre manager, a freelance trainer, and now a maker-upper of stories.

She won the RNA’s Elizabeth Goudge trophy in 2012, and her short stories have been published by Harlequin, Choc Lit and Black Pear Press. Alison has also been shortlisted in the Love Stories and RoNA Awards. Alison writes romantic comedies and emotion driven fiction. Her latest novel, All That Was Lost, was published by Legend Press in September 2018.

She also writes modern retellings of misunderstood classics, in collaboration with Janet Gover, under the penname Juliet Bell (www.julietbell.co.uk & Twitter @JulietBellBooks).

Alison is currently Chair of the Romantic Novelists’ Association.

Website: http://www.alison-may.co.uk

Twitter: twitter.com/MsAlisonMay

Facebook: http://www.facebook.com/AlisonMayAuthor

Instagram: instrgram.com/MsAlisonMay

BUY LINKS:

Juliet Bell – The Heights

Juliet Bell – The Other Wife

 

Alison May – All That Was Lost

Catching up with Margaret James!

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Welcome back, Margaret! I was amazed when I realised that you were my first guest in 2013!

I was amazed, too! My goodness, doesn’t time fly? Perhaps this is because writing a novel is such a long process and sometimes another year goes by without us really noticing? It’s very good to be back. I see that since we were last in contact you’ve had several of your books published by Endeavour Press.  Many congratulations!

Thank you! I love the cover of your new novel ‘Girl in Red Velvet’, which is book 6 in the Charton Minster Series. What inspired you to create this series?

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The inspiration for the Charton Minster stories was driving past a country house in Dorset at least a decade ago. I wondered who lived there and later that evening my imagination started to run riot, conjuring up a whole family and their descendents. The first novel in the series is The Silver Locket, which is Rose Courtenay’s story. The subsequent five novels are about Rose’s children and grandchildren and even her great grandchildren.

Who is the ‘Girl’ in Red Velvet?

The girl in Girl in Red Velvet is Rose Courtenay’s granddaughter Lily Denham, who goes to university in the 1960s and meets two men who become her friends, the three of them have some great fun together, but then Lily finds she is falling in love with both of them. She makes a choice which looks as if it will turn out to be a very bad choice indeed. Or will it? What do all three of these people want and how will they get it? I hope I’ve given them plenty of challenges but that I’ve also given all their stories satisfying endings.

Do you remember the 60s with fondness?

I do because I was young and at university myself and having a lovely time living away from home. It’s quite difficult for younger people alive today to realise what a huge place the world was then. I went from living in a small rural community where I never met anyone who wasn’t British and white to living in a big city where I met and made friends with people from all over the world.

What is next for Creative Writing Matters?

We’re expanding our range of writing-related services all the time. We run two major international competitions (The Exeter Novel Prize and the Exeter Story Prize which incorporates the Trisha Ashley Award for a humorous story) and we offer mentoring and various shorter courses and smaller competitions, too. We’ve found that offering feedback on competition entries has proved very popular so next year we will be doing more in that respect by offering feedback on some of our short story competitions as well as on entries for the Exeter Novel Prize.

What is next for Margaret?

It’s reading the entries for this year’s Exeter Story Prize, which closed on 30 April. We’re constantly astonished and impressed by the range and quality of entries, so although this is a pleasurable task it’s always quite demanding, too.

I wish you every success with all your amazing ventures. Reader’s can follow Margaret on: Facebook Twitter    or you can visit  Margaret’s blog

Catching up with Valerie-Anne Baglietto!

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Hi Val, welcome back!

Your first interview was back in 2013. So what exciting things have happened since then?

When you asked me, just before Christmas, if I’d like to do this update, I seem to remember silently screaming, No, go away, can’t cope with this, or something along those lines. Basically I was in festive meltdown – organising kids, grandparents, husband etc. – and didn’t want to have to think about work. After I calmed myself down and messaged you back, you kindly reassured me I could leave it until after January.

So here I am, revisiting my old self from a few years back, remembering what goals she set and what she was planning writing-wise. I’m satisfied that she appears to have achieved her aims, and of course, she’s set some new ones since then, too.

 (I’ll slide firmly into first person POV now, so I don’t sound any more pretentious than I have to.)

Firstly, ONCE UPON A WINTER, which had just come out before I was last here on Val’s blog, went on to top the Amazon UK Fairy Tale Chart in 2013 and at the last count had over sixty 5-star reviews. Understandably, I was thrilled about that, considering it was my first attempt at modern magical realism. The feedback from readers, both old and new, was encouraging.

Last time round, I also mentioned a short story I was contributing to the ‘Sunlounger’ anthology organised in 2013 by Belinda Jones. There was another one the following year, and I took part in that, too. My second tale, PANDORA  AND THE MUSIC BOX, has also been a featured read on Wattpad. I hadn’t attempted a short story in years, but I valued the discipline of keeping to a strict, low word count.

As for the novella I spoke about last time, I actually ended up writing two that year. A GIRL I KNEW (formerly known as The Trouble With Knights in Shining Armour) and my Christmas themed THE LITTLE BOOK OF LOST HEARTS. The latter set the scene for the next full length work, FOUR SIDES TO EVERY STORY, which I have to admit is the favourite of my contemporary fairy tales so far. It was shortlisted in the 2015 Love Stories Awards and was a 5-star read of 2015 on Chat About Books.

Last year was a bit of a departure, though, as I started working on something different from anything I’d attempted before. I even invented a pen-name – a whole other person to hide behind, which was liberating. But as the year drew to a close, I realised I wasn’t happy. I missed my fairy tales. For reasons rooted in insecurity, I’d begun to think they weren’t ‘proper’ books, not worthy somehow, and could never stand alongside the amazing, emotive fiction being published today.

Then it all changed. FOUR SIDES TO EVERY STORY was listed as a top read for 2016 on Portobello Book Blog, along with a dozen other titles, many of which I’m in awe of. Out of the 140 or so novels Joanne (@portybelle) had read that year, mine had been memorable enough to hover in her top 10(ish). I felt touched, and very grateful. Something clicked in my fragile writer’s brain. A realisation. Just because I choose to weave reality – or our concept of it – with traces of magic, doesn’t mean my work isn’t of value, or unable to hold its own in a crowded market. If this were true, then why is it  some of the most famous and enduring stories in our culture happen to be fairy tales, myths and parables? All through history, fiction has worked to make sense of the world around us, and often metaphors are the best way to do it.

So, when the kids went back to school at the start of this year, I dug out a notebook bursting with the plot for a sequel to FOUR SIDES TO EVERY STORY, and sat down as Valerie-Anne to begin this new project. And that’s what I’m working on right now. Oddly, it’s as liberating as having a pseudonym. I feel as if I’ve come home, having forgotten what a wonderful place it can be. I’m  energised by my writing again, rather than drained, and excited to find out what 2017 holds for me.

Thank you, Val, for inviting me to return to your blog, to share an update. I’ve enjoyed looking back as well as forward, and come to the conclusion that it’s quite a healthy thing to do at this time of year. Maybe everyone should give it a go!

 Exciting times for you, Val. I wish you every continued success in the future!

Meet Sophie Duffy!

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When did you discover your love of books?

I could read before I started school so as long as I can remember I’ve loved books. Mum or Dad read to me every night and once they’d tucked me up, I would hide under the bedclothes with a torch, up late (a notoriously bad sleeper all my life), with a heap of books, looking at the pictures and making up stories until I could make out the text. I loved Ladybird books (which I still have on my bookshelves), Enid Blyton, especially Mr Pink-Whistle and Amelia Jane, and ‘Twinkle’, the comic I got every week as we lived above the newsagent’s run by my parents in Torquay.

When did you decide that you wanted to write your own?

I wrote a lot of stories when I was a child but that fizzled out by the time I reached secondary school when I was more concerned with Wham! and boys. At university I studied English and wrote bad poetry. It wasn’t until my children were small that I went to a creative writing class at the adult education college. By the end of that first lesson I was hooked, and knew I wanted to be a writer. I was 33. It was another ten years before I had my debut novel published.

What can a reader expect from a Sophie Duffy novel? 

The reader can expect a nostalgia-fest with a few tears and laughs along the way. They will get a blended, dysfunctional family or group of friends, and a main character trying to negotiate their hazardous journey through the world with all its ups and downs.

Change and facing the difficulties that this presents is a strong theme in your novels. How much of an influence has change in your own life experience driven the empathy you create for your own protagonists?

 The one certainty in life is that we will face change. It’s how we adapt to change that marks us as individuals. Sometimes we resist change, sometimes we embrace it. We might make bad decisions. We probably will. And it’s the repercussions of these decisions that echo down the years that I am interested in as a writer.

 

The award winning The Generation Game (The Yeovil Literary Prize 2006 and Luke Bitmead Bursary 2010) confronts many issues including childhood abandonment and buried secrets. Where did the idea for this acclaimed novel come from?

The idea for ‘The Generation Game’ came from a short story wot I wrote. The idea for the story came from my early childhood when we lived above the newsagent’s (also a sweetshop/tobacconist’s) in the early 70s. Sadly, my father took his own life when I was ten which I suppose counts as abandonment of sorts, so maybe that is why I am drawn to this as a theme. Love and loss go hand in hand but I truly believe that love – often from unexpected places – conquers all. I have bitter sweet memories (if you’ll pardon the pun) from this era, as do most of Generation X who grew up in the golden years of Saturday night television. We have seen several of our childhood icons fall by the wayside in the wake of Operation Yewtree. Thank goodness for Sir Brucie is all I can say.

This Holey Life (runner up of The Harry Bowling Prize 2008) is another successful novel that looks at change and faith with humour, yet balanced reality. What was the greatest challenge this project posed?

I was worried that readers might be put off by a vicar’s wife as a main character but felt encouraged when I saw ‘Rev’ on the television, a sitcom which looks at life in the church and all the eccentric characters that make up a spiritual community. It’s not a ‘Christian’ book as such but a story that embraces life with all its flaws and imperfections.

 

You are part of the Creative Writing Matters team. How much do you enjoy sharing what you have learned with new writers?

It’s brilliant! I know how much I have learned and continue to learn from other writers. I know that being a writer is a life long process and that I receive more from my students than they get from me. Administering the Exeter Novel Prize and the Exeter Story Prize has also been a revelation. Having read hundreds of thousands of words over the years, I understand more about what makes good writing and good storytelling. I hope this feeds into my own work!

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What key piece of advice would you give to an, as yet, unpublished author?

If it’s what you really want, then keep trying. Don’t give up. Enter competitions where your writing will be both read and considered. Keep writing. Read a lot. Listen to feedback, sit on it, and when it rings true, rewrite, edit, submit.

 

What is next for Sophie?

I have just signed a contract for the next book. All I can say for now is the novel involves two ninety year old ladies, one of whom is the queen. Watch this space…

Catching up with Cathie Hartigan

Thank you for inviting me back on your blog, Valerie.

You are welcome, Cathie. So what has been happening in your world since I interviewed you and Margaret James in July 2015?

I can’t believe that it’s been a very busy eighteen months since Margaret and I were here last!

Our textbooks, The Creative Writing Student’s Handbook and The Short Story Writer’s Workbook have proved to be successes for us and we hope they had helped those who have read them. The feedback we’ve had has been fantastic. The handbook was one of our early projects, but more recently, the whole team at CreativeWritingMatters, that’s Margaret James, Sophie Duffy and myself, published A Christmas Celebration, an anthology of stories, quizzes and puzzles. A perfect Secret Santa!

It seems only yesterday that we set up CreativeWritingMatters, but recently, the ever-watchful Facebook reminded me the page is already five years old. It isn’t really surprising when I think of how our competitions; the Exeter Novel Prize, Exeter Story Prize – including the Trisha Ashley Award for the best humorous story, have become fixtures in the literary calendar. Trisha is a Sunday Times bestselling author of romantic comedies and knows a thing or two. We are delighted that so many of our winners and shortlisted entrants have achieved publication.

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Right up at the top of the achievement list for me personally in the last year and a half, is the publication of my debut novel, Secret of the Song. It’s a time-slip mystery set in renaissance Naples and contemporary Exeter (my home city). I knew little about wicked Prince Gesualdo whose music and madness lies at the heart of the story, but my research soon revealed that the Italians make our Tudors look like lightweights when it comes to bad behaviour. How awful, I thought, for those innocent servants who were caught up in the crimes of their masters and mistresses. When I read the witness statement of a young maidservant, I straight away heard the voice of my heroine.

Secret of the Song’s success has been really thrilling, especially after I decided to independently publish. This decision was made after considerable thought, and only because I was reasonably well established with the textbooks, short stories and competitions. Everyone who read Secret of the Song was enthusiastic, but when it came to agents and publishers the response was the same. Loved it – don’t know how to sell it. Music is too niche. Hmm, I thought, tell that to Gareth Malone.

A word of warning to anyone thinking of self-publishing – if it’s for your friends and relations, that’s fine, but if you want a wider readership, you’ll need a huge social media presence before you publish. Make sure you get a professional edit and proof as well.

One of the most exciting things about preparing your own book for publication is that you get to decide on the cover. I opted for Berni Stevens, a cover designer with considerable experience. I couldn’t be more pleased with the result.

One year later, having reached number thirty-five on Kindle and acquired over fifty rave reviews, I’m happy to say that’s not the case. Phew! Thank you, lovely readers.

I wish you all a very Merry Christmas and every continued success in 2017!

Catching up with Sue Moorcroft!

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It has been exciting to catch up with Sue Moorcroft to see all that has happened in her career since I interviewed her back in September 2014.

Hi Sue and welcome back! I know that 2016 has proved to be an exciting year for you, so tell us how much has changed.

This is an interesting idea – to be asked to update an old interview! I’m genuinely surprised by how much has happened in a little over two years and really thrilled that so much of what I was just beginning to work towards in 2014 has come to pass.

I had to look at my life and make some decisions. I wasn’t getting where I wanted to be writing-wise and I felt under tremendous time-pressures. I examined everything I did under three headings:
– What makes me happy/unhappy
– What’s good for me/bad for me
– What earns me money

My first move was to drop a column I was writing for free. It was about one of my passions, Formula 1, but it was spoiling the races for me as instead of just enjoying them I was making notes and thinking about angles.

A far less easy decision was to step away from the chair of the Romantic Novelists’ Association. The RNA is another passion of mine but being vice-chair was not only gobbling up hundreds of hours a year but putting me under stress at a time when I had other stresses. The RNA is a big part of my life and I felt that I’d let everyone down but I can’t regret that decision.

Encouraged by the success of the above I realised that instead of waiting for a contract with a big publisher, which would enable me to drop a lot of teaching work and the less lucrative writing, I had to drop it first. With more time and free of rigid and frequent deadlines I could concentrate on that elusive contract.

Did it work?

I think so. The Christmas Promise was sold to Avon Books UK (HarperCollins) as their lead title and has climbed the Kindle UK charts. The paperback goes on sale in the UK on 1 December. Fischer in Germany made it their lead title, too, it will come out with Bazar in Denmark and there’s an Italian offer in the wind.

What teaching I do undertake is pretty much to my own schedule and in 2017 will involve Dubai and Italy.

Getting to this stage involved a big leap of faith along with good fortune and a good agent but, looking back, I wouldn’t change those decisions. As well as achieving more commercial success I’m happier and more relaxed and can enjoy my writing more.

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Award-winning author Sue Moorcroft writes contemporary women’s fiction with occasionally unexpected themes. A past vice chair of the Romantic Novelists’ Association and editor of its two anthologies, Sue also writes short stories, serials, articles, writing ‘how to’ and is a creative writing tutor. She’s won a Readers’ Best Romantic Read Award and the Katie Fforde Bursary.
Sue’s latest book is The Christmas Promise. It’s about Christmas, hats, revenge porn, being skint, a WAG called Booby Ruby and a marketing plan that goes viral. Also Ava and Sam.
Website: www.suemoorcroft.com
Blog: https://suemoorcroft.wordpress.com/
Facebook: sue.moorcroft.3
Facebook author page: https://www.facebook.com/SueMoorcroftAuthor
Twitter: @suemoorcroft
Instagram: suemoorcroftauthor
Google+: google.com/+Suemoorcroftauthor
LinkedIn: https://www.linkedin.com/in/suemoorcroft
Amazon author page: Author.to/SueMoorcroft

OAPSchat goes from strength to strength!

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Catching up with Janice Rosser founder of OAPSchat!

Jan’s motto is ‘ONWARDS AND UPWARDS!’ which seems to be the way her brainchild, OAPSchat the community site targeted at over 55’s, is going.

So here is Jan to tell us about it…

Since you interviewed me in 2014, OAPSChat has grown and grown! In June 2014 I was delighted to be one of the recipients of The Independent on Sunday Top 100 Happy List Award. I wrote a blog for the website describing the experience.

My mother passed away on September 1st 2014 and fortunately Margaret my sister and I were both at her side when she died peacefully in my house.

Suddenly I was no longer a carer. Mum’s words to me when she was dying are still with me. “Make an even bigger success of the website love and bring people together to try and end loneliness. You and Margaret have looked after me so well and I have been really lucky having you both.”

Congratulations on The Independent on Sunday Top 100 Happy List Award, but I am very sorry that you lost your mum. She must have been very proud and appreciative of both you and Margaret and the loving care you took of her.

So…… since then, so much has happened. I have been on local radio twice, interviewed my folk hero Ralph McTell, along with Dr Mark Porter, the owner of Laithwaites Wines, and many more celebrities. I appeared in Wetherspoons magazine in March 2015.

I evaluate many products for companies and send out a monthly newsletter to over 480 people.

I have 126 wonderful contributors now and over 1130 articles for people to read and comment on. Ranked at just over 12,000 in UK website rankings as at 11/11/2016, 2016 is drawing to a close better and busier than ever.

So what do you plan for 2017?

My aim is to hopefully be in the top 5,000 UK websites and to be the most popular online community magazine. The purpose for starting the website was to help combat loneliness and bring together people from all walks of life to forge new friendships and online companionship. This has certainly happened, but there is still a long way to go. My ‘baby’ born in November 2013 is now a toddler at three years old this month and true to toddler behaviour is more demanding and growing at a rate that I never thought possible!

I hope you hit the 5,000 ranking!

I love what I do and have met and am meeting new people all the time. One never stops learning and almost every day I receive a new article or write about a different topic myself.

I hope you have a very Merry Christmas Valerie and a Happy and Healthy New Year and thank you for inviting me back for an update.

It is inspiring to read about your progress with this extremely valuable site. I wish you, your family and OAPschat community a Merry Christmas and a very happy, prosperous and healthy 2017!

Click to read Jan’s original interview

Meet Sarah Quirke!

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Sarah Quirke, Publishing Manager of F A Thorpe Publishing

I am  delighted to welcome Sarah Quirke, Publishing Manager of FA Thorpe Publishing to my blog to talk about her work and interests.

 Firstly, Sarah, welcome! Could you tell us about FA Thorpe Publishing?

F.A. Thorpe Publishing is the publishing division of Ulverscroft Large Print Books Ltd, which distributes large print and audio books worldwide. It was established by Frederick Thorpe in 1964, with the intention of reproducing popular books in larger type for those who struggled to read standard print. Initially, there was scepticism on the part of publishers about this unknown format. However, a chance encounter with Agatha Christie allowed Dr. Thorpe to discuss this project with her, which resulted in her wholehearted support – she expressed a desire to see all of her titles produced in large print. This was a key factor in gaining the support of other publishers and authors. A Pocket Full of Rye was one of the first titles to be published in large print format, and we have, over the years, published all of Agatha Christie’s title in large print – along with a fair few others…

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The team working hard at F A Thorpe

Did you always want to have a career in publishing?

Although I had no doubts about what I wanted to study at university – English literature – I hadn’t a clue what I wanted to do once I finished my studies. I feel extremely fortunate to have landed my job. I’ve been with the company for nearly 14 years, so I feel rather fortunate about that, too!

Have you always been an avid reader?

Always! I vividly remember reading aloud to my dad when I was about six, and him telling me to read the words ‘as though you’re speaking’, and it suddenly clicked. And then there was no stopping me…

Which authors have, or do, inspire you?

I found A Land More Kind Than Home by Wiley Cash thoroughly inspirational in terms of the writing, which was exceptional; it just poured off the page and felt beautifully effortless. In terms of story-telling, and the moral dilemma presented, The Light Between Oceans by M.L. Stedman was utterly compelling.

What is your favourite genre for your own leisure reading?

I do enjoy a well-written, ‘unreliable narrator’/twisty-turn-y tale. I think Paula Daly is fantastic, and I also like Tamar Cohen. I’m afraid I’ve yet to read The Girl on the Train, but I definitely want to do so before seeing the film.

Could you describe the imprints you represent and the word limitations on each?

Our Charnwood and Isis imprints contain mass market popular fiction and non-fiction titles, and our big name authors. The upper limit here is very much dependant on how well we can expect a particular author to sell. Our Ulverscroft imprint tends to house much shorter titles, and the upper limit here is currently around 60-65,000 words. For our Linford Romance imprint, we’d ideally want titles to be somewhere between 30-50,000 words, although we have taken shorter and longer titles than this; the same is true of our Linford Mystery and Linford Western imprints, give or take a few thousand either way.

What do you look for in a new submission?

For most titles, the first consideration is always a practical one – if it’s too long or too short, I won’t be able to consider it. The next consideration is whether or not it will be a good fit for our lists.

What should writers avoid sending you?

If you’re aiming for one of the Linford imprints, then try to make sure it’s a clear fit within the genre – so, a romance rather than a general fiction title, for example. We tend not to do sci-fi or fantasy titles, or self-published non-fiction.

You must see a vast number of submissions, so is there any advice you could give to a writer who is considering submitting a manuscript to you?

Please read and re-read what you’re submitting with as clear an eye as possible. The fewer mistakes, the easier it is for us to see the story you’re trying to tell.

What is the most satisfying aspect of your work?

It’s great when I win an auction for a title I desperately want in our lists, and it’s also very satisfying putting a list together and seeing what I know are some absolutely cracking reads in there. Being surrounded by books all day is also a definite bonus!

Would you consider writing a novella/novel yourself?

I would love to. I note down ideas a lot, although that’s about as far as I’ve ever got.

When not involved in the world of books what do you love doing to relax?

Yoga and singing – I do both with great enthusiasm and questionable results.

My thanks for your continued support for my work (39 titles to date) and for the insight into your world and that of F A Thorpe Publishing.

An interview with Cindy Nord!

Cindy Nord - Professional ImageI am delighted to welcome my special guest this month, bestselling Historical Romance author, Cindy Nord.

Thank you so much for taking the time to do this interview and share your experiences with us.

What inspired your love of books, or the desire to be a story-teller/writer yourself?

Coming from a family of educators, I’ve always been encouraged to read.  I devoured books by the dozens.  From classics to childhood favorites, books expanded my world. As I grew older, I also grew to love history, with a specific focus on the Victorian era.  I read my first romance, and fell in love with the genre. I enjoyed the details of history sprinkled throughout the storyline, coupled with an unrestrained romantic entanglement. Because of this combination, I felt moved to put pen to paper and craft my own love story.

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What characteristics do you think are essential in a hero or heroine?

I want my hero to be strong, involved and engaged. A man who transforms compassion into heroic action with a unique leadership ability that separates him from the rest of the pack. Of course, he’s not perfect, he does have his weaknesses, AND, ultimately, it will be the heroine who helps him overcome those internal conflicts and imperfections. Likewise, I want my heroine to have a resourceful and internal focus that becomes challenged when she meets her hero. She must have a resilient sense of purpose with an unfulfilled need that even she doesn’t know she has. And, in turn, the hero, at first overwhelming and unwanted, eventually fills this void inside her heart. Of course, the romance wrapped around these two individuals is the catalyst that spurs them onward to completing their tumultuous journey to happily-ever-after.

Reliable research is essential to historical authors, but when did you first become involved in Civil War re-enactments?

As a Victorian lecturer and historian, I appreciate the details that breathe a character to life upon the pages. Wonderful tidbits that immerse the reader fully into the time period.  And my experience in re-enacting only helped solidify this knowledge. Many years ago, when I began writing my first novel, I read in the newspaper that they were having a Civil War living history weekend at our local university. Holy Toledo! I couldn’t believe that they actually did this sort of thing.  Here was American history brought to life. The acrid aroma of campfires. The thundering gallop of cavalry horses. Women clad in Victorian gowns sashaying across a lawn. All the things that I was writing about at the time. Indeed, I was swept straight back into the nineteenth century, and fell head-over-heels in love with this whole new experience. Immediately, I threw myself into the hobby.  I even ended up meeting my future husband on the battlefield.  Although we no longer re-enact now, I’ll forevermore cherish those years spent living in the time period I love so well.

What can your readers expect from a Cindy Nord novel?

Passion. Emotion. Conflict. Indeed, an accurate, historical immersion. All those things plus an ardent romance filled with sensations that tug at a readers’ heartstrings. Getting my characters to ‘The End’ is a hard won journey, for sure. And the greatest test of success for any writer is when their readers make the trip through their novels and never want the love story to end.

In your fascinating career to date, what memorable moments stand out?

Oh my, such a great question. Let’s see… I’ll begin with being a Romance Writers of America National Golden heart finalist with No Greater Glory which started this whole incredible journey, signing with my fabulous literary agent, Louise Fury of the Jenny Bent Agency in New York City, the day my first box of books arrived from my publisher, being a USA Today Lifeblog ‘Recommended Read’ author, having my Civil War romance novel used as a supplemental read in a well-known university history class, receiving a stellar review by the Library Journal (buying bible for all libraries in the U.S., Canada & the U.K.), my first invitation to be a keynote speaker at an RWA affiliated chapter, and having my very first book signing at Barnes & Noble…these, and so many more, have truly brought me untold joy.

With Open Arms (USE)

Do you have a very organized day, or do you write around ‘life’, but to set targets?

Balancing my time and attention between writing, social media, my family and my friends is always a difficult task. I try to set up a schedule with mornings spent on the internet and my social media sites, with my afternoons devoted to writing. In the evening, my husband listens as I read what I’ve written for the day.  This is a routine that works well for me. I’m what they call a ‘pantser’ (writing without an outline), and must completely finish each chapter before moving on to the next. I wouldn’t advise anyone else to follow this writing style, so say the ‘plot-first’ experts, but it does seem to work for me.

Writing books involves long hours working at a computer. What do you do to keep healthy and active?

I thoroughly love to ‘water walk’ at the gym, plus I walk my two shelties daily around our neighbourhood. I also enjoy working in the garden, as well as bicycling with my husband. We are both passionate followers of an ‘organic’ lifestyle, along with nutraceutical supplementation.

Along with other writers, I understand that you contributed to an anthology for ‘Women in Need’. Could you tell us something about this work and the charity?

I was invited by writer-extraordinaire, Hope Tarr, to be part of her project entitled, “Scribbling Women and the Real-Life Romance Heroes Who Love Them” non-fiction anthology where I joined several New York Times & other romance fiction writers.  Each real-life story in this body of work details how we writers met, wed and love—and are loved and supported by—our spouses and life partners. All proceeds from this literary compilation go directly to Women In Need, a New York City women’s shelter for abused females & their children. I am so honoured to have been asked to participate. Happily Ever After isn’t only the stuff of romance novels and fairy tales.

What single piece of advice would you give to any, as yet, unpublished author?

Never, ever, ever give up on your dream. And since we’re going to dream anyway…DREAM BIG!

What is next for Cindy?

I am putting the finishing touches on AN UNLIKELY HERO, the third book in my four-book The Cutteridge Series. I anticipate this love story debuting Spring, 2016.  I’ve also been invited to host one of the ten coveted ‘opening night’ tables at the 2015 Romantic Times Booklovers Convention in Dallas in May.  I’m also doing several book signings, as well as guest interviews for television stations. Plus, lecturing on Victorian fashions at several locations across the Midwest.

More from Cindy: