Catching up with Heather, Digger and Biscuit!

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So much has happened since 2020! How have you coped through the pandemic?

I returned home to the UAE after a brief visit to London in February 2020 just as the first reports of coronavirus were emerging. I don’t think any of us realised what lay ahead for the world. By the end of March, we were in lockdown and home working became the norm. As a writer, that wasn’t a big change for me but like many people, it was not having the choice to go out or meet people that was really difficult. A vaccine programme was rolled out very quickly and I managed to avoid catching covid until a visit to London in November 2022!

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I loved the Digger and Biscuit story that you were developing when I first met you as your online tutor. How has the series developed since then?

During the pandemic, writing provided a wonderful escape into magical worlds. I wrote, edited, rewrote and refined Digger and Biscuit’s third adventure which was published in September 2021. Our intrepid adventurers find themselves in a race to save Fairy Tale Land before the sky completely tumbles down.

Do you have plans for further adventures?

Our adventurous duo are helped by some friends from their previous adventures as well as new characters, including The Three Little Pigs, marauding dragons and Rapunzel. Of course, things never go smoothly for Digger and Biscuit, and they are pursued throughout by a shuffling – scuffling – creeping – peeping – scribbling – scratching sound…

For those that are familiar with the first two books, the third book delves more closely into the mysterious background of Fizz the Camel – and just why a camel is living in a castle with two pups and the magical Missy.

It was great to work with the very talented Bex Sutton again and all three books are now available featuring her beautiful illustrations in either colour or black and white.

During the pandemic my husband and I decided that after nearly eight wonderful years, it was time to return to the UK from Dubai. Since we returned in March this year it has been a whirlwind of house hunting, moving and unpacking!

As I was sorting through boxes, I found a notebook with the first draft  Digger and Biscuit’s fourth adventure. I thought the series would be a trilogy, but once I’d finished The Mystery of the Falling Sky, I missed Digger and Biscuit. Their fourth adventure sees them on a quest to solve a series of riddles and try to find out why everyone in Fairy Tale Land is disappearing and taking their stories with them. I’m really looking forward the seeing where this adventure takes them in 2023.

You are obviously a dog-lover, were these two lovable characters based upon your own pets?

As a dog lover, Digger and Biscuit’s antics are very much influenced by my own Golden Retrievers. Their games, interactions, personalities and love of all things edible, can definitely be seen in Digger and Biscuit. Our new home has a large garden which is already covered in holes from someone digging and there are toys scattered across the grass from games of tuggy! We have quite a few trees so chasing squirrels has become their new fitness craze. They’re so happy and excited, I haven’t the heart to tell them that the squirrels really don’t want to play with them.

As a teacher, I had a dog puppet called Digger who was part of our class. Digger would help by modelling learning and often the children would teach Digger. They loved seeing him grow in confidence and learn new skills. Digger was very mischievous, which of course, the children found very funny and they were so proud when he mastered a new skill.

Digger doesn’t always get things right, but he tries hard and he’s very loving and loyal to his friends and sister – despite some sibling rivalry. So yes, the characters of Digger and Biscuit very much grew from my own dogs and the characters created when I was teaching. I think Digger and Biscuit’s characters continue to evolve with each adventure.

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Who are the intended audience for your books?

I wrote Digger and Biscuit’s adventures as a bridge between picture books and longer chapter books. There is a stage when children enjoy longer stories with more complex plots but they don’t yet have the fluency and resilience to read them themselves. They are written to be read aloud by an adult and children can then reread them independently. Each chapter takes around fifteen minutes to read aloud so they are ideal for bedtime or Storytime. Although aimed at ages five to nine, they are very popular with adults too as they are fun to read aloud and have twists and references to keep them entertained.

Recently I have been attending Christmas Fayres and it has been a real pleasure meeting different people and chatting about Digger and Biscuit’s adventures.

I wish you and Digger and Biscuit every continued success!

You can follow Heather on both Facebook and LinkedIn as Heather G. Watts, Instagram: Diggerandbiscuitadventures, Twitter: @diggerandb or via email at diggerandbiscuit@yahoo.com

If your New Year resolution is to finally write that story or book, then visit my manuscript appraisal page.

Heather’ ‘s testimonial.

Wishing you all a happy, healthy and successful 2023, wherever in the world you are!

Regency Christmas celebrations

Merry Christmas

Christmastide in Regency times was a prolonged period of celebration, compared to our modern holiday, for those who could enjoy it. Public holidays did not exist so for the working class it was not a given that the day would be given  

It began on December 6th, Saint Nicholas’ Day. This was marked by exchanging small gifts.  

Christmastide ended on January 6th, otherwise known as ‘Twelfth Night’, marking Epiphany.  

For those who could celebrate Saint Nicholas’s Day, it was a period for parties, suppers, and balls to be held. But for all who had them it was a time for family and friends.  

This period did carry the feeling of ‘goodwill’ so it was expected that charity would be given to the poor, particularly on December 21st, Saint Thomas’s Day when the widows of soldiers who had died in the Napoleonic wars would go ‘Thomasing’, calling at the kitchen doors seeking alms or food parcels. 

On Christmas Eve holly and evergreens would be gathered and brought into the house to decorate and bring in the fresh small of nature. Garlands and wreaths would be woven with rosemary, bay, and laurel, and then embellished with apples, oranges, ribbons, and holly berries. 

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Mistletoe brought its own added spice to the festivities as kissing balls or boughs were made from it, a tradition that still lingers today. With each exchanged kiss a berry was plucked, once all the berries were gone then the kissing had to stop.  

A candle was lit on Christmas Eve and the Yule log was brought in wrapped in hazel twigs and custom stated that it should be lit with a remnant of last year’s log. The fire would then be kept burning as long as possible and be at the heart of family gatherings; a small piece being saved for the next year.  

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On Christmas Day people attended church and then the gentry had a celebratory dinner of turkey, venison, or goose for the gentry, followed by plum pudding. Much of the seasonal food could be prepared ahead of time with a favourite being cold, brawn pies. 

The next day, Saint Stephen’s Day, was a day for charity. Richer people gave servants and tenants their ‘Christmas boxes’, usually gifts of money, hence it becomes known as ‘Boxing Day’. 

Finally, on the twelfth night there might be a party held with much dancing and singing. Hot spiced, mulled, wine was offered, and a special cake made to share amongst all the members of the household.  

Games such as ‘bobbing for apples,’ and ‘snapdragon’ – a game where raisins were soaked in a brandy in a large shallow bowl, were enjoyed. A more challenging one involved candles being blown out and the brandy lit, people then had to try and grab a raisin and eat it without burning themselves – health and safety was yet to be implemented!  

Men’s names were put into a hat so that ladies could then pick a name out to be her partner for the night.  

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A C17 yew wood wassail bowl.

A wassail bowl was often carried from house to house, filled with warmed ale, mulled wine, or punch, sometimes accompanied by the singing of carols.  

The feeling of goodwill to all humankind was the message of the season. It depended on where you were on the social scale from impoverished to rich as to how much you could be a part of the tradition, but the feeling and love shared at this time was priceless then, just as it is today. 

Merry Christmas and season’s greetings to all my readers! 

A warming tale of Regency

Ellie encounters a handsome stranger, when escaping the claustrophobic presence of her widowed aunt, Mrs Hemming in The Old Hall. She is initially distressed and annoyed, until he introduces himself as Mr. Montgomery Cookson causing Ellie’s dark clouds to instantly lift, for she knows they will formally meet again.
Mrs Hemming homed the deserted Ellie, whilst bringing up her two cousins, Dorcas and Sybil, despite the ruinous reputation of her mother for deserting her husband and child.
Ellie had been shocked and scared, when infirmed she was expected to marry Mrs. Hemming’s own cousin, Mr. MONTGOMERY COOKSON.
But has Ellie met her match in Mr. Cookson?
Will her future be as grim as she envisaged?
When Fate has cast a shadow over her life for so long, can destiny shine a light into Ellie’s world?
Will Ellie finally discover who she really is?

Available on:  iBook    Kindle   Kobo   Smashwords 

Meet poet, blogger and author Wendy Van Camp!

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I am delighted to welcome a writer, poet and blogger based in Orange Country, California, as my guest this month. We share a mutual love of Jane Austen’s work, an affinity with notebooks and pens, as well as a keen interest in Celtic designed jewellery. There are other aspects of Wendy’s talents and career, which I am keen to discover.

Welcome, Wendy!

Orange County sounds a fascinating place to live, is that a fair comment? Is it the place you moved to, or has it always been your home?

I have grown comfortable here in Southern California. I am close enough to the beach to go for an afternoon visit, but far enough away that I am not in the path of tourists. We have a wide range of concerts, public fairs, and outdoor activities to choose from. The white sand beaches are a world-wide travel destination and a mecca for surfers.

I did not start out in Orange County. I always moved around most of my life. My father transferred often when I was a child, and I have lived in many cities. I moved to Orange County when my husband and I got married. A few years later, we purchased our current residence only a mile away from our original condo. My house is modest, but it allows me a home office and a small garden where I can grow roses and sit in the sun. Can a writer ask for more?

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No, I don’t think so, it sounds lovely!

As an author of Regency romantic adventures I want to ask about this aspect of your work first. What is it that appeals to you about Jane Austen’s work?

I had not read Austen until my early forties. I sought her out because of the desire to read more classic literature. The only Austen novel available at the local library at the time was “Persuasion” and this is the first of her books that I read. I fell in love with this book about second chances and read all of Austen’s work.  “Persuasion” was my favourite of them all and eventually I felt the need to write a story based on these characters because they haunted me.

How challenging was it to take The Curate’s Brother from NaNoWriMo to published eBook?

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It has been an incredible challenge.  I am normally a science fiction writer and poet.  Writing a Regency era historical was a huge undertaking for me.  I had never read romance novels and had little idea of the amount of research a historical novel needs.  My first attempt was a complete failure. I trunked the manuscript for a full year.

After that first NaNoWriMo attempt, I read around eighty romance novels to better understand the romance genre as I researched the time the story took place. My second NaNoWriMo attempt went easier, but I discovered the story had grown and would need more than a single book to complete.

As I was revising the book, I realised that the first chapter was the only one told from Edward Wentworth’s point of view. He is the brother of Captain Wentworth and merely mentioned in Austen’s original novel.  I removed the chapter from the book for that reason, but the ideas in that chapter would not let me go.

I took the chapter to my science fiction writing critique group for help, thinking it might work as a short story.  The men refused to read it because it was “romance”. Most of the group hated the story, except for one, who was a professor of literature. She wrote what she understood of my outline to make it clear to me and to show my story followed a standard beat structure. She ended her critique with “it needs another ten thousand words”. I took her advice and over a two-week period, I wrote those ten thousand additional words. I took the new revision to a different critique group, one that was multi-genre, and they loved the story, urging me to publish it as is. That is how “The Curate’s Brother” was born. It has garnered good reviews on Amazon and has sold many copies down the years.

Were you ever daunted at the prospect of adapting characters from such a well-known classic as Persuasion?

At the time I started this project, I was an inexperienced novelist. Writing was still a hobby.  I had little idea about the hard work and dedication needed to bring a novel to publication.  I saw hundreds of Austen fanfictions online and figured the world could use one more Austen inspired author. Now that I’ve been writing and publishing for over a decade, my viewpoint has changed. I realise what a tremendous task I have undertaken. But I still have love for Jane Austen’s work, and I want to finish this project that I began so long ago, creating a story that ‘Janeites’ will love.

Will there be sequels?

I have three more books semi-drafted in my Austen Regency series. As I complete revisions, new characters pop up, along with connections that enrich the story. I am far behind schedule on finishing the final three books (I apologise profusely to my readers for this), but I have been making progress.  Book two of this series, “Christmas in Kellynch”, is close to completion.

Regency is far removed from your favoured genres of Sci-Fi and Fantasy. Please share your interest in them and how your blog No Wasted Ink came into being?

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I have always been a hard-core science fiction and fantasy reader. The first “science fiction” I read was Edgar Rice Burrough’s “A Princess of Mars”. I loved the strong female characters of this series. I got hooked on Robert A Heinlein’s juveniles and Anne McCaffery’s Pern in middle-school.  Later favourite authors were Elizabeth Moon, Ursula Le Guin, and Andre Norton.  I still read a steady diet of science fiction and fantasy books.  I love to look into the future and see what humanity may become. I tend to be an optimist. I feel through technology and science we can solve whatever problems we as a people may face and that there are fantastic lives ahead of us all.

No Wasted Ink started not long after I published my first short story. I realised that this writing hobby of mine may turn into something more. I had always had a website for my jewellery business. It was a no brainer I would need a website for my writing business too. Over the years, No Wasted Ink has taken on its own life. It holds my writing clips, appearances, and links to my books, but it has grown into its own publication with a large following. I interview authors of science fiction and fantasy, have a top-ten writing article link page twice a month, host guest posts about the craft of writing, and the occasional article or essay I write on my own. You can also see illustrated poetry art featuring my scifaiku poems.

Your interest in these genres has evolved into two forms of poetry: Scifaiku and Astropoetry, which has gained you acclaim. When did you discover your poet’s voice and is this something you intend to continue publishing in the future?

It is funny, being a poet is the last thing I expected to happen to me as a writer.  I had a few negative run-ins with poetry as I was growing up and during my years as a television producer/director. One day in my forties, I was at a small science fiction convention and needed to kill time for two hours. I sat on a bench and a sign next to me said: “Scifaiku Workshop”.  I did not know was scifaiku was, but there was cold water in the room and I could get out of the heat for an hour.  So I went in. I ended up being the sole student of a poetry workshop, attended by a cadre of national level poetry magazine editors who came to support the instructor. I wrote my first poem in over twenty years that afternoon. I was told to read the science fiction haiku out loud to “the class” and I did…my only audience, that group of poetry editors. After my reading, one of them leaned over and whispered into my ear, “I loved your poem. I’d like to publish it in my magazine.  I’ll pay you.”  That was the moment I became a poet!

I suppose I have a distinctive “voice” in my poetry. To paraphrase, a critic described my voice as “poetry coming in undulating waves, like a white lily under a blood moon. Pure ideas surrounded by dark tension, but always reaching for the light.” I write from the gut and am self-taught. This is how the words come out for me and have since the beginning.

My debut poetry book “The Planets” has been nominated twice for the Elgin Award for Best Speculative Poetry Book of the Year. You can also find my poetry in magazines such as “Far Horizons”, “Starlight Scifaiku Review”, and in the anthology series “Eccentric Orbits” among many others.

Do you write in pen & ink first in a lovely notebook or on the computer?

It depends on the project. I compose poetry in a paper bound notebook with a fountain pen.  It is portable and I can take it out to coffeeshops or to the park. It also allows me an excuse for my fountain pen collecting hobby! Novels are different. I keep story ideas in notebooks, but I outline in Scrivener and set up my chapters there before the writing process. I create rough drafts on an AlphaSmart typewriter or via dictation with my Olympus Recorder.

Do you think your background in TV and the film industry has helped you to structure your plots and create credible characters within your novels?

Not at all. It was my dream to be a Hollywood filmmaker. creating stories for the screen.  What I ended up being was a television producer/director who handled events such as parades, city council meetings, and other municipal activities. I also directed hundreds of multi-camera talk shows, and two series.  One called “Musician Discoveries” which was a band showcase program, and the other “Cofeehouse Poetry” which featured poets reading their work in a coffeehouse setting. Returning to writing novels and short stories was my way back to the original dream of telling stories. While I loved working in television and wouldn’t trade a day of it, I don’t miss the pressure and dealing with all the negativity of Hollywood. I’m far happier as a writer and poet, working from home on my own schedule.

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Do you create jewellery to relax, or is it still very much your profession?

Believe it or not, I still run an occasional jewellery table, but I don’t consider myself an artisan jeweller any longer. Over the years, I have gradually made the shift from selling handcrafted Celtic jewellery to being a full-time author and poet. I do not make jewellery for fun. After thousands of earrings, bracelets and necklaces, I have hung up my pliers.

What triggered the Celtic design connection?

I am half Scottish/English and always had a love of the Celtic designs from my heritage. These designs are also very popular on the science fiction convention circuit. It was a profitable choice of theme for my work.

What is next for Wendy?

I’m in completion mode. I have two series that are drafted due to my years in NaNoWriMo, but in revision.  One is my Austen Regency series, of which “The Curate’s Brother” is the first instalment and the other is a Steampunk Alice in Wonderland adventure.

Poetry has become important to me in a way that is quite unexpected, but an art form I have embraced. I have two more scifaiku poetry collections, plus a hybrid poetry/essay book about a rare illness that I experienced and recovered from, in development.

Thank you for taking time out of your busy schedule to answer my questions.

Wendy Van Camp is an Elgin-finalist poet, writer, and artist. Her work has received Honorable Mention at the Writers of the Future Contest and she is a graduate of the Ad Astra Speculative Fiction Workshop. Her short stories and poems have appeared in magazines such as: “Starlight Scifaiku Review”, “Scifaikuest”, “Quantum Visions” and “Far Horizons”. She is the poet and illustrator of  “The Planets: a scifaiku poetry collection” and the editor of the speculative poetry anthology “Eccentric Orbits 2”. You can hear Wendy as a semi-regular panelist on Sci-Fi Roundtable Podcast. She is the Con Coordinator for the SFPA.

LINKS

No Wasted Ink – http://nowastedink.com

Amazon – https://www.amazon.com/author/wendyvancamp

Medium – https://medium.com/@wvancamp

Twitter – https://twitter.com/wvancamp

Instagram – https://instagram.com/nowastedink

Esty Print Shop: https://www.etsy.com/shop/NoWastedInk

Catch up with Sunday Times bestselling, award winning romance author, Sue Moorcroft!

Welcome back, Sue!

Thanks very much for inviting me, Val.

The last time we chatted was back in 2016 when you had made some monumental decisions as to what you were doing with your writing/tutor time.

You were setting out new goals for the future. Now the future is here: what has worked and, if anything, what did not?

Things have gone very well. I have to pinch myself, sometimes. Since I began working with my agent, Juliet Pickering of Blake Friedmann Literary Agency, everything has taken off. I’ve been with Avon HarperCollins for ten books, with more in the pipeline, and I’m published in about fourteen other languages and territories. I’ve been to number 1 in the Kindle UK chart, I’m a Sunday Times bestseller, and I’ve been in the Top 100 US Kindle chart and the Top 50 in Germany.

There have been challenges and setbacks along the way, of course, but I can’t think of anything that ‘didn’t work’. Although I continue to write a few short stories and two-parters, I’ve achieved my ambition of living on the earnings from my novels.

Huge congratulations, but also it is success that is well deserved!

Covid has affected everyone, directly or indirectly. How have you coped with lockdowns and keeping healthy?

I’m lucky that I have a garden and I live near a park. I’ve been able to continue writing because it means going to another place in my head every day, where people hug and kiss and mix freely. That’s not a bad state of mind in which to spend fifty or sixty hours each week. I’ve stuck to the guidelines and kept healthy, thank you. On the downside, my classes at the gym have collapsed, I haven’t seen some of my best friends for ages and I haven’t been able to go abroad. But I’ve been much more comfortably circumstanced than many so I live the best life I can.

What are you working on now?

I’ve just completed the edits for my winter book, Under the Mistletoe, which is set in ‘my’ village of Middledip and features Laurel who left the village when she was sixteen but now has to go back. The reason she left is still living in the village. I’m also in the middle of the first draft of my summer 2022 book. It’s set in France, which I chose because I’ve set a book there before and have my photos and memories for reference. A big park features heavily which, funnily enough, bears quite a resemblance to the one I walk around several times a week. The book’s about blended families and cybercrime. The cybercrime element is stretching my powers of understanding …

What goals do you have for the next five years?

Keep writing, keep selling – and hope I can sell more!

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Sue Moorcroft is a Sunday Times bestselling author, has reached the #1 spot on Kindle UK and top 100 in the US. She’s won the Goldsboro Books Contemporary Romantic Novel Award, Readers’ Best Romantic Novel award and the Katie Fforde Bursary. Published by HarperCollins in the UK, US and Canada and by other publishers around the world.

Meet Carole Matthews – winner of the RNA’s 2021 Romantic Comedy Novel Award.

Welcome, Carole!Matthews summer days sea breezes author

How long has your road to success been from that first publication breakthrough?

I had my first book published in 1997, Let’s Meet on Platform 8, and since then I’ve written another thirty-three novels. I didn’t realise when I started that I’d still be around twenty-five years later.

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What has being a member of the RNA meant to you over the years?

Friendship and support. It’s lovely being able to mix with a group of like-minded people who are willing to share your successes and struggles. It’s a great asset for authors.

What was your reaction to firstly receiving the RNA Outstanding Achievement Award and now this one?

The Outstanding Achievement Award was wonderful. I shared the honour with Jill Mansell and we were both presented with our awards by Barbara Taylor Bradford which was amazing – what a woman! It’s very nice to be recognised by your peers. I received three nominations – two for Sunny Days & Sea Breezes, plus one for Christmas for Beginners which was a lovely surprise. To receive the award for Romantic Comedy Novel of the Year was such a thrill. Sunny Days & Sea Breezes has already proved to be one of my most popular books with readers and this feels like the ultimate stamp of approval.

Happiness for Beginners was inspired by a real animal farm helping people – how do you balance the harsher realities and issues of life with a lighter touch to convey a heartfelt and serious theme?

That’s something that I’ve tried to do with all of my books and I think they reflect life in general. It’s not all ha-ha-hee-hee, but sometimes we’re able to see the funny side in difficulties. While my books are romantic comedies, I hope they reflect real life too. With Happiness for Beginners, the real farm helps people with behavioural and mental health issues, so that created the darker side of the book. They also rescued troubled and damaged animals and they definitely provided the comedy element!

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Are you a detailed plotter or do you develop your work on the screen as you go and through revisions and edits?

A detailed plotter! As I’ve written two books a year for the last ten years, I don’t have the luxury of wondering what happens next – I need to know! I do, however, change and adapt as I go, but I start off with a definite beginning, middle and end. I spend about two weeks writing out character profiles and that helps me to get into their heads. Each morning, I start by editing what I’ve done the day before and then I have one final pass at the end. I do as little editing as humanly possible.

Your locations vary, keeping your work fresh and inspiring. Are there any that have been particularly memorable?

I have been fortunate to be able to base my books in some wonderful locations over the years. Part of With or Without You was set in Nepal and that was a very memorable trip. I loved every minute – the people and the culture are fantastic. I went to Swedish Lapland and stayed in the Ice Hotel as research for Calling Mrs Christmas and that was wonderful too. We had the most fabulous display of the Northern Lights – one of the highlights of my life. My latest, Sunny Days & Sea Breezes, is set on the Isle of Wight and I’ve fallen in love with the place and plan to visit time and time again. I must have described it nicely as many of my readers – and my editors – booked holidays there as a result!

You are a prolific author, but roughly how long does it take to do the research, writing, editing to final manuscript?

I’ve been doing a book every six months, so research, writing and editing all tends to roll into one. I’m usually researching the next book while writing the current one and editing the last one. I really wouldn’t like to see inside my brain!

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What is next for Carole?

Lots to look forwards to! The paperback of Sunny Days & Sea Breezes is out in May, so I’m looking forward to that. My publisher is re-jacketing and reissuing a lot of my backlist which is quite a job with thirty-odd books to do. The new-look Chocolate Lovers’ Club is out in eBook at the moment for 99p and the whole series will be reissued in paperback in August. This series of four books is among my most popular worldwide, so it’s nice to see them given a new lease of life. Later in the year – October – will see the paperback of Christmas for Beginners which was also nominated for an RNA award and sees another visit to Hope Farm.

Celebrating: The Sapere Books Popular Romantic Fiction Award shortlist!

Popular romantic

The Sapere Books Popular Romantic Fiction Award

Sapere Books is a digital first publisher of romantic fiction, historical fiction, women’s fiction, crime fiction and thrillers. Sapere Books launched in 2018 and specialises in reissuing novels which have gone out of print and developing relationships with both new and established writers.

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A Perfect Cornish Escape – Phillipa Ashley

Avon

Wild landscapes and small communities inspire my novels. The idea for A Perfect Cornish Escape came from a visit to an isolated coastwatch station on the Cornish coast. After Marina’s husband, Nate, is lost at sea, she reopens her local station, determined that others won’t have to go through the agony she has. Marina vowed to love Nate forever but when kind-hearted Lachlan arrives in her life, should she deny herself another chance at happiness?

Sing Me a Secret – Julie Houston

Aria, Head of Zeus

I was inspired to write SING ME A SECRET after taking part in a musical production of Lloyd Webber’s Jesus Christ Superstar in Leeds Town Hall several years ago. In the actual book, a family secret held between four sisters is played out, and eventually revealed, while rehearsing and performing in their village’s own production of this fabulous musical. I’d loved every minute of taking part in the show, especially as we all fell in love with Jesus. And what a Jesus…

Sunny Days and Sea Breezes – Carole Matthews

Sphere, Little, Brown

I won a short story competition in Writing magazine and did the most sensible thing I’ve ever done. I spent the prize money on a writing course. The tutor told me that my work-in-progress was good enough to send to an agent. He took me on straight away and sold the book within a week which became Let’s Meet on Platform 8. I never imagined that it would launch a career that would last twenty-four years and see me write thirty-four books.

Christmas Wishes – Sue Moorcroft

Aria, Head of Zeus

When I heard a sportsman talking about battling an eating disorder I gave the issue to Nico, a Swedish man and single dad who was once a rising ice hockey star. I wanted to give him issues traditionally allotted to female characters. I gave Hannah a contrastingly easy life in Stockholm … then snatched it away and returned her to her English village.

The Two Lives of Lydia Bird – Josie Silver

Penguin

The winner will be announced on the 8th March 2021.

Please feel free to leave a comment or like the post.

Celebrating: The Goldsboro Books Contemporary Romantic Novel Shortlist!

 

RNA Contemporary

 

The Goldsboro Books Contemporary Romantic Novel 

Goldsboro Books is the UK’s leading independent bookshop, specialising since 1999 in first editions, signed, collectable and exclusive books. Situated in Cecil Court in London’s West End, and – as of December 2020 – Brighton’s famous Lanes, it has gained a reputation for championing debut authors, as well as creating the UK’s largest book collectors’ club, and is influential in selling large quantities of hard-back fiction. 

Every author has their own unique story to tell about how and why they came to be a novelist. Read on to find out the stories behind the talented authors shortlisted for the prestigious award, as they reveal them, and the inspiration behind their lovely novels.

Where We Belong – Anstey Harris  

Simon & Schuster  

It has been a goal of mine, for a long time, to write a novel featuring someone with a learning disability whose disability doesn’t define them and whose story arc isn’t connected to that disability. Wrapping that up in a love story made it even more valuable thing to write about – love is the thing that binds us, that makes the world go round, and something we all have a right to experience. 

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My One True North  – Milly Johnson  

Simon & Schuster  

I never wanted to be anything else but a novelist. Even when the sensible part of me was saying, ‘Get a proper job. Girls like you don’t become them,’ I never stopped dreaming. But such dreams need hard work behind them to come true so I gave it my all. I wanted to write books that made readers feel the way I did when reading the best ones: a willing prisoner trapped in the pages. 

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One Day In Summer – Shari Low  

Boldwood Books  

One Day In Summer was inspired by every woman I’ve ever known who put their own dreams to one side to take care of their family. The main character, Agnetha, wakes on her 40th birthday, having spent the last twenty years caring for her parents, her daughters, and the husband who left her for her best friend. It’s her time now. And Agnetha, just like all those other women, deserves another shot at life and at love.  

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Eudora Honeysett is Quite Well, Thank You  – Annie Lyons  

One More Chapter, HarperCollins   

Eighty-five-year-old Eudora Honeysett is inspired in part by my mum. She also lived through the Second World War and they share that ‘dig for victory’ resilience. The irrepressible Rose, who befriends a reluctant Eudora, is inspired by every ten-year-old I’ve ever known bringing sparkle and relentless curiosity about life, death and everything in between! Their adventures with the recently-widowed Stanley help Eudora to reconsider this ‘noisy, moronic world’ and come to terms with her past. 

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Christmas For Beginners  – Carole Matthews  

Sphere, Little, Brown  

I won a short story competition in Writing magazine and did the most sensible thing I’ve ever done. I spent the prize money on a writing course. The tutor told me that my work-in-progress was good enough to send to an agent. He took me on straight away and sold the book within a week which became Let’s Meet on Platform 8. I never imagined that it would launch a career that would last twenty-four years and see me write thirty-four books.  

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The Little Shop in Cornwall  – Helen Pollard  

Bookouture  

I always want my books to provide an escape from everyday life for my readers, transporting them to somewhere special. Since I love creating fictitious places set within a real region, what could be more fun than to dream up my very own pretty coastal Cornish village for The Little Shop in Cornwall? Beach, harbour, wooded cliffs, fishermen’s cottages… Perfect. As I was writing, I would sometimes forget that Porthsteren only exists in my imagination! 

 

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Mix Tape  – Jane Sanderson  

Bantam Press  

I’ve always listened to and loved music, but the idea for this novel actually arrived in a eureka moment; a waking thought one morning, that I should write a novel which harnessed and celebrated the power of song to speak to the heart. A girl and a boy lost to each other, then finding their way back, through music – that was the central premise, and it was pure joy for me as a writer to capture those heady, heart-hammering emotions inspired by the perfect song.  

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The Spark  – Jules Wake  

One More Chapter, HarperCollins  

Normally my books are about couples who gradually fall in love over the course of a book. With this story I wanted to explore those lovely falling in love moments from the outset but of course if they fall in love straight away, there is no story. The Spark was born when I thought about what conflicts might spoil that early happiness and how the characters will overcome them.   

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The winner will be announced on the 8th March 2021.

Please feel free to leave a comment or like the post.

Meet children’s author, Heather Watts, as Digger and Biscuit begin their Christmas adventure!

What childhood influencers encouraged your interest in books, storytelling and ultimately writing?

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As a child I was very poorly with chronic asthma so very often I just didn’t have the energy to do anything. My mum would read to me for hours (Enid Blyton and Fairy Tales were our favourites) and I would retell and relive these stories in my imagination. Of course, I was always the hero in my version! I’d sit for hours in the garden talking to imaginary fairies and giants, completely lost in my own world.

By the time I started school I was already able to read quite well (although it took my teacher several weeks to realise this) and I had started writing little book reviews and was trying to write my own stories. At the age of six I had letters published in the local newspaper and the Bunty comic. Hammy Hamster’s exploits were legendary in our family including a three day trip up the chimney and ghostly piano playing in the night!

I’d love to say that was the start of a lifelong passion for writing but I didn’t start to write stories again until a few years ago. As a teacher I always loved reading and writing with my class and it was here that the lovable characters of Digger and Biscuit came to life. Children loved learning with them and took them into their hearts as extra class mates.

What was the appeal of writing a longer picture book?

I always knew that Digger and Biscuit’s stories were a lot longer and more complex than a picture book. With the first book, The Mystery of the Magic Mirror, I plotted around twelve chapters with each one taking around fifteen minutes to read aloud, so ideal for bedtime or story time in a classroom. It’s also a good length for children reading independently.

The Mystery of the Missing Christmas was always intended to be longer at around twenty-five chapters. My idea was that if a reader wanted to, they could read a chapter a day through December leading up to Christmas Day.

I want to tell my stories for anyone who wants to read them – young children, older children or adults. I often see authors discussing the moral of their stories. I just hope my readers enjoy Digger and Biscuit’s adventures and that they make them smile. Of course there are friendships, team work, problem solving and some character who need to learn some manners (!) but really my moral is: stories are fun J

What was the inspiration behind Digger and Biscuit as you capture their gestures of puppyhood so well?

Oh, I’ve always been a dog lover, but we couldn’t have a dog when I was growing up for health reasons. I cried for a week after a farm holiday in Devon because I missed the farmers’ dog, Nipper, so much. My mum banned me from watching dog films because I’d get so upset. My husband understood this when he made the mistake of taking me to see Marley and Me!

So, it won’t come as a surprise to know that my husband and I share our lives with two utterly spoilt Golden Retrievers. They are very like Digger and Biscuit in their behaviour and personalities. Ellie (Biscuit) is particularly good at making up games including “four paw bounce”, “Drop, cheek, roll” (need a pool for that one) and the latest, hiding a ball in a hole in the garden then laying across it. Layla (Digger) tries to tunnel underneath her to retrieve the ball. Hours of fun!

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How involved have you been in creating the lovely illustrations?

I was so lucky to spot a post on social media from Bex Sutton at Primal Studios. It’s such fun working with her. I have a clear picture in my head to the whole book but I can’t draw so I literally scribble a scene and add labels. Bex then turns it into an amazing illustration and she’ll suggest things that I haven’t even thought of. She’s really good (and patient) with my “It’s not quite what I had in my head” moments, but they are very rare. We work really well together.

The Mystery of the Missing Christmas will be available in paperback with black and white or colour illustrations so the reader can choose.

As a teacher you have experience of the target market and its shortfalls. Where do you see Digger and Biscuit fitting into it?

There are so many beautiful picture books on the market and there are some fantastic series and longer novels for older readers. I always struggled to find chapter books that cover that period when children can follow and enjoy a more complex story, but they don’t yet have the fluency and resilience to read hundreds of pages independently. At this stage they want to experience serialised plots and can hold the characters and events from day to day, whilst still enjoying being read to.

I have had some lovely feedback on The Mystery of the Magic Mirror from adults who loved reading it aloud, younger children who enjoyed being read to and ten / eleven year olds who enjoyed reading it independently and that’s fantastic. Now they want to know when book two will be out!

I wanted to write stories that were fun for adults to read aloud, which children would then want to reread independently. I always think it’s sad that we take illustrations out of children’s books because they can bring to life a more complex image or concept. When I’m reading (and writing) I have very clear pictures in my mind, but not everyone can visualise a scene.

What books have been inspirational to you and your children?

Storytime was always my favourite time as a teacher. It was a chance to slip away into another world and it’s so special to share those memories with a group. I’ve always been a fan of Julia Donaldson, Martin Waddell, Colin and Jacqui Hawkins and Michael Foreman. I love it when stories have cross over characters and the children were always so excited when a well-known character appeared in as different story.

As I said before, it can be quite a challenge to find suitable chapter books, but there’s nothing like a class bursting into spontaneous applause with cries of “read it again’ at the end of a book.

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What are the advantages of being an Indie author?

I have the freedom to write what I want, when I want and I have control over the whole process. I’m very attached to Digger and Biscuit and I want to tell their stories to the best of my ability. Fortunately, I work with a great illustrator and editor which leaves me free to write. The technical side of formatting and publishing brings me out in a cold sweat and I’m a great believer that you should play to your strengths. I also have an excellent developmental editor who can reign me in and refocus me if my pen wanders into over long convoluted plots!

What advice would you give to a writer about to embark upon this path?

In all honesty, don’t expect to make a fortune overnight. It’s a hugely competitive market and writing a great book doesn’t necessarily mean it will sell in huge numbers. You have to be prepared to put in a lot of time and effort to market your book and build up a following.

If you love writing and have stories to tell, go for it, but make sure you invest in a good editor who is enthusiastic about your work who can criticise constructively.

Don’t be in a hurry to publish. The Mystery of the Magic Mirror was two years in the writing and evolved so much over that time. The Mystery of the Missing Christmas was less in terms of months, but a lot more hours! I was more focused and disciplined with the second book.

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What is next for Heather Watts?

I was planning to try my hand at a different genre and even completed a Sci–Fi course, but I woke up at four one morning with an idea racing around my head. Experience has taught me that I won’t remember it when I wake up properly, so I quickly scribbled an outline on my large whiteboard. It was a revelation when I saw it later that morning! So there will be a third adventure for Digger and Biscuit.

What is next for Digger and Biscuit?

Are they going to save the Easter Bunny? 🙂

Funny you should mention the Easter Bunny…No, I don’t think Digger could resist all those chocolate snacks and that would be very bad for him. The third adventure sees Digger and Biscuit on a quest to solve a mystery that has been hinted at in the previous books. Will they see any old friends – or enemies? Well, you’ll just have to wait and see J

I wish you every success with Digger and Biscuit and hope you and your family have a lovely, safe Christmas! x

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You can keep up to date with Digger and Biscuit here:

Facebook: Heather Watts (Digger and Biscuit posts are public)

Instagram: diggerandbiscuitadventures   

Twitter: @diggerandbiscuit

LinkedIn: Heather Watts

Introducing the short list for the prestigious RNA Joan Hessayon Award 2020!

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Every author has their own unique story to tell about how and why they came to be a novelist.

Read on to find out the stories behind the talented shortlisted authors for the prestigious award as they reveal the themes that are at the heart of their lovely novels.

Zoe Allison, Impervious, Totally Bound

After years of hard work and burn out in Medicine I came to realise how much I loved writing and what a release it was – a balm for the soul. I wrote a couple of opinion pieces for a medical newsletter and after that tried my hand at writing children’s picture books. As my own children grew I got back into reading romance and remembered what I enjoyed most about the genre – the happy endings. I decided to write my own romances, with the strong heroines and non-toxic heroes that I craved to see in the books I read.

Jan Baynham, Her Mother’s Secret, Ruby Fiction

On retirement, I joined a local writing group. Once my stories started getting longer, I undertook a novel-writing course, enjoying the challenge to explore my characters in more depth and delve further into their stories. Joining the RNA New Writers’ Scheme was the best decision I made on my journey to becoming a published novelist.
I love writing about families and the skeletons lurking in their cupboards. In ‘Her Mother’s Secret’, my main character, Elin, has a well-hidden secret. The novel explores the bond between a mother and her daughter, forbidden love, cultural differences and a search for true identity.

Laura Bambrey, The Beginner’s Guide to Loneliness, Simon & Schuster

The theme of The Beginner’s Guide to Loneliness was dictated by my main character, Tori. As I spent time getting to know her, looking past her severe anxiety and issues with specific phobias I realised that, right at her very core, she was chronically lonely. This sent me off on a fascinating trail of research. Loneliness has so much stigma attached to it – it’s a strangely taboo subject and something that is very difficult to discuss – but we’ve all experienced it at some point in our lives. I hope this book helps to open up those conversations.

Victoria Garland, Finding Prince Charming, DC Thompson

My first attempt at writing was at the age of twelve. I was given a typewriter for Christmas and started pounding out my own version of a Nancy Drew mystery. Remember those? Fast forward three decades to when I joined the RNA’s New Writers’ Scheme. After having several short stories published in My Weekly I decided to write a pocket novel for them. I was asked for a sparkling Cinderella story for Christmas and Finding Prince Charming was born. I had an absolute blast writing it, playing with the fairy tale theme and falling madly in love with the hero.

Rosemary Goodacre, Until We Meet Again, Hera

As RNA members know, the New Writer Scheme is a great way for debut novelists to have work critiqued by professionals, and I’m very grateful for this opportunity.
The centenary of the Great War reminded me of this tragic period of history. What must it have been like to have been suddenly swept into it? My characters, Amy and Edmond, had to be special people. They fall in love as war breaks out, snatching days and weekends together, uncertain of their future. Only their love brings them through disaster.

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Annette Hannah, Wedding Bells at the Signal Box Cafe, Orion Dash

About fifteen years ago the Signal Box near where I live became automated and I always thought it a shame that such a lovely building should be neglected and boarded up. I often visualised it as a café and when my protagonist Lucy needed a venue for her wedding planning business, I decided to use the old Signal Box as inspiration and followed my dream even if it was just in my imagination. Writing a book has been my lifelong ambition and to have achieved it feels fantastic. Being a contender for the Joan Hessayon Award is a wonderful rite of passage.

Stephanie Harte, Risking It All, Aria

I’d dreamt of writing a book for years but had been put off by the daunting task. Filled with self-doubt, I talked myself out of the idea every time it resurfaced until I plucked up the courage to put pen to paper and join the New Writers’ Scheme.
In Risking It All, Gemma’s forced into a life of crime to clear her husband, Nathan’s debt after he secretly borrows money from a gangster. Her loyalty is pushed to the limit as she battles with her conscience. Losing Gemma could be the price Nathan has to pay for his reckless behaviour.

Stefania Hartley, Sun, Stars and Limoncello, Totally Bound

When I moved to the UK from Sicily, my English was too poor to imagine that I could ever write anything. Eventually, my Italian became rusty too. But one day I discovered that I could write articles about my subject (I was a Science teacher). After twenty years, I finally knew English well enough to write! It was as exhilarating as sprouting wings. I started writing about anything that excited me and memories of my Sicilian youth popped up more and more. Now I love to share with others those memories and stories of hot Sicilian summers, sun-drenched passion and sparkling seas.

Kirsten Hesketh, Another Us, Canelo

My debut, Another Us, is inspired by my son who was diagnosed with mild Aspergers when he was ten. A few years later, sorting through some of the bumpf I’d been given at the time, I stumbled across a statistic which claimed that eight out of ten marriages with a child on the spectrum end before that child is sixteen. Our son was already sixteen by this point and I decided the statistic was rubbish. But what if I’d known about it earlier on? Might I have reacted differently, behaved differently? And so the idea behind Another Us was born.

Sharon Ibbotson, The Marked Lord, Choc Lit

As a child, I never wanted to be a novelist. I wanted to be a nun. But after my parents informed me that I was neither Catholic nor was being a nun like it was in ‘The Sound of Music’ I started to consider other options. I loved reading – in fact, I still believe I am a better reader than I am a writer – and I started writing when I lost a copy of a library book I never got to read the end of, making up my own conclusions to the story and seeing where I could take the characters I had fallen in love with. I wrote ‘The Marked Lord’ when I was pregnant, sitting in my garden and dreaming of home (Australia plays a large role in this story). It’s all about second chances and letting go of past hurts, both physical and emotional. It was a lovely book to write and I’m still very fond of it (I am also still very fond of ‘The Sound of Music’ but then who isn’t?)

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Emma Jackson, A Mistletoe Miracle, Orion Dash

“Back in 2013 I went along to see the Christmas lights being turned on in Alfriston village with my partner and one-year-old daughter. It was a bitter night, but the buoyant atmosphere and chocolate-box setting set my mind racing with possibilities for a Christmas novel. From that spark of an idea, A Mistletoe Miracle, a festive romantic comedy, grew. Slowly. I squeezed in writing in the evenings and children’s naptimes over the next six years and in 2019 joined the RNA NWS, knowing that if I wanted to be published it was up to me to start taking my writing seriously.”

Lynn Johnson, The Girl From The Workhouse, Hera

I didn’t mean to become a novelist. In my fifties, I began researching my family tree and discovered things I never knew about my mother’s family. At my local writing group, I started to write short stories. The Girl From the Workhouse, was one of those very early stories and it grew – but was I writing history or fiction? I decided on fiction. And my biggest stumbling block took time to resolve itself. Dare I give my Grandma a boyfriend who was not my Grandad? Once I had the answer, my writing flowed. Fifteen years later…success!

Nina Kaye, The Gin Lover’s Guide to Dating, Orion Dash

My childhood dream to write became real when I turned to writing to support my rehabilitation from a difficult illness, and to provide escape from it. Recently, I’ve completed another story inspired by this time, and I hope to share this in the future.

The key ingredients of The Gin Lover’s Guide to Dating are the beauty of Edinburgh’s setting, personal experience in the hospitality industry, and (of course) my appreciation of gin! Real life issues are an important touchstone for my writing, as is the light-hearted side of life.

Lucy Keeling, Make It Up To You, Choc Lit

I wrote my first story when I was 8 and not to toot my own horn, but it was good. It had Ice Monsters roaming the streets. From then on, every few months I would get this urge to write. As I got older, I would manage a solid three chapters before I ran out of steam. It was only when I discovered that I could plan out a story, that it didn’t have to just magically spill from my fingertips, that I actually managed to finish one. Now, the only ice monsters I write about are the ones that melt with a HEA.

Ruth Kvarnström-Jones, Halleholm – Lovisa’s Choice, Printz Publishing

One is seldom too sick to scroll through Facebook. That said, as a copywriter flattened by pneumonia back in 2012, even scrolling depleted my energy supply pretty pronto. Until I saw a meme that suggested one had an obligation to use up every ounce of talent before one died. Must write my novel! Energy inexplicably refreshed, I began making notes for Halleholm- Lovisa’s Choice.
Set in the chocolate-box environs of the Stockholm Archipelago, Halleholm – Lovisa’s Choice is a modern-day Romeo and Juliet saga: the tale of a multi-generational family feud that nearly rips apart a town and shatters one woman’s dream.

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Mairibeth MacMillan, The Viking’s Cursed Bride, Tirgearr

When I was wee, I got a tape recorder as a birthday present. My friends then spent several summers voicing the characters in the radio plays that I wrote – I still have some of the tapes! Later, when I took a career break from teaching drama, my interest in writing was rekindled and I completed degrees in creative writing and playwriting. I became interested in using writing to explore the stories associated with place, and most of my initial ideas are inspired by visits to particular buildings or places. The Viking’s Cursed Bride was initially inspired by a visit to Dumbarton Rock.

Melissa Oliver, The Rebel Heiress and the Knight, Mills and Boon Historical

My debut is a sweeping medieval romance, set against the back-drop of the Baron’s Conflict, which began in 1215. There’s a nod to the legend of Robin Hood- which, in turn, took its inspiration from the real-life story of Fulk FitzWarin III.
King John demands that his trusted knight; Sir Hugh de Villiers marries the reluctant widow; Lady Eleanor Tallany, and also quashes local outlaws…. Unknown to Hugh, his new wife and the outlaw are one and the same.
Through twists, turns, and intrigue; Hugh and Eleanor’s spark of attraction need to overcome standing on opposing lines, or extinguish forever.

Maggie Richell-Davies, The Servant, Sharpe Books

Novels were always a portal through which to roam the moors with Heathcliffe and Cathy, to take the waters at Bath with Beau Brummel, or to fall in love with Darcy, so it was inevitable to yearn to write my own. Then a visit to London’s Foundling Museum, with its heart-breaking scraps of fabric and ribbon left by women in the hope they might, one day, be able to reclaim their precious child, inspired me to write The Servant, the story of a poor eighteenth-century girl battling to survive the injustices of the age – and to find love.

Jacqueline Rohen, How To Marry Your Husband, Arrow

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Written by Jacqueline’s family: From childhood, Jacqueline was an avid reader and budding writer. She found ideas for stories everywhere, notebook at the ready. One such inspirational nugget was Mick Jagger’s public statement that he and Jerry Hall were never officially married; the story stuck with Jacqueline for years, finally evolving into the plot of her debut romantic novel. Eventually, Jacqueline’s own romance led her to chimpanzee conservation in Uganda where, forcing herself to become a morning person, she determinedly set aside the time necessary to fulfil her dream of being a published author. She would have been so proud to be nominated.

Kathleen Whyman, Wife Support System, Hera

Working as a magazine journalist, Kathleen always aspired to be a novelist, but got slightly sidetracked over the years by work, children and Mad Men box sets. It was her eight-year-old daughter’s words – ‘Stop talking about writing a book and just write one’ – that gave her the push she needed to write Wife Support System.
The novel, published by Hera Books, was inspired by Kathleen’s own feeble attempt to juggle a career with childcare, never-ending house ‘stuff’ and, outrageously, occasionally some time for herself. She is still struggling.
Kathleen’s next novel, Second Wife Syndrome, has been shortlisted for the Comedy Women in Print prize 2020.

Fiona Woodifield, The Jane Austen Dating Agency, Bloodhound Books

I have always wanted to be a writer, ever since my childhood love of reading spilled into the desire to write stories of my own. In 2018, I sent the manuscript for my first novel, The Jane Austen Dating Agency off to the fantastic RNA New Writer’s Scheme and had lovely feedback.

The Jane Austen Dating Agency focuses on a heroine who has spent rather too much time reading romantic novels, so her reality fails to live up to the dream. She joins a regency dating agency where she meets some wonderful friends, some rather interesting and familiar characters, to the Jane Austen fan at least and discovers her true self.

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Catching up with Rosemary Kind!

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I just had to ask you back when I realised that it was Alfie’s birthday, Rosemary!

It is now five years since I started the short story download arm of Alfie Dog Fiction. Over that time I’ve had the privilege to work with many hundreds of talented authors and read quite literally thousands of stories. For some well-established authors we are the publisher they turn to for republication of their stories, but we have also been responsible for launching the careers of many new writers and I don’t say that lightly. It has been a privilege to work on stories for talented authors who have gone on to be very successful, either with their stories or novels. Many have told us that we have helped them on the way, giving them direction in some cases and in others simply the confidence that their work is good.

We realised with the resources we had available that it was not possible to grow the site exponentially and, in reality, that wasn’t what our readers wanted. What readers wanted to see was new stories regularly, but in place of, rather than as well as, all the old ones. We’ve worked with authors to achieve this and in the recent submission window selected around 60 new stories which are going live on the site over the coming weeks. It will give us a current total of around 325 authors and 1600 short stories to choose between.

Another more recent development has been a number of our book titles being made into audio books. So far this has included four novels and one short story collection, but we’re looking at further titles being added to the selection shortly.

Over the five years, we’ve brought out quite a significant number of book titles and there are currently 34 out in paperback or ebook.

What will the next five years hold? It’s always hard to say. One of the beauties of being a small organisation is that we can change easily and take opportunities that are presented. We have more books due out in the coming months and more short stories. At the outset we created the site because we believed in the medium of the short story. That remains as true now as it did five years ago.

If you would like to help us celebrate then this is what will be happening:

May 16th – June 20th A special feature of some of the best stories from our original authors http://alfiedog.com/fiction/featured/

May 16th onwards – five stories half price for five weeks – with stories changing weekly http://alfiedog.com/fiction/sale/

June 11th: You are very welcome to join our fifth birthday then you will be very welcome to join our ‘On-line birthday party’. We will be having party games and there will be prizes. You may need to bring your own cake as that’s harder to send out over the internet! The party is on Sunday June 11th from 7pm to 9pm UK time and you can find it HERE

Jun 13th onwards – five books free for download for five days each. For details of these offers see our Facebook page, Twitter @AlfieDogLimited , or Newsletter

Best wishes
Ros Kind

Co-author of  – From Story Idea to Reader – an accessible guide to writing fiction

Sign up for my newsletter HERE

Thank you for the update and for accepting seven of my stories!

I wish you every continued success.