“Man traps, beware!”

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Micah, the charismatic hero of Secrets, encounters a man trap and saves a young lad from a terrible fate as the jaws snap shut.

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Godalming Museum

These devices were cruel, vicious deterrents that were set in the ground and when the central plate was pressed the jaws clamped shut, maiming the unsuspecting trespassers. 

Micah swung a leg over a fallen tree trunk, but then, as the metal’s edge caught his eye, he froze. He saw the danger and the notion of his peaceful village suddenly dispersed – man traps, never before had he seen such things around Dibbledale. The woodland had always been open to all.” 

Man traps have been used since the 18th century as the amount of what had been common ground or shared woodland began to be increasingly enclosed by unscrupulous and greedy landowners. 

Private landowners saw no reason to share the game that lived on the land with the ‘common folk.’ The 19th century progressed but so did poverty – rapidly, and many families struggled. Large pieces of what had previously been common land, free for all to graze their flocks and hunt on had been enclosed into private estates.

The Napoleonic Wars with France had incurred huge costs which had been passed on through taxation and by raising the cost of basic foods. Men had left to fight so their homes, wives and children had to cope alone. These were desperate times.

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Man traps were cheaper than employing additional gamekeepers and were perfectly legal. The only proviso being that signs should be posted about the traps, or anyone injured could claim compensation. However, this aspect was not widely publicised, and it was hardly affective when literacy was rare.

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Hunger motivated poaching gangs, breaking the law to feed their own families, and selling excess on. This upscaling of illegal activity meant landowners were more aware of the losses than they would have been with only occasional rabbits or birds disappearing. 

Man traps were an inhumane method of control, which could maimed and sometimes killed their victims. Easily disguised by putting leaves, twigs, or grass over them so that any foot, hoof or paw would spring the trap shut.

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Ryedale Museums

They generally had a central plate with toothed jaws that would be held back by a spring until triggered when they would come together with considerable force leading to a bloodthirsty and gruelling result.

They were made illegal in 1827. Following this ‘humane’ man traps were created. A hole was dug, and the trap placed in it. These were then covered with suitable undergrowth. They still had a central plate, but the jaws were no longer toothed. No doubt it was not without pain, but it did not maim as it would previously. These had to be unlocked by the gamekeeper who had the key, but I imagine, extraordinarily little sympathy was given to the poacher who was then caught and sentenced. 

The Friends and Foes series, for lovers of romantic adventures is now available on Amazon and #KindleUnlimited. Just click here to take a peek!

The ‘Wise-Woman’ and her place in history!

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In the days before communities were served through the NHS with a local doctor or even before that with a doctor who had to be paid for his services there existed ‘Wise-Women’ otherwise known as folk-healers, or what we would call early midwives.

These women became synonymous with ‘witches’ and many suffered after the renaissance through the persecution of witchcraft. This in part was justified by their use of lucky or healing charms, amulets and crosses made of Rowan, to ward off evil. Ironic really as they used natural, God-given cures that they should have been accused of dancing with the devil.

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 “…she never was a witch. She never traded potions, poisons, or spells; she was just a wise woman who knew how to survive off the land. She believed in a god, whether it was the God or a greater spirit, or a mother of all the earth, but her instincts were acute.” Mary Underwood in ‘Secrets’

However, ‘Wise-Women’ deserve a place of their own in history. They aided their communities since the Middle Ages and could often be held in some regard and notoriety. Which is perhaps why they were so heavily hunted by radicals in the Reformation. When their ‘patient’ died opinion could turn against them quickly. Mary Underwood describes her grandmother’s life in Ireland to her daughter Imogen:

“She lived in a small cottage with a peat fire. It was not as comfy as this one, but I loved it. She was full of tales, and she knew how to read the seasons, use the plants, see beyond the obvious and I so wanted to be like her. The local folk used her potions, asked about what they should do – she was wise and kind. She even knew her letters and taught me as I have taught you.” Secrets

Medicine, in its early development took place in cities and towns and was purely the province of men. The term ‘doctor’ was not used for people who healed outside of universities until the 19th century.

In the rural parts of the UK, healing was down to these ‘wise-women’. They were people who would create remedies from things in the local landscape: plants, animals, water and minerals such as salt.

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Hence, vicar’s wife Ruth Arrow’s comments, that lingered with her son Micah:

“Micah’s mother had forbidden him to ever go near the Underwoods, the ‘wise woman’ who used plants to heal. They were considered ungodly ways…”

Traditionally the cures were passed down from mother to daughter and the results shared with the local community.

As scientific knowledge of the human body was very limited, these cures sometimes became known as charms or spells. Terminology that later became very dangerous for these women.

Even when being a ‘doctor’ became a paid job, in the rural areas the citizens would still turn to the local ‘wise-woman’. She could be paid through a barter system and was trusted – until something went wrong!

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These practises continued into the rural areas until into the twentieth century and the advent of the NHS to varying degrees. The practitioners ran the risk of being turned upon by those they treated. This could mean being isolated or being physically attacked.

Just as in today’s homeopathic treatments, many of the old ‘cures’ would be able to help common ailments, particularly when diets were much more limited than they are today.

You can read Mary’s story in Secrets, available on Kindle and KindleUnlimited.

Meet Elaine Everest, Sunday Times Bestseller historical saga writer.

Welcome, Elaine,

The success of The Woolworth Girls and The Teashop Girls series is partly down to your in-depth understanding of the characters, setting and conflicts that these women faced. What is it about this generation that resonated so strongly with your desire to write their stories?

Thank you so much for inviting me to your blog, Valerie.

I grew up during the 1950 and 1960s listening to my mum’s stories of her life as a child during the war years. Add to that my dad’s family gatherings and living in a small town with so much war history it is no wonder I was hooked on writing about the forties and fifties. It was later I began to ask myself what happened to my older characters before WW2, and I delved into life for them earlier in the century.

As for The Teashop Girls, the idea came about as I spent many happy holidays as a child in Ramsgate, and of course we stayed in guest houses. It was the perfect setting for my Nippies.

How has your experience as a former journalist prepared you for life as a fiction writer?

Above anything else the discipline needed to be a freelance journalist helped me in my quest to be a published author. I started writing for my living in 1997 after my dad died. It was a life changing year when I realised if I didn’t change my life then I’d never do it. I’d left an awful job, been ill and lost loved ones. Of course, I’d dabbled as a writer, but made that conscious effort to turn my writing into a career. My first love was short fiction, and I did write short stories for magazines. However, the money was in article writing and as I needed to earn a living, I started to pitch ideas to magazines while still dreaming of being a novelist. I had a goal and never wavered.

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You ‘graduated’ from the Romantic Novelists’ Association’ fabulous New Writers’ Scheme – how important was this to you in forging your saga writing career?

It took me three years to be accepted onto the scheme. Back in those days we had to apply by letter and places were fewer than they are today. Because of my journalism CV, and by then I’d also qualified as a tutor, I was offered an ‘associate membership’. I turned it down as I really wanted to learn the craft and there was no place better than with the NWS. It was a proud day when I graduated and by then I’d met my literary agent, Caroline Sheldon.

Which came first, success as a short story writer or as a saga writer?

Short stories came first, and at that time magazine opportunities were plentiful. In fact, some short story writers earned a very good living from short fiction writing for publications around the world. To begin with I didn’t attempt writing sagas even though I read many saga novels. I dabbled with romcom and crime writing, in fact, one of my romcoms was placed in a shortlist for the prestigious Harry Bowling Prize in 2003.

Do you enjoy reading across genres?

I do. If there is something in the blurb that attracts me then I’ll purchase the book. All forms of crime as well as romcom are my favourite genres.

I am also a dog-lover and read that you have written non-fiction books about dog-rearing. Is this something you would still like to develop further?

I’ve written three books for dog owners. It was a natural progression from specialising in canine articles to being commissioned to write those books. It also fitted in with my breeding, showing, and judging lifestyle which was a very happy time in my life. I would at some time like to rewrite the dog showing book as so much has changed since the book was published.

I recently bumped into an Old English Sheepdog owner and was surprised to learn that they are declining in numbers, are you still breeding them?

They are a declining breed and have been put onto the ‘vulnerable breed’ register by the UK Kennel Club. Although an adorable breed they are high maintenance and don’t fit into the modern family lifestyle. Breeding takes a lot of commitment and I’ve not had a litter for some time. At the moment we own Henry, a Polish Lowland Sheepdog who was brought over from France for us by good friends in the breed. Their journey to collect him in a snowstorm is a novel in itself!

Please tell us about The Write Place.

I started to teach creative writing some twenty years ago for Kent Adult Education Services and after a while decided to branch out on my own and set up The Write Place. I’ve made many friends and seen so many students published during that time and feel it is an honour to have played a part in their writing lives. Since the pandemic classes have moved online and teaching has changed although students are doing just as well, I’m pleased to say.

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What inspired The Woolworths Saturday Girls?

‘Saturday Girls’ came out in mid-March and has been welcomed by readers of the previous seven books. It is now 1950 and we focus on the children of some of our original Woolies staff. I was aware as I wrote the books that the youngsters were getting older in each book and began to wonder what they would get up to. Of course, they would become Saturday girls and I’d also include their mothers in my stories. I could never day goodbye to Sarah, Maise, Freda, Betty, and Ruby.

The real world has been challenging in recent years and is ever more so now. What do you do to relax and to help you focus on still hitting targets and deadlines?

Like many people I read a lot more books and I eat far too much! Contracts still had to be honoured and despite not knowing how life would pan out I had to meet those deadlines. Sadly, so many authors found their books not appearing in supermarkets when people could only shop for ‘essential item’ – I thought books were essential? We sold more eBooks, and we moved our talks online.
I also started sewing again and I have The Patchwork Girls to thank for that. Researching and writing about women who sewed during WW2 brought back my love of crafting and dressmaking.

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What is next for Elaine?

The past six months changed my writing life so much. A serious problem with my eyes meant I had to step away from the computer screen with book publication dates having to be changed. I’m on the mend now, but sadly my eyes tire easily, and I’ve been told this can take around two years to rectify. I’m learning to work around my ‘bad eye days’ and control stress levels to control my blood pressure.

However, I have almost finished writing The Woolworth Girls Promise and hopefully publication will be early in 2023.

I am sorry to learn about your eye problems and hope they heal really soon. Good luck with your ongoing projects and work.

Links:

Website: elaineeverest.com

Twitter: @elaineeverest

Facebook: Elaine Everest Author

Instagram elaine.everest

Meet poet, blogger and author Wendy Van Camp!

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I am delighted to welcome a writer, poet and blogger based in Orange Country, California, as my guest this month. We share a mutual love of Jane Austen’s work, an affinity with notebooks and pens, as well as a keen interest in Celtic designed jewellery. There are other aspects of Wendy’s talents and career, which I am keen to discover.

Welcome, Wendy!

Orange County sounds a fascinating place to live, is that a fair comment? Is it the place you moved to, or has it always been your home?

I have grown comfortable here in Southern California. I am close enough to the beach to go for an afternoon visit, but far enough away that I am not in the path of tourists. We have a wide range of concerts, public fairs, and outdoor activities to choose from. The white sand beaches are a world-wide travel destination and a mecca for surfers.

I did not start out in Orange County. I always moved around most of my life. My father transferred often when I was a child, and I have lived in many cities. I moved to Orange County when my husband and I got married. A few years later, we purchased our current residence only a mile away from our original condo. My house is modest, but it allows me a home office and a small garden where I can grow roses and sit in the sun. Can a writer ask for more?

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No, I don’t think so, it sounds lovely!

As an author of Regency romantic adventures I want to ask about this aspect of your work first. What is it that appeals to you about Jane Austen’s work?

I had not read Austen until my early forties. I sought her out because of the desire to read more classic literature. The only Austen novel available at the local library at the time was “Persuasion” and this is the first of her books that I read. I fell in love with this book about second chances and read all of Austen’s work.  “Persuasion” was my favourite of them all and eventually I felt the need to write a story based on these characters because they haunted me.

How challenging was it to take The Curate’s Brother from NaNoWriMo to published eBook?

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It has been an incredible challenge.  I am normally a science fiction writer and poet.  Writing a Regency era historical was a huge undertaking for me.  I had never read romance novels and had little idea of the amount of research a historical novel needs.  My first attempt was a complete failure. I trunked the manuscript for a full year.

After that first NaNoWriMo attempt, I read around eighty romance novels to better understand the romance genre as I researched the time the story took place. My second NaNoWriMo attempt went easier, but I discovered the story had grown and would need more than a single book to complete.

As I was revising the book, I realised that the first chapter was the only one told from Edward Wentworth’s point of view. He is the brother of Captain Wentworth and merely mentioned in Austen’s original novel.  I removed the chapter from the book for that reason, but the ideas in that chapter would not let me go.

I took the chapter to my science fiction writing critique group for help, thinking it might work as a short story.  The men refused to read it because it was “romance”. Most of the group hated the story, except for one, who was a professor of literature. She wrote what she understood of my outline to make it clear to me and to show my story followed a standard beat structure. She ended her critique with “it needs another ten thousand words”. I took her advice and over a two-week period, I wrote those ten thousand additional words. I took the new revision to a different critique group, one that was multi-genre, and they loved the story, urging me to publish it as is. That is how “The Curate’s Brother” was born. It has garnered good reviews on Amazon and has sold many copies down the years.

Were you ever daunted at the prospect of adapting characters from such a well-known classic as Persuasion?

At the time I started this project, I was an inexperienced novelist. Writing was still a hobby.  I had little idea about the hard work and dedication needed to bring a novel to publication.  I saw hundreds of Austen fanfictions online and figured the world could use one more Austen inspired author. Now that I’ve been writing and publishing for over a decade, my viewpoint has changed. I realise what a tremendous task I have undertaken. But I still have love for Jane Austen’s work, and I want to finish this project that I began so long ago, creating a story that ‘Janeites’ will love.

Will there be sequels?

I have three more books semi-drafted in my Austen Regency series. As I complete revisions, new characters pop up, along with connections that enrich the story. I am far behind schedule on finishing the final three books (I apologise profusely to my readers for this), but I have been making progress.  Book two of this series, “Christmas in Kellynch”, is close to completion.

Regency is far removed from your favoured genres of Sci-Fi and Fantasy. Please share your interest in them and how your blog No Wasted Ink came into being?

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I have always been a hard-core science fiction and fantasy reader. The first “science fiction” I read was Edgar Rice Burrough’s “A Princess of Mars”. I loved the strong female characters of this series. I got hooked on Robert A Heinlein’s juveniles and Anne McCaffery’s Pern in middle-school.  Later favourite authors were Elizabeth Moon, Ursula Le Guin, and Andre Norton.  I still read a steady diet of science fiction and fantasy books.  I love to look into the future and see what humanity may become. I tend to be an optimist. I feel through technology and science we can solve whatever problems we as a people may face and that there are fantastic lives ahead of us all.

No Wasted Ink started not long after I published my first short story. I realised that this writing hobby of mine may turn into something more. I had always had a website for my jewellery business. It was a no brainer I would need a website for my writing business too. Over the years, No Wasted Ink has taken on its own life. It holds my writing clips, appearances, and links to my books, but it has grown into its own publication with a large following. I interview authors of science fiction and fantasy, have a top-ten writing article link page twice a month, host guest posts about the craft of writing, and the occasional article or essay I write on my own. You can also see illustrated poetry art featuring my scifaiku poems.

Your interest in these genres has evolved into two forms of poetry: Scifaiku and Astropoetry, which has gained you acclaim. When did you discover your poet’s voice and is this something you intend to continue publishing in the future?

It is funny, being a poet is the last thing I expected to happen to me as a writer.  I had a few negative run-ins with poetry as I was growing up and during my years as a television producer/director. One day in my forties, I was at a small science fiction convention and needed to kill time for two hours. I sat on a bench and a sign next to me said: “Scifaiku Workshop”.  I did not know was scifaiku was, but there was cold water in the room and I could get out of the heat for an hour.  So I went in. I ended up being the sole student of a poetry workshop, attended by a cadre of national level poetry magazine editors who came to support the instructor. I wrote my first poem in over twenty years that afternoon. I was told to read the science fiction haiku out loud to “the class” and I did…my only audience, that group of poetry editors. After my reading, one of them leaned over and whispered into my ear, “I loved your poem. I’d like to publish it in my magazine.  I’ll pay you.”  That was the moment I became a poet!

I suppose I have a distinctive “voice” in my poetry. To paraphrase, a critic described my voice as “poetry coming in undulating waves, like a white lily under a blood moon. Pure ideas surrounded by dark tension, but always reaching for the light.” I write from the gut and am self-taught. This is how the words come out for me and have since the beginning.

My debut poetry book “The Planets” has been nominated twice for the Elgin Award for Best Speculative Poetry Book of the Year. You can also find my poetry in magazines such as “Far Horizons”, “Starlight Scifaiku Review”, and in the anthology series “Eccentric Orbits” among many others.

Do you write in pen & ink first in a lovely notebook or on the computer?

It depends on the project. I compose poetry in a paper bound notebook with a fountain pen.  It is portable and I can take it out to coffeeshops or to the park. It also allows me an excuse for my fountain pen collecting hobby! Novels are different. I keep story ideas in notebooks, but I outline in Scrivener and set up my chapters there before the writing process. I create rough drafts on an AlphaSmart typewriter or via dictation with my Olympus Recorder.

Do you think your background in TV and the film industry has helped you to structure your plots and create credible characters within your novels?

Not at all. It was my dream to be a Hollywood filmmaker. creating stories for the screen.  What I ended up being was a television producer/director who handled events such as parades, city council meetings, and other municipal activities. I also directed hundreds of multi-camera talk shows, and two series.  One called “Musician Discoveries” which was a band showcase program, and the other “Cofeehouse Poetry” which featured poets reading their work in a coffeehouse setting. Returning to writing novels and short stories was my way back to the original dream of telling stories. While I loved working in television and wouldn’t trade a day of it, I don’t miss the pressure and dealing with all the negativity of Hollywood. I’m far happier as a writer and poet, working from home on my own schedule.

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Do you create jewellery to relax, or is it still very much your profession?

Believe it or not, I still run an occasional jewellery table, but I don’t consider myself an artisan jeweller any longer. Over the years, I have gradually made the shift from selling handcrafted Celtic jewellery to being a full-time author and poet. I do not make jewellery for fun. After thousands of earrings, bracelets and necklaces, I have hung up my pliers.

What triggered the Celtic design connection?

I am half Scottish/English and always had a love of the Celtic designs from my heritage. These designs are also very popular on the science fiction convention circuit. It was a profitable choice of theme for my work.

What is next for Wendy?

I’m in completion mode. I have two series that are drafted due to my years in NaNoWriMo, but in revision.  One is my Austen Regency series, of which “The Curate’s Brother” is the first instalment and the other is a Steampunk Alice in Wonderland adventure.

Poetry has become important to me in a way that is quite unexpected, but an art form I have embraced. I have two more scifaiku poetry collections, plus a hybrid poetry/essay book about a rare illness that I experienced and recovered from, in development.

Thank you for taking time out of your busy schedule to answer my questions.

Wendy Van Camp is an Elgin-finalist poet, writer, and artist. Her work has received Honorable Mention at the Writers of the Future Contest and she is a graduate of the Ad Astra Speculative Fiction Workshop. Her short stories and poems have appeared in magazines such as: “Starlight Scifaiku Review”, “Scifaikuest”, “Quantum Visions” and “Far Horizons”. She is the poet and illustrator of  “The Planets: a scifaiku poetry collection” and the editor of the speculative poetry anthology “Eccentric Orbits 2”. You can hear Wendy as a semi-regular panelist on Sci-Fi Roundtable Podcast. She is the Con Coordinator for the SFPA.

LINKS

No Wasted Ink – http://nowastedink.com

Amazon – https://www.amazon.com/author/wendyvancamp

Medium – https://medium.com/@wvancamp

Twitter – https://twitter.com/wvancamp

Instagram – https://instagram.com/nowastedink

Esty Print Shop: https://www.etsy.com/shop/NoWastedInk

Welcome author, Paula R.C. Readman!

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Welcome back, Paula.

Thank you for your invitation to join you on your blog, Valerie.

Tell me what it is that appeals to you about Victorian Gothic Ghost Stories?

As your readers may know I am a big fan of the genre. I’ve always enjoyed reading them because the narrators build a chilling atmosphere without resorting to blood, guts, and gore as they tell their tales.

Of course, when the Victorians were writing their tales they were to be read aloud to the family, so the stories had to be suitable for even the children to hear. I don’t write expecting children to read my work as I’m aiming for an adult audience so I may use stronger language when it is needed, but I am aware that bad language does put some people off. I see myself more of a ‘Quiet Horror’ writer. In the horror writer’s world quiet horror is equivalent to cosy crime i.e. more Agatha Christie than Stephen King. I think more mainstream readers are put off by the word Horror and therefore are missing out on some well-crafted books with some amazing plot-lines. I’m hoping if I can establish a name for myself in the quiet horror genre and my books are a cross-over into the main crime/mystery genre then maybe more mainstream readers will look at horror in a different light.

My latest book, Seeking the Dark has been listed under the category on Amazon as Vampire Suspense. The book has three main threads to the storyline. One of these is the fact a journalist Jacob Eldritch is trying to uncover the mystery of the Dead Men Sleeping, a series of unexplained deaths in and around Whitby in North Yorkshire. And, of course the name Whitby, North Yorkshire would automatically tell most readers and film-buffs that vampires and Dracula would play a part within my tale. I hope any new reader to my work would be pleasantly surprised to find a story they weren’t expecting when reading, Seeking the Dark.     

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How did you cope during the pandemic?

I don’t feel comfortable about saying that 2020 was a brilliant year for me, as the Covid Pandemic brought a lot of sadness into people’s lives. For me, my personal life continued without any disruptions. Obviously, I wasn’t able to see family and friends, but I was able to stay focused on my writing and had connections to the outside world via the internet. My husband was able to continue working throughout the lockdowns and he did the main shopping on his way home from work, so we were untouched by any panic buying, as I make my own bread and already had a supply of bread flour in the house.

My first novel Stone Angels was published during the early part of the pandemic. Unfortunately my excitement was marred by deep disappointment at not having a physical book launch to share with family and friends. During this awful time, I did lose two of my dearest writing friends, but not to Covid, Ivy Lord and Nicola Slade had always encouraged me with my writing and I miss them deeply.

In total, I had three books published during 2020. The Funeral Birds a crime novella published by Demain Publishing, a single collection anthology of dark, gothic tales Days Pass like a Shadow, published by Bridge House Publishing, and Stone Angels published by Darkstroke Books. This year, 2021, I had Seeking the Dark published by Darkstroke Books but again, my dreams of a physical book launch was put on hold as the country went back into lockdown. During this year, three local libraries accepted all four copies of my book which was something I never imagined happening when I first set off on my writing journey.

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What are you working on now?

I’m excited to say I’m working on two novels. I’m just finishing the edits on my fifth book; The Phoenix Hour. It is a time-travel novel about a scientist, Doctor Louise Brimstone who travels back to the 1900 to escape the pressure she’s under in her own time 2055.  In the 1900, she hopes to create a new life for herself, but becomes embroiled in a love affair that leads her to hide her lover’s terrible crimes by taking his victim’s bodies back to her own time.

My next project is to complete another time-slip novel.  I’m six chapters into a book that has three timelines. It’s about a wise woman, Granny Wenlock who originally appeared in The Funeral Birds a crime novella. Granny Wenlock will become a more rounded character in the book as she helps her descendant Dave Cavendish to solve ancient crimes in his own time. It may take me awhile to write this book but, I’m hoping to have the first draft completed sometime late next year.

That sounds like a book worth waiting for. What’s next for, Paula?

Oh good question, Valerie!

Well, I guess like all authors we want a bestseller. I hope to continue to write the sorts of books I enjoy writing, without the pressure of having to write to order. I have quite a few unfinished novels waiting to be sorted on my computer, so hopefully I may have a bestseller amongst them, but who knows. All I can do is stay positive and keep on writing.

I love your positive attitude and could not agree more.

Paula, if a film maker chose your book to adapt, would you be happy with a ‘based-on version’ film or series, or would you want them to stick as closely as possible to your original idea? What wouldn’t you be happy with i.e. too much violence, complete change of character etc.?

Hmm, Valerie, this is a difficult question. I understand that the author has plenty of scope to explore different elements within their storyline when writing their novel. Unlike a filmmaker who has only a limited amount of time in which to tell the story so they have to cut away a huge chunk of the novel and stick closely to one thread. I hope at least to find my characters recognisable as the ones in my novels. The thing that would worry me the most was if the screenwriters focused on making the hinted-at sexual and violent parts within my plotlines into stomach-churning blood and gore scenes.

If you want to find more about Paula’s writing check out the social media link below:  

Blog: https://paularcreadmanauthor.blog

Twitter: Paula R C Readman@Darkfantasy13

Facebook: https://www.facebook.com/paula.readman.1

Instagram: Paula R C Readman (grannywenlock)

Linkedin: linkedin.com/in/paula-r-c-r-540680b3

Amazon Author’s Page: Paula R C Readman

Goodreads: Paula R C Readman

Please leave any comments, questions and likes below…

Meet award winning author, USA Today bestseller, Evie Dunmore!

Evie Dunmore,  USA Today bestseller.

Welcome, Evie!

When did your love of novels, especially of the romance genre, begin?

My love for novels began when I could read, so, age five. I fell into the romance genre in my mid-twenties when I was working and commuting very long hours and was very receptive to the escapism romance novels offered. I noticed that no matter how dramatic the novel, as long as I could rely on there being a happy ever after, I could just switch off for a few hours. I never looked back.

What is the attraction of the Victorian era that so appeals to you?

It was a time of great economic, social, and technological changes, which gave rise to social movements such as the women’s rights movement and the labour movement that we still benefit from today. It means I could write heroines who are authentic and plausible for the era all while I can still find myself relating to them 140 years later. In a way, it allows me to explore how far we have come, and which issues remain that some people have already tried to change for more than a century.

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Bringing Down the Duke is the first engrossing novel in The League of Extraordinary Women series. The attraction between the two main characters is undeniable and absorbing. The protagonist attends Oxford against her family’s wishes, by being offered a scholarship from the Suffragettes. Is the series based upon the unsung heroines who paved the way for women today?

It is not based on any woman in particular but is certainly inspired by the first group of women students at Oxford and by the early suffragists, and their many allies whose names we will never know. The fight to access higher education took women decades; even after women had enrolled at Oxford for the first time in 1879, it should still take another 40 years before they could sit the same exams as the male students. The fight for women’s rights, especially the right to vote, was even longer, going back to the 18th century to Mary Wollstonecraft if you will. We hear quite a lot about the suffragettes, the militants of the Edwardian era, but countless women before them laid the groundwork for the charge and I loved learning more about them and their tactics while I wrote the novels.

Which three of the many ‘extraordinary women’ from the past do you admire the most and why?

Looking at the late Victorian era/early Edwardian era, it would be Annie Kenny, Christabel Pankhurst, and Cornelia Sorabji.

Annie Kenney was the only working-class suffragette to ever hold a leadership position in the suffragette movement after working her way from a Northern factory up to travelling the world and talking to heads of state for the cause. She was responsible for the incident that turned some suffragists militant and caused them to form the suffragette branch. She was also very likely bisexual. Her autobiography was fabulously insightful and stayed with me for a long time. She came across as incredibly loyal, brave, and funny.

Christabel was the strategic head and in some ways the heart of the suffragette movement. She held a law degree from Manchester University though as a woman she was not allowed to practice law at the time. What impresses me about her is the mix of both fanatic grit as well as level-headedness which she displayed for the entire duration of the movement.

Cornelia Sorabji was the first woman of colour and first female law student at Oxford University in 1889. When she arrived at Oxford, she already held a first-class degree from Bombay University, and she successfully fought tooth and nail to be treated like her fellow male students at Oxford. Back in India, she was not allowed to practice law for over a decade, but she found her own niche to assist women and girls in legal matters and had over 600 female legal wards and several successful pro-women social policies under her belt by the time she returned to Britain in her later years.

You have a personal connection to Oxford University having studied for a master’s degree there and an advanced creative writing course. From your experience, would you say that women academics have achieved equality there alongside their male counterparts?

A lot of brilliant women are hard at work at Oxford and fill important positions; since 2016, we even have a female Vice chancellor (Louise Richardson). My heroines would love to see it. However, personally I think female academics won’t achieve real equality in the workplace as long as they are compelled to choose between family and an academic career, or have to somehow juggle both, as this is something their male counterparts still don’t really have to worry about unless they are committed to fully sharing the care-work out of principle. The statistics still show a sharp drop in female academics from third year PhD to actual tenure, and we can already see that the pandemic disproportionally affected the output of female academics. Successful academic work requires you to think original thoughts and to write cutting-edge papers. It’s harder to do that amid years of sleep-deprivation and a mind loaded with other people’s needs and schedules. Without fathers stepping up or affordable external assistance, we’ll always have shining examples of some women having it all, but the overall statistics will probably continue to tell a different story.

Rogue

How challenging was and how did you go about writing the perspective of Queen Victoria in Bringing Down the Duke?

I had read her letters to her acquaintances where she raged about women’s rights activists and called for them to be whipped. Her official stance was also anti-suffrage and minced no words. Her close friendship with Disraeli and her behind-the-scenes meddling in politics when she was younger, is also no secret. It therefore wasn’t challenging as I put words into her mouth she herself had either written down verbatim or were very much in the spirit of her position. I guess it helped that I always had her actual photographs before my mind’s eye rather than the TV version played by the lovely Jenna Coleman.

Did it surprise you that such a prominent female monarch did not support women’s rights?

Not really. The queen saw herself as set apart from regular humans, and the dividing line between progressive people and those who want to keep things as they are does not neatly run along gender lines, it never has. A lot of women back then felt more comfortable with upholding the structures that suppressed them and harnessed the narrowly defined power allocated to the role of mother and wife instead. And sometimes, women’s reasons to be anti-suffrage were simply due to clashes with their other interests. For example, the Royal Society for the Protection of Birds was founded and run by women in the late 19th century, and they were anti-suffrage. Why? Because the suffragists and later suffragettes continued to use plumes as accessories.

How have you kept mentally and physically fit during the recent pandemic?

Unfortunately, I didn’t do a good job on either front, so I’m afraid I have no valuable tips to share here…

When life returns to the new ‘normal’ what do you look forward to doing when not writing or researching?

I look forward to the brain fog lifting. An end to this limbo of being unable to plan anything with certainty, all while we can’t really be spontaneous, either. I look forward to not having to worry about schools shutting down again and how the kids are affected by the situation; or about loved ones falling ill. I’d love to ditch the mask, and to hop on a train or plane to see family and friends I haven’t seen in nearly two years. I would like to offer my readers an in-person book signing. And I want to go to the movies and eat popcorn and not flinch when someone in the row behind me coughs.

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When and where did your affinity with Scotland begin?

I think it began when watching nature documentaries about the Highlands when I was a child. It was sealed when I moved to Britain and dated a mountaineer from St Andrews. The first time we entered Glen Coe around 15 years ago, it literally took my breath away. I felt moved to tears, it felt like coming home, when I had no prior connection to the place. Odd how that happens sometimes. Before the pandemic, I would regularly go up to Scotland a few times a year to stay with friends and to go hiking. Edinburgh is my favourite city in the world. I have been invited to RARE, a big romance author event, in Edinburgh in 2022, and I can’t wait to go and meet readers and colleagues.

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The Portrait of a Scotsman (Published 7th September) has a Scottish hero, when and where did the inspiration for this novel begin?

Inspiration for the story sparked during my research for my debut Bringing Down the Duke, where I came across photographs of Victorian women in trousers. The women in question were pit-brow lassies—they worked on the coalfields and frequently underground. Their existence was entirely at odds with the ideal Victorian image of women as the dainty Angels in the House, and I knew I wanted to highlight these remarkable women in one of the books in the series.

This, and my love for the Hades and Persephone myth, come together in the hero, Lucian Blackstone, a successful self-made Scotsman who he began his journey underground in a Scottish colliery.

Scotsman

What is next for Evie?

I’m currently trying to finish the fourth and final book in the series, and I for the last year I have been playing around with an idea for a fifth book. We’ll see what comes from that.

Thank you for taking time out of your busy schedule. I’m looking forward to reading Portrait of a Scotsman!

The beautiful abbey ruins of North Yorkshire… 

The beautiful abbey ruins of North Yorkshire 

Henry VIII is perhaps most infamously remembered for his treatment of his six wives. However, this king changed a nation by separating his country from the power of the Roman Catholic church and proclaiming himself head of the Church of England, in 1534.  Two years later the Reformation in England took a more profitable turn for Henry as a destructive and brutal phase began with the dissolution of the monasteries.  

North Yorkshire has many majestic reminders of the magnificent abbeys that once served and dominated local rural life: Rievaulx, Whitby, Fountains, Byland, Ampleforth and Mount Grace Priory to name a few. 

These are fascinating ‘places of interest’. They inspired many during the years they were inhabited and – in a non-pandemic year – are visited by many people now who soak in their history and sense of peace that their lovingly tended sites exude. 

Life in days gone by can be easily imagined; both harsh and cold and yet their lives encouraged selfless devotion whilst supporting their local community.   

Often constructed in beautiful rural surroundings of agricultural land, woods and moors. They would grow crops and raise animals to feed themselves and create profit from a trade, the land they owned and tenancies. The monasteries owned a quarter of the cultural land within the country – a vast wealth and Henry was a man who needed to fund his own lifestyle and wars. 

Their majestic ruins have influenced and inspired some of the scenes with in my novels such as Georgina’s escape in Betrayal, Beth’s and Willoughby’s earnest discussion under the arches of Whitby Abbey in To Love Honour and Obey or Wilson’s hiding place in Dead to Sin. 

Whitby Abbey

In my most recent novel ‘Betrayal’ Lydia Fletcher is part of a rescue of her friend within the grounds of one such building: 

 The monastery’s stone walls slowly emerged before her – a testament to their ancestors’      achievements and faith. This sanctified place once filled with holy praise, was now losing the fight against the ravages of time as they crumbled back to the earth. Encased within the lush undergrowth it had not been revered for centuries. 

In the novel the ruins are being used by a band of smugglers who dress as the monks of old to keep the superstitious locals away. 

Between the old arches of the ivy clad fallen parapets, moving smoothly through the distant mist, was the distinctive figure of a monk, the ghostly habit covered by a dark hooded cape. Kell looked to see what had caught Jeremiah’s attention.  

“Souls of monks, long gone… they got no truck with us… so dig!” he ordered. Kell stared at him. Both Lydia and Jeremiah watched the monk disappear once more into the forest. The boy’s mouth hung open as the shovel fell from his hand. 

The Pilgrimage of Grace in 1536 consisted of 30000 strong rebel army from the north demanding that the abbeys be reopened. They were promised a pardon and a parliament on York, but once they disbanded their leaders were executed. In 1539 the larger monasteries also fell. Those monks who would not conform were also executed. 

The abbeys were hugely important to the life of the people in the area. Their battered walls and fallen arches are now preserved for all to discover and admire. 

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Catching up with best-selling author, Nicola Cornick!

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Welcome back, Nicola.

Thank you very much for inviting me, Val. It’s a pleasure to be back!

How time flies by. You were my guest back in 2018!

Since then a lot has happened – how have you found working during lockdown? Has it been a challenge to stay focused; mentally and physically?

Like a lot of people, I’ve found lockdown very difficult. When it began a year ago, I found the uncertainty and anxiety very unsettling, and couldn’t concentrate. Then my stepfather became ill and died, followed six months later by my mother, which was incredibly stressful and upsetting, and left me mentally exhausted.

I don’t normally talk about my personal life that much but I feel I want to be honest about this in case it helps reassure any other people who have found their life and work so disrupted that their focus has inevitably suffered. I couldn’t write at all a lot of the time; I couldn’t read either. Unfortunately this coincided with me needing to do big revisions to the book I have coming out next month. It took me months and months to do them. Just sitting down at the computer was an effort I didn’t want to make, and each word felt as though it had to be dragged out of me. I managed it in the end but I’ve never known writing to be such a process of attrition. Then, in a bizarre twist, the final revisions to the book were due the week my mother died and I found the reverse was true. I found an escape by losing myself completely in the book and racing through the revisions with nothing else at all in my mind – until I stopped. It’s the only time I’ve ever been able to escape the intolerable present through writing. All of which is to say that if you experience a similar challenge to your focus, accept it, do what you can and be kind to yourself.

You have been through an incredibly trying time and I appreciate your honesty. It is excellent advice and I hope it helps to reassure others who have been struggling with the new reality of pandemic life.

How much has changed in your writing world since we first chatted?

A few things have changed and developed. I’m still writing dual time books and enjoying it enormously. I like to choose as a central character a female protagonist who is probably largely overlooked in history – women from the footnotes, I call them – and explore her story. There’s also usually a real- life mystery in the story as well. My next book deals with the disappearance of the Princes in the Tower in 1483. Other than that, I’m enjoying mentoring historical fiction authors for The History Quill site and giving talks on the historical background to my books.

What have been the highlights?

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A recent highlight was when my Tudor-set book The Forgotten Sister was shortlisted for the Romantic Novelists Association Romantic Thriller Award, which was a lovely surprise and wonderful recognition. Despite the pandemic – or perhaps because people have been reading more in Lockdown – that book has done so well, reaching the top 10 in the Heatseeker chart and gaining lots of amazing recognition. But it’s not all about prizes and sales, of course – the most important thing is having contact with readers and fellow history fans, so the return of live events and the opportunity of live online ones is a terrific highlight. Just being able to chat with people about all sorts of history and writing topics is wonderful.

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What are you working on now?

I’m working on preparing a lot of online and live events to celebrate the launch of The Last Daughter on 8th July but trying not to let that eat into my writing time too much! My next book is also due in a couple of months so there’s a lot of work still to be done there. It’s a timeslip set in the later 16th and early 17th century in the run up to the Gunpowder Plot, and the heroine is Catherine Catesby, wife of the plot’s ringleader Robert Catesby. When I was researching it, it seemed to me that there is such a big focus on the plot and what happened afterwards, but not so much on events beforehand and the huge influence that Catherine had on Robert Catesby’s life. She is another woman from the footnotes of history!

Ethel bookshop

What is next for Nicola?

Well it’s an exciting time for me as my Gunpowder Book (as I call it) is the last book on this particular contract with Harper Collins HQ so I’m starting to think about all sorts of ideas for future writing. It always feels like such a promising time when all the potential ideas are there to be explored! Plus I have lots of other projects on the go – the mentoring, which I love, and my involvement with the Wantage Literary Festival, and various history events and talks coming up. I’m very fortunate, I think, to have so many opportunities. Most excitingly, though, we will be getting a new guide dog puppy to raise in the summer!

Now that sounds like a busy schedule, but with lots of potential play time with the new puppy. I hope it passes all its training. Thank you for being my guest!

Meet Regency author, Natalie Kleinman

Author image - Natalie Kleinman

I am delighted to welcome fellow Sapere Books author, Natalie, to chat about her new release.

With publication of The Girl With Flaming Hair only a few days from now, what plans do you have for launching it on its way?

I’m so delighted with the cover image – she may not be Helen of Troy but she’s beautiful nonetheless and I will be sharing her on social media, primarily Facebook and Twitter. I’m also lucky in that Rachel Gilbey (Rachel’s Random Resources) has organised a blog tour for me which will begin on 18th June. Bloggers and reviewers are so generous with their time and I’m especially grateful to them, and to you. There will be ongoing news as well with giveaways and competitions for those who subscribe to my newsletter.

The Girl With Flaming Hair Full Tour Banner

Everyone’s route to publication is different – what was yours?

An unexpected one! I’d finished studying with the Open University and was looking for something to occupy my little grey cells so I joined a ten week creative writing course run by my local council. What a magnet that turned out to be! Fast forward through various interest groups until in 2011 I discovered The Write Place (TWP), a creative writing school not too far from where I live. Up to this point I’d been writing short stories but I was made to wonder if I couldn’t write a book as well. Since then I’ve written fourteen though three will never see the light of day but I’m grateful to them – they were my learning curve. I found out about the Romantic Novelists Association from TWP and joined their New Writers Scheme. You may imagine my joy when my first submitted book, a contemporary romance, was taken up by a publisher and I graduated the scheme in the first year. That was in 2014.

We both share a love of Regency with our publisher Sapere books, but when did your love of the period begin and sustains your interest with it?

I must have been about eleven at the time and I have my mother to thank, as do so many others theirs, for it was she who handed me my first Georgette Heyer. It’s never palled and I’ve had books fall to pieces in my hands, not from abuse but because they just weren’t up to the number of times I’ve re-read them. When that happened they were replaced. Some outstanding productions have illustrated how well stories in this genre translate to the screen. And recently Bridgerton did a great job of raising the profile of Regency romance.

You have written many short stories. Do you enjoy switching between the two disciplines of writing short and long fiction?

I love them both and they are entirely different disciplines. It’s wonderful to create a world in just two or three thousand words and very satisfying. I’m very grateful that my stories have been enjoyed by so many. Long fiction gives the opportunity to develop one’s characters and, as my stories tend to be character-driven, that’s of huge benefit to me and the way I write. I just have to be careful they don’t start writing themselves as they have a tendency to run away with the plot.

What has been a member of the RNA meant to you?

The RNA is a place for making friends as well as acquiring knowledge. Writers tend to be pretty genuine people and very ready to help each other. Consequently, having attended numerous conferences, workshops and chapter meetings, I’ve had the chance to meet, to learn and to move forward. Everyone is so kind. Maybe it’s the romanticism in us.

How have you kept mentally and physically fit during lockdown?

Does one out of two count? I loved sports when I was younger but I’ve never been a fan of what I think of as gym-based exercise. I have disciplined myself to do online exercises but I know they are the barest minimum. Mentally though I’m so very grateful for my occupation. What better than losing oneself either in one’s own creation or in that of another author? Other time periods, science fiction, cosy crime, they’ve all taken me to places I wouldn’t otherwise have visited. And Zoom and other video links have been invaluable.

What is next for Natalie?

Exciting times for me. You will know that Sapere recently published The Reluctant Bride. Well, after The Girl With Flaming Hair there are three more in the pipeline so I guess I’ll be pretty busy for the foreseeable future.

The Reluctant Bride Cover

Thank you so much for having me on the blog today, Val.

Natalie

You are very welcome!

About The Girl With Flaming Hair:

While driving his curricle, Rufus Solgrave, Earl of Luxton comes across Sophie Clifford lying unconscious in the road, having fallen from her horse. Not too far from home, he takes her back to Ashby, his country seat, leaving her in the care of his mother, Elizabeth, Countess of Luxton, and his sister, Lydia. Under their kindly supervision, Sophie soon begins to recover.

Upon discovering that Sophie has never mixed with London society, Elizabeth invites her to accompany the family to town for Lydia’s come-out. Unhappy with her home life and eager to sample the delights of the season, Sophie accepts. However, her enjoyment is marred when talk of an old scandal surrounding her birth resurfaces. What’s more, her devious stepbrother, Francis Follet, has followed her to London, intent on making her his bride.

Sensing Sophie’s distress, Rufus steps in to protect her from Francis’s unwelcome advances. And although neither Rufus nor Sophie are yet thinking of marriage, both soon begin to wonder whether their comfortable friendship could blossom into something warmer…

About Natalie:

Natalie’s passion for reading became a compulsion to write when she attended a ten-week course in creative writing some sixteen or so years ago. She takes delight in creating short stories of which more than forty have been published, but it was her lifelong love of Regency romance that led her to turn from contemporary romantic fiction to try her hand at her favourite genre. Raised on a diet of Jane Austen and Georgette Heyer, she is never happier than when immersed in an age of etiquette and manners, fashion and intrigue, all combined into a romping good tale. She lives on the London/Kent border, close to the capital’s plethora of museums and galleries which she uses for research as well as pleasure. A perfect day though is when she heads out of town to enjoy lunch by a pub on the river, any river, in company with her husband and friends.

Natalie is a member of the Romantic Novelists Association, the Society of Authors and the Society of Women Writers and Journalists.

Congratulations to Melissa Oliver – winner of the Joan Hessayon Award 2020!

Have you stopped celebrating yet?

I’m thrilled and utterly elated to be the winner of the 2020 RNA Joan Hessayon award for The Rebel Heiress and the Knight.

I had a wonderful time celebrating over the weekend with my husband, Jack, our three daughters, and lots of lovely messages from family and friends. There was lots of bubbles, cake, a lovely pub lunch, and even a family game of Cluedo!

Going back to the beginning of your desire to write – when did you realise that you needed/wanted to write fiction?

It probably started as a child. I had a fervent imagination and loved nothing better than to escape into the wilds of make believe. The writing bug really caught when I was a little older but to be honest, a lack of confidence and self- belief held me back from pursuing my dream. It wasn’t until I was in my thirties with young children at home, and working part- time, that I began to question what it was that I really wanted to do in life. That itch to be a writer had never gone away and so I decided to do something about it. I have to add, however, that it has taken many, many years to realise that dream!

Were you always in love with writing romance?

I enjoy many genres from thrillers, whodunit, classics, to every kind of historical fiction but I LOVE romance, especially historical romance more than any other and have done so ever since I was a teenager. From Jane Austen, Georgette Heyer, Anya Seyton, to Daphne du Maurier and many, many others.

How helpful has being a member of the New Writers’ Scheme been to you developing your talent?

The New Writer’s Scheme and the RNA have been amazingly supportive in my writing. The detailed feedback that you get back from an anonymously assigned reader has been incredibly valuable to develop and hone my writing skills.

Was The Rebel Heiress and the Knight your first completed novel?

Yes, The Rebel Heiress and the Knight was my first fully completed novel. Previously, I had written screen & radio plays, and I once started a YA thriller that never went anywhere. I do believe that it’s good to try different things creatively until you find your voice, so nothing is wasted – at least, that’s what I tell myself.

What drew you to the C13?

I love anything historical and once I had created the general outline of my story, it was a question of working out which era would work best.  Eventually, I felt that the early 13th century with King John’s turbulent reign was the perfect foil for my story.

Your heroine has a dramatic backstory, did this give her character more depth?

Absolutely. I knew that I wanted my characters to feel ‘real’ within the context of the story, and whilst there was a huge amount of external conflict, I knew I had to explore why they behaved in the way they did, to make the story work. This is especially true of Eleanor, who is a quite extraordinary character for the times she lived in.

Few will know who Fulk FitsWarin lll is – how did the link happen to the legend of Robin Hood?

The life and times of Fulk FitzWarin III ( Foulke le FitzWaryn) was intriguing, romantic, dangerous and pretty incredible. The parallels between what happened to him and Robin Hood are strikingly familiar. FitzWarin was forced to become a rebel and later an outlaw after Whittington Castle and his hereditary lands were confiscated by King John. He lived for many years in woods & forests with his band of outlaws and even his right-hand man was apparently called John. He never gave up the claim of his birth right and did eventually win it back, but only after much heartache and strife. He also won the hand of the heiress Maud le Vavasour, who some believe to be the inspiration behind Maid Marian. There were other real-life inspirations for the legend of Robin Hood such as Herewerd the Wake and Eustace the Monk but in my opinion, no one epitomised Robin as well as Fulk did.

What has working with Harlequin Mills and Boon been like?

It has been amazing working with Harlequin Mills and Boon. They have a wonderful, collaborative team who are very supportive and insightful. In particular, my editor, Charlotte Ellis, who has been a pleasure to work with.

What is next for Melissa Oliver?

The Rebel Heiress and the Knight is part of a linked series, The Notorious Knights. The next book, Her Banished Knight’s Redemption, is William Geraint’s story (he’s a secondary character in the first book) and is due to be published Jan/ Feb 2021. I’ve also signed another two- book deal with Harlequin Mills and Boon, so I’m currently writing the next Notorious Knights book.

I wish you every success in your writing career.
What a great start!