After having written fifty short novels for the library large print market, I am delighted to announce that Discovering Ellie is now available directly from Amazon in traditional large print paperback format.
Large print is defined as 16-to-18-point font size, in a plain font style, which is even spaced, and is primarily targeted at the visually impaired or elderly. Although the font can be changed when reading an eBook, not everyone can manage, have access to or use this technology. Therefore, it is important that those who need or prefer a traditional large print book still have the option to buy one.
The process of turning physical pages is something that many, who have read physical books over many years, find their brains relate to and appreciate. Research is ongoing into this.
Screens emit blue light, this can affect the eyes, fatigue and may, in those who are sensitive to them, trigger headaches.
Other people who may also benefit from reading large print are those who are dyslexic or ADHD. So, from young to old the physical book with clearer larger print can aid more people to have an enjoyable read.
There is also the increased focus on the novel as there is no other distraction of social media, advertisements, or the temptation to check emails etc. also available on some devices. A physical book offers a focused and immersive experience, which for certain groups is beneficial.
After working on a computer or studying – or socialising on a device, tired eyes can also find the large print physical book a relaxing alternative. Reading large print when travelling can also be helpful, especially when being jostled around.
With the challenges facing libraries currently, not everyone can access the large print service where so many have enjoyed these valuable resources over many years. such as provided by F. A. Thorpe Publishing.
Whatever the reason for choosing or preferring a large print book, I hope you enjoy Discovering Ellie.
Choice is important, which is why Discovering Ellie will still be available in an eBook format on Kindle.
Fifty novellas ago, I began writing love stories each wrapped around an adventure, set against the rugged beauty of the North Riding of Yorkshire. These found their home in the Commonwealth library market and from this base a further six novels have evolved.
When To Love Honour and Obey published by Sapere Books, was reviewed by a fellow author, he described it as ‘Where Poldark meets Heathcliff’ – I was delighted.
I have always loved reading both fiction and non-fiction exploring the Regency period. I enjoy the romance whether written from the perspective of the rigid society of London’s ‘Ton’, so beautifully portrayed by Georgette Heyer and more recently Julia Quinn, or the melodrama of the darker more menacing shadows of Daphne du Maurier’s Jamaica Inn.
Basically, my tastes cross genres within the period, from Jane Austen’s and the Bronte’s classics to E.V. Thompson’s Cornish sagas, or Bernard Cornwell’s action and adventure series about the rifleman who rose from the ranks, Richard Sharpe.
I have worked as a creative writing tutor for years and one piece of advice commonly given to authors starting out, is to write about what you know. That does not mean that you must know everything first – no one can, especially where murder and mayhem is involved. Without a time-travel machine, a writer today cannot depict a bygone age with total accuracy capturing the language, attitude, beliefs, habits, understanding of people centuries ago when travel and knowledge were limited.
Research is the key! Whatever the genre; romance, crime, thriller, horror, fantasy or any other preferred, the author must accrue enough knowledge beforehand to write their story and make it credible and believable to today’s readership. Jane Austen was of course writing in her own time; about the world she knew.
Research can be all encompassing when it is focussed on a topic you are enthusiastic about. In first drafts ‘info-dumps’ can creep into a manuscript, slowing the pace of the story. Which is where an editor’s skills are needed to take out the non-essential information, as the author will always know more that the reader needs to about their created ‘world’.
When I began writing I thought about the ‘write about what you know’ advice and started exploring my home area. The North Yorkshire Moors and the bay towns from Whitby to Saltburn provided a dramatic backdrop for many of my stories.
Saltburn-by-the-Sea had its own infamous ‘King of Smugglers’ John Andrew, who in 1780 was landlord of the unique Ship Inn, which nestles to this day under the shadow of the 110m high Huntcliff. My fictitious Ebton is based on Saltburn, my Coble Inn nestles in the shadow of Stangcliffe, the headland based on Huntcliff.
“We’re on Stangcliffe, the headland!” Joshua exclaimed, as realisation hit him harder than the force of the wind. He was inches away from a sheer drop to the sea below where sharp-edged rocks hid under each of the crashing waves…
This Jurassic coastline encompasses rugged high cliffs and sweeping flat sandy bays. The wild moor inland would have been crossed by locals along small tracks for centuries by the Regency period. The dales, areas of fertile farmland and woodland, dropped down from the moors, with ancient abbeys and small villages of stone-built cottages nestled within – but cottage industries were being replaced as manufacturing developed in the growing towns causing population shifts, consequently impacting livelihoods, Secrets, due to the Industrial Revolution, a theme resonated in To Have and To Hold, Sapere Books.
Unrest was growing nationally, the Luddite movement triggered fear in Parliament that revolution would happen in England as it had in France. In Phoebe’s Challenge, brother and sister are hunted as machine-breakers – punishment was anything from a fine, to hanging or transportation to Australia.
Friends & Foes Book 2
My books are not dark, but touch on the darker side of human-nature and society, Betrayal, ultimately showing that love and justice will win the day. In real life things may not always work out that way, but in fiction – which is a form of escape from reality – in my stories at least, things do.
The world of Valerie Holmes has the tagline ‘Love the adventure’ – a sentiment that I hope my readers will share.
Beyond the book cover, plot and protagonist, which has a greater influence on your choice as a reader: the physical setting or the period in which it is set?
Please share your thoughts and preferences.
If you are interested in writing, and want to create your own fiction, but need some professional guidance or support, please contact me via my manuscript appraisal page.
I am delighted to announce that Discovering Ellie is now available in Large Print Paperback for those who cannot manage an eReader – just click here
“It is always incomprehensible to a man that a woman should ever refuse an offer of marriage.”
Jane Austen, Emma
When George III was declared unfit to function as monarch his son, the Prince of Wales, became the Prince Regent. George the younger had little interest in politics, leaving the wars with France to the politicians, whilst he indulged his friends and himself with a lavish lifestyle of elegance and fashion. The Ton – from the French phrase ‘le bon ton’ meaning ‘elegant style’ represent the fashionable society of London – an elite group. The divide between the extremes of the rich of Mayfair, London, and the poor of St Giles, living in the city slums, could not have been more dramatic.
In Parliament seats in the House of Lords were inherited and in the House of Commons could be corruptly bought, so the working and fighting man and the women who relied upon them, who made up most of the population, had little representation to improve their lot. My stories are set in the north of England away from the Ton and Parliament, but life was influenced by their wars, laws, and taxes.
In the above quote Jane Austen expressed a commonly held view, because women of the time had few legal rights as their lives were basically controlled by men.
Upper- and middle-class single females, under the age of twenty-one in England and Wales, were usually dependent upon their father or nearest male relative. If their male relatives were honest, caring, and loving family members then amicable matches secured the future of both parties, in hopefully wedded bliss, once the dowry, pin money, inheritance and jointure, in the event of death of the husband, had been legally agreed.
Book 2
However, fiction requires drama and conflict to spark a good plot, driven by engaging characters. It also reflects the unpalatable truth of the past.
If their male relative were greedy (For Richer, For Poorer), an irresponsible gambler (The Baronet’s Prize) or an overbearing parent (Hannah of Harpham Hall) then the young woman would have few options, left to her own devices unless they had the help of a hero, or a woman of independent means.
When Ellie (Discovering Ellie) is faced with a marriage match, she tries to diplomatically decline her aunt’s intentions without causing further conflict…
“I am not worldly, Aunt. I cannot think how I could make such a man happy…”
Mrs Hemming laughed. “Well, we agree on one point at least, you cannot think!”
Ellie ignored the insult and continued in her conciliatory tone. “I fear I would only annoy him. Therefore, I wish to politely decline this marriage proposal, discreetly of course, before it is made public. I do not want to cause further embarrassment to anyone. Then he would be able to find a more suitable companion, equal to the task.”
Ellie is completely dependent upon her aunt’s charity until she turns twenty-one. This dependency drives the plot, as Ellie must discover who she is, why she has a recurring nightmare, and how she can avoid a match that is being arranged ‘for her own good’ before it is publicly announced. This latter point is especially important because once it was made public, to break such a legal proclamation would be considered scandalous. Ellie is naïve and knows little of the law, or of the greater world, as many young women of the time.
Book 4
In a situation where an engagement is made between two people if broken, then it could result in a legal action of ‘breach of promise’. At the very least a reputation could be tarnished or destroyed as happened with Lucas Huntley – In Sickness and in Health.
In England, the Marriage Act of 1753 declared both parties had to have their parents’ consent if under 21. However, in Scotland this was not the case, hence the rush for elopements to the nearest place to wed north of the border, such as the famous, Gretna Green, which provided a reason for a mad dash in For Richer, For Poorer.
Friends & Foes Book 1
It is often claimed that fact is often stranger than fiction, but with historical facts the trigger for dramatic fiction is constantly there. Although women were ruled by the law, deemed unable to run their own lives, own their own wealth or children when married, deny their husband sex, or have rights to defend themselves when employed, there would have been plenty who questioned why this was so, such as:
“I do not wish them [women] to have power over men; but over themselves.” Mary Wollstonecraft, A Vindication of the Rights of Woman.
Lydia Fletcher in Betrayal was so influenced. Heroines need to have obstacles to overcome, situations that are a mystery, and the realisation that not all men look upon them in the same light.
Being single by choice was not really an option for a woman, no matter how much she desired to be the arbiter of her own fate. Unless her social status and personal income had been legally entailed and could support her, like the independent Miss Parkes of Penny Manor who befriends Ellie, she would be dependent upon others.
If young women were sufficiently educated, they could try to earn a living as a companion or a governess/teacher, but these were lonely situations with no long-term security. Uneducated or poorer women had less desirable options such as going into service, leaving the cottage to work within the factory or working the land to feed their families. In, To Love, Honour and Obey, Beth is an orphan who has no family or male relative to protect her from the system that was supposed to protect her.
Book 1
Prostitution was an option for the truly desperate. Few climbed the social ladder to a happy and long life even as a rich man’s mistress. Although some beauties and actresses managed to acquire rich patrons, such as the exceptional Harriett Mellon, born a pauper in Cork, Ireland but who ended up married to Thomas Coutts of the banking family, who successfully inherited and managed a fortune..
Servants were supposed to be chaste and could be dismissed without reference or notice if they fell pregnant. They were also open to abuse from their employers, as happens to the kindly Georgina in Betrayal. Again, as I write love stories that are aimed to provide adventure and uplift rather than depress, Georgina’s future is much brighter than many a maid who found themselves pregnant and thrown out on the streets without a reference, through no fault of their own.
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Smuggling in Regency times was rife in the rugged and isolated ‘bay towns’ of what was the North Riding of Yorkshire. Although the skill and daring of those involved in the trade can be admired, there was a dark and far-reaching side to their activities.
In my books there is a recurring element of smuggling showing how it could have affected the lives of those within the region and, inadvertently, helped Napoleon in his war against our own nation.
Being an island, smuggling had been prevalent for many years within the coastal communities nationwide. With a much smaller population than today, most of the inhabitants of these places would be either involved, or at least aware, of contraband being stored or moved through their communities.
This extract from Rudyard Kipling’s’ poem A Smuggler’s Song captured it beautifully:
If you wake at midnight, and hear a horse’s feet, Don’t go drawing back the blind, or looking in the street, Them that ask no questions isn’t told a lie. Watch the wall my darling while the Gentlemen go by.
The reasons the trade existed were complex but huge import taxes applied to certain consumables made brandy, tobacco, tea, silk and many other desired goods far too expensive for most people, instantly creating opportunity to fill a demand illegally.
Napoleon Bonaparte had no wish to lose the income France received from this illicit trade. So, he ordered the French Channel ports be kept open for business. This also created wealth for the organiser of the smuggling gangs’ pockets, some of which were part of the British landed gentry. Their subordinates lower down the chain of command were often unaware of the identity of the ‘top man’ who could only be known by a select few.
This trade was open to being used for further nefarious purposes, as free traders earned even more money by selling government secrets. This shared intelligence could cover troop deployments/movements/logistics, coastal patrols and the names and responsibilities of important people. This information had its value in coin, which Napoleon desperately needed to fuel his war effort. It was aiding treason.
Government agents tried to uncover such traitors. In Phoebe’s Challenge Rev. Matthew Fenton provides information to uncover the local gangs. In The Friends and Foes series, Lord Farrington is a semi-retired Intelligence Officer who has been given the task of unearthing a traitor in Betrayal, but his role is concerned with insurgence and threats to the government at home too. This is a time of hardship and much perceived threats, externally from France and her allies and internally from those deeply affected by the loss of livelihood and the industrialisation, which was bringing huge wealth to a new ‘middle-class’ and displaced communities from the countryside to town and mills.
Revolution on our shores was a fear.
Lord Farrington discusses the situation with Dr. Samuel Speers, in Betrayal…
“I already know they are involved in the business of financing the trade in contraband. But what else? Lord Bagby has influential friends who he meets in his clubs – does he pass on information to our enemies as well as coin? Is he a traitor through and through? These facts I must seek out.”
Samuel looked up, quite shocked. “You think they are traitors. Many people locally dabble in smuggling to eke out their meagre livings…”
Farrington leaned forward. “Stop my friend if you wish to remain so. Smugglers give coin to Napoleon’s war effort – they help our enemy and our men die. I do not debate the taxes set, but the way they fund our enemies for selfish gain. Do not be so naïve. I shall bring down the Bagby’s and this man Jed Webb who eludes our Riding Officers.”
Villagers could earn some coin to supplement their meagre incomes by hiding contraband in amazingly inventive places or help to convey goods on arrival from larger vessels at sea in their own fishing boats to hide them on land. Tubmen were men paid to convey the goods from delivery to their next destination. They needed to be strong, often landsmen, who knew the area and walked the trods and snickets that linked the bay towns and crossed the open moors.
The northeast coast leant itself perfectly to this. Many of these coastal villages have long, flat beaches of fine sand, where the local ‘cobles’, the shallow draught fishing boats could be easily drawn up and the villagers knew how to avoid the scars, the vicious fingers of rocks that extended from the shore. Fishing was the main source of employment on the coast. Whitby and Robin Hood’s Bay are well known for their smuggling links but the coast between Saltburn and Redcar was almost as notorious towards the end of the eighteenth century. The bay towns in my books of Ebton and Allunby are fictitious villages based on the sweeping bay of Saltburn to Coatham, where I grew up and hold a strong affection for.
Three organisations were created to try and stop this trade. The Revenue Cruisers, the Riding Officers and the Preventive Water Guard.
Revenue Cruisers patrolled offshore in ships that with full sail could often overtake smaller vessels once located. The problem they faced was locating ships amongst the many who sailed along the German Ocean, and also the honesty of the crews who were on occasion known to work with some of the smugglers in exchange for a cut of the goods, made discerning their whereabouts even harder.
Riding Officers were based around the coast, living near the suspected communities and riding the coast to try and prevent the collusion between land and sea. A nearly impossible task.
The Preventive Waterguard was established in 1809. They had houses around the coast – Watch Houses, and smaller boat crews which would patrol their stretch of coastland.
Between all three branches the tide was slowly turning in the governments favour. In 1822 they were incorporated into one force, The Coast Guard, charged with stopping the import of these highly taxed goods. They employed ex sailors, strong, tough and knowledgeable who needed employment after the end of the Napoleonic Wars.
This led to a gradual decline of demand and consequently causing the amount of smuggling that was committed throughout the first half of the nineteenth century to dwindle.
Before this happened though the battles fought to catch the smugglers and traitors lay the seed of many a good tale, some yet to be told.
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Christmastide in Regency times was a prolonged period of celebration, compared to our modern holiday, for those who could enjoy it. Public holidays did not exist so for the working class it was not a given that the day would be given
It began on December 6th, Saint Nicholas’ Day. This was marked by exchanging small gifts.
Christmastide ended on January 6th, otherwise known as ‘Twelfth Night’, marking Epiphany.
For those who could celebrate Saint Nicholas’s Day, it was a period for parties, suppers, and balls to be held. But for all who had them it was a time for family and friends.
This period did carry the feeling of ‘goodwill’ so it was expected that charity would be given to the poor, particularly on December 21st, Saint Thomas’s Day when the widows of soldiers who had died in the Napoleonic wars would go ‘Thomasing’, calling at the kitchen doors seeking alms or food parcels.
On Christmas Eve holly and evergreens would be gathered and brought into the house to decorate and bring in the fresh small of nature. Garlands and wreaths would be woven with rosemary, bay, and laurel, and then embellished with apples, oranges, ribbons, and holly berries.
Mistletoe brought its own added spice to the festivities as kissing balls or boughs were made from it, a tradition that still lingers today. With each exchanged kiss a berry was plucked, once all the berries were gone then the kissing had to stop.
A candle was lit on Christmas Eve and the Yule log was brought in wrapped in hazel twigs and custom stated that it should be lit with a remnant of last year’s log. The fire would then be kept burning as long as possible and be at the heart of family gatherings; a small piece being saved for the next year.
On Christmas Day people attended church and then the gentry had a celebratory dinner of turkey, venison, or goose for the gentry, followed by plum pudding. Much of the seasonal food could be prepared ahead of time with a favourite being cold, brawn pies.
The next day, Saint Stephen’s Day, was a day for charity. Richer people gave servants and tenants their ‘Christmas boxes’, usually gifts of money, hence it becomes known as ‘Boxing Day’.
Finally, on the twelfth night there might be a party held with much dancing and singing. Hot spiced, mulled, wine was offered, and a special cake made to share amongst all the members of the household.
Games such as ‘bobbing for apples,’ and ‘snapdragon’ – a game where raisins were soaked in a brandy in a large shallow bowl, were enjoyed. A more challenging one involved candles being blown out and the brandy lit, people then had to try and grab a raisin and eat it without burning themselves – health and safety was yet to be implemented!
Men’s names were put into a hat so that ladies could then pick a name out to be her partner for the night.
A C17 yew wood wassail bowl.
A wassail bowl was often carried from house to house, filled with warmed ale, mulled wine, or punch, sometimes accompanied by the singing of carols.
The feeling of goodwill to all humankind was the message of the season. It depended on where you were on the social scale from impoverished to rich as to how much you could be a part of the tradition, but the feeling and love shared at this time was priceless then, just as it is today.
Merry Christmas and season’s greetings to all my readers!
Ellie encounters a handsome stranger, when escaping the claustrophobic presence of her widowed aunt, Mrs Hemming in The Old Hall. She is initially distressed and annoyed, until he introduces himself as Mr. Montgomery Cookson causing Ellie’s dark clouds to instantly lift, for she knows they will formally meet again. Mrs Hemming homed the deserted Ellie, whilst bringing up her two cousins, Dorcas and Sybil, despite the ruinous reputation of her mother for deserting her husband and child. Ellie had been shocked and scared, when infirmed she was expected to marry Mrs. Hemming’s own cousin, Mr. MONTGOMERY COOKSON. But has Ellie met her match in Mr. Cookson? Will her future be as grim as she envisaged? When Fate has cast a shadow over her life for so long, can destiny shine a light into Ellie’s world? Will Ellie finally discover who she really is?
Micah, the charismatic hero of Secrets, encounters a man trap and saves a young lad from a terrible fate as the jaws snap shut.
Godalming Museum
These devices were cruel, vicious deterrents that were set in the ground and when the central plate was pressed the jaws clamped shut, maiming the unsuspecting trespassers.
“Micah swung a leg over a fallen tree trunk, but then, as the metal’s edge caught his eye, he froze. He saw the danger and the notion of his peaceful village suddenly dispersed – man traps, never before had he seen such things around Dibbledale. The woodland had always been open to all.”
Man traps have been used since the 18th century as the amount of what had been common ground or shared woodland began to be increasingly enclosed by unscrupulous and greedy landowners.
Private landowners saw no reason to share the game that lived on the land with the ‘common folk.’ The 19th century progressed but so did poverty – rapidly, and many families struggled. Large pieces of what had previously been common land, free for all to graze their flocks and hunt on had been enclosed into private estates.
The Napoleonic Wars with France had incurred huge costs which had been passed on through taxation and by raising the cost of basic foods. Men had left to fight so their homes, wives and children had to cope alone. These were desperate times.
Beamish Museum
Man traps were cheaper than employing additional gamekeepers and were perfectly legal. The only proviso being that signs should be posted about the traps, or anyone injured could claim compensation. However, this aspect was not widely publicised, and it was hardly affective when literacy was rare.
Hunger motivated poaching gangs, breaking the law to feed their own families, and selling excess on. This upscaling of illegal activity meant landowners were more aware of the losses than they would have been with only occasional rabbits or birds disappearing.
Man traps were an inhumane method of control, which could maimed and sometimes killed their victims. Easily disguised by putting leaves, twigs, or grass over them so that any foot, hoof or paw would spring the trap shut.
Ryedale Museums
They generally had a central plate with toothed jaws that would be held back by a spring until triggered when they would come together with considerable force leading to a bloodthirsty and gruelling result.
They were made illegal in 1827. Following this ‘humane’ man traps were created. A hole was dug, and the trap placed in it. These were then covered with suitable undergrowth. They still had a central plate, but the jaws were no longer toothed. No doubt it was not without pain, but it did not maim as it would previously. These had to be unlocked by the gamekeeper who had the key, but I imagine, extraordinarily little sympathy was given to the poacher who was then caught and sentenced.
The Friends and Foes series, for lovers of romantic adventures is now available on Amazon and #KindleUnlimited. Just click here to take a peek!
In the days before communities were served through the NHS with a local doctor or even before that with a doctor who had to be paid for his services there existed ‘Wise-Women’ otherwise known as folk-healers, or what we would call early midwives.
These women became synonymous with ‘witches’ and many suffered after the renaissance through the persecution of witchcraft. This in part was justified by their use of lucky or healing charms, amulets and crosses made of Rowan, to ward off evil. Ironic really as they used natural, God-given cures that they should have been accused of dancing with the devil.
“…she never was a witch. She never traded potions, poisons, or spells; she was just a wise woman who knew how to survive off the land. She believed in a god, whether it was the God or a greater spirit, or a mother of all the earth, but her instincts were acute.” Mary Underwood in ‘Secrets’
However, ‘Wise-Women’ deserve a place of their own in history. They aided their communities since the Middle Ages and could often be held in some regard and notoriety. Which is perhaps why they were so heavily hunted by radicals in the Reformation. When their ‘patient’ died opinion could turn against them quickly. Mary Underwood describes her grandmother’s life in Ireland to her daughter Imogen:
“She lived in a small cottage with a peat fire. It was not as comfy as this one, but I loved it. She was full of tales, and she knew how to read the seasons, use the plants, see beyond the obvious and I so wanted to be like her. The local folk used her potions, asked about what they should do – she was wise and kind. She even knew her letters and taught me as I have taught you.” Secrets
Medicine, in its early development took place in cities and towns and was purely the province of men. The term ‘doctor’ was not used for people who healed outside of universities until the 19th century.
In the rural parts of the UK, healing was down to these ‘wise-women’. They were people who would create remedies from things in the local landscape: plants, animals, water and minerals such as salt.
Hence, vicar’s wife Ruth Arrow’s comments, that lingered with her son Micah:
“Micah’s mother had forbidden him to ever go near the Underwoods, the ‘wise woman’ who used plants to heal. They were considered ungodly ways…”
Traditionally the cures were passed down from mother to daughter and the results shared with the local community.
As scientific knowledge of the human body was very limited, these cures sometimes became known as charms or spells. Terminology that later became very dangerous for these women.
Even when being a ‘doctor’ became a paid job, in the rural areas the citizens would still turn to the local ‘wise-woman’. She could be paid through a barter system and was trusted – until something went wrong!
These practises continued into the rural areas until into the twentieth century and the advent of the NHS to varying degrees. The practitioners ran the risk of being turned upon by those they treated. This could mean being isolated or being physically attacked.
Just as in today’s homeopathic treatments, many of the old ‘cures’ would be able to help common ailments, particularly when diets were much more limited than they are today.
No matter what genre of novel a writer creates, a protagonist lies at its heart. Whether an alien, a mythical beast, or a human the reader will want to connect with them. Why else would they continue to read on to discover what path and challenges are ahead? In a romance it is the two main characters that take centre stage as their relationship forms, is thwarted but ultimately endures. In other genres the reader may follow a single protagonist to a satisfactory, if not, a happy ending.
The writer’s aim is to convince the reader to believe in these characters. The protagonist is at the centre of everything; they need to be credible and believable, even if they are not plausible in the realm of our own world.
Now a ruin, but once a thriving community, beautifully set against the forestry with the moorland above.
The beautiful abbey ruins of North Yorkshire
Henry VIII is perhaps most infamously remembered for his treatment of his six wives. However, this king changed a nation by separating his country from the power of the Roman Catholic church and proclaiming himself head of the Church of England, in 1534. Two years later the Reformation in England took a more profitable turn for Henry as a destructive and brutal phase began with the dissolution of the monasteries.
North Yorkshire has many majestic reminders of the magnificent abbeys that once served and dominated local rural life: Rievaulx, Whitby, Fountains, Byland, Ampleforth and Mount Grace Priory to name a few.
These are fascinating ‘places of interest’. They inspired many during the years they were inhabited and – in a non-pandemic year – are visited by many people now who soak in their history and sense of peace that their lovingly tended sites exude.
Life in days gone by can be easily imagined; both harsh and cold and yet their lives encouraged selfless devotion whilst supporting their local community.
Often constructed in beautiful rural surroundings of agricultural land, woods and moors. They would grow crops and raise animals to feed themselves and create profit from a trade, the land they owned and tenancies. The monasteries owned a quarter of the cultural land within the country – a vast wealth and Henry was a man who needed to fund his own lifestyle and wars.
Their majestic ruins have influenced and inspired some of the scenes with in my novels such as Georgina’s escape in Betrayal, Beth’s and Willoughby’s earnest discussion under the arches of Whitby Abbey in To Love Honour and Obey or Wilson’s hiding place in Dead to Sin.
Whitby Abbey
In my most recent novel ‘Betrayal’ Lydia Fletcher is part of a rescue of her friend within the grounds of one such building:
The monastery’s stone walls slowly emerged before her – a testament to their ancestors’ achievements and faith. This sanctified place once filled with holy praise, was now losing the fight against the ravages of time as they crumbled back to the earth. Encased within the lush undergrowth it had not been revered for centuries.
In the novel the ruins are being used by a band of smugglers who dress as the monks of old to keep the superstitious locals away.
Between the old arches of the ivy clad fallen parapets, moving smoothly through the distant mist, was the distinctive figure of a monk, the ghostly habit covered by a dark hooded cape. Kell looked to see what had caught Jeremiah’s attention.
“Souls of monks, long gone… they got no truck with us… so dig!” he ordered. Kell stared at him. Both Lydia and Jeremiah watched the monk disappear once more into the forest. The boy’s mouth hung open as the shovel fell from his hand.
The Pilgrimage of Grace in 1536 consisted of 30000 strong rebel army from the north demanding that the abbeys be reopened. They were promised a pardon and a parliament on York, but once they disbanded their leaders were executed. In 1539 the larger monasteries also fell. Those monks who would not conform were also executed.
The abbeys were hugely important to the life of the people in the area. Their battered walls and fallen arches are now preserved for all to discover and admire.
How long has your road to success been from that first publication breakthrough?
I had my first book published in 1997, Let’s Meet on Platform 8, and since then I’ve written another thirty-three novels. I didn’t realise when I started that I’d still be around twenty-five years later.
What has being a member of the RNA meant to you over the years?
Friendship and support. It’s lovely being able to mix with a group of like-minded people who are willing to share your successes and struggles. It’s a great asset for authors.
What was your reaction to firstly receiving the RNA Outstanding Achievement Award and now this one?
The Outstanding Achievement Award was wonderful. I shared the honour with Jill Mansell and we were both presented with our awards by Barbara Taylor Bradford which was amazing – what a woman! It’s very nice to be recognised by your peers. I received three nominations – two for Sunny Days & Sea Breezes, plus one for Christmas for Beginners which was a lovely surprise. To receive the award for Romantic Comedy Novel of the Year was such a thrill. Sunny Days & Sea Breezes has already proved to be one of my most popular books with readers and this feels like the ultimate stamp of approval.
Happiness for Beginnerswas inspired by a real animal farm helping people – how do you balance the harsher realities and issues of life with a lighter touch to convey a heartfelt and serious theme?
That’s something that I’ve tried to do with all of my books and I think they reflect life in general. It’s not all ha-ha-hee-hee, but sometimes we’re able to see the funny side in difficulties. While my books are romantic comedies, I hope they reflect real life too. With Happiness for Beginners, the real farm helps people with behavioural and mental health issues, so that created the darker side of the book. They also rescued troubled and damaged animals and they definitely provided the comedy element!
Are you a detailed plotter or do you develop your work on the screen as you go and through revisions and edits?
A detailed plotter! As I’ve written two books a year for the last ten years, I don’t have the luxury of wondering what happens next – I need to know! I do, however, change and adapt as I go, but I start off with a definite beginning, middle and end. I spend about two weeks writing out character profiles and that helps me to get into their heads. Each morning, I start by editing what I’ve done the day before and then I have one final pass at the end. I do as little editing as humanly possible.
Your locations vary, keeping your work fresh and inspiring. Are there any that have been particularly memorable?
I have been fortunate to be able to base my books in some wonderful locations over the years. Part of With or Without You was set in Nepal and that was a very memorable trip. I loved every minute – the people and the culture are fantastic. I went to Swedish Lapland and stayed in the Ice Hotel as research for Calling Mrs Christmas and that was wonderful too. We had the most fabulous display of the Northern Lights – one of the highlights of my life. My latest, Sunny Days & Sea Breezes, is set on the Isle of Wight and I’ve fallen in love with the place and plan to visit time and time again. I must have described it nicely as many of my readers – and my editors – booked holidays there as a result!
You are a prolific author, but roughly how long does it take to do the research, writing, editing to final manuscript?
I’ve been doing a book every six months, so research, writing and editing all tends to roll into one. I’m usually researching the next book while writing the current one and editing the last one. I really wouldn’t like to see inside my brain!
What is next for Carole?
Lots to look forwards to! The paperback of Sunny Days & Sea Breezes is out in May, so I’m looking forward to that. My publisher is re-jacketing and reissuing a lot of my backlist which is quite a job with thirty-odd books to do. The new-look Chocolate Lovers’ Club is out in eBook at the moment for 99p and the whole series will be reissued in paperback in August. This series of four books is among my most popular worldwide, so it’s nice to see them given a new lease of life. Later in the year – October – will see the paperback of Christmas for Beginners which was also nominated for an RNA award and sees another visit to Hope Farm.
Cornish sagas, or Bernard Cornwell’s action and adventure series about the rifleman who rose from the ranks, Richard Sharpe.
When I began writing I thought about the ‘write about what you know’ advice and started exploring my home area. The North Yorkshire Moors and the bay towns from Whitby to Saltburn provided a dramatic backdrop for many of my stories.
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