Welcome, to my website, Peter, and thank you for taking the time to answer my questions.
When and where did your passion for writing begin?
Pretty much as soon as I could string two words together I was ‘making books’. I would kneel on my grandmother’s living room carpet, fold several sheets of A4 paper in half, staple down the folded edge, then start writing a story and drawing the pictures to go with the story – and once finished my books would be passed around my family on a kind of a ‘read and return’ basis.
Which came first fiction or non-fiction?
Well, technically I guess it was fiction (back when I would visit my grandmother). By my twenties I was writing science fiction short stories (although none of them were ever submitted for publication). In my thirties my wife encouraged me to start writing a rom-com novel… but it was HOW TO DO EVERYTHING AND BE HAPPY – a self-help book – that first made it into print.
How did you become a ‘self-help’ guru?
Well therein lies a tale: I met my wife Kate in my mid-thirties. At the time I was a frumpy grumpy banking consultant. She was a NLP practitioner (a kind of hypno-therapist). She taught me so much about how our brains work, how we motivate ourselves, how to get more out of life… and then she died. Of a brain haemorrhage. Thirty nine years of age. And I was devastated. More than that I was crushed with guilt, because back then I wasn’t a particularly happy person. I had been a misery to live with! What’s more, Kate and I had managed to waste most of our three years together working. Oh, we had big plans about how we’d make enough money to move somewhere sunny… but it never happened. We ran out of time.
So I decided to do something about it. I set about fixing my life. I made lists, drew up plans, devised new habits… and it worked. Some of those ideas actually made me happier. One day a colleague said “you ought to write this stuff down – turn it into a book.” So I did. That ended up being HOW TO DO EVERYTHING AND BE HAPPY. Published by Harper Collins and Audible.
Still not sure about the term guru though! Michelle Ward (of Phoenix FM) gave me that label. But really I’m just a fix it man at heart.
You seem to love public speaking – has this always been the case?
I’m afraid so. I’m just a big show off! No, actually there’s more to it than that. My childhood love of storytelling morphed into a desire to become an actor. To me, writing and acting are the same thing. In fact, one of the joys of writing is that you get to play ALL the parts, even the women. But there’s something utterly amazing about being in front of an audience. I used to be part of a travelling theatre company, but now public speaking fills that need. My talks are quite ‘theatrical’.
You seem to be a very organised person is this essential to the way you approach each project?
I guess I am. I never used to be. In my teens, twenties, even thirties I lived in a perpetual state of barely-organised chaos. Kate was the organised one. Becoming organised was part of my get-happy strategy. A way of taking control of my chaotic, unhappy life.
But you’re right. It bled into everything I do. Becoming organised was how I finally managed to finish that novel that Kate started me writing; THE GOOD GUY’S GUIDE TO GETTING THE GIRL. There have been two more since then and I’m finishing up my fourth.
You are a member of the Romantic Novelists’ Association – what does the organisation mean to you?
I love the RNA! I was a real sceptic at first. Couldn’t see how belonging to an organisation like that would be particularly useful. Surely it would be a lot of flouncey women writing about chiselled jawed heroes? But then my pal Bernadine Kennedy said “it’s quite good fun,” and If anyone knows about having a good time, it’s definitely Berni. And it turned out she was right! It is fun! But more than that it’s been enormously useful rubbing shoulders with all sorts of creative people, all of us trying to carve a living out of what we love.
What key advice would you share on writing or on life.
Write what you love. Do what makes you happy.
Each author has their own favoured way of working – would you share yours with us?
I try to write at least three days a week. I start at 7am and count the number of words I’ve written at the end of each hour. If it’s less than 200 I give myself a good talking to! By midday I’m usually done. In the afternoons I talk about writing or do post, answer emails, tackle the admin…
What has been the highlight of your writing career to date?
The day my agent told me that a producer in Hollywood had enquired about the film rights for THE TRUTH ABOUT THIS CHARMING MAN was pretty special! But actually there have been far more less dramatic, more humbling moments along the way. Recently a teacher’s assistant in Dubai emailed me to tell me that she’d enjoyed my ‘happy book’ and had been asked to do a presentation to the staff about it. Turns out my book is on a recommended reading list, in India. And her school adopts some of my happiness ideas for the children!
That is amazing, Peter. What project are you working on now?
My fourth novel is currently out with my first readers, so in the meantime I’m working on another self-help book. My fifth. I’m particularly excited about this one… though I can’t say much more at this point.
What is next for Peter?
Although after some encouraging advice I might take a break to work on a film proposal for MY GIRLFRIEND’S PERFECT EX-BOYFRIEND. So long as I can continue to make a living putting a smile on the faces of my readers (or audience) I really don’t mind.
I wish you every continued success!
My stories are often set around the dramatic coast and countryside of North Yorkshire, where I grew up. It is an area of outstanding natural beauty and fascinating social history, especially around the early nineteenth century when England was at war with France and many things were changing at home.
The Yorkshire cobles with their flat bottoms were ideal for beaching loads of contraband. Goods such as tea, cards, ankers of brandy, geneva, pepper, ‘sack’ or sherry, sugar loaves, silk and cards, to name a few were taxed heavily, which meant that common folk felt justified by buying them cheaply from the free-traders. The irony was that the coin, which made its way back to France, helped to fund the enemy that British soldiers were fighting.
The rugged headlands, flat sweeping fine sandy bays, natural woodland and the beautiful expanse of the North Yorkshire Moors inland add both a great variety of scenery and beauty. The settings for my stories are as dramatic as the plots. I have created my own villages and characters and will introduce you to some of them as I look more closely at the actual history of this fascinating region.
valerie holmes, author 