Meet romantic novelist Jane Cable

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Your first writing successes with The Cheesemaker’s House were very impressive. How did this help you find your way as a successful author?

The Cheesemaker’s House doing so well in a national competition gave me the confidence that I could tell a story, but also that I had a significant amount to learn. One of the judges, Sophie Hannah, took me to one side and told me that although she loved my authorial voice there was a great deal of polishing to do. I didn’t have the knowledge to polish it – I was self-taught so barely knew what she meant – so I took myself off to Winchester Writers’ Festival and began my real writing journey.

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What was the best advice you have been given by an experienced writer?

One of the tutors at Winchester that year was Margaret Graham and she has proved hugely influential. I knew nothing when I first attended her workshops – I’d never even heard of ‘show not tell’. She showed me (not told me!) what it meant and how to use it; she taught me about using all the senses, and so much more. She’s an incredible writer and a great tutor and I would urge anyone starting out to get hold of her wonderful little book, The Writer’s Springboard.

Please tell us about your exciting new release Another You.

Yes, the release of Another You has been exciting for me. With our wonderful mutual publisher, Sapere Books, it’s been given a great start in life so is selling well and getting some great reviews on Amazon and Goodreads.

Another You final cover.jpgIt’s set in Studland Bay in Dorset around the sixtieth anniversary of D-Day, and tells the story of Marie, who while struggling to escape her poisonous marriage meets a charming American soldier walking on the cliffs. But nothing is what it seems, and so begins a chain of events that will change her life forever.

How would you describe a Jane Cable novel?

Romance with a twist. My strapline is ‘the past is never dead’ and that’s a theme which runs through all my books.

How do you balance your research/writing/social media time?

Not always as well as I could! Whether I’m writing or researching depends on the stage I’m at with the manuscript, and I maybe spend too much time on social media, Twitter especially. I say maybe, because I do encourage interaction while I’m there and it’s now leading to some valuable contacts and activity, which is broadening the reach of my books.

Are you an owl or a lark?

Lark. Definitely. I get up early and start to write straight away. I’m good for nothing by late afternoon.

Do you plot your stories out first before writing the first draft?

The answer used to be ‘no’, but recently that has changed. I had an idea in my head for something slightly different, and when I approached Sapere they wanted a detailed outline and sample chapters. So I had to plan. Now I’m about to start writing the bulk of the manuscript and it’s useful to have the journey mapped out, but even when I was writing the sample chapters the characters began to do their own thing. And to be honest, I’m going to let them. If there’s one thing I’ve learnt it’s that they know best!

How influential have strong women been in your life and have they inspired your heroines?

My heroines do not always start out strong – Marie in Another You is battered and cowed by her marriage – and it’s her journey to find her strength that fascinated me. I guess I just like writing about wounded people. Life throws so many curve balls and people react to them in different ways, which is fascinating. But healing is possible – probable, even – and I like to show that in my books. It’s quite a recurring theme for me, now I come to think of it.

There are strong women in my family, and they have inspired me the most. Both my mother and my grandmother fought to make sure their children had better lives and although they were very loving women, they had rods of steel in their backs too. My mother taught me that above all I should be independent and it has proved a valuable gift.

How important has being a member of the Romantic Novelists’ Association been to you?

It’s been hugely important. It’s a fantastic network and when you embrace it, it embraces you back. The support is well and truly mutual. I’ve also made some great friends by being a member, most importantly when I moved to Cornwall. We don’t have a chapter here but meet informally and it’s great fun.

Other than reading what do you do to relax away from the world of books?

I’m an outdoors person so I love to walk and of course live in a great part of the world to do it. I also love the sea, although this year I’ve had some shoulder problems so I haven’t been in it as much as I would like. I love to travel too and adore spending time planning our next trip. Or the one after. Or the one after that…

You are passionate about ‘Words for the Wounded? How did you become involved with this inspirational charity?

Margaret Graham is the moving force behind this charity and at first I wanted to pay her back for all the help and support she’d given me. When I lived in Chichester our local independent authors’ group, Chindi, organised a mini litfest over a weekend and raised almost £1,000 for them. We were so proud.

Words for the Wounded exists to raise funds to help injured service personnel, and because the founders underwrite the running costs themselves every penny raised goes for the intended purpose. I’ll be making a donation for every Amazon review of Another You.

What is next for Jane Cable?

I’ve just delivered my next manuscript to Sapere and the book should be out towards the end of the year. It’s called Winter Skies and, like Another You, it’s a contemporary romance looking back to World War Two. It’s set in the Lincolnshire heartland of Bomber Command, and is about Rachel, who is trapped in a cycle of destructive relationships. But the past has a habit of repeating itself, so maybe it can provide the impetus she needs to set her free.

Social media links:
www.janecable.com
Twitter @JaneCable
Facebook Jane Cable, Author
Goodreads 

 

Meet bestselling author Liz Fenwick

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Liz Fenwick

 

You grew up in Massachusetts, moved to the UK and now commute between London and Cornwall. Did you ever think that you would travel so broadly?

I grew up with an inbuilt wanderlust. My father had travelled a fair bit and I would spend hours looking at his slides and dreaming of a time when I too could venture forth. I hadn’t quite imagined that I would lead the travelling life I did for so long. I moved to the UK when I was 26 and that was when it truly began. I met the man who is now my husband of almost 28 years two weeks after I arrived in the UK. We married two years later and that was when moving about began in earnest. We’ve lived in Canada, Moscow, Houston, Indonesia and Dubai. While in those locations we explored as much as was feasible with three small children in tow. But of course there is still more travelling I want to do!

The variety of cross-cultural experience that this life-style has given you is amazing, but the love of Cornwall shines through each of the books you have set there. When did this love affair begin?

It began with my first trip there one hot weekend in June 1989. My boyfriend of just a few months took me to meet his parents…or so I thought. It was in fact the ‘Cornwall Test’. If I hadn’t fallen in love with Cornwall then we wouldn’t have married. I’m certain of it. But how could I not fall in love with bright blue skies punctuated with foxgloves, cliffs falling into the sea and hidden creeks caressed by low tree branches. Cornwall stole my heart and has never let go…even when the sky feels low and the mizzle is so dense I can’t see the bottom of my garden.

Could you explain how and when your first breakthrough as a published writer happened?

My first breakthrough was finding an agent. I had met Carole Blake on line first via Twitter then in person through a TweetUp. We hit it off on a social level and became friends over our love of wine, shoes and books. I was still in the process of finding my writer’s voice. Finally two years after we became friends I knew what my voice was and what I was aiming for. This coincided with me attending the first York Festival of Writing. There I was to pitch to someone else in her agency. I knew this person wasn’t the right agent for me but I also knew the book wasn’t ready…so it was more for the feedback. During our session he asked me why I hadn’t pitched to Carole…fear was the first thing in my mind. She was Carole Blake but in my heart I knew The Cornish House wasn’t what it could be. So I emailed her…knowing her colleague would feed info back to her, saying the book wasn’t ready but I was aiming for Daphne du Maurier meets Jodi Picoult or Cornwall with issues. She told me to send it to her when it was ready. That was April and in February I sent The Cornish House off to four agents, all who I had met through the Romantic Novelists’ Association. By lunch time I had my first request for a full…but I hadn’t heard from Carole. So I emailed her asking as a friend what should I do because her book From Pitch to Publication didn’t say. She emailed saying as a friend you inform the other agents. Three requested the full and by Saturday Carole had offered me representation. By St Patrick’s Day I had my first publishing deal with The Netherlands and in April I signed with Orion. That was the beginning.

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Of all the impeccable research you have completed, is there one project that has intrigued or surprised you more than you expected?

I loved researching The Returning Tide. I was terrified as growing up in the States the knowledge that people in the UK have is different and I was terrified of getting it wrong…I lost sleep over it. But I love research and my favourite part of the research for this book was interviewing four people who served during WWII. One of them lent me her diary from 1945 and I was able to see first hand how little everyone knew. This was my biggest struggle in the end. Today if a bomb falls we know minutes later. Then they knew only their part and nothing more….

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You are a member of the Romantic Novelists’ Association – what does the organisation mean to you?

The RNA is my tribe. I learned so much there during my pre-published days, my apprenticeship. The published novelists were and are so generous with their knowledge. I know that this cut my time waiting for publication. I also know they have my back as I have theirs.

What was the most important piece of advice that you were given that you would like to pass on to as yet unpublished writers?

Don’t rush to publication. I wish I knew who gave me the advice but I am grateful. I would add to it take that time to learn about the industry…because once you are published it all becomes harder!

Each author has their own favoured way of working – would you share yours with us?

Ideally the idea for the story will have been in my head for a year or more. It will slowly build and then I will brain storm with my editor…I love this part. If research is required I will then do the minimum – just enough to write a fast and dirty first draft. This I learned the hard way. I love research and for A Cornish Stranger I thought the historical thread of the story would be about the SOE so I read extensively. I then wrote the story…it’s not about the SOE. So I wasted key time. Now I leave XXXX directly in the text to indicate that more is needed and fly on with the story. What I have discovered is in this more targeted research I have found things that enrich and twist the story…especially since by then I know my characters. Once I have the dirty first draft the real work begins. I write many drafts…not as many as I used to but by the time I send it to my editor this first time it will normally have been through four to six drafts. The final one of these edits will be having my computer read the story to me. Believe me you can’t hide from a clunky sentence, missed word or lack of transition when there is no emotion in the reading voice.

I used to dread the editing process but now I embrace it. With my editor’s input and my own (obtained from stepping back from the book for even as short as two weeks) I can see how to make the story better, stronger and more emotionally charged. So I will normally have two to three rounds of edits with editor then there is the copy edit (hate this bit…when I’m forced to look at the small stuff) and the final proof reading edit is always a bit lost on me…I can’t see a spelling mistake for love nor money. I’m dyslexic.

You are an inspiration to many as you have dyslexia. How much of a challenge has it been to write your lovely novels and overcome the difficulties that this may have presented?

Dyslexia has presented many challenges along the road to writing my novels. Not being able to spell has created two problems one of which has become a blessing. I cannot see a spelling mistake so I need to have someone proof read and a very understanding editor. This is a nightmare. My dyslexia can be so bad sometimes that I can’t look it up in a dictionary or spell it enough for spell check to even offer a possible spelling. This is so frustrating. It has made me many times select a different word, a simpler word. And this has been the bonus. My writing is simple which has brought me many readers who struggle with reading. Unless it is a necessary technical word or the character absolutely would say the simple word the vocabulary used in the books is basic. This means the story can be read by a larger audience. I never thought that my struggles with dyslexia would help others to access stories, but it has.

I was fortunate enough to interview the amazing Carole Blake shortly before her tragically early death. How much of an influence did Carole have on your career?

She was the ideal guide through my first years as a published author. Despite my time pre-published learning as much as I could there is so much to take on board and understand. She answered every question, went to battle for me, reprimanded me if I took a wrong step and laughed with me. She taught me to enjoy every step of the journey, toast every success no matter how small and not to sell myself or my work short. With each and every book she had to sell it back to me because I hated it by the time all the editing was done! She excelled at selling.

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Do you embrace technology and social media with enthusiasm?

Yes! As I mentioned earlier it was through Twitter that Carole and I became friends. I also love interacting with readers through the various platforms. It is also where I interact with other writers…making the work process less lonely.

What has been the highlight of your writing career to date?

There are two…the first was when a reader stayed behind at a talk and told me how a story I’d written had helped her. I stood there in shock. I had never imagined reaching someone so deeply. And the second was when The Returning Tide made the short list for the Winston Graham Historical Novel Prize.

What project are you working on now?

I’m doing the preliminary research on a novel that is located on both sides of the Tamar (yes leaving Cornwall briefly) and is set in WWI and the current day. More sleepless nights hoping I don’t mess up the historical details!!

What is next for Liz Fenwick?

The Path to the Sea is out on 6 June 2019. It is a story of three generations of the Trewin women all with secrets. At Boskenna a large rambling house perched on a cliff above a Cornish beach on a hot August weekend in 2018 the past comes closer to the present. The youngest Trewin, Lottie, tries to keep her own secrets hidden as she searches for answers. But once she uncovers what happened in 1962 what is she going to do?

 

I wish you every continued success and am looking forward to reading The Path to the Sea!
www.lizfenwick.com

Liz F

Meet romantic novelist, Virginia Heath

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I am delighted to welcome prolific romance writer Virginia Heath as my guest today.

  • When and where did your passion for writing begin?

Hard to say, as I think it’s always been there. As a child I loved to read and devoured books like they were going out of fashion. At school I had a talent for writing and secretly fancied myself as an author one day but never dared say that out loud because I came from a very working class, blue-collar background. Girls like me dreamed of working in an office, they most certainly didn’t write books! But I made up stories in my head instead so I suppose it spiralled from there.

  • When did inspiration strike for your successful Wild Warriners Quartet?

The old Hollywood musical Seven Brides for Seven Brothers! I love it, especially the premise – seven down on their luck farmers living in the middle of nowhere, all in desperate want of a wife. The Wild Warriners is my homage to that glorious film – but I thought having seven brothers was a bit much so I settled on four. Like the original brothers, the series starts with them working their land themselves because they cannot afford to hire anyone to help them. Unlike the originals, the Warriners descend from the aristocracy, with the eldest brother Jack being an earl and they tend part of his sprawling but dilapidated country estate in deepest, darkest, dankest Nottinghamshire.

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  • Is Regency your favourite period of history or are there others you want to set your future work in?

I’m a proper history nerd – I used to be a history teacher – so I love most periods of history. However, thanks to Mr Darcy, I do have a particular soft spot for the Regency. I think it’s the tight breeches and boots.

  •  Your historical research is impeccable. However, you keep the hero and heroine attractive and the dialogue accessible, whilst giving a flavour that is true to the period. How do you achieve this?

It’s a delicate balance writing a historical. Purists want you to keep everything strictly within the period. Modern readers want characters they can relate to. I figure, no matter what the historical backdrop, people are people so my characters think a lot like we do now. My heroes aren’t misogynists and my heroines aren’t subservient doormats. That said, if you are going to write history you have to get it right. The world my characters live in is completely accurate and although I don’t write hither and thither, I make sure my characters don’t say modern phrases which will pull readers out of the story.

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  • You are a member of the Romantic Novelists’ Association – what does the organisation mean to you?

When I first started writing, the only writer I knew was me. I had nobody to talk shop with. Nobody to guide me through the confusing world of publishing and all it entails. Joining the Romantic Novelists Association was a godsend! I’ve made so many friends and learned so many things. It truly is one of the most supportive and nurturing institutions which champions romantic fiction in all its forms and I cannot say enough good things about it.

  • What key advice would you share with aspiring writers?

Write the book! Forget manuals on how to write, don’t get bogged down in everything else to do with publishing; if you want to be a published writer it starts with a completed book. Join a writing group, allow other writers to critique your manuscript. Take their advice on board and be prepared to revise and revise those words until they are perfect. Oh yes – and develop a thick skin! If you are determined to be a writer, you’ll need it.

  • Each author has their own favoured way of working – would you share yours with us?

My books run between 80K and 90K words – that’s a pretty standard sized novel. If I want to publish four a year it means I have to be semi-disciplined. I don’t have the luxury of waiting for the elusive muse to show up. I’m not entirely sure I believe in the muse anyway because it’s my brain thinking stuff up, so I just need to make sure I get my brain in gear. I do that by having a routine. It starts with a cup of tea and a dog walk, I do about 30 minutes of social media or admin, then I take myself up to my office and read only the words I wrote the day before, editing as I go to get me back into the zone. Then I pick up where I left off. There is no magic to it really. I work every day, Monday to Friday from around 8am till 4ish with regular breaks and a long lunch. I stop when the alarm goes off on my computer regardless of where I am in a sentence. In fact, finishing mid-sentence really feeds the muse overnight and ensures I’m raring to go the next morning. I try not to work evenings or weekends unless I am up against a deadline. I also try not to write on holidays or breaks. It’s important to recharge the batteries.

  • What has been the highlight of your writing career to date?

My RONA (Romantic Novel of the Year) nomination in 2017. To be shortlisted was the most amazing feeling in the world. That said, seeing each book on the shelves in a bookshop never gets old either. I always go and visit a new book on publication day.

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  • What project are you working on next?

I’ve just finished my second series – The King’s Elite. It’s a quartet featuring four Regency spies, which has been huge fun to write. It’s been fascinating researching all the smuggling and shenanigans which went on and then weaving some of that into stories which are best described as romantic suspense with a dash of comedy here and there. I can’t ever seem to write a book without a dash of funny. The final book, The Determined Lord Hadleigh, comes out in June. Then, just for a change, I have a Victorian romance coming out early next year involving my first older hero and heroine. It’s called Lilian and the Irresistible Duke and it’s set mostly in one of my favourite cities – Rome. But this has Renaissance art and the Vatican as a backdrop rather than all the high jinks of smuggling. Right now, I am working on a new standalone story about a nerdy heroine who likes to dig up ruins, and a reclusive earl who is all done with life. It’s a RomCom Beauty-and-the-Beast meets Indiana Jones story. Or at least I think it is. I can’t plot, so I have no idea how it is going to turn out yet! As per usual, I really won’t know what sort of story it truly is until I write the words ‘the end’.

Thank you for taking the time out of your schedule to answer my questions.

Here are Virginia’s social media links:-

Website: https://www.virginiaheathromance.com/

Facebook: https://www.facebook.com/virginiaheathauthor/

Twitter: http://www.twitter.com/VirginiaHeath_

Instagram: https://www.instagram.com/virginiaheathwrites/

Catching up: Sapere Books 1 year on!

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Congratulations to Amy, Caoimhe and Richard on there first birthday as Sapere Books.

Amy has taken time out of her busy schedule to share some of the events that have happened in this amazing first year.

Since we last caught up in March 2018, a lot has happened at Sapere Books! We now have over 40 authors who have joined the Sapere family, and we have published lots of fabulous novels in our first year.

The genres we were looking for initially are thriving: crime fiction; historical fiction and romantic fiction are all very popular with our readers, and books in a series do particularly well for us. We are just about to publish in a genre we haven’t tried yet: military ‘action and adventure’ fiction, and we are preparing to launch titles in that genre by this time next year, including a Vietnam combat series and Tudor-era naval fiction.

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The team with the winner of The Sapere Books Popular Romantic Fiction Award, Catherine Isaac

One of the most exciting announcements for us in our first year is our sponsorship of two excellent writing awards. In March we sponsored a new award for 2019 from the Romantic Novelists’ Association: The Sapere Books Popular Romantic Fiction Award. The shortlist was very strong and the winner was Catherine Isaac for her wonderful novel YOU ME EVERYTHING. We are also the new sponsors of the Crime Writers’ Association Historical Dagger Award. The shortlist will be announced at CrimeFest in May and I can’t wait to read them all! We are also currently interviewing for our first full-time staff member, which is very exciting, so we should have a new Editorial Assistant to introduce to our authors soon!

Many of the authors we signed up before our launch are working on new projects with us, as they are thrilled with reader feedback and the wonderful work Caoimhe has been doing marketing our books: we regularly feature on Amazon’s best-seller lists, and have been getting Kindle deals world-wide, from the US to Australia – and even India!

We don’t anticipate growing our list hugely in the next year, as we already have so many amazing books scheduled for release, but we will continue to support our Sapere family and we hope all of our authors will continue working with us for many years to come!

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Happy Birthday Sapere Books!

 

Catching up with Linda Stratmann

Welcome back, Linda.
Congratulations on becoming the new Chair of the Crime Writers’ Association!
Photographs by Gary Stratmann
Linda, what is your vision for the CWA as the new Chair?
One of the greatest pleasures of being a member of the CWA has been the people I have met and the friends I have made. I joined in 2004 and have served as Membership Secretary, Dagger Liaison Officer and Vice Chair. Seeing the membership numbers grow, with new Chapters formed both at home and abroad has been a rewarding and exciting experience.
The benefits to our members as listed on our website, are substantial. We are doing so much more to interact with other organisations, supporting libraries, booksellers and publishers and have established National Crime Reading Month, and formed the Crime Readers Association, which is free to join, and provides a regular newsletter to over 10,000 subscribers and bi-monthly Case Files.
The CWA has never been in a more vibrant and healthy state than it is now. For that I must express my gratitude to all the former Chairs, whose contribution has made the Association what it is today. I must especially thank Martin Edwards, who in the last two years has striven to make us more businesslike and efficient. Martin has established a CWA archive at Gladstone’s Library, a beautiful location which holds regular events, notably the crime writing related Alibis in the Archive which has proved extremely popular.
I can assure everyone that I do not intend to be the new broom that sweeps away the past. Neither do I want to rush into new ventures before we are ready. The foundation we have now is a firm one, and I want to consolidate what we have before considering how we can move on in the ever-changing world of publishing. I do want to further develop the already formed links with the Romantic Novelists’ Association and the Society of Authors as well as other crime, thriller and mystery writers associations worldwide.
Above all, I see the CWA as an organisation which should serve all its members at whatever stage they are in their writing career; whether debut, mid-career or long-established. We all have something both to contribute and to gain. The CWA is the flagship organisation for crime writers, and a brand of quality. The Dagger prizes we award annually are a recognition of the best in crime writing. My hope is that the future will further strengthen that position.
I wish you and the CWA ongoing and even greater success!

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Twitter – @LindaStratmann
Linda Stratmann is the author of thirteen non-fiction books mainly about true crime, but her work also includes Chloroform, the Quest for Oblivion, a history of the use and misuse of chloroform, and three biographies, notably The Marquess of Queensberry: Wilde’s Nemesis. The Secret Poisoner chronicles the efforts of science and the law to tackle poison murder in the nineteenth century. She has recently edited a new volume in the Notable British Trials Series, The Trial of the Mannings.
Linda also writes two fiction series. The Frances Doughty Mysteries set in1880s Bayswater, feature a clever and determined lady detective, whose adventures explore aspects of Victorian life such as diet, education, medicine, women’s rights, fear of premature burial and the fashion for cycling.
The second series is set in 1870s Brighton. Mina Scarletti is a deceptively diminutive lady with a twisted spine, whose boldness and confidence enable her to overcome her apparent disadvantages. Mina writes horror and ghost stories and exposes the activities of fraudulent spirit mediums who prey on the vulnerable bereaved.

 

Meet the inspirational team behind Sapere Books!

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In March 2016 I interviewed Amy Durant, a successful Publishing Director, as a guest on my blog; two years later I am delighted to welcome Amy back as a co-founder of a new and exciting enterprise, Sapere Books.

Amy

Hi Amy,

Such a lot has happened in a comparatively short space of time. Not only have you started your own imprint, but have also been short-listed for major industry awards. How have these motivated you to build an even more dynamic career and when/how did the idea of ‘Sapere Books’ come into being?

I think all of three of us had been independently toying with the idea of setting up our own business, but none of us had the confidence to voice it publicly or ‘go it alone’. We all decided to move into freelance careers for different reasons after leaving our jobs in publishing, and one day – over a couple of drinks, of course! – we finally all blurted it out and realised this was something we could actually do! We all have strong skills in different areas and I think all of us are confident that we are much stronger in a partnership than we would have been on our own.

It is a lovely name, what was the inspiration behind it?

‘Sapere Aude’ was actually my school motto and roughly translated means ‘Dare to be Wise’, and ‘sapere’ on its own means ‘knowledge’, which we thought was quite appropriate for a publisher. It also links nicely to our owl logo. We wanted something a bit different that would get people talking, and it seems to have worked so far!

What do you think makes Sapere Books stand out from other publishers?

I think that – like many other small, independent publishers – we have the benefit of flexibility. We don’t have any external investors or anyone we have to report to, so we have the freedom to make all the decisions ourselves, which means we can experiment with things and change strategies at the drop of a hat. We have all worked with authors for a long time, and always felt in previous roles that authors got sidelined and somewhat neglected. Our focus is very much geared towards creating author brands and an author community, so everyone feels very much a part of the Sapere team.

What genre submissions are you seeking for Sapere Books?

At the moment we are publishing historical fiction (including crime, thriller, romance and saga); crime fiction; thrillers; romantic fiction; women’s fiction; popular history and historical biography. We are publishing both backlist, out-of-print books and brand new submissions, and we are particularly keen to hear from authors who have either already written more than one title, or plan to continue on a series from their submission.

You are one of three co-founders of Sapere Books, so I am delighted to welcome the other two:  Caoimhe O’Brien and Richard Simpson.

What are your special roles within the company?

AMY: I am the Editorial Director, so all submissions come through to me, and ultimately, I decide what we publish, although this is something we all discuss together, and I often send scripts to Richard and Caoimhe for second opinions. I work one-to-one with authors once the contracts are signed, shaping their novels and getting them ready for the final copyediting and proofreading stage. I’ll then discuss publishing schedules and marketing strategies with Caoimhe to make sure all the books are released at the optimum time and work with her marketing plans.

CAOIMHE: I am the Marketing Director and I am responsible for the marketing and promoting of our books, authors and the company in general.This involves working closely with our authors on author branding, creating websites for them and coordinating social media campaigns.We have a dedicated team of reviewers and bloggers who play a huge role in a successful book launch and dealing with these eager readers is a really fun part of my job. I also spend a lot of time boosting the online profile of the company with the aim of growing our newsletter and reaching more readers.

Caoimhe

RICHARD: I work as the Operations Director for Sapere Books, which basically means that I spend most of my time ensuring that the company’s balances are healthy and that Amy and Caoimhe have enough funds each month so that we can invest as much as possible in all of our books. We constantly reassess whether new methods and strategies that we are implementing are efficient and cost effective to ensure that we are the doing the most we can to help readers see and read our books. However, my time isn’t always spent looking over spreadsheets, as being a small company our roles frequently have to cross over meaning that I often spend some days of my week looking over manuscripts and researching new marketing strategies.

Richard

 

In my previous interview with Amy she explained that she grew up with a father who was a successful children’s author (Alan Durant) and therefore books had always featured in her life, fuelling her passion. Have you both had lifelong involvement with books and publishing?

CAOIMHE: I spent my childhood with my head in a book and did a degree and Masters in English at university but I didn’t consider publishing as a career choice until after my Masters. I wasn’t sure what career path to choose but when I thought about my constant interest in books throughout my life, it seemed like the only thing that made sense and I am very glad I made that decision.

RICHARD: : Although I spent the vast majority of my childhood with a nose in a book I certainly wasn’t surrounded by a bookish world. But although my parents weren’t avid readers they definitely fostered my love of history and encouraged me to read anything that I could lay my hands on. Perhaps their biggest influence on my life now was due to the fact that when I was a child they jointly began a small company, R & J Simpson Engineering, which builds and repairs historic racing cars. Seeing how a small company develops and works influenced me greatly when thinking about setting up Sapere Books with Caoimhe and Amy, and many of the lessons they learnt in the early years I’ve been very keen to implement into our company. 

What do each of you look for in a book as readers?

AMY: I read widely and across most genres, so what really grabs me when reading a manuscript is the strength of the characters and whether I am compelled to keep reading. We publish ‘popular’ genre fiction, so all our fiction titles have to be plot-driven and to fit within the confines of those genres (we don’t publish anything overly literary or experimental), and we often sign up authors who are either writing a series, or have a few books, so I need to finish a book with the desire to read more by that author. 

CAOIMHE: I mostly read contemporary and crime fiction with some historical fiction thrown in too. I look for plot and character driven novels. Readers enjoy lots of different genres and, as publishers, we must be able to look at a book objectively, not just as something we ourselves would want to read. But regardless of genre, the plot and characters must be strong enough to grab and hold the readers’ attention. 

RICHARD: Unlike Amy and Caoimhe I spend most of my time reading nonfiction, particularly histories and biographies. Firstly what I look for in these books is that it must have a compelling subject, secondly it must be grounded in solid historical research, and thirdly, which historians who focus solely upon the research sometimes forget, it must be well-written. I’ve got a huge range of interests though and will happily read books about almost any subject from ancient Mesopotamia through to the development of Meissen pottery and beyond.

 This is such an exciting venture and I am delighted to have signed up with Sapere Books.logo-1-circle_filled

 

Martin Edwards, chairman of The Crime Writers’ Association (CWA), explains what the organisation offers its members.

Martin 2017 1

‘The CWA is constantly expanding. So are the benefits we offer our members. Writing is a solitary occupation but we offer the chance to join regional chapters, attend our national conference, and receive an excellent monthly newsletter, Red Herrings – plus much more besides. Members value our various social media platforms, and the chance to promote their work to the large subscriber bases of the very popular Case Files and Crime Readers’ Association newsletter. But it’s the collegiate ethos of the CWA that remains its most valuable asset and benefit. In my 30 years of membership I’ve met many wonderful people, and made some very good friends. And their support, through good times and bad, is beyond price.

The CWA has changed a lot in the 64 years since it was founded by John Creasey. Although it is UK based the membership is international and is open to published crime writers, with provisional membership to writers who have a contract but whose book is not yet out: Full or Provisional Membership cost from £55 annually. There is also an option for associate membership for those in the publishing industry.

This does not mean that the aspiring crime writer has been forgotten.

We are keen to encourage new talent within the genre. The CWA is a professional organisation for professional writers, and others in the crime writing business, but – to take just two examples – the CWA Debut Dagger for unpublished novelists and CWA Margery Allingham Prize for new short stories both play an important part in encouraging and developing talent. We also have the CWA Criminal Critique service where, for fees beginning at £87 writers can receive professional feedback on, as yet, unpublished work.

The Crime Readers’ Association, which is free to join, was set up to make the authors, their works and events accessible to their readers. However, the new writer can pick up advice and tips, such as the Do’s and Dont’s when approaching a literary agent.’

Martin is very optimistic about the way the crime genre continues to evolve.

‘Digital publishing is changing the industry fast and nobody knows exactly what the future holds. But crime writing (fact as well as fiction) is as popular as ever. I’m a contemporary crime novelist, but I’ve been delighted by the revival of interest in classic crime fiction, and the truth is that the genre is a very broad church. So is the CWA.’

In light of all the changes that have happened in recent years within the publishing industry Martin views the future of the crime genre and the organisation in a very positive light.

‘I’m confident about the future of both crime writing and the CWA. Despite the fact that we have been around so long, today we have more members than ever before – and the number is rising all the time. That’s genuinely exciting. Writers face many challenges, not just when they are starting out, but throughout their careers, and the CWA is doing more and more to support them. I’ve also just appointed our first Libraries’ Champion and our first Booksellers’ Champion as we seek to collaborate with others for the benefit of all.’

Although the organisation is genre-specific Martin is keen to establish mutual links with other writing organisations within the industry.

‘Whilst the CWA is by definition genre-specific, I’m a firm believer in collaboration, and since becoming Chair I’ve initiated dialogue with a range of groups both here and overseas. A good example is our developing links with the Romantic Novelists’ Association, at both local and national level. Again, these relationships are mutually beneficial, and have great potential for all our members.’

Martin is a relatively new chair but he has already set many new goals to achieve during his tenure.

‘My aim is to oversee the modernisation and professionalization of the CWA, whilst remaining absolutely committed to its core traditional values of collegiality. Achieving this requires action on many levels – local, national, and international. We are modernising our infrastructure, strengthening our finances, recruiting more members here and overseas, and developing relationships with sponsors and other like-minded organisations. What we are seeing really is a quiet revolution, a radical one in some respects, but a process of making sure that the CWA and its members thrive in a challenging environment, and will continue to do so for the foreseeable future. We don’t neglect our past – for instance, we’ve just launched the British Crime Writing Archives at the wonderful Gladstone’s Library, near Chester, with a weekend festival, Alibis in the Archives, that was such a success that we plan to repeat it next year. But we also look to the future – for instance, we’re starting to work with the ALCS, and looking at how we might contribute to the work of the All Party Parliamentary Writers’ Group. A huge amount remains to be done, but our continuing growth illustrates vividly that writers see a real need for the CWA, and are keen to be part of a forward-looking association that always strives to support and promote crime writing in general, and its members in particular, as well as encouraging new writers into the genre.’

When asked what advice Martin would give to new writers of crime he explains that he is a planner.
‘The great thing about writing is this – you can always improve what you have written. A plan works well for me – not everyone is the same, of course. But even the best laid plans are sometimes capable of being changed for the better. So far, I’ve never changed the original solution to any of my novels, but I’ve tinkered with many other elements of my stories.’

Martin Edwards’ eighteen novels include the Lake District Mysteries and the Harry Devlin series, and The Golden Age of Murder won the Edgar, Agatha, H.R.F. Keating and Macavity awards. He has edited thirty five crime anthologies, and won the CWA Short Story Dagger, CWA Margery Allingham Prize, and the Poirot Award. He is series consultant for the British Library’s Crime Classics, President of the Detection Club, and Chair of the Crime Writers’ Association. His The Story of Classic Crime in 100 Books was published in August.