I am delighted to welcome a writer, poet and blogger based in Orange Country, California, as my guest this month. We share a mutual love of Jane Austen’s work, an affinity with notebooks and pens, as well as a keen interest in Celtic designed jewellery. There are other aspects of Wendy’s talents and career, which I am keen to discover.
Welcome, Wendy!
Orange County sounds a fascinating place to live, is that a fair comment? Is it the place you moved to, or has it always been your home?
I have grown comfortable here in Southern California. I am close enough to the beach to go for an afternoon visit, but far enough away that I am not in the path of tourists. We have a wide range of concerts, public fairs, and outdoor activities to choose from. The white sand beaches are a world-wide travel destination and a mecca for surfers.
I did not start out in Orange County. I always moved around most of my life. My father transferred often when I was a child, and I have lived in many cities. I moved to Orange County when my husband and I got married. A few years later, we purchased our current residence only a mile away from our original condo. My house is modest, but it allows me a home office and a small garden where I can grow roses and sit in the sun. Can a writer ask for more?
No, I don’t think so, it sounds lovely!
As an author of Regency romantic adventures I want to ask about this aspect of your work first. What is it that appeals to you about Jane Austen’s work?
I had not read Austen until my early forties. I sought her out because of the desire to read more classic literature. The only Austen novel available at the local library at the time was “Persuasion” and this is the first of her books that I read. I fell in love with this book about second chances and read all of Austen’s work. “Persuasion” was my favourite of them all and eventually I felt the need to write a story based on these characters because they haunted me.
How challenging was it to take The Curate’s Brother from NaNoWriMo to published eBook?
It has been an incredible challenge. I am normally a science fiction writer and poet. Writing a Regency era historical was a huge undertaking for me. I had never read romance novels and had little idea of the amount of research a historical novel needs. My first attempt was a complete failure. I trunked the manuscript for a full year.
After that first NaNoWriMo attempt, I read around eighty romance novels to better understand the romance genre as I researched the time the story took place. My second NaNoWriMo attempt went easier, but I discovered the story had grown and would need more than a single book to complete.
As I was revising the book, I realised that the first chapter was the only one told from Edward Wentworth’s point of view. He is the brother of Captain Wentworth and merely mentioned in Austen’s original novel. I removed the chapter from the book for that reason, but the ideas in that chapter would not let me go.
I took the chapter to my science fiction writing critique group for help, thinking it might work as a short story. The men refused to read it because it was “romance”. Most of the group hated the story, except for one, who was a professor of literature. She wrote what she understood of my outline to make it clear to me and to show my story followed a standard beat structure. She ended her critique with “it needs another ten thousand words”. I took her advice and over a two-week period, I wrote those ten thousand additional words. I took the new revision to a different critique group, one that was multi-genre, and they loved the story, urging me to publish it as is. That is how “The Curate’s Brother” was born. It has garnered good reviews on Amazon and has sold many copies down the years.
Were you ever daunted at the prospect of adapting characters from such a well-known classic as Persuasion?
At the time I started this project, I was an inexperienced novelist. Writing was still a hobby. I had little idea about the hard work and dedication needed to bring a novel to publication. I saw hundreds of Austen fanfictions online and figured the world could use one more Austen inspired author. Now that I’ve been writing and publishing for over a decade, my viewpoint has changed. I realise what a tremendous task I have undertaken. But I still have love for Jane Austen’s work, and I want to finish this project that I began so long ago, creating a story that ‘Janeites’ will love.
Will there be sequels?
I have three more books semi-drafted in my Austen Regency series. As I complete revisions, new characters pop up, along with connections that enrich the story. I am far behind schedule on finishing the final three books (I apologise profusely to my readers for this), but I have been making progress. Book two of this series, “Christmas in Kellynch”, is close to completion.
Regency is far removed from your favoured genres of Sci-Fi and Fantasy. Please share your interest in them and how your blog No Wasted Ink came into being?
I have always been a hard-core science fiction and fantasy reader. The first “science fiction” I read was Edgar Rice Burrough’s “A Princess of Mars”. I loved the strong female characters of this series. I got hooked on Robert A Heinlein’s juveniles and Anne McCaffery’s Pern in middle-school. Later favourite authors were Elizabeth Moon, Ursula Le Guin, and Andre Norton. I still read a steady diet of science fiction and fantasy books. I love to look into the future and see what humanity may become. I tend to be an optimist. I feel through technology and science we can solve whatever problems we as a people may face and that there are fantastic lives ahead of us all.
No Wasted Ink started not long after I published my first short story. I realised that this writing hobby of mine may turn into something more. I had always had a website for my jewellery business. It was a no brainer I would need a website for my writing business too. Over the years, No Wasted Ink has taken on its own life. It holds my writing clips, appearances, and links to my books, but it has grown into its own publication with a large following. I interview authors of science fiction and fantasy, have a top-ten writing article link page twice a month, host guest posts about the craft of writing, and the occasional article or essay I write on my own. You can also see illustrated poetry art featuring my scifaiku poems.
Your interest in these genres has evolved into two forms of poetry: Scifaiku and Astropoetry, which has gained you acclaim. When did you discover your poet’s voice and is this something you intend to continue publishing in the future?
It is funny, being a poet is the last thing I expected to happen to me as a writer. I had a few negative run-ins with poetry as I was growing up and during my years as a television producer/director. One day in my forties, I was at a small science fiction convention and needed to kill time for two hours. I sat on a bench and a sign next to me said: “Scifaiku Workshop”. I did not know was scifaiku was, but there was cold water in the room and I could get out of the heat for an hour. So I went in. I ended up being the sole student of a poetry workshop, attended by a cadre of national level poetry magazine editors who came to support the instructor. I wrote my first poem in over twenty years that afternoon. I was told to read the science fiction haiku out loud to “the class” and I did…my only audience, that group of poetry editors. After my reading, one of them leaned over and whispered into my ear, “I loved your poem. I’d like to publish it in my magazine. I’ll pay you.” That was the moment I became a poet!
I suppose I have a distinctive “voice” in my poetry. To paraphrase, a critic described my voice as “poetry coming in undulating waves, like a white lily under a blood moon. Pure ideas surrounded by dark tension, but always reaching for the light.” I write from the gut and am self-taught. This is how the words come out for me and have since the beginning.
My debut poetry book “The Planets” has been nominated twice for the Elgin Award for Best Speculative Poetry Book of the Year. You can also find my poetry in magazines such as “Far Horizons”, “Starlight Scifaiku Review”, and in the anthology series “Eccentric Orbits” among many others.
Do you write in pen & ink first in a lovely notebook or on the computer?
It depends on the project. I compose poetry in a paper bound notebook with a fountain pen. It is portable and I can take it out to coffeeshops or to the park. It also allows me an excuse for my fountain pen collecting hobby! Novels are different. I keep story ideas in notebooks, but I outline in Scrivener and set up my chapters there before the writing process. I create rough drafts on an AlphaSmart typewriter or via dictation with my Olympus Recorder.
Do you think your background in TV and the film industry has helped you to structure your plots and create credible characters within your novels?
Not at all. It was my dream to be a Hollywood filmmaker. creating stories for the screen. What I ended up being was a television producer/director who handled events such as parades, city council meetings, and other municipal activities. I also directed hundreds of multi-camera talk shows, and two series. One called “Musician Discoveries” which was a band showcase program, and the other “Cofeehouse Poetry” which featured poets reading their work in a coffeehouse setting. Returning to writing novels and short stories was my way back to the original dream of telling stories. While I loved working in television and wouldn’t trade a day of it, I don’t miss the pressure and dealing with all the negativity of Hollywood. I’m far happier as a writer and poet, working from home on my own schedule.
Do you create jewellery to relax, or is it still very much your profession?
Believe it or not, I still run an occasional jewellery table, but I don’t consider myself an artisan jeweller any longer. Over the years, I have gradually made the shift from selling handcrafted Celtic jewellery to being a full-time author and poet. I do not make jewellery for fun. After thousands of earrings, bracelets and necklaces, I have hung up my pliers.
What triggered the Celtic design connection?
I am half Scottish/English and always had a love of the Celtic designs from my heritage. These designs are also very popular on the science fiction convention circuit. It was a profitable choice of theme for my work.
What is next for Wendy?
I’m in completion mode. I have two series that are drafted due to my years in NaNoWriMo, but in revision. One is my Austen Regency series, of which “The Curate’s Brother” is the first instalment and the other is a Steampunk Alice in Wonderland adventure.
Poetry has become important to me in a way that is quite unexpected, but an art form I have embraced. I have two more scifaiku poetry collections, plus a hybrid poetry/essay book about a rare illness that I experienced and recovered from, in development.
Thank you for taking time out of your busy schedule to answer my questions.
Wendy Van Camp is an Elgin-finalist poet, writer, and artist. Her work has received Honorable Mention at the Writers of the Future Contest and she is a graduate of the Ad Astra Speculative Fiction Workshop. Her short stories and poems have appeared in magazines such as: “Starlight Scifaiku Review”, “Scifaikuest”, “Quantum Visions” and “Far Horizons”. She is the poet and illustrator of “The Planets: a scifaiku poetry collection” and the editor of the speculative poetry anthology “Eccentric Orbits 2”. You can hear Wendy as a semi-regular panelist on Sci-Fi Roundtable Podcast. She is the Con Coordinator for the SFPA.
LINKS
No Wasted Ink – http://nowastedink.com
Amazon – https://www.amazon.com/author/wendyvancamp
Medium – https://medium.com/@wvancamp
Twitter – https://twitter.com/wvancamp
Instagram – https://instagram.com/nowastedink
Esty Print Shop: https://www.etsy.com/shop/NoWastedInk
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