Parthena’s Promise – new Kindle release !

Parthena's Promise (1)
Click the cover to go direct to Amazon!

England, 1815

London barrister and gentleman, Jerome Fender, has just returned to England after five years as a Captain in the killing fields of the Napoleonic Wars.

With the harrowing scenes of battle still haunting his every thought, he sets out to start a new life and to find a wife who will share it with him.

Meanwhile recently orphaned 21-year-old Miss Parthena Munro has also arrived at a North Yorkshire market town.

She has been sent away by her scheming sole relative, cousin Bertram, to be governess to a local family, only to find that the family has already moved away from the area.

Left stranded far from home with no job and no place to stay, Parthena encounters Mr Fender outside an inn, where she takes a chance to steal his money in a witless moment of desperation.

She whispers a promise to return the money one day and makes off across the wild Yorkshire moors.
But it’s not long before Fender catches up with her.

Set during 19th century England, Parthena’s Promise leads the reader on a spirited journey to consider if justice and true love are possible in a society on the turning point of change.

Ellie Promo

Laura’s Legacy – New from Endeavour Press!

Laura's Legacy

Laura’s story begins fifteen years after the fire that nearly destroyed Ebton in To Love Honour and Obey.
1820 Ebton, England.

Laura Pennington’s parents think it is time for her to marry, but they are concerned. She likes to take long walks by herself, and doesn’t quite fit in. Laura’s father, Obadiah, thinks local mill owner Daniel Tranton is the perfect husband for Laura, so he suggests marriage to Daniel while working on a business deal.

Daniel is not keen, but does not want to lose Pennington’s business. He is not sure what to do, as he has his hands full with disgruntled mill workers. Daniel has always treated his workers well, but that is the exception, not the rule.

A new problem arises, when Jeb, a young boy who works for Daniel’s cousin Roderick, runs away from the mill where he works. Daniel, not wanting to see him captured and beaten by the local louts who enforce the law, tries to track him down. He finds Laura hiding Jeb, who she stumbled upon while out on one of her walks.

Roderick has his henchman Mr Bullman hunting for Jeb as Laura hides him at her father’s boat house.
Checking on him one morning, Laura sees the boat is gone, but it’s seeing her father stepping out from the hotel he owns that shocks her the most.

For all his efforts to make Laura a lady, it seems Mr. Pennington is not a gentleman.
With the hint of revolution in the air, will Daniel and Laura find a love worth fighting for?
Laura’s Legacy is a historical tale of romance and family strife in a past world.

Laura’s Legacy is availble on Amazon Kindle

For the Love of Writing: Inspiration and Motivation

In previous blog posts I have looked at how to keep yourself fit for the task of writing thousands of words and then how to set realistic goals to achieve them. Before moving on to looking at the actual writing of the fiction, two factors play an important part in beginning and completing the process – inspiration and motivation.

Where do you get your inspiration from?

What motivates you to write fiction?

These two questions are asked to many authors and the answers may be as varied as the individuals who the question is posed to.

I am constantly inspired by anything from a name, a newly learned an intriguing little known fact, a place that sparks an idea or a simple overheard statement. Inspiration is all around us, we just have to be open to it and use our imaginations to ask that simple question: ‘What if?’

Once inspired to write then motivation kicks in to drive our effort so that the idea turns into a real manuscript. We can be both inspired and motivated at the same time by reading our favourite author’s work.

Here are a just a few common motivators:

To escape from reality into a world of our making that we will hopefully share with others.

To earn money – realistically, this is not an easy industry to break into.

To become a published author.

Whatever your inspiration you need the motivation to keep going, learning and growing as a writer. Go beyond rejection to reach that place of acceptance and becoming a published author. Learn from those who have done it and also from any of their early mistakes, so that you can avoid some yourself.

Once you are keen to begin your project, go for it. Network at conferences and courses, such as The New Writers’ Scheme run by the Romantic Novelists’ Association and seek professional feedback. If you have a manuscript that you would like professional feedback on then please contact me on Vholmesauthor@gmail.com for a quote.

An Interview with Ben Adams

I am delighted to have author Ben Adams as my guest this month. Ben’s critically acclaimed novels Six Months to Get a Life and Six Lies chart two men’s journeys as they strive to make sense of their respective midlife crises.
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Welcome, Ben,

Please share with us how and when you discovered the joy of writing fiction!

I can’t remember a time when I didn’t enjoy making up a story. My dad is blind. Instead of reading books to me, he used to captivate me at bedtime, making up stories that would transfix me and keep me awake for hours. I caught the bug and used to invent equally inventive stories involving the most hideous of monsters. As I got older, my fiction expanded to include ingenious excuses for not having done my homework. Roald Dahl expanded my imagination still further as did Douglas Adams and Sue Townsend. But ultimately, I blame my dad.

When and how did you make the break from unpublished to published author?

I always wanted to write a novel. In my 20s I dabbled with crime fiction but too many hours spent staring at blank pages and a lack of life experiences meant that I couldn’t make my stories sing.

In my 30s I mostly wrote boring work-related web content and the occasional acerbic complaint letter to the authorities or to the dog over the road – it defecated on my drive.

And then my 40s came along. Sometimes it takes a life event to set you off on the right track. Six Months to Get a Life, my first novel, was ultimately triggered by my own family upheaval. It’s a story about a man overcoming a divorce and doing his best to build a new life for himself and his children. Having been through the pain myself, I felt able to give my characters some real depth. It was the first time I had felt truly able to write something believable, something memorable.

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And luckily, I found a publisher who believed in the characters as much as I did.

How would you describe Graham Hope, your protagonist in Six Months to Get a Life?

Graham, like a lot of the characters I invent, is a fairly unremarkable fellow. At heart he is a good guy but like most people going through a divorce, he can occasionally be a bit maudlin. And even bitter. He’s someone who generally knows what the right thing to do is, even if he doesn’t always do it. He’s concerned about his relationship with his children. He’s also concerned about his relationships with women. Or rather his lack of relationships with women.

It isn’t easy to take a difficult subject and inject humour and hope into the story successfully. How did you balance the harsh realities of life against the sense of renewal and wit?

The simple truth is that no one would have enjoyed Six Months to Get a Life if Graham hadn’t been able to laugh at himself. If a story about coping with divorce, learning to live separately from your children or arguing over maintenance payments didn’t contain a few comedic release points, the reader would more than likely be contemplating suicide by the end of chapter 3.

The same goes for my second novel, Six Lies. Dave Fazackerley, the protagonist in Six Lies, discovers after she has died that his mother wasn’t his mother after all. And to make matters worse, he was already reeling from his wife’s decision to run off with a librarian. About the only thing Dave actually managed to cling on to was his sense of humour…

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Writing a novel is a major achievement for anyone, but how hard have you found getting to grips with marketing and using social media to build up your author platform – or are you a natural?

I am probably your typical author. Inventing stories is my passion. I love talking to people about mine and their stories too. But trying to understand the difference between a Facebook page and a Facebook profile, uploading content to a website, getting my head around boring twitter protocols and ridiculous book marketing websites is, quite frankly, the bane of my life.

I do understand the need to establish a good author platform though. Twitter indirectly led to me being invited on to the BBC Breakfast sofa. It also led to you and I connecting. These days, few authors will be successful without a bit of investment in their author platform.

What tips would you give to anyone, of any age, who is determined to become a published writer?

Firstly, you need to write exceptionally well. The best way to do that is to write, write and write some more. The more you write, the better you will become. Oh, and read a lot too. Learn from writers within your chosen genre, but don’t copy them.

Secondly, you need to build your emotional resilience. Believe in your own talent. Don’t let a little self-doubt put you off. Imagine if JK Rowling had thought, ‘Oh, this is crap,’ when she was giving Harry his lightening bolt scar and gone off and got a proper job.

Thirdly, see the previous question and take a deep breath…

What is next for Ben?

I have written my third novel in draft form. Provisionally entitled ‘Trouble in the Staffroom’, it is a school-based drama-come-romp. I am really proud of the draft as it currently stands and am loving the feedback I am receiving from beta readers. Hopefully, Trouble in the Staffroom will be published in September to coincide with the start of a new school year.

I am really enjoying reading Six Months to Get a Life and wish you every continued success.

@benadamsauthor

Ben Adams on Facebook

Ben’s Website

Achieving your goals.

 

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For the Love of Writing: Making your goals realistic

 

Now you are sitting comfortably and have an idea where you will be working, you will be eager to start writing. If you are a hobby writer, then fitting it in around other commitments is not a problem. However, if you are trying to make a profession from it, then here are some practical tips. Having your own workspace is a luxury but, if it is not possible, then have one where you can ‘hot desk’ for set times. For a change of scene I sometimes use a large coffee shop or a library.

Once you know where you will write and when, set realistic deadlines to train yourself to work in a professional way for the day when those deadlines have to be contractually met. This can be fun as it is like setting a personal challenge.

You might write only 500 or 1500 words a day. That does not matter. Whatever your output is you can easily work out a schedule as a guide for your project to be completed.

For example, if you are setting out to write a 50,000 word manuscript and produce (on average) 1,000 words per day, then you will need 50 days to complete a first draft.

If you work 5 days a week, then you will have your finished first draft in 10 weeks.

Add a couple of weeks for editing and polishing it. So your realistic target would be a 50,000 word novella in 3 months!

These figures are a simple guide to illustrate how easy it is to set a credible target for whatever your project is. Be committed to your work, revising the schedule as you go along. Keep the goals achievable and be determined to succeed, and you will!

A Stolen Heart – Download it for Free!

A special promotion for my readers!

If you love the adventure with mystery combined then download A Stolen Heart from Amazon today.

stolen_heart
Miss Ruth Grainger’s coach jolts to an abrupt halt when it is stopped by a highwayman.

Fearing for her life she is surprised when this highwayman seeks only to retrieve papers carried by a fellow traveller, her guardian, Mr Robert Grentham’s business associate, Mr Archibald Upton.

Ruth abhors thievery, but she is even more disgusted by the cowardice of the man, Upton, as he uses her as a shield.

Released unharmed, she is haunted by the dark blue eyes of the stranger.

What is his connection to Upton? And what is in the papers he was so intent on stealing?

Ruth returns to Grentham’s home, and along with his silly, young wife Eliza, prepares for an upcoming ball.

Little does she know that Grentham is orchestrating events so that the despicable Upton will become her husband.

As Ruth starts to suspect the truth, another stranger steps into her life, and once more she is bewitched by a pair of blue eyes …

Headstrong and independent Ruth is determined to marry for love, and on her own terms.

But everyone around her has other ideas …

Will Ruth be forced into a match she doesn’t desire?

Or will she end up with the man who has stolen her heart …?

A Stolen Heart is a charming regency romance about mistaken identities, and following your heart’s true path.

Promotion ends Sunday!

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Writing: In the beginning!

For the Love of Writing

From years of writing experience I have discovered that one aspect that should never be undervalued is how the process of writing will affect your health. So before we actually discuss what is going to be written or how in future blog posts – be it a short story, novella, or novel – you need to think a bit about the practicalities.
Writing even a few thousand words requires sitting down for hours and this does, or can, impact on your health mainly because of bad posture. I am not medically qualified to give specific advice but I find considering the following helps.

  • Investing in a good chair that can be adjusted for height and back support. I have written whilst perched on a chair in a shed, the kitchen, or whilst travelling. This is fine for short bursts.
  • Try not to cross your legs. I am terrible at taking this advice as the more absorbed I am in what I am doing my legs will automatically gravitate under my chair. However, it is better not to do this.
  • Take breaks. When a plot is working well and you are in there with your protagonist, time can slip away. RSI is no joke, your body is not a machine, shoulders get hunched and tense. So change posture. Stand, walk, literally take a break and do a completely different set of activities that are the opposite of the static writing activity.
  • Give your eyes a break from the screen too.
    Feed the brain and body. I have lost track of how many hot drinks I have made only for them to be left half full (or half empty! ) and cold, because I was too involved in what I was doing.
  • You want to enjoy the whole process preferably when you’re sitting comfortably.

What tips work for you?

 

 

Potting Sheds and Pondering

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In a very picturesque North Yorkshire village called Hutton-le-hole there is an amazing museum of rural life.
http://www.ryedalefolkmuseum.co.uk/

The buildings link the lifestyle of people in the region throughout the centuries. Folklore, husbandry, social history and crafts, such as: rope making, wheel hooping, saddlery, woodturning and hayrake making are demonstrated to name but a few.

The atmospheric buildings span history from Iron Age to the 1950’s showing the way of life of their inhabitants. It is a great place to take children to show them how we arrived at the lifestyle we have today. By going back to basics they, and adults, can see how labour intensive surviving day to day was. Food had to be grown, harvested or killed and prepared. Clothes had to be made from cloth that was woven or leather that was skinned and tanned. Food was prepared in advance of harsher seasons and had to be safely stored.

Before the Internet and our technological ways information was rarer and precious. News travelled slowly and superstition was rife. Ignorance was not bliss when it came to accusing people out of fear. However, people knew far more about the land and what it gave us that we could use for survival than we generally know today.

I find history fascinating. I love seeing a snippet of yesteryear within various different ages. I imagine characters and the adventures they could have had, set within my favourite periods in time. However, I am rarely nostalgic. When asked I have to say that I would never want to live in a time before antibiotics, washing machines, cars and computers. I love learning from history, but one thing I have learnt is that life was harsh but unfortunately wars still happen. Some lessons are never learnt it seems.

On a lighter note, I found the medieval hall, cottages and herb garden fascinating, but it was the simple potting shed that inspired a tranquil setting for a scene from Thomas’ father’s recovery in Stolen Treasure.

Extract from Stolen Treasure:

Thomas put down the bag and stepped into the half-light inside.
His father was sitting, just as he used to, on a stool with a chisel in one hand and a small mallet in the other as he worked at fixing a broken gate latch.
“Well, doctor, put your potions aside, for I’ll take none. Say your business and leave!” He looked up. “I am not in need of a doctor of body nor mind, so you have had a wasted journey. Whoever sent you will have to be disappointed.”
Thomas slowly removed his hat and propped it on top of the discarded bag. He then stepped a pace nearer to his father. “Pa… Pa what happened? Tell me the truth of it for it is I, Tom?”
His father’s tired eyes squinted and focused on his son’s face. He looked shocked, the chisel fell from his hand, but the mallet was still raised. “Tom, is it really you?” his voice cracked with emotion as he uttered the words.
Thomas stepped forward. “Yes, it is! I sent letters…”
The man stood. “You!” he muttered as he rushed forward.
Thomas opened his arms, but the mallet was still raised high.

 

An Interview with Richard Lee

I am delighted to welcome the chairman of The Historical Novel Society, Richard Lee, as this month’s guest. Richard founded the organisation in 1997 and it is now an international success.

RichardLeeSmallWhen you decided to found an organisation devoted to historical fiction, did you ever envisage it growing into such an amazing international body?

No! I did not know how it would be possible to be international, so I only envisaged a UK membership – though always celebrating international authors. We actually had US members sign up from the very beginning, which caused headaches about currency transactions and postage costs. This made us ‘ready’ for when internet links began to take off – and now we are much more international than British.

What have been the major developments/changes that you have seen in historical fiction since the HNS was founded?

In commercial historical fiction many things have changed. The ‘discovery’ of the significance of women’s lives has transformed the way that, for example, royalty and celebrity is written about. The success of ‘Sharpe’ and ‘Gladiator’ created a genre of military and epic historical fiction. We have also been blessed by literary authors pushing the boundaries in various ways – Michel Faber reconceiving the Victorian authorial viewpoint, many authors revisiting Colonial and World War narratives, Hilary Mantel turning accepted views of Tudor power and honour on their head.

How has historical fiction been influenced by the major changes within publishing in the last decade?

I am no expert here. Traditional publishing still knows how to publish the big books. The Miniaturist and Elizabeth is Missing we both debuts that had multiple agents interested, sold well into many territories, won prizes and became bestsellers. The main change I perceive is that there is much more opportunity for niche historicals to go it alone, often to the author’s benefit.

The HNS conferences have been hugely successful and enjoyable to attend. Could you share a few of your personal favourite highlights?

The things I remember from conferences are usually surprises from authors I admire – Louis de Bernieres, for example, saying that he wrote each chapter of Captain Corelli as a short story, and didn’t decide the running order till the end. Or Conn Iggulden emphasising just how powerful true coincidences are in history. Highlights are more likely downtime with fellow organisers or friends – meeting members off-stage and finding out more about them. It is great when it is all ‘done’!

What period of history do you have a particular interest in and why?

Early 20th C, Late Victorian, High Victorian, Regency, Georgian, Early Medieval, Saxon/Viking, Roman, Ancient Greek… But really anything!

Do you prefer reading or writing historical fiction?

Reading. I haven’t written consistently for a long while, though it remains an ambition.

How would you like to see the HNS develop in the future?

I always see the society as being about what members want – any enthusiasms that members have are for me to try to facilitate and nurture. This for a long time focussed on our magazines and reviews, which actively involve around 100 of us. Conferences are another big active area – this year over 400 will gather in Denver, and we had an inaugural conference in Sydney, Australia. The big ‘new’ areas of involvement are chapters based in different regions (mostly entirely independent) and connections through social media. Our awards are also popular (230 entries for the latest new novel prize), and we are looking into ways that the society can offer help and training to authors. Whether mainstream published or indie, all authors need help with marketing and promotion these days, we can all help each other.

What is next for Richard?

My first child was born a couple of years after I founded the society, two others followed, and the oldest is now 15. They are the real project and joy, but I still have a wish to write. I think I finally have a good idea!

More from the HNS