Meet Catherine Tinley – winner of the RNA’s 2021 Goldsboro Books Historical Romantic Novel Award!

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Welcome, Catherine, and huge congratulations on winning the RNA’s 2021 Goldsboro Books Historical Romantic Novel Award!

 

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When did a love of books turn into a desire to actually write them?

It was probably when I realised that Georgette Heyer should have written at least another hundred books, and I started to play around with story ideas. I don’t claim to have even a smidgen of her wit, but it was her books that made me fall in love with the whole world of Regency Romance. My very first idea was of a character that was like The Grand Sophy, but different. Like Sophy, she was moving to relatives in London having been raised abroad by an easygoing father. Unlike Sophy though, she was introverted, and her new relatives were less than welcoming. Those initial jottings became Waltzing with the Earl, my first novel.

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When did you get your first break into publishing?

I had no idea about the publishing industry. I didn’t know about competitions, or the RNA, or agents, or writers’ groups none of it. Once I had the manuscript into reasonable form, I simply sent off query letters to four publishers, including Harlequin Mills & Boon.

Three came back with a ‘no’, but the lovely Julia Williams at Mills and Boon picked up my book from the slush pile and, after some edits, offered me a two-book contract! Waltzing then went on to win the prestigious Rita® Award in the USA. It was a finalist in two categories – ‘Best Historical’ and ‘Best First Book’ and it won the historical section, where it was up against some wonderful books by very experienced writers. I went to the US for the awards ceremony, and afterwards Tessa Dare asked for a selfie with me! It still seems like a dream.

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What does being a member of the RNA mean to you?

I love the sense of community and mutual support. There’s never a feeling of competition not even on the night of the RoNA Awards! Some of the women in the RNA Irish Chapter are good friends of mine now, and we’ve been encouraging each other to keep writing during the pandemic. I’d like to thank Ruth Long and Suzanne Hull, our chapter coordinators, for doing such a great job.

Why did you choose Regency as your preferred era?

It kind of chose me! I’ve been reading romance since I was a teenager, but I’ve always been drawn to historical settings. Between Georgette Heyer and the BBC Pride & Prejudice, I succumbed, and have been a Regencyite ever since.

What do you want your readers to have gained from reading a Catherine Tinley novel?

I want them to be carried away by a story, feel all the feels, then feel good uplifted and hopeful by the end. Surely that’s not too much to ask lol? I generally write ‘quiet’ stories set among families and tight-knit communities, rather than action adventures or comedies. Yes, sometimes there are passages or events that are dramatic or funny, but mostly I try to make the world and the people very real to readers.

Your work has been described as ‘unputdownable’ and you have won awards, including this year’s RoNA Award for Best Historical Romance, so what are your future writing ambitions?

I just want to keep writing, and I’d like readers to keep enjoying my books. Everything else is a bonus. I was genuinely shocked when I won the RoNA recently for Rags-to-Riches Wife, as there were nine great finalists. However I do know that many readers particularly enjoyed that book. I deal with class issues, bereavement, and recovery from previous trauma, so I somehow managed to pack a lot in there. Jane, my heroine, is a lady’s maid who visits wealthy relatives and suddenly finds herself sitting in drawing-rooms rather than kitchens. No-one ever asked Cinderella if she was uncomfortable adapting to her new status and surroundings. Jane has a lot of challenges to face before she gets her happy-ever-after!

What advice would you give your younger, unpublished self?

Just keep writing, I guess. I was never particularly hung up on the idea of being published, although of course I hoped for it. For me, the pleasure is always in the writing itself.

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How have you coped/worked through lockdown?

I work full-time in the NHS, so the past year has been challenging in many ways. My colleagues are amazing, but we’re all bone-weary at this point. I manage a large maternity service and neonatal unit, and those babies just kept coming, pandemic or no pandemic! We’ve adapted to PPE, social distancing, covid testing, and a million other things, and we’ve tried to be flexible and responsive to women’s (and partners’) needs.

When not writing what do you do to relax?

Writing is my relaxing. I’m usually too tired to write in the evenings after work, so my writing is done on weekends and days off. I find it totally relaxing to return to my created world and my beloved characters. It’s mindfulness on stilts! I also love walking with my family (and our wee dog, Carey) in local beauty spots, including the Fairy Glen and Kilbroney, CS Lewis’s inspiration for Narnia, apparently.

What is next for Catherine?

My next book, Captivating the Cynical Earl, will be out in July, plus I’m half-way through writing the one after. It’s set in the Hebrides in 1810 so lots of research involved. I’m going to keep writing, for as long as readers want to read my books. Simple as!

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My sincere thanks to you and your amazing NHS colleagues who have worked so hard to look after us throughout the pandemic.

I wish you every continued success!

Meet Carole Matthews – winner of the RNA’s 2021 Romantic Comedy Novel Award.

Welcome, Carole!Matthews summer days sea breezes author

How long has your road to success been from that first publication breakthrough?

I had my first book published in 1997, Let’s Meet on Platform 8, and since then I’ve written another thirty-three novels. I didn’t realise when I started that I’d still be around twenty-five years later.

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What has being a member of the RNA meant to you over the years?

Friendship and support. It’s lovely being able to mix with a group of like-minded people who are willing to share your successes and struggles. It’s a great asset for authors.

What was your reaction to firstly receiving the RNA Outstanding Achievement Award and now this one?

The Outstanding Achievement Award was wonderful. I shared the honour with Jill Mansell and we were both presented with our awards by Barbara Taylor Bradford which was amazing – what a woman! It’s very nice to be recognised by your peers. I received three nominations – two for Sunny Days & Sea Breezes, plus one for Christmas for Beginners which was a lovely surprise. To receive the award for Romantic Comedy Novel of the Year was such a thrill. Sunny Days & Sea Breezes has already proved to be one of my most popular books with readers and this feels like the ultimate stamp of approval.

Happiness for Beginners was inspired by a real animal farm helping people – how do you balance the harsher realities and issues of life with a lighter touch to convey a heartfelt and serious theme?

That’s something that I’ve tried to do with all of my books and I think they reflect life in general. It’s not all ha-ha-hee-hee, but sometimes we’re able to see the funny side in difficulties. While my books are romantic comedies, I hope they reflect real life too. With Happiness for Beginners, the real farm helps people with behavioural and mental health issues, so that created the darker side of the book. They also rescued troubled and damaged animals and they definitely provided the comedy element!

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Are you a detailed plotter or do you develop your work on the screen as you go and through revisions and edits?

A detailed plotter! As I’ve written two books a year for the last ten years, I don’t have the luxury of wondering what happens next – I need to know! I do, however, change and adapt as I go, but I start off with a definite beginning, middle and end. I spend about two weeks writing out character profiles and that helps me to get into their heads. Each morning, I start by editing what I’ve done the day before and then I have one final pass at the end. I do as little editing as humanly possible.

Your locations vary, keeping your work fresh and inspiring. Are there any that have been particularly memorable?

I have been fortunate to be able to base my books in some wonderful locations over the years. Part of With or Without You was set in Nepal and that was a very memorable trip. I loved every minute – the people and the culture are fantastic. I went to Swedish Lapland and stayed in the Ice Hotel as research for Calling Mrs Christmas and that was wonderful too. We had the most fabulous display of the Northern Lights – one of the highlights of my life. My latest, Sunny Days & Sea Breezes, is set on the Isle of Wight and I’ve fallen in love with the place and plan to visit time and time again. I must have described it nicely as many of my readers – and my editors – booked holidays there as a result!

You are a prolific author, but roughly how long does it take to do the research, writing, editing to final manuscript?

I’ve been doing a book every six months, so research, writing and editing all tends to roll into one. I’m usually researching the next book while writing the current one and editing the last one. I really wouldn’t like to see inside my brain!

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What is next for Carole?

Lots to look forwards to! The paperback of Sunny Days & Sea Breezes is out in May, so I’m looking forward to that. My publisher is re-jacketing and reissuing a lot of my backlist which is quite a job with thirty-odd books to do. The new-look Chocolate Lovers’ Club is out in eBook at the moment for 99p and the whole series will be reissued in paperback in August. This series of four books is among my most popular worldwide, so it’s nice to see them given a new lease of life. Later in the year – October – will see the paperback of Christmas for Beginners which was also nominated for an RNA award and sees another visit to Hope Farm.

Celebrating: The Katie Fforde Debut Romantic Novel shortlist!

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The Katie Fforde Debut Romantic Novel

Bestselling author Katie Fforde lives in the beautiful Cotswold countryside with her family and is a true country girl at heart. Each of her books explores a different profession or background and her research has helped her bring these to life. She’s been a porter in an auction house, tried her hand at pottery, refurbished furniture, delved behind the scenes of a dating website, and she’s even been on a Ray Mears survival course. She loves being a writer; to her there isn’t a more satisfying and pleasing thing to do. She particularly enjoys writing love stories. She believes falling in love is the best thing in the world, and she wants all her characters to experience it, and her readers to share their stories.

Every author has their own unique story to tell about how and why they came to be a novelist. Read on to find out the stories behind the talented authors shortlisted for the prestigious award, as they reveal them, and the inspiration behind their lovely novels.

Cow Girl – Kirsty Eyre

HarperCollins UK

Cow Girl was inspired by my mum, my friend and a herd of cows. Billie’s voice came first (my friend), then the setting (the smells and sounds of a dairy farm in Yorkshire), then the battle (my mum, like Billie’s dad, had a brain tumour). Misogyny. Romance. Homophobia. Charity pantomime cow races. The story is as much about female friendship as it is about romance, the herd a silent, reassuring feminist ally.

Eyre - cow girl coverEyre cow girl author

The Bookshop of Second Chances – Jackie Fraser

Simon & Schuster

I’m usually inspired by a place – sometimes a building – or the idea of a particular kind of character or relationship. I started writing The Bookshop of Second Chances while on holiday in Dumfries and Galloway in the Scottish Lowlands, inspired by the little towns strung out along the A75. This gave me my setting, and I knew I wanted to write about older people and the challenges and opportunities of starting again in your forties.

Fraser bookshop second chances coverFraser - bookshop second chances author

The Silent Treatment – Abbie Greaves

Century, Cornerstone

Like many authors, I’d always wanted to write a novel, but the problem was finding a story with the legs to walk 80,000+ words! When I read a newspaper article about a man who hadn’t spoken to his wife for twenty years, I became fascinated with the idea of a silence settling at the heart of a relationship and I knew there was enough there to sustain a whole book. THE SILENT TREATMENT was born.

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This Is Not A Love Story – Mary Hargreaves

Trapeze

I have always found writing easy – that sounds pretentious, but I don’t mean it to; for me, putting the contents of my brain into written words is always easier than speaking them aloud. I spent my childhood and teenage years daydreaming and weaving new worlds in my imagination, and decided to finally bite the bullet and write This Is Not A Love Story when I was 23. It’s the best thing |’ve ever done!

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A New Life for Ariana Byrne – Liz Hurley

Hera Books

Why I write? Well, oddly enough because someone asked me to. Or rather they asked if I knew anyone that could write a lifestyle column for the local newspaper. I own a bookshop so presumably they thought I knew loads of authors. I did, but not anyone suitable. So, I volunteered. And I loved it. I have always written letters and diaries, this was just an extension. From there it was an inescapable slide into fiction! And I’m loving the ride.

Why I wrote Ari

The idea for a story came fully formed with a whole series of adventures for each sister. I wanted something that just pushed the boundaries of everyday life but still actually plausible. It had to be happy and uplifting and I felt that inheriting a great big old house, a title and loads of money would be just the start. And of course I had to set it in Norfolk, the happiest place in the world. But then I’m a Norfolk dumpling, so I would say that.

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The Authenticity Project – Clare Pooley

Bantam Press

My life, six years ago, appeared idyllic. In reality, I was grappling with a self-destructive addiction to alcohol.

I knew I had to quit drinking, and as therapy, started a blog into which I poured out the truth.

That act of authenticity transformed my life, and the lives of thousands of people who read it. Which made me wonder: what would happen if other people told their innermost truths to strangers?

And that was the inspiration for my novel: The Authenticity Project.”

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The winner will be announced on the 8th March 2021.

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