Meet Louise Douglas -the RNA’s 2021 Jackie Collins Romantic Thriller Award winner

Douglas house sea author (1)

I love the description of ‘contemporary gothic mysteries’ – where and when did you first discover your desire to write novels?

Thank you, Valerie and thank you for inviting me to your website, it’s a treat to be here 🙂

You are very welcome!

I’m one of those people who never wanted to do anything but write. When I was a child and people asked me what I was going to be when I grew up, I always answered: ‘Bookmaker!’ I still love that word now!

I was a dreamy child, often in trouble as I never listened to instructions, struggled to concentrate in school and was always getting lost. This was because I was imagining alternative lives in my head and not paying enough attention to the real world. I loved fiction books; loved the pictures, the feel of the pages, the way the stories unfolded. I was often told that writing was all very well but I needed a ‘proper’ job too. Which was fine, as long as it was a job that I could do while I was day-dreaming.

What is it about this genre that attracts you?

I’ve always been drawn to the dark, but that’s because it’s necessary to accentuate the light. I like pre-Raphaelite paintings, epic Gallic poetry and music with a mysterious edge to the lyrics (Nick Cave, Massive Attack). From a young age, I liked exploring old graveyards, because of the way nature takes over, and because of the inscriptions on the gravestones, the stories they tell and the stories they hide. I love that these sad places inevitably evolve into magical and joyous havens for wildlife. It was inevitable I’d be drawn to the kind of books that meld death and love and wild countryside places and big old abandoned houses with secret doors and love letters hidden between the pages of novels.

The night is darkest before dawn; that’s what makes the sunrise so glorious.

Your winning novel was inspired by a real place – is it place, character, theme or another inspiration that triggers most of your plots?

It is usually places that are the inspiration, I can’t say exactly why. But that’s another habit that has carried through from childhood – finding a certain place and knowing that I have to write about it. I remember being about nine years old and riding in the back of my dad’s car, going past a massive old building that was completely derelict and (I know this will sound weird) although I’d never seen it before, I recognised it. It was somewhere in the East Midlands – that’s all I could tell you about it now, but it’s always stayed clear in my mind. That building has become the asylum-turned-reform school that’s at the centre of the novel I’m writing now.

Are you a meticulous plotter or a more organic writer?

Oh, I wish I could plot! I’ve tried everything to turn myself into a plotter, I’ve got a bookshelf full of ‘How to plot…’ instruction manuals, I’ve asked other writers for advice, scoured the internet for tips, I’ve tried and tried and tried and I just can’t do it! Even if I start with a plot within about 500 words it’s all gone to pot and the characters are doing their own thing or turning into different characters altogether and everything that started off clear in my mind has become a mess.

‘Organic writer’ is a lovely phrase but it doesn’t really describe the chaos that I go through every single time. And the not-plotting is so wasteful. I end up deleting tens of thousands of words because I’ve written myself into a dead end. It’s annoying and frustrating and I wish I could be different but it’s the way it is.

You have a love of nature, creativity and the outdoors, does this shine through your work?

Thank you for this question. I do love nature, plants, animals, the moon and stars, the countryside, urban foxes, the oceans, birds, all of it. I hope it shines through in my work because nature is so important to me. One day I really want to write a book about how the outdoors grounds, inspires, heals and calms. Climate change and the threat to the environment terrifies me.

What has winning this amazing award meant to you?

It means the world to me. Being shortlisted gave me a huge boost; it’s done wonders for my confidence. I’m incredibly grateful and proud to have won. And also… to have my name mentioned in the same sentence as the wonderful Jackie Collins is just.. well it’s amazing! Thank you so much to Simon and Schuster UK for sponsoring the award in her name. #BeMoreJackie.

Has your road to success been long or short?

It’s been a long road, with plenty of steep hills, bumps and potholes and I’ve got lost many, many times and had many a flat tyre but I’m still on that road and still enjoying the ride.

What tip would you give your unpublished self-looking back, or would you not change a thing?

I’d tell myself to learn to plot.

How important has being a member of the RNA been to you as a writer?

It’s been important to me both as a writer and as a human being. Through the RNA I met my first ever writer friends; we used to meet once a month in a pub and we laughed and encouraged one another and I realised what a warm and wonderful community it is. It’s a superb organisation run by incredible people.  I admire and respect the way it promotes romantic fiction in its myriad guises, challenges the sometimes patronising assumptions that appear in the press, supports both new and established writers and helps those of us in what is effectively a solitary profession feel part of a collective.  I’m incredibly proud to be part of it.

What is next for Louise?

Book number eight, The Scarlet Dress, has just been published and I’m currently working on the asylum-turned-reform-school book which is my first ever full-on ghost story.  

unnamed

Congratulations and I wish you every ongoing success!

Comments, likes and questions can be left below.

Celebrating: The Katie Fforde Debut Romantic Novel shortlist!

unnamed (4)

The Katie Fforde Debut Romantic Novel

Bestselling author Katie Fforde lives in the beautiful Cotswold countryside with her family and is a true country girl at heart. Each of her books explores a different profession or background and her research has helped her bring these to life. She’s been a porter in an auction house, tried her hand at pottery, refurbished furniture, delved behind the scenes of a dating website, and she’s even been on a Ray Mears survival course. She loves being a writer; to her there isn’t a more satisfying and pleasing thing to do. She particularly enjoys writing love stories. She believes falling in love is the best thing in the world, and she wants all her characters to experience it, and her readers to share their stories.

Every author has their own unique story to tell about how and why they came to be a novelist. Read on to find out the stories behind the talented authors shortlisted for the prestigious award, as they reveal them, and the inspiration behind their lovely novels.

Cow Girl – Kirsty Eyre

HarperCollins UK

Cow Girl was inspired by my mum, my friend and a herd of cows. Billie’s voice came first (my friend), then the setting (the smells and sounds of a dairy farm in Yorkshire), then the battle (my mum, like Billie’s dad, had a brain tumour). Misogyny. Romance. Homophobia. Charity pantomime cow races. The story is as much about female friendship as it is about romance, the herd a silent, reassuring feminist ally.

Eyre - cow girl coverEyre cow girl author

The Bookshop of Second Chances – Jackie Fraser

Simon & Schuster

I’m usually inspired by a place – sometimes a building – or the idea of a particular kind of character or relationship. I started writing The Bookshop of Second Chances while on holiday in Dumfries and Galloway in the Scottish Lowlands, inspired by the little towns strung out along the A75. This gave me my setting, and I knew I wanted to write about older people and the challenges and opportunities of starting again in your forties.

Fraser bookshop second chances coverFraser - bookshop second chances author

The Silent Treatment – Abbie Greaves

Century, Cornerstone

Like many authors, I’d always wanted to write a novel, but the problem was finding a story with the legs to walk 80,000+ words! When I read a newspaper article about a man who hadn’t spoken to his wife for twenty years, I became fascinated with the idea of a silence settling at the heart of a relationship and I knew there was enough there to sustain a whole book. THE SILENT TREATMENT was born.

Greaves silent treatment coverGreaves silent treatment author

This Is Not A Love Story – Mary Hargreaves

Trapeze

I have always found writing easy – that sounds pretentious, but I don’t mean it to; for me, putting the contents of my brain into written words is always easier than speaking them aloud. I spent my childhood and teenage years daydreaming and weaving new worlds in my imagination, and decided to finally bite the bullet and write This Is Not A Love Story when I was 23. It’s the best thing |’ve ever done!

Hargreaves not a love story coverHargreaves not a love story author

A New Life for Ariana Byrne – Liz Hurley

Hera Books

Why I write? Well, oddly enough because someone asked me to. Or rather they asked if I knew anyone that could write a lifestyle column for the local newspaper. I own a bookshop so presumably they thought I knew loads of authors. I did, but not anyone suitable. So, I volunteered. And I loved it. I have always written letters and diaries, this was just an extension. From there it was an inescapable slide into fiction! And I’m loving the ride.

Why I wrote Ari

The idea for a story came fully formed with a whole series of adventures for each sister. I wanted something that just pushed the boundaries of everyday life but still actually plausible. It had to be happy and uplifting and I felt that inheriting a great big old house, a title and loads of money would be just the start. And of course I had to set it in Norfolk, the happiest place in the world. But then I’m a Norfolk dumpling, so I would say that.

Hurley new life for AB coverHurley new life for AB author

The Authenticity Project – Clare Pooley

Bantam Press

My life, six years ago, appeared idyllic. In reality, I was grappling with a self-destructive addiction to alcohol.

I knew I had to quit drinking, and as therapy, started a blog into which I poured out the truth.

That act of authenticity transformed my life, and the lives of thousands of people who read it. Which made me wonder: what would happen if other people told their innermost truths to strangers?

And that was the inspiration for my novel: The Authenticity Project.”

Pooley authenticity project coverPooley authenticity project author

The winner will be announced on the 8th March 2021.

Please feel free to leave a comment or like the post.

Catching up with award winning author Janet Gover!

JG - 2019

Welcome back, Janet.

How time flies by. You were my guest back in 2014!

Wow – is it really that long? It’s great to be back chatting to you again.  

Since then a lot has happened – how have you found working during lockdown? Has it been a challenge to stay focused; mentally and physically?

2020 was a tough year for everyone. This year hasn’t started too well either, but I am holding on to hope that things are getting better – even if it’s a bit slow. The big change for me has been my husband working from home. Luckily we’ve managed to make him a small office at the other end of the house, as far away from my office as possible, so we don’t disturb each other too often when we’re working. But we do miss our Sunday walks that seemed to always end with a nice lunch at some pretty rural pub.

It has been hard to stay focussed, although writing is a great escape for me. And deadlines are a great motivator. I have kept to my schedule, but it’s been slighter harder work than in the past.  

How much has changed in your writing world since we first chatted?

So much… it’s hard to know where to start. I’ve just had my 14th book released. Close To Home is a story of two strong matriarchs in one small country town. I think it’s my favourite book. But I say that about every new book.

I have given up my ‘day job’ and am now a full time writer and writing tutor, which is the achievement of a long held dream.

And I’m now contracted to Harper Collins (Harlequin) Australia, who are just the best publishers I’ve ever worked with.

1080x1080_2

What have been the highlights?

So many highlights…. some of them are as simple as suddenly having that lightbulb moment when I’m struggling with a scene or a book.  The big ones? Let’s see…

In 2017 I won the RNA’s Epic Romantic Novel of The Year award for Little Girl Lost.  To receive such an award from an organisation that means so much to me was a real honour – even if Prue Leith did pronounce my name wrong when she announced it.

Finally writing the Wuthering Heights re-imagining I’ve always wanted to do. Heathcliff’s story set against the Thatcher years and the miners’ strike. I co-wrote this with my friend Alison May and I remain so very proud of it.

Meeting and signing with my agent, Julia Silk – who has turned my writing world around. And in the same breath, signing with my Australian publisher, and meeting my editor Rachael Donovan. Only virtually so far, but one day we will get to meet in person. There will be cake. 

You are now the organiser of the RNA’s amazing New Writers Scheme – please share what a challenging and yet rewarding experience this is?

For those who don’t know about it, it’s a scheme which gives 300 unpublished authors a chance to have a manuscript read by a experienced published author, who will offer some guidance on how to become a better writer and achieve that goal of publication. I graduated from the scheme more than a decade ago, and have been a reader for many years. Now I organise it. It’s very time consuming, but I love doing it… its nice to give something back for the help I received.

The hardest part is matching a new writer with the reader who can help them the most. And the very best part is when I get an email from a new writer who had been offered a publishing deal. That means so much to me and to the readers.

What are you working on now?

I’m deep in edits for book number 15. The working title is The Librarian’s Daughter and it’s scheduled for release in 2022. It’s based around a mobile library in rural Australia… just like the one that used to call on my little community.  And in some ways, it’s also a tribute to all the books I read and loved as I was growing up.

It’s a complex book, structurally. I’m trying to ensure that, for the reader, it doesn’t seem complex at all – but flows smoothly from one moment to the next.

What is next for Janet?

Hopefully, soon, a trip back to Australia. More books of course. I have been playing with a couple of ideas for very different books to my rural stories. I’ll always write those rural stories of course, because I love them so much. But maybe there’s room for something else too.

And one of these days – a long Sunday walk followed by a nice pub lunch.

Congratulations on your many successes and best wishes for all your future projects!

Thanks for stopping by again, Janet.

Close To Home

A warm winter welcome to romance writer, Suzanne Snow!

image004

Welcome, Suzanne, and congratulations on the upcoming release of The Cottage of New Beginnings! Before you tell me about the book let’s go back to when you began your writing career. Was writing books always something you wanted to do?  

Yes, I’ve wanted to be a writer since I was very young. I read all the time as a child and loved to make up stories about adventurous girls and their ponies. I always hoped to be an author one day.

Reading your website it is clear that you love romance set against a rural setting.  Are you definitely inspired by setting rather than a character initially?

A landscape is usually the first thing that draws me to create a story. It might be a village or a beautiful view, but there’s always a community at the heart of my writing. Once I have my setting, I begin to imagine the characters who might live there, and those who might be newly arrived and why. I hope to convey a real sense of place in my writing.

Does family and faith play a strong part in your plots as they do in your life?

Friendship and family are very much part of my writing and faith is something shared by a few of my characters but not all. Charlie and Sam Stewart, the young vicar of Thorndale and his wife, have proved popular with readers and they do return in later stories. Sam in particular is mischievous with a lovely heart, and great fun to write.

What character traits do you think are essential in a hero/heroine?

I write heroes who are sensitive without being overly sentimental; and honourable, even if that is not immediately apparent. Kindness, an ability to understand when they are wrong and passionate also go a long way.

I like heroines to be independent, have confidence and warmth. Both hero and heroine need to have some self-awareness, along with the opportunity and willingness to change and develop.

Do you always aim to deliver a feel-good story with a happy ending?

I do, yes. I read romantic fiction as well as write it, and I so enjoy characters falling in love, whether that’s a gradual realisation or something more immediate. As an author, I hope for my readers to feel uplifted, following characters working out their differences to consider a future together.

Since joining the RNA you have been taken on by an agent and signed a three-book deal (huge congratulations on that!). How important has being a member of the RNA been in finding your route to publication?

I don’t think I can overstate the importance of the RNA to unpublished romantic writers. I’ve made great friends and received lots of support since joining and benefitted from opportunities to learn, and Conference is just one of them. I believe it’s important to discover how publishing works, along with the roles of industry professionals such as editors and agents, whether you plan to follow a traditional or indie route to publication.

image002

What is your favourite part of the writing process?

I love to actually just write a draft, something I mostly do early in the mornings. When the story is flowing well and the characters are making themselves heard, then it’s a complete joy and difficult to stop. Editing is also something I find very satisfying, and I enjoy going back and finding ways to improve the manuscript.

What is your least?

I’d probably say the amount of time I manage to spend distracting myself researching something online when I should be writing!

How have you coped with life during a pandemic?

Life has changed, as for so many people, and my husband now works from home and my son is studying mostly online for his A levels. We are thankful to have close family nearby and have been able to support one another during the pandemic and very much appreciate the community we are a part of. The house is busier now and we are all adapting to a new way of working. I’ve also realised how many simple things we took for granted, like meeting up with family and friends for a meal, and I’m really looking forward to being able to hug my wider family again.

I think we are all waiting that day. Having come this far on the road to publication what advice would you give to anyone considering joining the RNA’s New Writers’ Scheme?

Join, if you possibly can, the opportunities to develop your knowledge and make friends are so brilliant. And once you are a member, do try and get the best from your membership by taking part in the activities on offer, whether that’s social media, online learning, chapter meetings (currently all online) and attending events. The RNA is excellent at welcoming people, and Conference, once it is able to run again, is a real highlight and not to be missed if at all possible.

Garden of Little Rose medium

What is next for Suzanne?

Right now I’m finishing my Christmas story, which is set in Thorndale, and I’m looking forward to the publication of my second novel, The Garden of Little Rose, in February 2021. After that I’ll be planning my fifth book and hopefully spending some time on a tiny Hebridean island for research, rules permitting.

That sounds lovely!

Thank you for the opportunity to be included on your website, Valerie, I’ve really enjoyed answering your questions.

Suzanne x

You are very welcome. If any readers have any other questions please leave them below.

Merry Christmas, Suzanne and good luck with the book!

Introducing the short list for the prestigious RNA Joan Hessayon Award 2020!

JH 20 all covers banner

Every author has their own unique story to tell about how and why they came to be a novelist.

Read on to find out the stories behind the talented shortlisted authors for the prestigious award as they reveal the themes that are at the heart of their lovely novels.

Zoe Allison, Impervious, Totally Bound

After years of hard work and burn out in Medicine I came to realise how much I loved writing and what a release it was – a balm for the soul. I wrote a couple of opinion pieces for a medical newsletter and after that tried my hand at writing children’s picture books. As my own children grew I got back into reading romance and remembered what I enjoyed most about the genre – the happy endings. I decided to write my own romances, with the strong heroines and non-toxic heroes that I craved to see in the books I read.

Jan Baynham, Her Mother’s Secret, Ruby Fiction

On retirement, I joined a local writing group. Once my stories started getting longer, I undertook a novel-writing course, enjoying the challenge to explore my characters in more depth and delve further into their stories. Joining the RNA New Writers’ Scheme was the best decision I made on my journey to becoming a published novelist.
I love writing about families and the skeletons lurking in their cupboards. In ‘Her Mother’s Secret’, my main character, Elin, has a well-hidden secret. The novel explores the bond between a mother and her daughter, forbidden love, cultural differences and a search for true identity.

Laura Bambrey, The Beginner’s Guide to Loneliness, Simon & Schuster

The theme of The Beginner’s Guide to Loneliness was dictated by my main character, Tori. As I spent time getting to know her, looking past her severe anxiety and issues with specific phobias I realised that, right at her very core, she was chronically lonely. This sent me off on a fascinating trail of research. Loneliness has so much stigma attached to it – it’s a strangely taboo subject and something that is very difficult to discuss – but we’ve all experienced it at some point in our lives. I hope this book helps to open up those conversations.

Victoria Garland, Finding Prince Charming, DC Thompson

My first attempt at writing was at the age of twelve. I was given a typewriter for Christmas and started pounding out my own version of a Nancy Drew mystery. Remember those? Fast forward three decades to when I joined the RNA’s New Writers’ Scheme. After having several short stories published in My Weekly I decided to write a pocket novel for them. I was asked for a sparkling Cinderella story for Christmas and Finding Prince Charming was born. I had an absolute blast writing it, playing with the fairy tale theme and falling madly in love with the hero.

Rosemary Goodacre, Until We Meet Again, Hera

As RNA members know, the New Writer Scheme is a great way for debut novelists to have work critiqued by professionals, and I’m very grateful for this opportunity.
The centenary of the Great War reminded me of this tragic period of history. What must it have been like to have been suddenly swept into it? My characters, Amy and Edmond, had to be special people. They fall in love as war breaks out, snatching days and weekends together, uncertain of their future. Only their love brings them through disaster.

This slideshow requires JavaScript.

Annette Hannah, Wedding Bells at the Signal Box Cafe, Orion Dash

About fifteen years ago the Signal Box near where I live became automated and I always thought it a shame that such a lovely building should be neglected and boarded up. I often visualised it as a café and when my protagonist Lucy needed a venue for her wedding planning business, I decided to use the old Signal Box as inspiration and followed my dream even if it was just in my imagination. Writing a book has been my lifelong ambition and to have achieved it feels fantastic. Being a contender for the Joan Hessayon Award is a wonderful rite of passage.

Stephanie Harte, Risking It All, Aria

I’d dreamt of writing a book for years but had been put off by the daunting task. Filled with self-doubt, I talked myself out of the idea every time it resurfaced until I plucked up the courage to put pen to paper and join the New Writers’ Scheme.
In Risking It All, Gemma’s forced into a life of crime to clear her husband, Nathan’s debt after he secretly borrows money from a gangster. Her loyalty is pushed to the limit as she battles with her conscience. Losing Gemma could be the price Nathan has to pay for his reckless behaviour.

Stefania Hartley, Sun, Stars and Limoncello, Totally Bound

When I moved to the UK from Sicily, my English was too poor to imagine that I could ever write anything. Eventually, my Italian became rusty too. But one day I discovered that I could write articles about my subject (I was a Science teacher). After twenty years, I finally knew English well enough to write! It was as exhilarating as sprouting wings. I started writing about anything that excited me and memories of my Sicilian youth popped up more and more. Now I love to share with others those memories and stories of hot Sicilian summers, sun-drenched passion and sparkling seas.

Kirsten Hesketh, Another Us, Canelo

My debut, Another Us, is inspired by my son who was diagnosed with mild Aspergers when he was ten. A few years later, sorting through some of the bumpf I’d been given at the time, I stumbled across a statistic which claimed that eight out of ten marriages with a child on the spectrum end before that child is sixteen. Our son was already sixteen by this point and I decided the statistic was rubbish. But what if I’d known about it earlier on? Might I have reacted differently, behaved differently? And so the idea behind Another Us was born.

Sharon Ibbotson, The Marked Lord, Choc Lit

As a child, I never wanted to be a novelist. I wanted to be a nun. But after my parents informed me that I was neither Catholic nor was being a nun like it was in ‘The Sound of Music’ I started to consider other options. I loved reading – in fact, I still believe I am a better reader than I am a writer – and I started writing when I lost a copy of a library book I never got to read the end of, making up my own conclusions to the story and seeing where I could take the characters I had fallen in love with. I wrote ‘The Marked Lord’ when I was pregnant, sitting in my garden and dreaming of home (Australia plays a large role in this story). It’s all about second chances and letting go of past hurts, both physical and emotional. It was a lovely book to write and I’m still very fond of it (I am also still very fond of ‘The Sound of Music’ but then who isn’t?)

This slideshow requires JavaScript.

Emma Jackson, A Mistletoe Miracle, Orion Dash

“Back in 2013 I went along to see the Christmas lights being turned on in Alfriston village with my partner and one-year-old daughter. It was a bitter night, but the buoyant atmosphere and chocolate-box setting set my mind racing with possibilities for a Christmas novel. From that spark of an idea, A Mistletoe Miracle, a festive romantic comedy, grew. Slowly. I squeezed in writing in the evenings and children’s naptimes over the next six years and in 2019 joined the RNA NWS, knowing that if I wanted to be published it was up to me to start taking my writing seriously.”

Lynn Johnson, The Girl From The Workhouse, Hera

I didn’t mean to become a novelist. In my fifties, I began researching my family tree and discovered things I never knew about my mother’s family. At my local writing group, I started to write short stories. The Girl From the Workhouse, was one of those very early stories and it grew – but was I writing history or fiction? I decided on fiction. And my biggest stumbling block took time to resolve itself. Dare I give my Grandma a boyfriend who was not my Grandad? Once I had the answer, my writing flowed. Fifteen years later…success!

Nina Kaye, The Gin Lover’s Guide to Dating, Orion Dash

My childhood dream to write became real when I turned to writing to support my rehabilitation from a difficult illness, and to provide escape from it. Recently, I’ve completed another story inspired by this time, and I hope to share this in the future.

The key ingredients of The Gin Lover’s Guide to Dating are the beauty of Edinburgh’s setting, personal experience in the hospitality industry, and (of course) my appreciation of gin! Real life issues are an important touchstone for my writing, as is the light-hearted side of life.

Lucy Keeling, Make It Up To You, Choc Lit

I wrote my first story when I was 8 and not to toot my own horn, but it was good. It had Ice Monsters roaming the streets. From then on, every few months I would get this urge to write. As I got older, I would manage a solid three chapters before I ran out of steam. It was only when I discovered that I could plan out a story, that it didn’t have to just magically spill from my fingertips, that I actually managed to finish one. Now, the only ice monsters I write about are the ones that melt with a HEA.

Ruth Kvarnström-Jones, Halleholm – Lovisa’s Choice, Printz Publishing

One is seldom too sick to scroll through Facebook. That said, as a copywriter flattened by pneumonia back in 2012, even scrolling depleted my energy supply pretty pronto. Until I saw a meme that suggested one had an obligation to use up every ounce of talent before one died. Must write my novel! Energy inexplicably refreshed, I began making notes for Halleholm- Lovisa’s Choice.
Set in the chocolate-box environs of the Stockholm Archipelago, Halleholm – Lovisa’s Choice is a modern-day Romeo and Juliet saga: the tale of a multi-generational family feud that nearly rips apart a town and shatters one woman’s dream.

This slideshow requires JavaScript.

Mairibeth MacMillan, The Viking’s Cursed Bride, Tirgearr

When I was wee, I got a tape recorder as a birthday present. My friends then spent several summers voicing the characters in the radio plays that I wrote – I still have some of the tapes! Later, when I took a career break from teaching drama, my interest in writing was rekindled and I completed degrees in creative writing and playwriting. I became interested in using writing to explore the stories associated with place, and most of my initial ideas are inspired by visits to particular buildings or places. The Viking’s Cursed Bride was initially inspired by a visit to Dumbarton Rock.

Melissa Oliver, The Rebel Heiress and the Knight, Mills and Boon Historical

My debut is a sweeping medieval romance, set against the back-drop of the Baron’s Conflict, which began in 1215. There’s a nod to the legend of Robin Hood- which, in turn, took its inspiration from the real-life story of Fulk FitzWarin III.
King John demands that his trusted knight; Sir Hugh de Villiers marries the reluctant widow; Lady Eleanor Tallany, and also quashes local outlaws…. Unknown to Hugh, his new wife and the outlaw are one and the same.
Through twists, turns, and intrigue; Hugh and Eleanor’s spark of attraction need to overcome standing on opposing lines, or extinguish forever.

Maggie Richell-Davies, The Servant, Sharpe Books

Novels were always a portal through which to roam the moors with Heathcliffe and Cathy, to take the waters at Bath with Beau Brummel, or to fall in love with Darcy, so it was inevitable to yearn to write my own. Then a visit to London’s Foundling Museum, with its heart-breaking scraps of fabric and ribbon left by women in the hope they might, one day, be able to reclaim their precious child, inspired me to write The Servant, the story of a poor eighteenth-century girl battling to survive the injustices of the age – and to find love.

Jacqueline Rohen, How To Marry Your Husband, Arrow

J Rohen

Written by Jacqueline’s family: From childhood, Jacqueline was an avid reader and budding writer. She found ideas for stories everywhere, notebook at the ready. One such inspirational nugget was Mick Jagger’s public statement that he and Jerry Hall were never officially married; the story stuck with Jacqueline for years, finally evolving into the plot of her debut romantic novel. Eventually, Jacqueline’s own romance led her to chimpanzee conservation in Uganda where, forcing herself to become a morning person, she determinedly set aside the time necessary to fulfil her dream of being a published author. She would have been so proud to be nominated.

Kathleen Whyman, Wife Support System, Hera

Working as a magazine journalist, Kathleen always aspired to be a novelist, but got slightly sidetracked over the years by work, children and Mad Men box sets. It was her eight-year-old daughter’s words – ‘Stop talking about writing a book and just write one’ – that gave her the push she needed to write Wife Support System.
The novel, published by Hera Books, was inspired by Kathleen’s own feeble attempt to juggle a career with childcare, never-ending house ‘stuff’ and, outrageously, occasionally some time for herself. She is still struggling.
Kathleen’s next novel, Second Wife Syndrome, has been shortlisted for the Comedy Women in Print prize 2020.

Fiona Woodifield, The Jane Austen Dating Agency, Bloodhound Books

I have always wanted to be a writer, ever since my childhood love of reading spilled into the desire to write stories of my own. In 2018, I sent the manuscript for my first novel, The Jane Austen Dating Agency off to the fantastic RNA New Writer’s Scheme and had lovely feedback.

The Jane Austen Dating Agency focuses on a heroine who has spent rather too much time reading romantic novels, so her reality fails to live up to the dream. She joins a regency dating agency where she meets some wonderful friends, some rather interesting and familiar characters, to the Jane Austen fan at least and discovers her true self.

This slideshow requires JavaScript.

Meet best-selling author, Lorna Cook

Lorna Standing

Congratulations Lorna on winning the Joan Hessayon Award with your lovely novel The Forgotten Village. You must still be thrilled! When did you first decide to write fiction or have you always been a natural story-teller?

Thank you for the kind congratulations! I wrote my first (unpublished and never will be) novel in 2016. It was a pure historical romance and was very very bad. But I managed to learn so much from writing it and also from having it critiqued privately so I knew the silly mistakes I was making such as head-hopping, and knew not to transfer the same mistakes over to anything else I wrote. While I was writing the very bad novel, I had the idea for The Forgotten Village. I finished the very bad novel, just to prove to myself I could finish something, filed it away and prayed no one would ever find it and then after a bit of breathing space, in 2017 I began The Forgotten Village. I had just joined the RNA via the New Writers’ Scheme that January and so I was determined that I would have something to submit by the August deadline. I managed to finish it in time.

TFV_KR quote.JPG

Were you fortunate to gain publication of your first novel or has it taken a while to achieve your goal?

I have been very lucky. The Forgotten Village went out on submission to a handful of agents in February 2018 and I met with a couple of lovely agents before meeting Becky Ritchie at A.M. Heath. We worked together on the manuscript with a few key changes. Three months later Becky and her team had found me homes with publishers in the UK, Germany and Netherlands.

How long ago did you decide to write about the village of Tyneham and what inspired you about its history?

The village is utterly intriguing. I don’t know a single person who hasn’t been entranced by the real story of Tyneham, the village requisitioned in entirety in WW2 and never given back. I stumbled across an article in a national newspaper about how the village looked now (decimated) compared to how it looked before it was requisitioned (thriving) and I fell down an internet research rabbit hole. Once I’d researched I just knew the story I had in mind – about a woman trying to leave her husband in the middle of the war and a modern-day heroine on a mission to discover what happened to the woman in the past – had to be set in Tyneham during the frenzy of requisition.

Tyneham2

Will you be writing more books in this genre?

Yes, my second novel The Forbidden Promise is out in March 2020 and is set in the Scottish Highlands. (It’s available to pre-order now, she says shamelessly.) It moves between WW2 and present day as the modern day heroine, Kate arrives at Invermoray House to find that a woman who lived there eighty years ago has been all-but removed from the family history.

Did you find it difficult to keep the story predominantly as a romance as there is a very strong mystery element?

Yes and No. I found lots of things difficult when writing The Forgotten Village! The key challenges in writing a book like this are that I adore it when a romance springs as a by-product of something else, especially a mystery. It’s a challenge to develop characters a reader will root for, develop a romance a reader will enjoy, create enough intrigue to keep them reading two timelines and then to give them a conclusion to all of it they’ll feel satisfied with. I have to do that for two timelines! And so essentially, with each section, the reader gets half the book so it’s quite condensed. I learnt to write succinctly because at 100,000 per book, it’s only really 50,000 words in the past and 50,000 words in the present. It’s a bit exhausting my end! A big glass of wine gets drunk in this house at the end of a writing day.

Are you very disciplined in the way you organise your project from research through to finished manuscript?

Yes. I plan the past section out intricately because it’s the past section that informs the mystery element of the present sections. I tend to plan the past sections and ‘pants’ my way through the present sections while knowing exactly what twists and turns there will be. See above comment about wine 😉

You obviously love historical fiction and research your chosen topic thoroughly. What advice would you give to anyone who was considering writing an historical or dual time novel?

I would echo some great advice I read by historical fiction authors, which is don’t get too wrapped up in the research in the early stages. Just write the story and if there’s a fact you don’t know just shove ‘XXXX’ into the manuscript. Then when you’ve finished your first draft and need to give yourself some breathing space, that’s when you can go off and start looking up all the facts you don’t know the answer to such as, ‘when did petrol go on the ration?’ or ‘what was the tape that criss-crossed the windows for air raids called?’ Also, researching all the nitty gritty afterwards means you won’t be tempted to put huge swathes of (probably rather boring) research into your manuscript that just slow it down. I can now tell you everything you want to know about requisition orders in WW2 but purposefully put very little of it into The Forgotten Village because…yawn.

What does being a member of the RNA mean to you?

It means so much. First and foremost, it’s friendship. After I finish writing this I’m off to see my buddies at the RNA Chelmsford Chapter for our monthly lunch. I’ve not been since January because I’ve been knee deep in writing The Forbidden Promise and on a very intense deadline and I’ve really really missed catching up with everyone.

Secondly, it’s the events and talks which have really educated and informed me these past couple of years. The conferences are so well thought out. The RNA gave me such a boost to my career via the NWS critique and then winning the Joan Hessayon Award has been phenomenal. The association is so well thought of in the industry and I’m incredibly proud to be a member.

What do you do to switch off from writing/researching/deadlines?

Reality TV! Isn’t that embarrassing. Made in Chelsea and The Only Way is Essex. Often back to back. For hours! I’ve also just discovered Real Housewives of Cheshire and I am HOOKED! Glamour and drama and some fantastic dialogue. I do find myself listening to some great lines and wondering if I can pinch them for future novels, especially when the blokes apologise for cheating or when they try and hit on a girl. Marvelous stuff.
On a more healthier note, I walk the dog and listen to podcasts or audio books and I love swimming because I can really switch off. Also there’s nothing like curling up in bed and reading a good book.

Do you embrace social media or control the time spent on it carefully?

I’m pretty good at switching off from social media. I post on Facebook, Instagram and Twitter a couple of times a week. I’m more of a social media voyeur though. I cruise in, look around at people’s posts, cruise back out and it was like I was never there.

What is next for Lorna?

Book 3! Oh the fear. This one is going to be a bit meatier, I think, than The Forgotten Village and the upcoming The Forbidden Promise. It’s set in a location quite close to a lot of people’s hearts and so I need to research to within an inch of my life beforehand, which is the very thing I recommended above that people don’t do! However, on this occasion, the timeline of events is something that I need to get absolutely right from the start and so I have covered the walls of my office with sheets of paper and am planning very intricately what happened on which dates as I prepare to weave a plot around it. I’m exhausted already but am determined that every book I write will be better than the last and so onwards we go!

Thank you for taking the time out of your busy schedule to complete the interview and best wishes for future success in your writing career, Lorna!

TFV-TW-copiessold

An Interview with Alison May

Director Alison MayI am delighted to welcome the new chair of the Romantic Novelists’ Association, Alison May. Welcome and congratulations, Alison!

Before we talk about the RNA I would like to ask you about your own writing life and you’re your lovely books written independently or as one half of Juliet Bell.

What were your first breakthrough moments as a published writer?

I sold my first book, Sweet Nothing, in 2013 and it was actually the very first novel that I wrote. I’d been writing seriously for 11 years at that point though but it had taken me about six of those to work out that I wanted to write a novel. So my biggest and first major ‘breakthrough’ moment as an author was probably realising that I wasn’t built to a be a Very Serious Playwright, but am much happier writing novels.

My second big breakthrough was discovering the RNA’s New Writer’s Scheme, which I joined in 2011. The New Writers’ Scheme gives unpublished authors membership of the Romantic Novelists’ Association and a critique on a full manuscript each year from a working author in your sub-genre. Joining the RNA also gave me access to a whole world that I never understood before – a world of writers, but also editors and agents. I think it takes a village to shepherd a novel from idea to publication and the RNA is my village.

You co-write novels with writer and TV journalist Janet Gover, as Juliet Bell. Does this present very different challenges to writing your own novels?

Completely different. Neither of us are big planners when we’re writing on our own – Janet is probably more of a planner than me but that’s not saying much. Writing collaboratively we have to plan. We hardly ever actually write together in the same room so we have to plan the story to stop either one of us getting over excited and killing off a character the other desperately needs in the next chapter. That makes it a really different writing experience.

Writing collaboratively is also a great way to stop you from being precious about your own work. Having a writing partner who can, and will, just put a red line through your masterpiece is a sobering experience but ultimately a very healthy one I think for any writer.

How would you describe an Alison May novel?

That’s tricky! I started my career writing romantic comedies, and I still love to write comedy. I’m planning a return to that genre after I finish my current novel-in-progress. But, my most recent Alison May book, All That Was Lost, is neither romantic nor comedic. It’s an emotion-driven story about a woman who’s built her whole life on one single lie – the lie that she can talk to the dead.

How would you describe a Juliet Bell novel?

Juliet Bell writes modern retellings of misunderstood classics. She’s a sucker for a Bronte novel with a hero who is really anything but heroic!

What key advice would you share with aspiring writers?

Read lots and write lots. There is no substitute for actually getting words down on the page.

It’s definitely worth investing whatever time and money you can spare in developing your craft. I’m a big fan of writing courses and retreats – I run them myself and you should definitely all come on one – but they’re something to do if you are able on top of actually writing not instead of it.

Each author has their own favoured way of working – would you share yours with us?

I’m currently working on book 9, so you’d think that by now I’d have a definite process, wouldn’t you? Realistically it’s different for every book. There are a few constants though. I write horribly shoddy first drafts, and do most of the work on shaping the idea into an actual novel when I edit and revise. I always hate the book at around twenty thousand words, and regularly chuck out the opening 20k of a first draft and start again. I do very little plot planning and what I do I generally never look at while I’m actually writing. So what process I have is messy and disordered but if I try to organise and plan more and create order then I don’t write at all. It turns out messiness suits my writer brain.

 What project(s) are you working on next?

I’m currently working on a dual timeline contemporary and historical novel about witchhunts, both literal and metaphorical. It’s my first novel with a substantial historical storyline – the earliest I’ve gone in time before in 1967, and this goes back to 1695 so it’s a big departure for me from writing contemporary fiction, but I’m really excited about it.

You have just taken over from the lovely Nicola Cornick as chair and next year is very important as the RNA is 60!

What is your vision for the future of the RNA?

I see the next couple of years for the RNA as being about two things. Firstly I want to protect and nurture the things that are already so brilliant about the organisation – the sense of community, the mutual support, and the generosity towards new writers. I’m really keen to ensure that that sense of community continues and to ensure that it’s an inclusive community that welcomes writers of all forms of romantic fiction and from all backgrounds.

Secondly, I think every Chair wants to develop the association and make sure we keep moving forward. We have our diamond anniversary year coming up in 2020 with lots of events planned and lots of online activity to help our members engage directly with readers. We’re also working to develop some new education activities, alongside our existing New Writers’ Scheme, to provide professional development opportunities for both published and unpublished authors.

What has being a member of the organisation meant to you over the years?

So much. It’s almost impossible to overstate the career benefits of joining the RNA for me. I found my first publisher after a recommendation from my New Writers’ Scheme reader. I heard about my agent through a contact I made in the RNA. It’s a genuine privilege to be involved in leading the organisation.

I also can’t overstate the personal benefits. I’ve already said that the RNA is my village in writing terms, but that’s true in life terms as well. My RNA friends are some of the first people I message in a crisis or turn to celebrate good news.

How has the romance genre changed since you joined?

There are always trends and fashions in romantic fiction. I joined the RNA around the time Fifty Shades of Grey came out and kickstarted a boom in erotic romance. At the moment we’re seeing a big peak in sales of lighter, more escapist fiction. Sagas are also selling in huge numbers at the moment, often set in the mid twentieth century, and following a heroine, or group of heroines, through a range of trials in their lives, not just finding love.

Romantic authors are also at the forefront of tackling issues raised by movements like ‘Me too’. It’s absolutely right that we’re thinking about consent as a central part of how we write about sex and relationships.

LGBTQIA+ romance is also finding new readers at the moment which is brilliant to see. We want readers to be able to access as wide a range of romantic stories as possible – every reader deserves to see their own version of Happy Ever After on the page. And if you’re a reader who can’t find that in a book yet, why not join the New Writers’ Scheme and write your own?

Looking forward, how excited or optimistic are you about the future of the romance genre within publishing?

Incredibly excited. If you look at Netflix and other streaming services you can see that there’s a huge appetite for romantic stories. As romantic novelists we’re competing with all of those other forms of entertainment, but ultimately I believe that story is king. If you can tell a satisfying romantic story then there are readers out there desperate to hear that story.

Do you think organisations can stay genre specific, or is there a need for a more open working relationship within the industry, which reaches out to other genre specific organisations? 

I don’t think it’s an either/or question. There are no plans at the moment for the RNA to stop being a genre-specific organisation. I think there are genre-specific challenges that it’s good to be able to view as a single group. In romantic fiction, for example, we’re still fighting the perception that books predominantly written and read by women are somehow ‘less than’ and I think it’s valuable to have a strong genre-specific voice to address those sorts of issues.

But I’m also really keen to work across genres with other organisations. We’re really pleased to have a strong relationship with the CWA for example. Some of our local groups have already organised joint events, and I hope more will do so in the future. We also share ideas with one another at a Chairperson level and I think both organisations are stronger for having that relationship.

BIOGRAPHY
Alison May is a novelist, short story writer, blogger and creative writing tutor who grew up in North Yorkshire, and now lives in Worcester. She worked as a waitress, a shop assistant, a learning adviser, an advice centre manager, a freelance trainer, and now a maker-upper of stories.

She won the RNA’s Elizabeth Goudge trophy in 2012, and her short stories have been published by Harlequin, Choc Lit and Black Pear Press. Alison has also been shortlisted in the Love Stories and RoNA Awards. Alison writes romantic comedies and emotion driven fiction. Her latest novel, All That Was Lost, was published by Legend Press in September 2018.

She also writes modern retellings of misunderstood classics, in collaboration with Janet Gover, under the penname Juliet Bell (www.julietbell.co.uk & Twitter @JulietBellBooks).

Alison is currently Chair of the Romantic Novelists’ Association.

Website: http://www.alison-may.co.uk

Twitter: twitter.com/MsAlisonMay

Facebook: http://www.facebook.com/AlisonMayAuthor

Instagram: instrgram.com/MsAlisonMay

BUY LINKS:

Juliet Bell – The Heights

Juliet Bell – The Other Wife

 

Alison May – All That Was Lost

Meet Jan Jones!

JanJonesI am delighted to welcome Jan Jones as my guest this month. Jan is not only an amazing writer of romantic fiction but the organiser of many successful Romantic Novelists’ Association Conferences.

Hi Jan – thank you for taking the time out of your hectic schedule to complete the interview. This year’s conference at Lancaster University was, amazing, as usual. The speakers were from all sections of the industry. How have you seen the event change and grow since you became the organiser?

Hi Val,

Since 2005 when I took over as organiser, the conference has grown from just over a hundred residential delegates to over two hundred. We’ve also increased the number of choices, added extra Sunday afternoon sessions and offer a Thursday pre-conference arrival.

The Romantic Novelists’ Association is a very supportive organisation. When did you join it and make your first break into print?

I first joined during the 1980s when I was writing magazine stories, took a break, rejoined in 1994, then made the breakthrough from NWS to full in 2005.

Your career began in mathematics and computing, so when did you realise that you were a writer at heart?

Oh, I’ve always known that, but I also knew I wouldn’t be able to live on it. Computer programming was a much more bankable skill.

Do you prefer to write long or short fiction, YA or adult, historical or contemporary?

All of them. I have a dreadfully low boredom threshold. I like the variety and challenge of writing different forms and genres. As to length, I think when you first get the germ of an idea, you know what sort of size the story will be. When writing serials I have to squash the story into a few compact episodes, so it is an immense relief to then expand it to the length it always should have been and self-publish it.

Do you have a strict writing regime and work ethic?

Erm, no. I’d like to, but life keeps getting in the way. I just write whenever I can. Late at night is good, because everything is quiet and I don’t have the sense of having left chores undone. I try to only have one project on the go at one time, but I generally have two or three in various stages. There are very few points during the day when I’m not thinking about whatever the current piece of work is. The worst time for me is during RNA Conference preparations. I can’t keep a book in my head as well as all the conference arrangements, so I have to completely stop writing at the end of April and not pick the book up again until July. The upside is that by then, I’ve forgotten how much I hated it!

That is a long time for preparation. No wonder the conferences are such a success. What was the best piece of advice you were given as a new writer?

That everyone has something useful to teach you and that you never stop learning. What I worked out for myself was to believe in my own voice, to dare to be different, and to never give up.

What inspired The Penny Plain Mysteries?

I came across a strange jigsaw when I was clearing my mother’s bungalow that gave rise to the first Penny Plain story, but as for where the characters came from, I have no idea. I think all writers have people lying dormant in their subconscious, just waiting for the right setting.

What are you working on now?

I have recently got the rights back for the three Regency novels published by Hale, so I am revising them ready to self-publish. I am enjoying it tremendously – it’s just like meeting old friends and falling in love with them all over again.

I love that description. So what is next for Jan?

Keep on keeping on! At the last count I had something like nineteen projects waiting for my attention, ranging from finished novels to be done-something-with to tantalising germs of ideas with half-a-dozen lines of notes to anchor the thoughts in place.

Good luck and I wish you every success with them. Thanks for sharing some of your writing experience and world.

More from Jan

FacebookTwitter Blog RNA

 

For the Love of Writing: Inspiration and Motivation

In previous blog posts I have looked at how to keep yourself fit for the task of writing thousands of words and then how to set realistic goals to achieve them. Before moving on to looking at the actual writing of the fiction, two factors play an important part in beginning and completing the process – inspiration and motivation.

Where do you get your inspiration from?

What motivates you to write fiction?

These two questions are asked to many authors and the answers may be as varied as the individuals who the question is posed to.

I am constantly inspired by anything from a name, a newly learned an intriguing little known fact, a place that sparks an idea or a simple overheard statement. Inspiration is all around us, we just have to be open to it and use our imaginations to ask that simple question: ‘What if?’

Once inspired to write then motivation kicks in to drive our effort so that the idea turns into a real manuscript. We can be both inspired and motivated at the same time by reading our favourite author’s work.

Here are a just a few common motivators:

To escape from reality into a world of our making that we will hopefully share with others.

To earn money – realistically, this is not an easy industry to break into.

To become a published author.

Whatever your inspiration you need the motivation to keep going, learning and growing as a writer. Go beyond rejection to reach that place of acceptance and becoming a published author. Learn from those who have done it and also from any of their early mistakes, so that you can avoid some yourself.

Once you are keen to begin your project, go for it. Network at conferences and courses, such as The New Writers’ Scheme run by the Romantic Novelists’ Association and seek professional feedback. If you have a manuscript that you would like professional feedback on then please contact me on Vholmesauthor@gmail.com for a quote.

Achieving your goals.

 

picture1

For the Love of Writing: Making your goals realistic

 

Now you are sitting comfortably and have an idea where you will be working, you will be eager to start writing. If you are a hobby writer, then fitting it in around other commitments is not a problem. However, if you are trying to make a profession from it, then here are some practical tips. Having your own workspace is a luxury but, if it is not possible, then have one where you can ‘hot desk’ for set times. For a change of scene I sometimes use a large coffee shop or a library.

Once you know where you will write and when, set realistic deadlines to train yourself to work in a professional way for the day when those deadlines have to be contractually met. This can be fun as it is like setting a personal challenge.

You might write only 500 or 1500 words a day. That does not matter. Whatever your output is you can easily work out a schedule as a guide for your project to be completed.

For example, if you are setting out to write a 50,000 word manuscript and produce (on average) 1,000 words per day, then you will need 50 days to complete a first draft.

If you work 5 days a week, then you will have your finished first draft in 10 weeks.

Add a couple of weeks for editing and polishing it. So your realistic target would be a 50,000 word novella in 3 months!

These figures are a simple guide to illustrate how easy it is to set a credible target for whatever your project is. Be committed to your work, revising the schedule as you go along. Keep the goals achievable and be determined to succeed, and you will!