Meet Louise Douglas -the RNA’s 2021 Jackie Collins Romantic Thriller Award winner

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I love the description of ‘contemporary gothic mysteries’ – where and when did you first discover your desire to write novels?

Thank you, Valerie and thank you for inviting me to your website, it’s a treat to be here 🙂

You are very welcome!

I’m one of those people who never wanted to do anything but write. When I was a child and people asked me what I was going to be when I grew up, I always answered: ‘Bookmaker!’ I still love that word now!

I was a dreamy child, often in trouble as I never listened to instructions, struggled to concentrate in school and was always getting lost. This was because I was imagining alternative lives in my head and not paying enough attention to the real world. I loved fiction books; loved the pictures, the feel of the pages, the way the stories unfolded. I was often told that writing was all very well but I needed a ‘proper’ job too. Which was fine, as long as it was a job that I could do while I was day-dreaming.

What is it about this genre that attracts you?

I’ve always been drawn to the dark, but that’s because it’s necessary to accentuate the light. I like pre-Raphaelite paintings, epic Gallic poetry and music with a mysterious edge to the lyrics (Nick Cave, Massive Attack). From a young age, I liked exploring old graveyards, because of the way nature takes over, and because of the inscriptions on the gravestones, the stories they tell and the stories they hide. I love that these sad places inevitably evolve into magical and joyous havens for wildlife. It was inevitable I’d be drawn to the kind of books that meld death and love and wild countryside places and big old abandoned houses with secret doors and love letters hidden between the pages of novels.

The night is darkest before dawn; that’s what makes the sunrise so glorious.

Your winning novel was inspired by a real place – is it place, character, theme or another inspiration that triggers most of your plots?

It is usually places that are the inspiration, I can’t say exactly why. But that’s another habit that has carried through from childhood – finding a certain place and knowing that I have to write about it. I remember being about nine years old and riding in the back of my dad’s car, going past a massive old building that was completely derelict and (I know this will sound weird) although I’d never seen it before, I recognised it. It was somewhere in the East Midlands – that’s all I could tell you about it now, but it’s always stayed clear in my mind. That building has become the asylum-turned-reform school that’s at the centre of the novel I’m writing now.

Are you a meticulous plotter or a more organic writer?

Oh, I wish I could plot! I’ve tried everything to turn myself into a plotter, I’ve got a bookshelf full of ‘How to plot…’ instruction manuals, I’ve asked other writers for advice, scoured the internet for tips, I’ve tried and tried and tried and I just can’t do it! Even if I start with a plot within about 500 words it’s all gone to pot and the characters are doing their own thing or turning into different characters altogether and everything that started off clear in my mind has become a mess.

‘Organic writer’ is a lovely phrase but it doesn’t really describe the chaos that I go through every single time. And the not-plotting is so wasteful. I end up deleting tens of thousands of words because I’ve written myself into a dead end. It’s annoying and frustrating and I wish I could be different but it’s the way it is.

You have a love of nature, creativity and the outdoors, does this shine through your work?

Thank you for this question. I do love nature, plants, animals, the moon and stars, the countryside, urban foxes, the oceans, birds, all of it. I hope it shines through in my work because nature is so important to me. One day I really want to write a book about how the outdoors grounds, inspires, heals and calms. Climate change and the threat to the environment terrifies me.

What has winning this amazing award meant to you?

It means the world to me. Being shortlisted gave me a huge boost; it’s done wonders for my confidence. I’m incredibly grateful and proud to have won. And also… to have my name mentioned in the same sentence as the wonderful Jackie Collins is just.. well it’s amazing! Thank you so much to Simon and Schuster UK for sponsoring the award in her name. #BeMoreJackie.

Has your road to success been long or short?

It’s been a long road, with plenty of steep hills, bumps and potholes and I’ve got lost many, many times and had many a flat tyre but I’m still on that road and still enjoying the ride.

What tip would you give your unpublished self-looking back, or would you not change a thing?

I’d tell myself to learn to plot.

How important has being a member of the RNA been to you as a writer?

It’s been important to me both as a writer and as a human being. Through the RNA I met my first ever writer friends; we used to meet once a month in a pub and we laughed and encouraged one another and I realised what a warm and wonderful community it is. It’s a superb organisation run by incredible people.  I admire and respect the way it promotes romantic fiction in its myriad guises, challenges the sometimes patronising assumptions that appear in the press, supports both new and established writers and helps those of us in what is effectively a solitary profession feel part of a collective.  I’m incredibly proud to be part of it.

What is next for Louise?

Book number eight, The Scarlet Dress, has just been published and I’m currently working on the asylum-turned-reform-school book which is my first ever full-on ghost story.  

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Congratulations and I wish you every ongoing success!

Comments, likes and questions can be left below.

Majestic Moors

The North Yorkshire Moors are beautiful at this time of year. The heather is just coming into flower as a carpet of purple spread across the land. Bird lovers can see or hear red grouse, curlew and golden plover.

Meanwhile hikers and dog walkers can enjoy the open expanses as they follow the old paths trodden by the monks of old. However, as sheep roam freely over these vast areas of rare moorland, they must be kept on their leads so that both can live in harmony and mutual respect of farmer and walker.

I refer to Monks’ Trods in many of my stories such as To Love, Honour and ObeyBetrayal of Innocence. After the Norman Conquest the growth of monasteries meant that pathways across country were created to transport goods freely and to keep the monasteries and abbeys in touch. The region has many well preserved ruins: Rievaulx, Fountains, Whitby Abbeys as well as Guisborough and Mount Grace Priory to name a few. These pathways could also be used to take fish directly inland across moor to the dales, which made them excellent routes to be used by locals for the distribution of contraband in the heyday of smuggling in the late eighteenth and early nineteenth century.

Many have since become overgrown. But these flagstone paths still exist in some places. The Quaker’s Causeway, where my photos were taken, runs from Guisborough (the setting of my fictitious market town of Gorebeck) to Commondale. Part of these medieval trods can still be used in this wild and beautiful landscape.