How time flies by. You were my guest back in 2014!
Wow – is it really that long? It’s great to be back chatting to you again.
Since then a lot has happened – how have you found working during lockdown? Has it been a challenge to stay focused; mentally and physically?
2020 was a tough year for everyone. This year hasn’t started too well either, but I am holding on to hope that things are getting better – even if it’s a bit slow. The big change for me has been my husband working from home. Luckily we’ve managed to make him a small office at the other end of the house, as far away from my office as possible, so we don’t disturb each other too often when we’re working. But we do miss our Sunday walks that seemed to always end with a nice lunch at some pretty rural pub.
It has been hard to stay focussed, although writing is a great escape for me. And deadlines are a great motivator. I have kept to my schedule, but it’s been slighter harder work than in the past.
How much has changed in your writing world since we first chatted?
So much… it’s hard to know where to start. I’ve just had my 14th book released. Close To Home is a story of two strong matriarchs in one small country town. I think it’s my favourite book. But I say that about every new book.
I have given up my ‘day job’ and am now a full time writer and writing tutor, which is the achievement of a long held dream.
And I’m now contracted to Harper Collins (Harlequin) Australia, who are just the best publishers I’ve ever worked with.
What have been the highlights?
So many highlights…. some of them are as simple as suddenly having that lightbulb moment when I’m struggling with a scene or a book. The big ones? Let’s see…
In 2017 I won the RNA’s Epic Romantic Novel of The Year award for Little Girl Lost. To receive such an award from an organisation that means so much to me was a real honour – even if Prue Leith did pronounce my name wrong when she announced it.
Finally writing the Wuthering Heights re-imagining I’ve always wanted to do. Heathcliff’s story set against the Thatcher years and the miners’ strike. I co-wrote this with my friend Alison May and I remain so very proud of it.
Meeting and signing with my agent, Julia Silk – who has turned my writing world around. And in the same breath, signing with my Australian publisher, and meeting my editor Rachael Donovan. Only virtually so far, but one day we will get to meet in person. There will be cake.
You are now the organiser of the RNA’s amazing New Writers Scheme – please share what a challenging and yet rewarding experience this is?
For those who don’t know about it, it’s a scheme which gives 300 unpublished authors a chance to have a manuscript read by a experienced published author, who will offer some guidance on how to become a better writer and achieve that goal of publication. I graduated from the scheme more than a decade ago, and have been a reader for many years. Now I organise it. It’s very time consuming, but I love doing it… its nice to give something back for the help I received.
The hardest part is matching a new writer with the reader who can help them the most. And the very best part is when I get an email from a new writer who had been offered a publishing deal. That means so much to me and to the readers.
What are you working on now?
I’m deep in edits for book number 15. The working title is The Librarian’s Daughter and it’s scheduled for release in 2022. It’s based around a mobile library in rural Australia… just like the one that used to call on my little community. And in some ways, it’s also a tribute to all the books I read and loved as I was growing up.
It’s a complex book, structurally. I’m trying to ensure that, for the reader, it doesn’t seem complex at all – but flows smoothly from one moment to the next.
What is next for Janet?
Hopefully, soon, a trip back to Australia. More books of course. I have been playing with a couple of ideas for very different books to my rural stories. I’ll always write those rural stories of course, because I love them so much. But maybe there’s room for something else too.
And one of these days – a long Sunday walk followed by a nice pub lunch.
Congratulations on your many successes and best wishes for all your future projects!
You grew up with quite a varied and strong literary heritage in your family. Were you encouraged to write and develop your own ideas from childhood, surrounded by books and such talent?
Yes, I was always encouraged to read and to write. My father wrote some textbooks (he was an English teacher), my mother writes poetry, my grandfather Frank Brookesmith had a memoir I Remember the Tall Ships published in his 80s (Foyles put on a window display!). And his daughter, my aunt Shelagh Macdonald, won the Whitbread Prize (as it was then) for the Children’s Book of the Year back in 1977. Sadly, she now has severe dementia and her decline was the inspiration for the mother in my last novel, Mum in the Middle. Uncles various have also been published in different ways and a couple of cousins are journalists. So writing was always seen as A Good Thing.
When did your first break as a published writer happen? Was it non-fiction or fiction first?
Short stories for women’s magazines. I started writing these when I was at home with a toddler and my brain had all but atrophied. When that toddler locked me in a cupboard and I had to talk him through phoning 999* to get me out, I realised how many stories there are all around us. And ended up publishing about a hundred of them. (For the full dramatic saga see my first non-fiction book Wannabe a Writer?)
Of all the impeccable research you have completed, is there one project or person that has intrigued, touched or surprised you more than you expected?
I often seem to include a storyline about some form of mental illness. That is in my family too.
Many of the real issues such as dementia and cancer included are very serious and are given total understanding and respect for the impact they have on the character diagnosed and those supporting them. How do you balance this with the overall tone of your books which is humorous and optimistic?
It’s odd isn’t it, really? But humour has always been my way of getting through. There is a lot of black comedy in the worst things that happen to us, if you know where to look. And I think it is possible to still find humour and optimism in everyday life even when the chips are really down. So I suppose I don’t have any problem writing about bleak issues and amusing encounters side by side. I recently found some parodies I wrote for my sisters after our parents had split up in my late teens, and everyone was being even more bonkers than usual, and they made us all laugh hysterically all over again – even though it was all quite appallingly dysfunctional at the time.
You capture the essence and conflicts within strong female friendship groups well. Have you been strongly influenced by female friends/peers in your own life?
Friends are everything. Both the male and female variety. But I have some wonderful women friends who have been amazingly supportive to me. Both in the publishing world – lovely pals in the RNA for example – and in my personal life.
Over the course of your novels have you noticed the social trends affecting women changing dramatically such as: the boomerang effect, empty nesters, and the sandwich effect between younger and older generations?
Absolutely! I was very aware of this when writing both Mum in the Middle and The Big Five O. Women in their forties and fifties can no longer be pigeonholed. I wrote recently that my earliest memory of my grandmother was of a tiny, silver-haired old lady who wore a pinny, was keen on gardening and polished the teapot a lot. I calculate now that at the time, she was younger than I am! Her parents were long gone and all of her four children had their own homes. Today women of this age will still have ambitions for their careers, might have teenagers at home, or kids even younger, or be supporting adult offspring who can’t afford a place of their own. They’ll still expect to scrub up well for a hot night out, will probably go to the gym, or dance classes or be training for a marathon, and may well be online dating. Just at the time when their elderly parents start kicking off! We are the stretched generation – in more ways than one!
I’ve also had reason to revisit my third novel that was published in 2005 – One Glass is Never Enough. Re-reading the opening pages – which is a party scene – for the first time in a decade,I was struck by how some of the sexual banter I had included would be considered unacceptable in the current climate. The world has moved on a pace since I started writing – which rather dates me, doesn’t it? 🙂
What has being a member of the Romantic Novelists’ Association meant to you over the years?
A great deal. Prominent members like Katie Fforde, Jill Mansell and Judy Astley have been exceptionally kind and supportive to me and when I first pitched up to a conference knowing nobody, Catherine Jones made me laugh till I cried. So many, many lovely RNA members have become good friends and are a constant source of inspiration and joy. I have especially loved acting as compere at the RNA awards for the last eight years. It is one of the annual highspots.
What was the most important piece of advice that you were given that you would like to pass on to as yet unpublished writers?
“Get the story down.”
But my own best piece of advice is: Marry someone rich!
Each author has their own favoured way of working. Do you have a strong work ethic: rise early, write late, or with such a hectic and varied schedule work as you move from event to event?
Oh it’s utter chaos. If I’m on a deadline, I get myself out of bed early and glue myself to the chair – out of sheer panic. But generally, on a day at home, I potter about, and tidy the airing cupboard, think I’ll make some bread, send emails and then suddenly – EEK – it’s 4pm and I’ve not even opened the manuscript. But I do do a lot of different things – so it is quite hard to stick to a rigid routine. I usually get there in the end.
How and when did you venture into interviewing and public speaking?
The speaking came about from being asked to talk to a local “Ladies’ Dining Club” when my first novel was published. I think they were a bit shocked – usually they had someone talking about flower-arranging or the history of the rubber stamp. But I had a really fun evening and then I got other bookings from word-of-mouth. The Rotary and Rotarians and such-like .
The interviewing started when I’d been on a panel at the Guildford Book Festival and the then director, the late Glenis Pycraft, invited me to chair a similar panel the following year. It grew from there and now I work at several different festivals each year and am a founder member of BroadstairsLit here where I live, which is huge fun. I really love interviewing on stage. And I’ve been lucky enough to chat to a lot of top authors.
Do you embrace technology and social media with enthusiasm?
I would like to! But I’m not the best at it. I enjoy twitter (@JaneWenhamJones) but I’m a bit sporadic about it – so I’ve never really built that up. And I’m hit and miss with facebook also – it’s all feast or famine. I don’t fully understand how to best utilise my author page either (yes I know I should find out but it’s too easy to lose your life in this stuff.) I’m envious of people who seem to just slide it in to their lives and have zillions hanging on their every word. For example, I love Instagram – which I came late to – but still haven’t properly grasped this “my story” business. I need a friendly seven-year old to instruct me…
What has been the highlight of your writing career to date?
I always think that the wonderful thing about this game is that every day there is the potential for something uplifting to happen. A foreign rights sale or a lovely review or a little surge in the amazon ratings. The are all highlights at the time. It was exciting when Prime Time was shortlisted for the RNA awards some years ago and when Perfect Alibis was optioned by the BBC. Tho unfortunately that came to nothing in the end. Playing the chat show host for Peter James at Brighton’s Theatre Royal to an audience of over 700 was pretty fab…
What are your inspirations or ambitions now?
Oh the screen rights, my own TV show – you know the usual modest stuff… 🙂
What project are you currently working on?
A 10th book and the 2020 programme for BroadstairsLit
I love your hairstyle and wondered if there was a point when you decided that you were going to redefine your image, or if it was something that has just developed over time?
It started with my very first novel Raising the Roof. I thought it would be a laugh to dye my hair the colour of the book jacket – which was turquoise and purple, as they all were then! You couldn’t get the fun colours you can now, so I had hair extensions put in, in the right shades and thus begun my love affair with multi-coloured locks. Everyone’s at it these days but I was a pioneer! People used to stop me in the street to comment on it.
What do you do to keep yourself fit away from the computer and to relax?
Yoga, walking, reading – of course. In the summer I play bad tennis if I can find anyone equally bad to join me. Two years ago I took custody of a tiny, flea-ridden, runt-of-the-litter black kitten and I have turned into a mad cat lady with bells on. Much time is spent admiring the now-huge-and-glossy creature that is Nugget (named by my son after a hop they make real ale with – spelled with two Ts – and not a deep-fried chicken snack) and attending to his every whim. He totally rules the roost and has brought me huge pleasure. I definitely feel calmer and happier since he’s been around. Even when he wakes me at 3.am with a mouse in his jaws…
What is next for Jane Wenham-Jones?
A nice glass of Macon blanc villages I think…. possibly with some crisps….
Many thanks for taking the time to answer all of my questions and sharing some insight into your amazingly varied world.
I wish you every success in 2020 – Merry Christmas, Jane!