Meet Catherine Tinley – winner of the RNA’s 2021 Goldsboro Books Historical Romantic Novel Award!

Tinley rags to riches author (2)

Welcome, Catherine, and huge congratulations on winning the RNA’s 2021 Goldsboro Books Historical Romantic Novel Award!

 

Rona winner MB (1)

When did a love of books turn into a desire to actually write them?

It was probably when I realised that Georgette Heyer should have written at least another hundred books, and I started to play around with story ideas. I don’t claim to have even a smidgen of her wit, but it was her books that made me fall in love with the whole world of Regency Romance. My very first idea was of a character that was like The Grand Sophy, but different. Like Sophy, she was moving to relatives in London having been raised abroad by an easygoing father. Unlike Sophy though, she was introverted, and her new relatives were less than welcoming. Those initial jottings became Waltzing with the Earl, my first novel.

M&B large file CCE (2)

When did you get your first break into publishing?

I had no idea about the publishing industry. I didn’t know about competitions, or the RNA, or agents, or writers’ groups none of it. Once I had the manuscript into reasonable form, I simply sent off query letters to four publishers, including Harlequin Mills & Boon.

Three came back with a ‘no’, but the lovely Julia Williams at Mills and Boon picked up my book from the slush pile and, after some edits, offered me a two-book contract! Waltzing then went on to win the prestigious Rita® Award in the USA. It was a finalist in two categories – ‘Best Historical’ and ‘Best First Book’ and it won the historical section, where it was up against some wonderful books by very experienced writers. I went to the US for the awards ceremony, and afterwards Tessa Dare asked for a selfie with me! It still seems like a dream.

tessa-selfie-1

What does being a member of the RNA mean to you?

I love the sense of community and mutual support. There’s never a feeling of competition not even on the night of the RoNA Awards! Some of the women in the RNA Irish Chapter are good friends of mine now, and we’ve been encouraging each other to keep writing during the pandemic. I’d like to thank Ruth Long and Suzanne Hull, our chapter coordinators, for doing such a great job.

Why did you choose Regency as your preferred era?

It kind of chose me! I’ve been reading romance since I was a teenager, but I’ve always been drawn to historical settings. Between Georgette Heyer and the BBC Pride & Prejudice, I succumbed, and have been a Regencyite ever since.

What do you want your readers to have gained from reading a Catherine Tinley novel?

I want them to be carried away by a story, feel all the feels, then feel good uplifted and hopeful by the end. Surely that’s not too much to ask lol? I generally write ‘quiet’ stories set among families and tight-knit communities, rather than action adventures or comedies. Yes, sometimes there are passages or events that are dramatic or funny, but mostly I try to make the world and the people very real to readers.

Your work has been described as ‘unputdownable’ and you have won awards, including this year’s RoNA Award for Best Historical Romance, so what are your future writing ambitions?

I just want to keep writing, and I’d like readers to keep enjoying my books. Everything else is a bonus. I was genuinely shocked when I won the RoNA recently for Rags-to-Riches Wife, as there were nine great finalists. However I do know that many readers particularly enjoyed that book. I deal with class issues, bereavement, and recovery from previous trauma, so I somehow managed to pack a lot in there. Jane, my heroine, is a lady’s maid who visits wealthy relatives and suddenly finds herself sitting in drawing-rooms rather than kitchens. No-one ever asked Cinderella if she was uncomfortable adapting to her new status and surroundings. Jane has a lot of challenges to face before she gets her happy-ever-after!

What advice would you give your younger, unpublished self?

Just keep writing, I guess. I was never particularly hung up on the idea of being published, although of course I hoped for it. For me, the pleasure is always in the writing itself.

Tinley 6 dog (1)

How have you coped/worked through lockdown?

I work full-time in the NHS, so the past year has been challenging in many ways. My colleagues are amazing, but we’re all bone-weary at this point. I manage a large maternity service and neonatal unit, and those babies just kept coming, pandemic or no pandemic! We’ve adapted to PPE, social distancing, covid testing, and a million other things, and we’ve tried to be flexible and responsive to women’s (and partners’) needs.

When not writing what do you do to relax?

Writing is my relaxing. I’m usually too tired to write in the evenings after work, so my writing is done on weekends and days off. I find it totally relaxing to return to my created world and my beloved characters. It’s mindfulness on stilts! I also love walking with my family (and our wee dog, Carey) in local beauty spots, including the Fairy Glen and Kilbroney, CS Lewis’s inspiration for Narnia, apparently.

What is next for Catherine?

My next book, Captivating the Cynical Earl, will be out in July, plus I’m half-way through writing the one after. It’s set in the Hebrides in 1810 so lots of research involved. I’m going to keep writing, for as long as readers want to read my books. Simple as!

M&B large file CCE (1)

My sincere thanks to you and your amazing NHS colleagues who have worked so hard to look after us throughout the pandemic.

I wish you every continued success!

Congratulations to Melissa Oliver – winner of the Joan Hessayon Award 2020!

Have you stopped celebrating yet?

I’m thrilled and utterly elated to be the winner of the 2020 RNA Joan Hessayon award for The Rebel Heiress and the Knight.

I had a wonderful time celebrating over the weekend with my husband, Jack, our three daughters, and lots of lovely messages from family and friends. There was lots of bubbles, cake, a lovely pub lunch, and even a family game of Cluedo!

Going back to the beginning of your desire to write – when did you realise that you needed/wanted to write fiction?

It probably started as a child. I had a fervent imagination and loved nothing better than to escape into the wilds of make believe. The writing bug really caught when I was a little older but to be honest, a lack of confidence and self- belief held me back from pursuing my dream. It wasn’t until I was in my thirties with young children at home, and working part- time, that I began to question what it was that I really wanted to do in life. That itch to be a writer had never gone away and so I decided to do something about it. I have to add, however, that it has taken many, many years to realise that dream!

Were you always in love with writing romance?

I enjoy many genres from thrillers, whodunit, classics, to every kind of historical fiction but I LOVE romance, especially historical romance more than any other and have done so ever since I was a teenager. From Jane Austen, Georgette Heyer, Anya Seyton, to Daphne du Maurier and many, many others.

How helpful has being a member of the New Writers’ Scheme been to you developing your talent?

The New Writer’s Scheme and the RNA have been amazingly supportive in my writing. The detailed feedback that you get back from an anonymously assigned reader has been incredibly valuable to develop and hone my writing skills.

Was The Rebel Heiress and the Knight your first completed novel?

Yes, The Rebel Heiress and the Knight was my first fully completed novel. Previously, I had written screen & radio plays, and I once started a YA thriller that never went anywhere. I do believe that it’s good to try different things creatively until you find your voice, so nothing is wasted – at least, that’s what I tell myself.

What drew you to the C13?

I love anything historical and once I had created the general outline of my story, it was a question of working out which era would work best.  Eventually, I felt that the early 13th century with King John’s turbulent reign was the perfect foil for my story.

Your heroine has a dramatic backstory, did this give her character more depth?

Absolutely. I knew that I wanted my characters to feel ‘real’ within the context of the story, and whilst there was a huge amount of external conflict, I knew I had to explore why they behaved in the way they did, to make the story work. This is especially true of Eleanor, who is a quite extraordinary character for the times she lived in.

Few will know who Fulk FitsWarin lll is – how did the link happen to the legend of Robin Hood?

The life and times of Fulk FitzWarin III ( Foulke le FitzWaryn) was intriguing, romantic, dangerous and pretty incredible. The parallels between what happened to him and Robin Hood are strikingly familiar. FitzWarin was forced to become a rebel and later an outlaw after Whittington Castle and his hereditary lands were confiscated by King John. He lived for many years in woods & forests with his band of outlaws and even his right-hand man was apparently called John. He never gave up the claim of his birth right and did eventually win it back, but only after much heartache and strife. He also won the hand of the heiress Maud le Vavasour, who some believe to be the inspiration behind Maid Marian. There were other real-life inspirations for the legend of Robin Hood such as Herewerd the Wake and Eustace the Monk but in my opinion, no one epitomised Robin as well as Fulk did.

What has working with Harlequin Mills and Boon been like?

It has been amazing working with Harlequin Mills and Boon. They have a wonderful, collaborative team who are very supportive and insightful. In particular, my editor, Charlotte Ellis, who has been a pleasure to work with.

What is next for Melissa Oliver?

The Rebel Heiress and the Knight is part of a linked series, The Notorious Knights. The next book, Her Banished Knight’s Redemption, is William Geraint’s story (he’s a secondary character in the first book) and is due to be published Jan/ Feb 2021. I’ve also signed another two- book deal with Harlequin Mills and Boon, so I’m currently writing the next Notorious Knights book.

I wish you every success in your writing career.
What a great start!

Nicola Cornick, chair of The Romantic Novelists’ Association (RNA), an historian and award winning novelist, explains what the organisation offers both published and unpublished writers of romance.

9462-EOS16-web

I am delighted to welcome back Nicola as chair of the RNA.

What can the organisation offer romance writers in 2018?

‘The RNA is the professional organisation that supports and promotes romantic fiction in the UK. Membership of the RNA offers authors the chance to strengthen their career through developing their craft at our workshops and conferences and to build a network with other authors who understand the challenges we face and can offer advice and support. We are also building strong links with the industry and our events give authors the chance to meet a wide range of agents, publishers, booksellers, librarians and other professionals.’

That seems to present a broad spectrum of activities and opportunities to support your members.

‘In addition, members receive Romance Matters, our quarterly journal covering all aspects of writing romantic fiction from the craft to industry issues, discounted tickets to all our events and the opportunity to join regional groups. So the benefits are both professional and social.’

Nicola stresses that although the emphasis is on the professional advice, events and networking a friendly and welcoming atmosphere is nurtured. So how does a writer become a member?

‘The RNA welcomes traditionally and independently published authors. Membership is in different bands: A full or independent Author Member is currently £50 (£57 for non EU based) and £60 for Associate Members (£67 for non EU based). All the details can be found online at or by contacting the membership secretary, Gill Stewart, on info@romanticnovelistsassociation.org.

The organisation also welcomes and encourages as yet unpublished writers into its ranks. The New Writers’ Scheme is unique as Nicola explains.

‘We’re very proud of the New Writers’ Scheme (NWS), which provides the opportunity for aspiring authors to submit a manuscript for critique by an experienced writer in the genre. Not only is it a great way for new writers to improve their craft, it also gives encouragement and support. As the RNA has close links with publishers and agents the NWS can provide a route for them to make those connections. Unsurprisingly it is hugely popular and each year a number of NWS members go on to achieve publishing contracts.’

The scheme is open to writers interested in submitting an unpublished romantic novel (or partial) and this year the membership fee cost was £135 (£145 for members outside the EU). This also allows unpublished authors to take part in all RNA activities as well as submitting a manuscript of a full-length novel for appraisal. More details are available by email to: NWS@romanticnovelistsassociation.org There is a cap on the number of submissions that can be accepted each year and acceptance into the scheme is therefore on a ‘first come first served’ basis. The entry slot for submissions closes at the end of August each year.

Today’s publishing environment seems to be becoming more challenging, but Nicola is very optimistic about the present market for the romance genre.

‘I think the romantic fiction genre is changing all the time to reflect both modern life and the changing publishing world. The genre is a broad one. You can find strong romantic elements in many different sorts of novels where people are writing about relationships, whether this is contemporary fiction or epic historicals or books for young adults. Our membership reflects all of these different threads. We also see the books reflecting the concerns of contemporary society, whether it is issues such as work life balance, infidelity or health. The recent return to popularity of Gothic romance perhaps reflects the idea that spooky stories resonate in uncertain times. And of course romantic fiction also continues to provide its readership with the wonderful feel-good stories that readers love.’

Looking forward, I asked Niocla if she thought that the scope for romantic fiction will narrow as lines in the market place are redefined, or do she saw it flourishing as it has done in the past?

‘I see a lot in the press about how the genre is being more and more tightly defined and categorised into sub-genres, but actually at the genre level, in the UK at least, I see it continuing to broaden out. There are romantic relationships represented in a whole range of novels from crime and sci fi to literary fiction. The RNA’s membership reflects that and our awards and events will continue to embrace that wider focus.’

How would Nicola like to see the organisation evolve under your tenure?

‘I’d like to see the RNA continue to provide great support for its membership whilst looking outward a bit more in our promotion of excellence within the genre. We would particularly like to build our relationships within the industry, with booksellers and librarians as well as with publishers and agents. We’d also like to put romantic fiction even more firmly on the map by reminding people what a very successful and dynamic genre it is in business terms.’

Nicola’s natural energy and enthusiasm for the genre shines through her vision, but can romance remain genre specific if there is a need or desire for a more open working relationship within the industry?

‘I think we can do both if we don’t constrain the genre too tightly. Our core role is to support our membership and as this is drawn from a broad range of romantic fiction this fits with the idea of needing a more open working relationship within the industry. With this in mind we are planning a series of joint events with the Crime Writers’ Association and the Historical Writers’ Association, amongst others, where we can explore the things we have in common and the support we give each other as writers more generally.’

 

Nicola Cornick is the author of dual-time gothic novels House of Shadows and The Phantom Tree (HQ) and also forty plus Regency romances. She is a former trustee of the Wantage Literary Festival and a historian and speaker specialising in public history.