An Interview with Ben Adams

I am delighted to have author Ben Adams as my guest this month. Ben’s critically acclaimed novels Six Months to Get a Life and Six Lies chart two men’s journeys as they strive to make sense of their respective midlife crises.
edited Adam medium q
Welcome, Ben,

Please share with us how and when you discovered the joy of writing fiction!

I can’t remember a time when I didn’t enjoy making up a story. My dad is blind. Instead of reading books to me, he used to captivate me at bedtime, making up stories that would transfix me and keep me awake for hours. I caught the bug and used to invent equally inventive stories involving the most hideous of monsters. As I got older, my fiction expanded to include ingenious excuses for not having done my homework. Roald Dahl expanded my imagination still further as did Douglas Adams and Sue Townsend. But ultimately, I blame my dad.

When and how did you make the break from unpublished to published author?

I always wanted to write a novel. In my 20s I dabbled with crime fiction but too many hours spent staring at blank pages and a lack of life experiences meant that I couldn’t make my stories sing.

In my 30s I mostly wrote boring work-related web content and the occasional acerbic complaint letter to the authorities or to the dog over the road – it defecated on my drive.

And then my 40s came along. Sometimes it takes a life event to set you off on the right track. Six Months to Get a Life, my first novel, was ultimately triggered by my own family upheaval. It’s a story about a man overcoming a divorce and doing his best to build a new life for himself and his children. Having been through the pain myself, I felt able to give my characters some real depth. It was the first time I had felt truly able to write something believable, something memorable.

cover final

And luckily, I found a publisher who believed in the characters as much as I did.

How would you describe Graham Hope, your protagonist in Six Months to Get a Life?

Graham, like a lot of the characters I invent, is a fairly unremarkable fellow. At heart he is a good guy but like most people going through a divorce, he can occasionally be a bit maudlin. And even bitter. He’s someone who generally knows what the right thing to do is, even if he doesn’t always do it. He’s concerned about his relationship with his children. He’s also concerned about his relationships with women. Or rather his lack of relationships with women.

It isn’t easy to take a difficult subject and inject humour and hope into the story successfully. How did you balance the harsh realities of life against the sense of renewal and wit?

The simple truth is that no one would have enjoyed Six Months to Get a Life if Graham hadn’t been able to laugh at himself. If a story about coping with divorce, learning to live separately from your children or arguing over maintenance payments didn’t contain a few comedic release points, the reader would more than likely be contemplating suicide by the end of chapter 3.

The same goes for my second novel, Six Lies. Dave Fazackerley, the protagonist in Six Lies, discovers after she has died that his mother wasn’t his mother after all. And to make matters worse, he was already reeling from his wife’s decision to run off with a librarian. About the only thing Dave actually managed to cling on to was his sense of humour…

six lies cover for pc w endorse

Writing a novel is a major achievement for anyone, but how hard have you found getting to grips with marketing and using social media to build up your author platform – or are you a natural?

I am probably your typical author. Inventing stories is my passion. I love talking to people about mine and their stories too. But trying to understand the difference between a Facebook page and a Facebook profile, uploading content to a website, getting my head around boring twitter protocols and ridiculous book marketing websites is, quite frankly, the bane of my life.

I do understand the need to establish a good author platform though. Twitter indirectly led to me being invited on to the BBC Breakfast sofa. It also led to you and I connecting. These days, few authors will be successful without a bit of investment in their author platform.

What tips would you give to anyone, of any age, who is determined to become a published writer?

Firstly, you need to write exceptionally well. The best way to do that is to write, write and write some more. The more you write, the better you will become. Oh, and read a lot too. Learn from writers within your chosen genre, but don’t copy them.

Secondly, you need to build your emotional resilience. Believe in your own talent. Don’t let a little self-doubt put you off. Imagine if JK Rowling had thought, ‘Oh, this is crap,’ when she was giving Harry his lightening bolt scar and gone off and got a proper job.

Thirdly, see the previous question and take a deep breath…

What is next for Ben?

I have written my third novel in draft form. Provisionally entitled ‘Trouble in the Staffroom’, it is a school-based drama-come-romp. I am really proud of the draft as it currently stands and am loving the feedback I am receiving from beta readers. Hopefully, Trouble in the Staffroom will be published in September to coincide with the start of a new school year.

I am really enjoying reading Six Months to Get a Life and wish you every continued success.

@benadamsauthor

Ben Adams on Facebook

Ben’s Website

Pantomimes & Fairy Tales

Christmas would not be Christmas in the UK without the onset of the pantomime season.  Theaters up and down the land give way to the colourful, family, slap-stick humour of the pantomime. Celebrities appear in the most surprising roles to join in the seasonal fun. One of the most popular titles is the adaptation of the beloved fairy-tale Cinderella.

Poor Cinderella is a persecuted heroine. She has lost her own mother and father and is left in the ‘care’ of her step-mother and her daughters – the ugly sisters.

The origins of Cinderella can be traced back through different cultures at various times in history from: Greek mythology, Chinese fable, seventeenth century France in Perrault’s verison in 1697 and the Brothers Grimm’s Ashenputtel to name but a few.

It is a universal theme. Beauty is more than skin deep and so is ugliness. Cinderella’s rescuer can be magical, human, a tree – or in my version on this Cinderella theme, a combination of faith, hope and love in human form who seeks justice for my poor Ellie. Of course, the greatest of these is love 🙂

An interview with Christina Jones

A very warm welcome to this month’s award-winning author, Christina Jones.

Katie Fforde described An Enormously English Monsoon Wedding as “warm, witty and wonderful”. I love the title of this book.  What inspired this novel?

My editor suggested that I should write a summery/weddingy/villagey book as the first in a new series of village-based stories. It threw me a bit to start with, as most of the weddingy themes have been covered a zillion times – but as my daughter recently had a fusion wedding (hers went wonderfully smoothly, I must add – nothing like poor Erin’s!) so I’d learnt a lot about marrying together two totally different religions and styles of wedding ceremony. I knew I had to use the experience – so An Enormously English Monsoon Wedding is the happy result!

What do you consider is at the heart of your novels that makes them so appealing?

Probably their ordinariness (is that a word??). I write about normal people doing normal jobs, nothing and no-one high-powered or high-flying. I also include all ages, genders, and all other diversities. Something for everyone – like real life. They live in small rural communities, everyone knows everyone else, and I suppose it’s all a bit cosy. My whole aim with my books is to create warmth, security, happiness, a few laughs, escapism, and hopefully a massive dollop of feel-good factor. Like everyone else, my real life has had enough sadness – I was determined there’d never be any sadness in my books!

I love the way you create your own villages and the communities that interlink. What was the inspiration for your characters, their world and the stories which they have inspired?

The village where I grew up. No question. It was a very close, rural, working class community, and gave me a fabulously grounded and secure start in life. My friends from back then are still my friends now and we all share the happy memories and the luxury of a perfect childhood. Now I live somewhere very similar, and I watch people and listen to them talking in the corner shop and the pub and just pinch bits here and there! Again, it’s all very safe and cosy – not too twee, I hope – but sort of real and the kind of world that everyone can recognise.

I read in an interview that your cats share your workspace as they do your home. How did you first come to rescue them?

I grew up with animal-loving parents who took in waifs and strays. We had dogs that were going to be shot or drowned before my dad stepped in; cats that had eyes/legs/tails etc missing; ferrets, rabbits and hens that wandered in and out of the kitchen; and ducks that were destined for the dinner table before my mum did a midnight raid on their pen! Nothing was ever turned away. I sort of gravitated towards cats when I first had my own home – via our local vet who had a litter of dumped motherless kittens – and it grew from there. My cats have come from vets, from Cats Protection (the ones no-one wants – too old/scared/injured – oh, and feral in some cases!), word of mouth, and just strays who have turned up and moved in (cats seem to know when there’s a cushy billet!). When I met my husband, he also had rescue cats, so by the time we married and merged our broods we had 11. We’ve never looked back!

What fictional hero/heroine has inspired or impressed you as a reader?

Probably an unpopular choice – but Scarlet O’Hara and Rhett Butler. Manly because Gone With The Wind is one of my all-time favourite books and also because they were both real people, with flaws and not very nice sides to their characters but I understood their dreams, desires and motivations. They simply walked off the page for me and despite them not really having a Happy Ever After; no other fictional romantic couple can hold a candle to them in my opinion.

You are an award winning author, but what do you consider the highlight of your career to date since you became published in 1997?

There have been a lot of highlights (and some lowlights as well!) and over the years I’ve won awards, been to some amazing places, met some very famous people, done telly and radio programmes, and had more fun than I surely deserved, but I suppose it was that first publishing deal for Going The Distance. Seeing my first book in print, on bookshelves, being chosen for WH Smith’s Fresh Talent… honestly, a dream come true – and a feeling that will never, ever be forgotten or recreated.

You are a writer that many new writers aspire to and respect. What would be your three top tips for anyone wanting to succeed in the industry today?

  1. There honestly are no rules to creating a fictional world – so don’t over-do the “I must study all the manuals/latest info etc” because it’ll only confuse and worry you. Write what’s in your heart – write the story you alone want to write, not what you think you should be writing because it’s trendy or current – write for yourself. If you love your story and your characters it’ll show on the page and everyone else will fall in love with it/them too.
  2. Don’t feel you have to write every day. Write the way that suits you. Some people write 10,000 words a day, others write 500. Some (like me) know that if the words aren’t there then it’s best to forget writing until they are and go and scrub the kitchen floor or go for a walk or chat with friends or read or watch telly, whatever – be yourself and do what’s right for you. Just don’t feel pressurised to be like everyone else.
  3. Don’t overwrite – don’t keep going back and rewriting. You can write the life out of your story by constant tweaking. Usually those first bubbling, brilliant ideas that just pour out on to the page are the best ones!

What is next for Christina Jones?

I’m just writing the next novel in the new series – That Red-Hot, Rock’n’Roll Summer – which is about a summer fete that, thanks to Tiggy, who works in the local American Diner, and Marilyn Monoroe look-alike, Cordelia, somehow morphs into a mini-Glasto in the village of Daisybank, much to the horror of the very stuffy and traditional fete committee. And of course nothing goes exactly to plan (understatement!), and Tiggy and Cordelia find lots of love and laughter along the way…. I have ideas and notes for the next two after that as well!

Thank you for taking the time out of your busy schedule to take part in the interview.

Thank you so much for asking me. It’s been an absolute pleasure to be included here. I’ve loved it! Thank you!!!

More by Christina: