An Interview with Louise Allen

A photo of Louise Allen

When did you first decide to become a writer or discover your love for the written word?

I’ve always had a vivid imagination and loved fiction but I think academic work knocked the urge to actually write it out of me. Then I started for all the wrong reasons – I was a librarian and saw how popular Mills & Boon novels were. I thought it would be easy money – idiotic of me, of course. However, by the time I sorted myself out and took it seriously I was hooked.

What appealed to you about the romance genre?

It is a great genre for exploring relationships, which is always interesting, and when I discovered historical romance, there was no stopping me – two passions in one!

Your research is impeccably thorough. At what point do you take a step back from it and begin to write the book?

Walks Through Regency London Cover LARGE EBOOKThe story and the characters have to come first, always, although some plot lines can be sunk from the start if the historical premise is incorrect – 18thc characters getting an easy divorce, for example or a sub-plot that involves getting from London to York in a day. Generally I know what I don’t know and therefore what to research – politics, for example. I’ve got a huge personal reference library. But once I know I have a plot that will work in a particular historical context then I leave the research until afterwards and go back to it so it doesn’t take over. When I wrote a story set in AD410 during the Sack of Rome (Virgin Slave, Barbarian King) I just left questions in red for bits I needed to check and went back to them to be sure my characters left Rome by the right gate onto the right road and I’d got the layout of a bath house correct and so on.

I also write historical non-fiction – Walking Jane Austen’s London (Shire), Walks Through Regency London (Kindle), Stagecoach Travel (Shire, July) and I’m working on something on the Great North Road at the moment, so I can channel the hard facts somewhere they won’t take over.

You must have visited some fantastic locations and discovered some unusual facts during your research. Could you share some of the most memorable with us?

Finding three of the houses that Jane Austen stayed in when she was in London was a thrill. Only one, in Covent Garden has a Blue Plaque, but I discovered the other two when I found a pamphlet about research that was done after the war which revealed that her brother Henry’s homes in Sloane Street and Hans Place were not demolished by the late Victorians, but simply refaced and had new upper floors added. The originals are still there under the later shell.

Practical research is great too – I took carriage driving lessons, for example and I’m about to go on a practical osteoarchaeology course handling real skeletons. Goodness knows when that will come in useful…

Do you have a strict writing routine?

Yes, or I’d never get anything done! I write every afternoon until I have hit at least the minimum number of words I need to do to make sure I finish a week before the deadline, and hopefully a few more. That way I have some time in the bank for catching flu or unexpected commitments.

How do you balance the need of keeping your work accessible to contemporary readers against your desire for historical accuracy?

I won’t distort history but it is possible to use it to appeal to contemporary readers. For example I tend to write heroines who are older and who have the freedom to act in a more assertive, interesting way. They may be widows, or following one of the career paths open to women at the time. Where there are strong differences in beliefs and norms between the time I am writing about and the present – the fact that many wealthy families in the 18th century owed their fortunes to slavery in the West Indies, for example – I simply avoid putting my characters into those situations. On the other hand, the ‘long Regency’, which is the period I usually write about, saw the beginnings of many of the freedoms we are concerned about now, or at least the fight for them. Education for women, abolition of slavery, prison reform, concern for child welfare can all be woven in to some plots and engage the sympathy of readers.

As the New Writers’ Scheme Organiser for the RNA, what key advice would you give to someone who wanted to break into the romantic fiction market?

Read widely in the genre you are interested in and do so analytically as well as for pleasure. What works, what doesn’t? Why? Then work at developing your own voice – there is no substitute for practice!

Please tell us about your latest release?

UnlacingMy latest book is Unlacing Lady Thea (Harlequin Mills & Boon. April). I got the idea for it when we took a small-ship cruise down the eastern coast of Italy. My heroine is no great beauty, and thoroughly practical with it (and I had some fun with the fact that, unlike many romantic heroines, she doesn’t fool the hero for a moment when she disguises herself as a boy). My hero begins the book seriously the worse for drink and talking to the kitchen cat. He’s so drunk that he agrees it would be a good idea to allow Thea to accompany him on his Grand Tour so she can join her godmother in Venice. By the time he sobers up, it is too late and he is stuck with escorting his childhood friend for whom, of course, he has no amorous feelings… None at all, he tells himself.

What is next for Louise?

Scandal’s Virgin is out in June and Beguiled By Her Betrayer, which is set in Egypt in 1801, is released in August. Stagecoach Travel comes out in July.

Currently I’m working on book three in a trilogy, provisionally called Battlefield Brides. Book one is by Sarah Mallory and book two by Annie Burrows. The three books are set before, during and just after the battle of Waterloo and will be released to coincide with the bicentenary of the battle in 2015.

More from Louise

Website: louiseallenregency.com
Blog: janeaustenslondon.com
Twitter: @LouiseRegency

An Interview with Cindy Kirk

My guest this month is prolific American author Cindy Kirk. Cindy is a writer who loves romance and has written many special editions for Harlequin.

When did you first discover the joys of story-telling or writing your own stories down?

I’ve loved books and stories for as long as I could remember.  If I didn’t like a book’s ending, I’d make up my own.  The same held for movies or televisions shows.  For a long, long time I thought that everyone made up different endings.  I wrote my first “book” when I was thirteen.  It was a romance, of course, with a happy ending!  I let one of my teachers read it and I could tell she didn’t think it was very good.  It was a devastating blow to my young writer’s soul.

Which novels inspired you, or you would rate as your all time favourites?

LaVryle Spencer’s Bitter Sweet and Separate Beds; Susan Elizabeth Phillips’s Dream a Little Dream and Nobody’s Baby But Mine; Lisa Kleypas’s Travis Series, Julia Quinn’s Bridgerton Series.

Could you share your journey to becoming a published author with us?

I wrote five books, it was the fifth that sold, 3 years after I started writing in pursuit of publication.  The book that sold won a contest.  The first prize was a critique of the entire manuscript by Harlequin editor, Patience Bloom.  She not only read it, she bought it.  And 15 years later, she’s still my editor!

What advice would you give to a new writer who has not made it into print yet?

To continue to hone your craft.  When I started writing, I began attending regional conferences for writers. Every year I attend the Romance Writers of America‘s National Conference and soak in all the wonderful information on how to write a better book.

Why romance?

I love a happy ending!  Not only in books but in movies.  I want to cheer for the hero or heroine, see them become stronger, learn life lessons, then be rewarded.

How did the ‘Jaunty Quills‘ develop?

I was writing also for Avon (Harper Collins) when a group of Avon authors decided to get together and start a blog.  At the time I was the only contemporary author.  The group has morphed over time to include authors from all different romance genres and publishers.  It’s been fun every step of the way.

What is the essence of a Cindy Kirk novel?

It’s a fun, enjoyable read with a dash of humor.

What is next for Cindy?

More books in my Jackson Hole series for Harlequin.  A return to Harper Collins with a novella that will release in December 2014.  And, who knows? That’s the beauty of writing.

More from Cindy

An Interview with Janet Gover

Janet Gover

My guest author this month is an experienced novelist, TV journalist, and short story writer, as well as an award-winning Australian author, Janet Gover. She has graciously taken time out of her busy, globe-trotting schedule to answer some of my questions and share her vast experience with us.
 
Welcome, Janet!

How did your childhood fuel your love of books, travel and adventure?

Hi Val – thanks for having me here on your blog.

I grew up in a tiny bush town in Queensland. There were only 18 buildings in Bowenville back then – I know this because I counted them. There was no-one else my age in the town, and my school was many miles away. I took a bus there each day – which meant I didn’t get to hang out with the other kids after school. Our nearest ‘big’ town was Toowoomba. It had movies and shops and things – but it was quite a drive to get there and we didn’t go often. I guess would have been lonely without my ponies and my books.

My Dad was a great reader and he taught me to love books as he did. It was such a great escape. I rode to the stars with Ray Bradbury, solved mysteries with Sherlock Holmes and fell in love with many a knight in shining armour.

Books were full of people and places that were such a long way from my tiny bush town. They fired my imagination. And the really great thing is – I have managed to visit some of those places I read about – although I have yet to go into space…

On January 10 2011 floods hit Brisbane and Toowoomba. Has Toowoomba changed greatly from the place you grew up in as a result of the devastation caused?

I was in Miami, Florida, working, when those floods hit. I woke up in the morning and turned on the TV news – and was shocked by the pictures I saw. It was so hard to understand how Toowoomba, a town on the top of a mountain could have a flood. I lived and worked in Brisbane as a young journalist, and that day in Miami I saw pictures of one of my favourite restaurants being washed away.

Floods are not uncommon in Australia – and people fight back. If you went there now, you wouldn’t know what had happened.

One of the things I am very proud of is my involvement with a book called 100 Stories For Queensland. I donated a short story to this project – as did many other writers. All the proceeds from sale of the book went to help flood victims. I was pleased to be able to help, even in such a small way.

You have written stories from an early age, but when did you make that initial breakthrough into print as a fiction writer?

I was a journalist for many years – working mostly in TV. I thought it would be easy to switch from writing fact to writing fiction – but I was very wrong. It was really hard.

I tried my hand at a novel when I was still working as a journalist – and it was really bad. Seriously bad! Some years later, I moved from being a journalist to a more managerial role – where I wasn’t writing daily news stories any more. Something inside me needs to write – and that’s when I seriously started to write fiction.  It took a while to change my style. My first efforts were rejected.

A holiday in Wales changed everything for me. I was very inspired by the places we visited – the fabulous scenery, the people and their history… the dragons.  I wrote a short story called The Last Dragon. It was my first published fiction (and I still love it).

I wrote short stories for a year or two – and each taught me something else about the art of writing. And every one that was published gave me a bit more confidence. My first novel, The Farmer Needs A Wife was published in 2009, and owes a lot to those short stories.

Janet, you travel widely with your work. Do you develop plots/characters for your novels as you journey, being inspired by new experiences?

I love people watching. Everywhere I go, I look and listen and learn. People are endlessly fascinating.

One thing I have learned in my travels is that whatever the cultural differences, deep down people all over the world want the same thing – they want to find someone to share their lives with. They want a home and a family. They want to give their children a good start in life. That’s why I write the sort of books I do.

I feel most comfortable writing about places I have been – I do like to properly capture the essence of a place. As I travel more, some of that is sneaking into my work. A boat cruise around the tip of Norway in mid-winter helped me to write Bring Me Sunshine. A trip to Iraq was the key to writing a troubled ex-serviceman as a hero. Living in New York has given me a heroine – we won’t meet her for two more books, but she is waiting there for me.

What places, of the many you have visited really stand out as memorable and why?

Wow – that’s a hard one. Very place has its own magic. Even though I write contemporary novels, I am a big history buff. I have visited the ruins of Carthage, of old Constantinople and Pompeii. I walked the Great Wall of China – I had a terrible cold at the time and pretty much collapsed at the end of the day, but loved it all the same. I love the ancient feel of places like this – and wonder a lot about the people who lived there.

The other thing I love is wild places – the central Australian desert, the Everglades. A frozen lake in Norway. The Rocky Mountains. Nature is beautiful and powerful…

And, I have to say – my favourite city in the world is London. I just love walking across Waterloo Bridge as the sun sets over the Thames. Beautiful!

What top tip would you give to new writers?

Be passionate about what you write. If you don’t love your story and your characters … no-one else is going to.

And respect your reader – never give them anything but the very best book you can write.

Flight to Coorah Creek, the first in a series based in the Australian outback is out in paperback this month. Could you tell us about this exiting new series?

Flight To Coorah Creek

I am loving writing about Coorah Creek. It’s a fictional town – in the far west of Queensland. Very close to the desert. In this series, I am trying to capture the feel of the small outback towns I have known all my life. These towns are a long way from the sort of amenities we are all used to. There are no shopping centres, or cinemas. Not much in the way of hospitals or schools either. Often, they hover on the brink of collapse. Coorah Creek is a mining town – if the mine was to close, the town would die.

People who live in these towns become very close to each other. They form very tight knit communities. The books are all romances – with new hero and heroine in each one. But the town and the people of the town appear in each book. It’s a chance to see the life the characters live when they move off the centre stage.

I hope to the readers, each new book will feel a little like coming home to a place you know well and to people you love.

By contrast Bring Me Sunshine was set in a much cooler environment. This was quite a change. Where did the inspiration for this story come from?

Bring Me Sunshine - small

Bring Me Sunshine is set in as wild a place as I could image – Antarctica. Well, on a cruise to Antarctica. The book was inspired by my sister-in-law – who went there with her mother… who at the time was well into her sixties. What a journey for a woman of her age!

I couldn’t afford to go there myself, but my sister-in-law helped with the research. I did take a cruise to the Arctic by way of research – which was a lot of fun.

I didn’t realise until after I had finished it – but this is the first (and so far only) book I have written that doesn’t have horses in it. There are, however, several million penguins – and who doesn’t like penguins?

It’s also the first (and so far only) book I have written with a wedding in it – which is a bit strange for a romance writer.

What is next for Janet?

I am almost finished writing the second Coorah Creek book – it has a lot of horses in it. And a fabulous hero who was inspired by a trip to Iraq.

There is a third Coorah Creek novel in the back of my head – a New York girl is just desperate to go and visit the town. But she’ll have to wait until I finish book two.

I am also planning another lighter novel – set on an archaeological dig…

And then there is this tropical island – where three sisters organise dream weddings…

And the story about the circus… (which will probably have horses in it too).

I’m not sure what order I’ll be writing these books in – one this is certain though – I am not about to run out of ideas…

More from Janet

Death Came to Chatsworth

SAM_0573One of my highlights of 2013 was calling in at Chatsworth House. I had been to a very interesting and fun gathering of romance writers at the RNA conference in a heat wave at Sheffield University.  Although Chatsworth was open they were still filming scenes for the Christmas adaptation of Death Comes to Pemberley. This I found fascinating to watch and admired the patience of actors and technicians as they reset and acted each take needed, especially in costume in the unusual heat. The amount of attention to detail for each take was admirable especially as much of it is edited for the final version.

Chatsworth House is a magnificent place with a fascinating history of political cunning, fortunes won and lost and a family who strive to keep the place in all its former glory through the Chatsworth House Trust.

PD James sequel to Pride and Prejudice was a very bold and skilful adaptation of one of the most popular classic romances still appreciated today, by using her vast experience as a crime writer to change it into a darker mystery. Elizabeth and Darcy’s matured love is challenged as their connection to Wickham threatens their good name and fortune.

As a member of both the CWA and the RNA I loved this bold move as love and hate fuel both genres.

The year finished with a chance to watch and enjoy the finished televised drama.

Val

An Interview with Cindy A. Christiansen

Photo - Cindy A. Christiansen (1)

My first guest of 2014 is Cindy A Christiansen. To work as an author takes dedication and determination. Cindy appreciates this more than most as she has had to overcome life-changing illness to achieve her ambitions. She has kindly taken time out of her busy schedule to share her experiences with us.

How dramatic was the illness that caused you to change from your original profession to becoming an author?

It was devastating and confusing. I had no idea what was wrong with me. I got sick all the time and was missing way too much work. I kept falling asleep at my desk. I was a programmer/analyst and I soon found that I couldn’t follow the logic of a simple piece of code. I was sick for my bridal shower and during my honeymoon. I finally ended up in the ER with an enlarged liver and spleen, Mononucleosis and Epstein-Barr virus. The doctor said I had to make a life-changing decision about my future. He said I needed total bed rest.

However after a month of following his instructions, I was even worse. Despite seeking the help of thirteen different doctors, no one could tell me what was wrong with me. I finally had to quit my job. The illness continued to progress. Six or seven years later, I was finally diagnosed with Chronic Fatigue Immune Dysfunction Syndrome, Fibromyalgia, and Chronic Epstein-Barr virus. Since that time, I’ve been diagnosed with over thirty other health-related illnesses that affect me physically and cognitively.

 

What inspired you to turn around the situation into a positive step by entering the world of fiction?

Having been raised on a farm with a strong work ethic, staying in bed was one of the hardest things I’ve ever done. My self-esteem and self-worth plummeted and depression set in. My husband was working and pursuing hobbies. I felt alone, isolated and down-right bored to death. I needed something else with which to think of in my life.

I got a yellow writing tablet and started writing. Articles and stories soon turned into a book. Sometimes I could barely move my hand across the paper, but I felt such a rush of accomplishment. Then I rescued and adopted a Wire-haired Fox Terrier puppy and my life began to change in the most positive ways.

 

Did your childhood fuel your imagination and love for animals – especially dogs?

Absolutely! After twelve books, I still haven’t run out of life experiences to use in my books. Growing up on a farm but within a city, I’ve experienced the best of both worlds. Living in Utah, I have enjoyed the most beautiful diverse landscape that has made the setting for every book unique without leaving the state.

I haven’t begun to share all the wonderful experiences I have had living on our farm and loving and working with dogs. Just to give you an idea of my imagination as a kid, I’ll share that our old hay wagon made a very nice stagecoach and our two-horse trailer made an excellent jail for all those desperate outlaws of the west. Our mixed-breed dog, Poncho, quickly became Lassie or Rin-Tin-Tin on a whim.

When did you first break into publication?

Publication didn’t come quickly. I began taking classes, joining writing groups, and doing tons of rewrites on the same book. Although doctors said I would never have children, I found myself in a high-risk pregnancy. Motherhood took everything I had, and when my son was eighteen months he was diagnosed with learning disabilities and special needs. Another child followed three years later, and he was also special needs. My writing was on hold until one day when I read Seabiscuit by Laura Hillenbrand and found out she had one of the illnesses I had. It totally inspired me to seek publication, and I began writing again and submitting to publishers.

I published three books with a publisher but later pulled my rights and published with Sweet Cravings Publishing. I have seven full-length books published with them, not including the two additional books in A Merchant Street Mystery series that will follow. I also have independently published three novellas, one novelette, and a non-fiction book on writing.

When starting a new novel do you begin with the title, plot outline or character profiles? Or just a blank page and the first word?

I start with a plot idea and have a whole batch of worksheets I fill out before actually beginning to write.

Could you describe what experience a reader can expect from one of your books?

I want readers to know exactly what they are going to get from one of my books, especially since I write outside the box. As part of my marketing plan, I developed a list and post it in as many places as I can. Here it is:

  • A clean read with no bedroom scenes or offensive language.
  • A tantalizing, fast-paced plot.
  • A story without a lot of boring description.
  • Down-to-earth heroes and heroines with everyday jobs.
  • A rollercoaster ride of emotions you face right along with the characters.
  • A special dog to steal your heart.
  • A few added facts, a good message, and that important happily-ever-after ending.

German shorthaired pointer posing in the field

What is next for Cindy?

I am right in the middle of my first series. Time Will Tell: A Merchant Street Mystery Book 1 came out in September 2013 and Hunting for Happenstance, the second book in the series, will be released January 6, 2014. It’s been exciting but also a challenging task with my health issues, my two autistic children, and an ill dog.

Hunting for Happenstance is about high-spirited Daniela Estrada. She is tired of waiting for life and love to come to her in her poppa’s butcher shop. She wants to open her own doggie grooming business on Merchant Street and get practical Duston “Buck” Cooper, who owns the Bird Dog Gun Shop, to step out of his shell and ask her out.

Instead, while her Uncle Benito is deer hunting, he ends up missing and the area is swarming with aggressive black bears which holds up the search party. Duston and his dog, Ruger, have helped the police on other cases, and he is training a Karelian Bear dog. Will he help Daniela find her uncle?

Duston adores Daniela but secrets about his brother prevent him from getting close to anyone. He believes that if something is meant to be, it will just happen. Is Daniela’s missing uncle just the shot in the dark the two need to find love and happiness?

I already have plot ideas for other books and plan to continue writing and helping abused and abandoned dogs.

More by Cindy:

Sweet Cravings Publishing – Amazon – Barnes and Noble

Discovering Ellie

Discovering Ellie KECBuy and read now!

US Readers: Kindle / iTunes / Nook / Kobo

UK Readers: Kindle / iTunes / Nook / Kobo

Early nineteenth century North Yorkshire, England.

Ellie has recurring nightmares, always waking to a life devoid of love, but still she dreams. Living in the old hall with her Aunt Gertrude and cousins Cybil and Jane, the scandal of her mother’s elopement with a Frenchman cast a long shadow over her life. Until Mr William Cookson arrives to shine new light onto her past opening the way to an exciting future…

An Interview with Freda Lightfoot

Freda L-close up 6My very special guest for Christmas is prolifically successful historical author, Freda Lightfoot, with an insight into her career and sharing with us how she now enjoys the best of two worlds.

You have served a very interesting writing apprenticeship in order to attain the success you now enjoy. Could you share some of the key moments with us?

My first published piece was called An Elizabethan Toothache, published by Today’s Guide in 1972. I followed this small success with pieces on how to pass various badges, how-to’s, crosswords, quizzes and puzzles, then short stories and a serial, all of which sold to Guide and Brownie magazines and annuals. Fiction was what I really wanted to write but amidst all the child rearing and running a book shop, time to write was hard to come by. It wasn’t until I sold the business and moved out into the country that I started writing articles and short stories for adult magazines. My first success with a novel was a historical romance for Mills & Boon called Madeiran Legacy. I went on to write four more before my plot lines were becoming far too complicated and I wanted to write about real women.

Polly Pride-webYour Lancashire routes have provided a strong background for your Sagas. Have you used some of your own family’s historical experiences within the fiction?

Indeed I have, many times. My grandmother was the spark for Big Flo in Polly Pride. She’d had a hard life but was a real stoic, as Lancashire women were in those days. And the idea for the story came from my Great Aunt Hannah, who did exactly as Polly did and sold or pawned her furniture in order to buy a piece of carpet from a ship in Liverpool. Then she cut it up and sold the squares on the market. But her husband didn’t object as Polly’s did. Family stories may be the inspiration, but the story is fiction.

I often advise new writers that in order to succeed you need to be determined and dedicated. You seem to have these attributes in abundance as you have owned a small holding and a bookshop as well as becoming a successful writer and now live in an olive grove in Spain. Do you have a strong work-ethic, which you apply to your writing routine? 

I dare say that is true, maybe I inherited it from my grandmother, and a long line of Lancashire and Yorkshire weavers. But then I love my work so it is no hardship to spend hours each day at the job. I put my heart and soul into my stories, which is absolutely essential. You must lose your inhibitions and be entirely sincere, but yes, it does take hard work and dedication. I’d say it demands the three p’s, which stand for practise, persistence, and passion for your craft.

Lady of PassionYour fictionalised biographies must need meticulous research, even more so than historical sagas. How long do you spend researching a new project? Roughly how long do you take to write a completed first draft? 

When I reach a certain stage with my work in progress, I start a little preliminary research on the next book, which gradually builds, taking several months altogether. All my books demand a good deal of research, for which I have a substantial library, plus interviews for my sagas. I’ve met some marvellous old folk who share their working lives and memories with me. The biographical historicals do take longer though, as you can’t make it up, and I like to be as accurate as possible. It’s rather like detective work trying to build the character and life of a real person. Fascinating.

Breaking into the eBook market was another bold move, which has certainly worked. Could you share any tips on how you made this a success? 

I entered the digital market back in 2010, which were pioneering days for ebooks but I taught myself how to do the necessary formatting and put them up by way of experiment to see what would happen. Nothing much did at first but when the UK came on board in December 2011 and Santa Claus delivered a load of Kindles, they really took off. The more books you publish, the more you sell. But they must be good, page-turning stories, well-written and not rushed, error-free and properly edited with good commercial covers.

You now live in Spain. How did this move come about? 

It all began back in 1997 when we bought a holiday home here, a little village house high in the mountains 20 kilometres from the coast. We fell in love with the village and found we were spending more and more time here, so finally bought a piece of land with an olive grove on it and built ourselves a house for our so-called retirement. Of course, writers don’t retire, but we love spending our winters here, and summers in the UK.

Will Spain feature more in your future novels?

I do have one or two ideas, so watch this space. It could happen.

You have the best of both worlds – Would you share a couple of things that you love most about your home country and your new one?

We do have the best of both worlds as here in Spain we can avoid the British winter. Almeria is the last designated desert in mainland Europe so in the daytime we can enjoy some sunshine and gardening, and as the nights grow cold we can light a fire and be cosy. The Spanish people are very friendly and we have a good life here with many friends of all nationalities. In the UK I love taking part in writer’s events, talks and conferences, visiting stately homes, and enjoying all things British.

Could you give a seasonal insight as to how Christmas in Spain varies to our traditional one in England?

l-ayuntamiento_valencia_navidad-reidrac-14_12_08-cc20.jpg

One of the joys of living in Spain is that there isn’t the same commercial fuss made. Feliz Navidad will be up there in twinkling lights, and pontsettias everywhere, the Nativity scene ‘Nacimiento’ can be seen in plazas as well as many Spanish homes and shop windows, but Christmas itself is fairly low key.

Christmas Eve, Nochebuena, is when the main Christmas meal is taken, often roast lamb or suckling pig, a feast that takes place quite late, as do all Spanish fiestas, starting around 10 p.m. and going on until the small hours. Some families will sing carols around the nativity scene which remains without the baby until the stroke of midnight. Others go to midnight Mass ‘La misa del Gallo’, Rooster Mass, named after the bird who announced the birth of Christ. Many people, of course, like the rest of us, just watch the Christmas programme’s on TV while enjoying the traditional Turrón (nougat), or mantecas (a range of butter-based biscuits) with cava.

The big celebration for the Spanish is Fiesta de Los Reyes, Three Kings Day on January 6th. What we would call Epiphany. Traditionally, this is when Spanish children get their presents, not on Christmas Day from Papa Noel, although these days some enjoy gifts on both days. By then we’re packing our Christmas decorations away, but the Spanish are still partying.

What is next for Freda?

I’m currently working on another saga, which I never talk about until it is done. After that I plan to write a sequel for Polly Pride, and also another biographical historical in my royal mistresses series about Sarah Lennox, who had the chance to marry George III, but blew it. I do like to have lots to look forward to.

More by Freda:

An Interview with Nicola Cornick

Nicola Cornick - profileWelcome to my blog, Nicola. I must confess that your childhood interests me. I have visited many stately homes and heritage sites over the years and the idea of going to school in the dower house of C18 Harewood House fascinates me. Was this where your love of history and academic research began?

Thank you very much for inviting me to visit today! It’s a pleasure to be here.

I think I was very lucky to go to school in an 18th century house! It was definitely inspirational. There was a very grand staircase, a beautiful “winter garden” where we took our art lessons and lots of old nooks and crannies to explore. The house was surrounded by parkland too so we could run wild in the grounds and we could tell each other scary ghost stories on the dark winter evenings! I think that being in such a historic atmosphere intrigued me and sparked my curiosity; I wanted to learn about the house and its past occupants and from there my love of history developed.

Could you tell us about the work you do at the National Trust’s Ashdown House?

I’d love to! I work as a guide and historian at Ashdown House, a stunning 17th century hunting lodge in Oxfordshire. I show people around the house and give them a guided tour telling them about the history of the house and the Craven family who owned it. It’s a fabulous, romantic-looking place and the history is rich and romantic too! I also do lots of research into the history of the house. I’m learning about it all the time and the more I discover the more fascinating it becomes. We’ve just found some secret tunnels leading off from the wine cellar!

Your first Regency novel was published in 1998. What is it about this era that appeals to you so much?

I’ve always loved the Regency era as a writer and a reader. Like so may readers I started with the books of Georgette Heyer and their wit and the beautiful way that Heyer evokes the era really enthralled me. I love the elegance and the manners and the fascinating contrast between the outward show and the intense emotions that may be hidden beneath the surface. One of the challenges for a writer is to find a way for those emotions to be expressed within the constraints of the behaviour of the time.

How did your breakthrough into publication happen?

I had a long journey to publication. My first book, True Colours, was twelve years in the writing because I was also working full time and could only snatch short periods of time to write. Mills & Boon rejected my first attempt as having too much adventure and not enough romance. I re-wrote it twice more before they finally accepted it.

Who or what was your biggest inspiration in becoming a fiction author?

There have been so many people who have inspired me. The writing of authors such as Mary Stewart and Daphne Du Maurier fired me with the desire to be a writer when I was in my teens. My teacher, Mrs Chary, inspired in me a huge love of history and for that I will always be grateful to her. I always knew that it was historical fiction that I wanted to write. The other big influence was my wonderful grandmother, whose collection of historical novels I devoured and with whom I watched costume dramas on a Sunday night!

One Night with the Laird - US copyYou are an enthusiastic traveller on a world-wide scale, but for your latest series you have headed north of the border and changed period for The Lady and the LairdOne Night with the Laird out this month and the final book Claimed by the Laird, which will be published next year. What triggered this change in location and direction?

I do love travelling and have been lucky enough to visit some amazing places all around the globe. One of my favourite places, though, is Scotland and I have wanted to set a book there for years. It was fascinating to research Scotland in the early 19th century and see the similarities and differences in politics and culture compared with south of the border. It was huge fun to write the Scottish Brides trilogy!

What is next for Nicola?

I have lots of exciting plans for next year.  There are several new Regency ideas I’m going to be working on, plus a book inspired by Ashdown House!

Thank you for taking the time to answer my questions and for sharing some of your unique experiences with us.

Thank you!
More by Nicola:

An interview with Trisha Ashley

267398_163150827092202_2914025_nI am excited to welcome the lovely Trisha Ashley, an award-winning and best-selling author of humorous romantic fiction. 

How much have your entertaining novels been influenced by your own studies, hobbies and work experience?

There are elements of my interests and experiences woven in all of them, of course, but like most novelists I tend to use turning points and situations in my own life as jumping off points to explore new directions my characters can take – because after all, they’re not me and they would do things very differently.  They constantly surprise me.

      There is, of course, rather a lot about food in my books and all the research has taken its toll on my figure – but then, you have to suffer for your art.   I also love animals and gardens – especially roses – and often, too, my novels reveal the enduring power of good friendships and the supporting love of families, however dysfunctional they may at first appear.

      I’ve had a series of part time jobs over the years to support my writing and I think probably the seasonal work for the National Trust was the most useful.  For a few years I spent six days a week either in the draughty front hall of a large gloomy mansion, or in a little wooden hut at the entrance to the lovely Bodnant Garden in North Wales.  Now, those gardens were really inspiring and I was lucky enough to be there when a new young (and handsome) head gardener, Troy Scott Smith, had just taken over and was slowly revitalising it.  I think you can date my passions for roses, mazes and knot gardens to this time…

      But all of life’s experiences, good or bad, can be composted down and used to grow something fresh and new: nothing need be wasted.

When did the Muse enter your life? I hope he gets on with Dog.

I don’t think I can do better than to quote the update I put at the top of my quarterly newsletters for new subscribers:

      The plot so far: Except when she is occasionally let out to enjoy a couple of days of frenetic partying in London, or to give a talk, Trisha lives in beautiful North Wales, together with the neurotic Border Collie foisted onto her by her student son and an equally neurotic but also vain, bad-tempered and chancy Muse.  Muse, whose first name is Lucifer, slipped into her head and took up residence while she was reading Paradise Lost at school and refuses to leave.  He is male, steely-blue, wears a lot of leather, is winged, has talons (so that’s where her blue nail varnish went, then) and is devilishly handsome, if you like that kind of thing.  He only eats words, but gets through a lot of Leather Food and Trisha is starting to suspect that he does more with it than just rub it into his wings…

     Lately, Muse has been writing a hiss-and-tell account of his life with Trisha, called The Muse Report, though due to the fact that he eats his words almost as fast as he writes them, it could be quite some time before this appears in print.

      Muse takes little notice of Dog, except to eye the name tag on his collar when hungry…

Meeting your agent, Judith Murdoch, was a major turning point in your career.  What key advice would you offer to, as yet, unpublished authors?

There’s too much temptation now to rush out your first novel yourself as an e-book, so if you take that route I’d advise you to have your novel independently edited, and consider the constructive criticism you receive very carefully.  You want your novel to be perfect and whole, not some poor, half-formed creature, and with a first novel you aren’t going to spot what’s wrong with it yourself.

      If you’re lucky enough to be taken on by an agent or publisher, of course, they will tell you what’s wrong with it and being able to accept and work with constructive criticism is something you need to embrace if you’re taking writing seriously.

Are you a very planned and disciplined writer, plotting an outline in advance or do you start with a scene, character or situation and go from there?

I am character driven and, since I write in first person, must get to understand my heroine and her background first. Then I put her into a situation and see where she goes, and the book unrolls before me as I write like a magic carpet.  I don’t know where we’re going until we get there.

You have achieved success as a writer despite having macular degeneration. For those unfamiliar with the condition, would you  please share with us how you have worked around this?

 I have had myopic macular degeneration and very poor eyesight (minus 20) for many years, but the MD has been getting increasingly worse recently.  Macular degeneration means that blind patches increasingly appear on your retina and although I automatically focus around them, when tired that gets harder to do and my vision generally blurs.

      I have little night sight either, so tend to fall off kerbs etc and have been known to try and flag down any dark and vaguely taxi-shaped vehicle in London at night…

      There’s currently no treatment for my kind of MD and I’m supposed to take regular breaks from the computer screen…

      I am exploring new ways of writing at the moment in case I ever get to the point where I can’t see the screen at all, but this isn’t easy since I’ve been touch typing my books since I was fifteen and made the transition to word processors and then computers as soon as they appeared.

      At the moment, I write on screen in large print, but still have lots of room to increase the font size if necessary, so it’s okay.  I print everything out to work on.  But then, I’ve always needed to see my words on paper before they become real.

Please tell us about your new novel?

Wish Upon a Star jacketWish Upon a Star will be released on November 7th and has a Sticklepond setting, the village in West Lancashire where some of my other books are set.  It’s very much about following your star, wherever it may lead you and however hard the going gets.

    Single mum Cally’s life revolves around her little girl, Stella, who has serious health problems and when her condition suddenly worsens, they move in with her mother in the remote village of Sticklepond, while she tries to raise enough money to take Stella to America for a potentially life-saving operation.

      Cally only realises quite how tough it’s been shouldering everything alone when all the villagers – and especially laid-back and charming baker Jago – rally round to help.  All Cally wants for Christmas is a miracle to save Stella and with Jago’s help she may yet discover that all the best presents aren’t always found under the Christmas tree…

What is next for Trisha Ashley?

      I’m very happy to say that next year Avon will be doing a new edition of one of my long out of print novels, Every Woman for Herself.  I know you shouldn’t have favourites among your children, but I have to admit that this book is the closest to my heart.  It’s set in Yorkshire, where the Rhymer family, Emily, Charlotte, Anne and Branwell (the result of a failed attempt by their father to recreate the Bronte family situation) slowly return home, one by one to the haven of Upvale – only to find that things are about to change, forever.

      Every Woman for Herself was voted one of the three best romantic novels of the last fifty years in a reader poll, which was a truly wonderful moment, and I’m constantly being asked by readers where they can buy a copy, so I’m delighted it will soon be out again in paperback and e-book formats.  I’m adding a couple of new recipes to the end, too and it will also, of course, have a lovely new cover.

Thank you so much for having me on the blog, Valerie, and I wish everyone lots of very happy reading!

Good husband material high resMore by Trisha:

Another warm, wise and witty offering from Sunday Times bestseller Trisha Ashley.

James is everything Tish has ever wanted in a husband – she’s married a man who even her mother approves of. He’s handsome, dependable, and will make an excellent father – unlike Tish’s first love, the disreputable Fergal. Her teenage sweetheart abandoned her for a music career and now lives a typical celebrity lifestyle. Fergal broke her heart – James helped mend it.

Now, they’ve bought a cottage in the country. The next step – kids and a lifetime of domestic bliss. Well, that’s the plan. And even if James has a slight tendency to view the village pub as a second home, their relationship is still in pretty good shape after seven years of marriage. So why is marriage to Mr Right making her long for Mr Wrong?

Phoebe’s Challenge

Phoebe's Challenge KEC (1)

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Early nineteenth century North Yorkshire, England.

Phoebe and her brother, Thomas, have to flee the evil regime of overseer Benjamin Bladderwell because an accident results in them being labelled machine breakers. Hunted with nowhere to run, the mysterious wagon driver, Matthew, his them and saves their lives. They soon discover that he is a man of many guises who Phoebe instinctively trusts, but Thomas does not. Their future depends upon this stranger, on their own they will be captured or starve. Phoebe must trust or challenge Matthew unaware that he is also tied to their past.