An Interview with Rosemary Kind

I am delighted to welcome author Rosemary Kind, who is the founder of Alfie Dog, a publisher of short fiction based in the beautiful county of North Yorkshire.

Welcome, Rosemary.

What was the deciding factor that motivated you to switch from a successful business career to becoming a full time author?

My husband had the opportunity to move to work in Belgium and I said ‘Why not?’ Because we were going back and forth every fortnight to see my stepchildren an ordinary career wasn’t going to work, so as I’d proved everything to myself that I needed to in a traditional working environment it was the perfect time to follow my heart. I’ve always written, but in my spare time. I knew I’d regret it if I never found out if I could do more.

Please tell us about your published work and what inspires you?

I write in a number of genres. Inspiration can come from the strangest places. My first published book (leaving aside ‘Negotiation Skills for Lawyers’ which was commissioned), was a humorous guide to travelling on the London Underground ‘Lovers Take Up Less Space’. I wrote most of the ideas as therapy when I was working in London. ‘Alfie’s Diary’ started as a daily blog in January 2006 when our first dog moved in. I’d been in Belgium for a couple of months and was writing mainly non-fiction, business articles, company newsletters etc. I wanted to write fiction, but it felt like a big step. Writing Alfie’s view of the world was a way to make myself write something every day. I originally intended to write it for a year of two, but nine years on it’s still growing and has spun off into several other projects, not least because he set up his own political party The Pet Dogs Democratic Party.

Inspiration for my novels is more interesting. ‘The Appearance of Truth’ came out of a writing group project to write 300 words on ‘verisimilitude’. Once I’d looked it up in the dictionary I started mulling it over. I was researching my own family tree and had ordered a birth certificate. It occurred to me that it would be quite possible to pass a birth certificate off as belonging to someone that it really didn’t relate to and it all went from there. Lisa was given the birth certificate of a baby who died at 4 months old and the story is her search for who she really is and why it happened. ‘Alfie’s Woods’ came from our woodland walks. We’d just rescued a hedgehog, who was stuck in a fence, when a helicopter passed overhead. The rest of the walk was spent thinking ‘What if they were looking for the hedgehog? What if he had escaped from the woodland prison?’ ‘The Lifetracer’ was inspired by seeing an electronic countdown clock in a catalogue and finding myself thinking ‘What if it could be programmed with Time to Death and used to send a death threat?’ I have more ideas than I have time to write them.

What appeals to you most about Entelbucher Mountain Dogs and Alfie in particular?

I fell in love with the breed long before there were any in the UK. They are incredibly loyal affectionate dogs who are great with children and like nothing more than to be close to you. I also adored the way they look, not only their colouring but the fact they are such happy smiley dogs. Alfie is my pride and joy. He is a gentle giant who is everything I had ever dreamed of in a dog. We are incredibly close.

When did the inspiration for an online digital site for short fiction first occur to you?

Not only do I write short fiction as well as books, but I have many friends who are widely published in that field. The more I talked to other writers the more frustrated I felt that there were so few outlets for short stories and for earning an income from secondary rights. It was January 2012 when I wrote the business plan. I launched to authors in February and to readers in May. I was overwhelmed by the response and we had more than 100 stories by the launch and have rapidly built a library of 1700 stories. I also wanted to set up a site that gave as much back to authors as possible. The culture is very much to give support to the writing community where we can. I was amazed by how word of mouth spread the message across the globe and we very soon had writers from more than 25 countries, all writing in English.

stp version smallWhat can a reader expect to find on www.alfiedog.com?

We carry good quality stories in a wide range of genres. All submissions are reviewed and where necessary edited and only the best are accepted for publication. We want our readers to come away having had a really good read and be looking forward to coming back for more. We carry work by over 400 authors, so there really is something to suit everyone’s taste. Many of our authors are widely published, but we enjoy introducing high quality work from new writers too. Unlike most sites, we carry the stories in a range of formats to suit all types of ereader or to print. We also publish a range of books in both electronic and paper formats. They are mainly short story collections, but we do carry some novels as well.

Of course for writers, our International Short Story Competition may also be of interest. The closing date is the end of September so there is plenty of time to take part. First prize is £200 and book publication.


How do you see www.alfiedog.com developing in future?
PDDP cover final small

The site is already one of the biggest short story publishers in the world, but hopefully it will be the site on everyone’s list when they talk about short stories. I want it to be ‘THE’ place that people go to when they are looking for quality short fiction.

What is next for Rosemary?

I’m writing another novel at the moment. This one was inspired by a chance comment in a meeting. Someone made reference to the ‘Orphan Train’ movement in America in the late 1800s and I had to go and find out more. As soon as I did, I was hooked on a story idea and the lives of three Irish immigrant orphans, fighting for survival, was born. It is my first full historical fiction writing and the research has been fascinating. It even made me get on a plane for the first time in over seven years, but that’s another story!

More from Rosemary

An Interview with Della Galton

Della Galton

 

I was intrigued to read that your first published story was achieved when you were six. You obviously have not looked back since. Could you share with us how this early success came about?

I have to confess, Valerie, that this comment on my home page is actually a bit tongue in cheek and an effort to pretend I am younger than I am. I wasn’t really six. Although I think my very first publication credit, which was a poem in Pony Magazine was actually published when I was about eight 🙂

Would you agree that you are a person who has a natural empathy with people, their problems and situations and that this is part of the appeal of your many successful character driven stories?

I do hope so. I do like people very much. And I think that all writers need empathy and sensitivity in order to step into the shoes of a character who may be quite different than themselves.

How would you describe your work ethic?

Workaholic. Definitely.

To achieve all that you do I can only imagine you are a fantastic organiser of your time. Roughly what percentage of time would you spend researching, writing and promoting a novel on social media?

I spend a little less time on social media that I did once – as it’s not easy to justify spending too much time there. I have a tendency to use it as a procrastination activity to avoid writing. But I would still say, writing a novel 60 per cent, researching 20 per cent, promotion 20 per cent.

Ice And A Slice Book 1

I remember driving my son back from college and hearing you on Steve Wright in the Afternoon discussing one of your non-fiction books ‘Eat Loads and Stay Slim’. Then I saw a new title of yours called ‘Ten Weeks to Target’ and I wondered if the research and work on one project creates a ‘spin off’ of ideas for new stories as an ongoing process?

I am thrilled that you heard the Steve Wright Interview – my one claim to fame, that!
Actually, the two books were entirely separate. Ten Weeks to Target came first – it was originally published as a serial in Woman’s Weekly. However, there’s definitely a spin off process that goes on constantly. Both of these titles came from my own experiences of trying to stay slim – and eat loads!

Could you tell us about some of the lovely pets that share your life?

I adore dogs. Currently there is Maggie May, my ten year old white German Shepherd. And Seamus who is a wolfhound, fourteen stone, and five years old.

You are not only a lecturer, public speaker and a creative writing tutor, but you also still attend writing events yourself. How important is this two way interaction?

Writing is my passion as well as my work. So I guess it’s just how things pan out. I think I must be quite boring. So recently I’ve taken up singing lessons and am learning to play the guitar, in an attempt to be more balanced.

Could you give a short piece of advice to as yet unpublished writers who are trying to break into the limited short fiction market, especially in the UK?

Don’t assume that rejections mean you aren’t any good. I still get my fair share of rejections. Not every story is saleable at the time you send it out. That doesn’t mean it won’t be later.

Ice And A Slice Book 2

Of all the things that you have achieved within your career what have been the top three most memorable highlights that you hold fondly?

This is tricky. There have been many. I will try and narrow it down.

I quite liked going on the Steve Wright Show.
Selling my first short story was awesome, as was selling my first novel.
And the third one, was when the editor of My Weekly phoned me and asked me if I fancied going on an all expenses paid trip to Malawi – I’m a journalist as well as a fiction writer. That experience and the going bit – I went twice – was fabulous.

The more I researched this interview the more convinced I was that your love of the world of writing is a driving force which means there are many more delights for us to look forward to. Could you share with us what is next for Della Galton?

At the moment I am writing a series for People’s Friend – I can’t tell you too much about this as they haven’t started publishing it yet. Watch this space. But I’m also keen to write a third novel in my Ice and a Slice series. The first novel is called Ice and a Slice. The second is The Morning After The Life Before. I don’t know what the title of the third one will be yet. If any of your readers have any suggestions I’d love to hear them though.

Many thanks for having me as a guest.

More from Della

Crime and Punishment 3: Man-traps

Before moving on from Ripon I would like to mention one exhibit in the Prison & Police Museum that brought home to me the cruelty of the era that my historical stories are set. I found a man-trap displayed on the wall. I have mentioned them in my work, but it is only when you see the ugly things close up that you realise how being caught in such a sprung trap could maim and kill, in what was a slow and excruciatingly painful way.

They were hidden in undergrowth to catch or deter poachers or trespassers. They had a spring mechanism that meant the metal jaws (many had teeth – serrated edges to really lame the culprit). However, the sentences for poachers were also severe and included hanging or transportation. Although they were a fact of life in the early nineteenth century, and had been for some time, fortunately they were banned from England C.1830. Nonetheless some must have stumbled upon them by chance and others by necessity of crossing private land…

Extract from Phoebe’s Challenge

Phoebe's Challenge KEC Thomas closed his eyes fleetingly. “Yes, we will,” he spoke the words after a few moments of silence.

“We’ll what, Didy?”

“Find Levi; he didn’t disclose us – we should help him too.”

His hand, still holding the bottle, dropped down, but his senses awoke as the clang of an iron mantrap snapped viciously shut next to him. His face paled as he looked down horrified at the sight of meshed metal teeth that greeted him. Phoebe had screamed as the great jagged jaws of the mantrap had snapped shut as Thomas lowered his arm, triggering the edge of mechanism, but fortunately his limb had not fallen within its evil grip; instead the bottle was smashed.

Extract from Hannah of Harpham Hall

HannahShe was gamely running along a path ignoring Betsy’s pleas for her to come back to her, when an arm reached out and grabbed her by the shoulder, pulling her backwards. She landed in a pool of mud and foliage.

“How dare you…you great bully!” Hannah shouted out in indignation at the figure who stood openly laughing at her dishevelled state, whilst boldly standing in front of her. Her ribbon had come loose and her hair started to fall down onto her shoulders. Her anger rose and she was about to vent her opinion at the lad, who must have only been a few years her senior, but he spoke to her first.

“You stupid little spoilt brat! Look what you nearly ran into!” He threw a stick at the ground in front of where she had been heading and, instantly, the metal jaws of a man-trap snapped shut, tearing it in two.

Hannah’s mouth dropped open. She wanted to cry out, but was too scared and confused. Betsy ran up behind her, panting heavily. She slapped the girl hard on her shoulder. Hannah fought hard to hold back her tears. This was not the kind of adventure she had envisaged. The lad looked nervously around him as her father’s voice bellowed to them through the woods, “What is the meaning of this?”

Featured image / RN

Pheobe’s Challenge and Hannah of Harpham Hall are also available to buy on Smashwords!

Spring Offers!

Spring time has arrived at last and with it the chance to read a selection of my titles at only £0.99/$1.50 each! The selection of titles includes warm love stories set against mixed with adventure, mystery (or  a mixture of both!) set in the beautiful North Yorkshire countryside of the early nineteenth century.


Chloe's FriendChloe’s Friend: Miss Chloe Branton has been found a position as a laundry maid in a wealthy country house. The work is hard and she is slight, but she stays knowing the arrangement is to keep her away from her father’s enemies. Mr Thaddeus Poole, is an unlikely person to offer her help, but Chloe does not know if he will betray her or be a true friend.


The Baker’s Apprentice: Molly Mason dreams of escaping from the control of Mrs Cresswell, her step-mother, by becoming an apprentice to her friend who owns the local bakery. This ill thought-out plan is stopped when Juniper Cresswell’s fiancé, war hero Lt. Cherry, returns accompanied with a soldier who had been presumed dead. The soldier brings with him suspicions of murder, mystery and the key to Molly’s heart.


Truth, Love & LiesTruth, Love & Lies: Major Luke Stainbridge returns to his beloved estate in England after being held prisoner by Napoleon, to discover he has been replaced by an impostor. Meanwhile, Miss Florence Swan, naively, ventures out into the world alone to avoid the drudge of life in a cotton mill.  Two lives are in chaos. Two destinies combine: will the love of truth be enough to destroy a sinister network of lies?


Felicity Moon: Miss Felicity Moon jeopardises her position, her life and her future when she strikes the Lord of the manor in self-defence and is forced to leave his household. Squire Moon, her father, is in gaol charged with bank-rolling smugglers and the storing of contraband. She has one last chance to save herself from ruin in the form of a reference written for a Mr Lucas Packman, a man her father dislikes intensely. She has a stark choice to make: trust Packman or her obey her incarcerated father.


Dead to Sin (A Penn Mystery – Book 1): Nicholas Penn is summoned to Gorebeck Gaol to visit a man accused of the rape and murder of five wenches. Having been found holding the body of the last victim in his arms his plight seems sealed. Nicholas is torn between a sense of duty and his feelings of hurt and disgust when being in the presence of the accused. The tables turn abruptly, and Nicholas becomes the incarcerated, duped and incensed he is sworn to find the man, Wilson, before another victim dies.


Betrayal of Innocence: Lydia works desperately hard at Bagby Hall in order to keep her ailing father from the poorhouse. She is a loyal person, but is racked with guilt as she knows her friend, Miss Georgette, is being cruelly used by Lord and Lady Bagby. It is only when she fears Miss Georgette’s life may be in danger that she acts  – but how?

Crime and Punishment – Dead to Sin

The early nineteenth century in England was a harsh time of poverty for many. When soldiers and sailors were no longer needed to fight the wars that had dogged England from the end of the previous century, many men returned victorious having fought for their King (or Prince Regent) and country only to face unemployment. With little or no social support they often turned to crime to feed themselves and their families. With the increase in crimes, came new laws and harsher sentences.
Ripon Museum
I recently stopped by one of North Yorkshire’s finest museums in the little city of Ripon. Ripon is an unspoilt cathedral city that has maintained its characteristics of a delightful market town with plenty of historical places of interest to visit. It is also an excellent base for venturing into the Yorkshire Dales or the North Yorkshire Moors!

Ripon Museum comprises of three museums, all to do with the city’s historic law and order buildings that have been lovingly maintained. The photos below were taken in the Prison & Police Museum in St Marygate. It was a prison from 1686-1879 and a police station from 1880-1959.

When I first visited the prison I was writing Dead to Sin. Although the existing building was Victorian, the cells hold exhibits which relate to its earlier history and the development of crime and punishment, cruel and harsh as it was. Nowadays, the museum is clean, whitewashed and immaculately presented. Obviously in the time of Nicholas Penn it would be far from this.

The first chapter of Dead to Sin begins with Nicholas Penn bracing himself as he enters this dark, fettered world.


Nicholas Penn took one last deep breath of fresh air outside the high stone walls of the Gorebeck lock up. He glanced back at the cobbled square of the market town; wagons rattled, farmers haggled, women bartered, children’s laughter melted into the animals’ pitiful cries, the noise of which was in turn drowned out by the banter of the bidders. All was chaotic, all stank, yet there was colour and life here amongst the continuous whirl of people trading their wares.

             A heavy lock was turned in the barrier in front of him. Nicholas breathed deeply, his broad chest glad of what fresh air there was as his mind dreaded the prospect of seeing what he would find within the cold walls – and who. The reinforced wooden door creaked and groaned as the warder pulled it open, grating the edge against the stone.

             He pulled the high collar of his coat close, covering the ends of his shoulder length locks. ‘Trapped sunshine’ his mother had poetically described his wayward curls when he was a cosseted child. Now straighter, they had matured and grown like Nicholas himself. No sunshine would filter through behind this door. The rain started to pour down. Nicholas was silently led inside along a narrow stone corridor; he was taken further into the building’s bowels, down a spiral metal staircase to an airless chasm where six bolted black doors lined the dimly lit passage. Disembodied coughs could be heard even through the iron-wood barriers, which incarcerated their prey. Nicholas intuitively pulled out his kerchief and held it over his mouth. Gaol fever was to be avoided by the wise man who had the option to, but the inmates of this place had little chance to do that. The warder turned another key in the door lock at the end of the narrow corridor.

             “Ten minutes!” he growled back at Nicholas. The man had a curvature of the spine and did not look up at Nicholas’s straight frame. Instead, he shuffled back.

             Nicholas grunted what could have been his agreement or a simple acknowledgement. The turnkey gestured for Nicholas to enter.

             With some reluctance, Nicholas stepped into the small dank cell, ducking slightly so that his round hat did not contact the top of the door’s stone frame. What light and fresh air there was from the open grate that served as a window, was lost to the rain water, which now poured in, bringing with it the filth washed down from the market street above. The cell’s air stank of damp and excrement. Nicholas stood equidistant from the slime covered walls, not wanting his new riding coat to touch anything in the place.

             The cell was putrid. Under his highly polished boots was a stone-flagged floor strewn with soiled hay. Nicholas fought back memories, bleak, barefooted memories, as he glared at the figure in front of him. Like the cell, the man locked within it was unwashed, unshaven and unkempt. His appearance was in stark contrast to the man’s usually immaculate presence. The figure was seated on a small stool, wrapped in a flea-infested woollen blanket, leaning against the edge of the moist wall. Even in such discomfiture he seemed to be calm in manner, resigned perhaps to his fate. Nicholas wondered if this was true. To most people in his circumstance it would have been the case, or a near breakdown of spirits, but not Wilson. Nicholas knew the man too well. He was as hard as the stone walls which held him, to the depth of the heart that beat strong within his chest.

             Ebony eyes looked up at him as the door lock was slammed shut behind Nicholas who was trying hard not to show his inner fear, or his loathing of small airless spaces as much as his abhorrence for the pathetic looking creature in front of him.

             “You came, Nick!” the voice announced, louder than Nicholas had expected it to. That tone was almost as if he was annoyed at his late appearance. This was not the whispered breathy word of a dispirited soul. The confidence, the strength and the defiance were still there in his comments even if he looked to be in a physically weakened state.

Love a mystery?

If you want to take a few hours out to relax and lose yourself in a mystery, then why not meet Nicholas Penn in Dead to Sin – A Penn Mystery Book 1?


Amazon UKAmazon USSmashwords

Dead to Sin

Nicholas Penn is summoned to Gorebeck Gaol to visit a man accused of murder. Having been found holding the body of the last victim in his arms, his plight seems sealed. Nicholas is torn between a sense of duty and his feelings of hurt and disgust when being in the presence of the accused. The tables turn abruptly, and Nicholas becomes the incarcerated. Duped and incensed, he swears to find the man, Wilson, before another victim dies.

An interview with Cindy Nord!

Cindy Nord - Professional ImageI am delighted to welcome my special guest this month, bestselling Historical Romance author, Cindy Nord.

Thank you so much for taking the time to do this interview and share your experiences with us.

What inspired your love of books, or the desire to be a story-teller/writer yourself?

Coming from a family of educators, I’ve always been encouraged to read.  I devoured books by the dozens.  From classics to childhood favorites, books expanded my world. As I grew older, I also grew to love history, with a specific focus on the Victorian era.  I read my first romance, and fell in love with the genre. I enjoyed the details of history sprinkled throughout the storyline, coupled with an unrestrained romantic entanglement. Because of this combination, I felt moved to put pen to paper and craft my own love story.

NO GREATER GLORY cover

What characteristics do you think are essential in a hero or heroine?

I want my hero to be strong, involved and engaged. A man who transforms compassion into heroic action with a unique leadership ability that separates him from the rest of the pack. Of course, he’s not perfect, he does have his weaknesses, AND, ultimately, it will be the heroine who helps him overcome those internal conflicts and imperfections. Likewise, I want my heroine to have a resourceful and internal focus that becomes challenged when she meets her hero. She must have a resilient sense of purpose with an unfulfilled need that even she doesn’t know she has. And, in turn, the hero, at first overwhelming and unwanted, eventually fills this void inside her heart. Of course, the romance wrapped around these two individuals is the catalyst that spurs them onward to completing their tumultuous journey to happily-ever-after.

Reliable research is essential to historical authors, but when did you first become involved in Civil War re-enactments?

As a Victorian lecturer and historian, I appreciate the details that breathe a character to life upon the pages. Wonderful tidbits that immerse the reader fully into the time period.  And my experience in re-enacting only helped solidify this knowledge. Many years ago, when I began writing my first novel, I read in the newspaper that they were having a Civil War living history weekend at our local university. Holy Toledo! I couldn’t believe that they actually did this sort of thing.  Here was American history brought to life. The acrid aroma of campfires. The thundering gallop of cavalry horses. Women clad in Victorian gowns sashaying across a lawn. All the things that I was writing about at the time. Indeed, I was swept straight back into the nineteenth century, and fell head-over-heels in love with this whole new experience. Immediately, I threw myself into the hobby.  I even ended up meeting my future husband on the battlefield.  Although we no longer re-enact now, I’ll forevermore cherish those years spent living in the time period I love so well.

What can your readers expect from a Cindy Nord novel?

Passion. Emotion. Conflict. Indeed, an accurate, historical immersion. All those things plus an ardent romance filled with sensations that tug at a readers’ heartstrings. Getting my characters to ‘The End’ is a hard won journey, for sure. And the greatest test of success for any writer is when their readers make the trip through their novels and never want the love story to end.

In your fascinating career to date, what memorable moments stand out?

Oh my, such a great question. Let’s see… I’ll begin with being a Romance Writers of America National Golden heart finalist with No Greater Glory which started this whole incredible journey, signing with my fabulous literary agent, Louise Fury of the Jenny Bent Agency in New York City, the day my first box of books arrived from my publisher, being a USA Today Lifeblog ‘Recommended Read’ author, having my Civil War romance novel used as a supplemental read in a well-known university history class, receiving a stellar review by the Library Journal (buying bible for all libraries in the U.S., Canada & the U.K.), my first invitation to be a keynote speaker at an RWA affiliated chapter, and having my very first book signing at Barnes & Noble…these, and so many more, have truly brought me untold joy.

With Open Arms (USE)

Do you have a very organized day, or do you write around ‘life’, but to set targets?

Balancing my time and attention between writing, social media, my family and my friends is always a difficult task. I try to set up a schedule with mornings spent on the internet and my social media sites, with my afternoons devoted to writing. In the evening, my husband listens as I read what I’ve written for the day.  This is a routine that works well for me. I’m what they call a ‘pantser’ (writing without an outline), and must completely finish each chapter before moving on to the next. I wouldn’t advise anyone else to follow this writing style, so say the ‘plot-first’ experts, but it does seem to work for me.

Writing books involves long hours working at a computer. What do you do to keep healthy and active?

I thoroughly love to ‘water walk’ at the gym, plus I walk my two shelties daily around our neighbourhood. I also enjoy working in the garden, as well as bicycling with my husband. We are both passionate followers of an ‘organic’ lifestyle, along with nutraceutical supplementation.

Along with other writers, I understand that you contributed to an anthology for ‘Women in Need’. Could you tell us something about this work and the charity?

I was invited by writer-extraordinaire, Hope Tarr, to be part of her project entitled, “Scribbling Women and the Real-Life Romance Heroes Who Love Them” non-fiction anthology where I joined several New York Times & other romance fiction writers.  Each real-life story in this body of work details how we writers met, wed and love—and are loved and supported by—our spouses and life partners. All proceeds from this literary compilation go directly to Women In Need, a New York City women’s shelter for abused females & their children. I am so honoured to have been asked to participate. Happily Ever After isn’t only the stuff of romance novels and fairy tales.

What single piece of advice would you give to any, as yet, unpublished author?

Never, ever, ever give up on your dream. And since we’re going to dream anyway…DREAM BIG!

What is next for Cindy?

I am putting the finishing touches on AN UNLIKELY HERO, the third book in my four-book The Cutteridge Series. I anticipate this love story debuting Spring, 2016.  I’ve also been invited to host one of the ten coveted ‘opening night’ tables at the 2015 Romantic Times Booklovers Convention in Dallas in May.  I’m also doing several book signings, as well as guest interviews for television stations. Plus, lecturing on Victorian fashions at several locations across the Midwest.

More from Cindy:

The future of romance with Pia Fenton

I would like to welcome back Pia Fenton to my blog (Christina Courtenay) who has been the RNA Chair for nearly two years.

Hi Pia!

NEC front LatestAs Valentine’s Day approaches can you share with us some of the major changes you have seen in the last couple of years within the world of romance?

I don’t think the world of romance has changed very much, but rather the publishing industry as a whole.  With the advent of ebooks and ereaders (and especially the Kindle which had a massive impact the year it was first launched in the UK), the way people read books has changed enormously in a very short space of time.  Things seem to have settled down a bit now though and paperbacks are holding their own, which is great (I love proper books myself!), but I think ebooks have given both readers and authors more freedom to read/write what they like.

As for the books themselves, the popularity of certain sub-genres come and go, but editors and agents are always saying they’re just looking for really good stories.  I think that if a story is gripping enough, it doesn’t matter what it’s about – good story-telling is key.

Are you excited about the future of romance as a genre?

Yes, I think it’s going from strength to strength.  The RNA commissioned some research into sales and trends recently, and it showed that figures for romantic fiction are going up year by year, which is fantastic.  People will always want love in their lives and I’m sure they will continue to want to read about it too.

You have branched into the Young Adult market. Could you share with us the inspiration for this exciting new venture?

I discovered a while back that I love reading YA fiction – it’s an amazing sub-genre where imagination seems to have no bounds.  Then I went to a high school reunion and it really made me think about my own teenage years, both all the fun I had and the angst that comes with being that age.  I attended an American high school for three years, which was a bit of a culture clash to begin with and it occurred to me that it would be fun to write a series of books with UK heroines and US heroes and so the Northbrooke High series was born.  I have now self-published the second book in the series, New England Crush.

What is next for Pia/Christina?

I have just finished edits for the third book in my Japanese trilogy – sequel to The Scarlet Kimono and The Gilded Fan – which is due out in paperback in August this year.  I’ve also started work on a new time slip novel, which is based on the final few months of the English civil war.  I love that period in history and was inspired to write about it as there are several ruined castles, destroyed during that time, near where I live. (Both these books are for adults, not YA).

More from Pia:

For the love of baking!

The Baker’s Apprentice is now available to download in eBook format for all eBook readers at a special price of $1.50 from Smashwords!

I love baking because it sparks memories of time spent in a warm kitchen with my mother and aunty, chatting and laughing as we enjoyed eating some of the results of our labour. From a young age I would bake the basics for the house: cakes, scones, puddings and pies. The smell of freshly made bread or scones return me to part of my childhood that will forever bring a burst of nostalgic warmth on a cold winter’s day.

A friend commented that among my titles, which focus on my North Yorkshire villages in the early nineteenth century, I had not based one around a bakery. Not everyone had their own oven, so the village bakery traditionally played an important part of village life. One comment sparked an idea and Molly Mason sprang to mind; an impetuous heroine who does not lack the courage to leave the home she dislikes, but has not the foresight to realise the hard work behind the ‘cosy’ surroundings she imagines sharing when helping her friend who runs the village bakery.

Often in life we see our own problems and look at the greener grass growing elsewhere without considering the effort that is needed to sustain the lawn.

TBA KECThe Baker’s Apprentice is set in a fictitious North Yorkshire market town that pops up in many of my titles called Gorebeck. In this story it is in a state of transition as newer Georgian terrace houses line a road replacing the older timber and cottage buildings. Some people will always welcome change seeing it as an opportunity, or others as a threat – they crave the familiar and as the old saying goes ‘If it ain’t broke don’t fix it’. It is at a crossroads for routes north to Newcastle, south to York, east to Whitby and west to Harrogate.

I will talk more about Gorebeck in future as I look at asylums, churches, market towns, inns, new and old money, mills and coaching routes in future posts.

In this story, Molly Mason carries hatred in her heart, convinced her father was murdered or driven to an early grave and seeks to escape from his wife and discover the truth. Sometimes though the truth is not what we want to hear.

An Interview with Ian Skillicorn

Ian SkillicornWhat better way to usher in the New Year than to share an inspiring interview with Ian Skillicorn who is a very talented and successful writer, publisher, speaker, director, voiceover artist, translator and producer.

Welcome to my blog, Ian! I hope I have not omitted any of the many hats that you wear within your fascinating career.

Thanks for having me! Well, those are all of the various hats I’ve worn over a twenty-five year career to date, but fortunately I haven’t had to wear all of them at the same time!

You obviously have a natural love of language: written and audio, both in English and translation. When and where did this love of words and story-telling begin?

From a very early age. My parents are (and grandparents were) great readers, and so there were always lots of books around the place. The weekly visit to the library was really important in introducing me to a variety of authors, and firing my imagination. At weekends my parents took us to museums, art galleries and historic sites around the country, which gave me a lasting appreciation of art and history, and all sorts of stories about people through the ages. I also had a couple of very supportive English teachers at secondary school who encouraged my own writing efforts. I recently discovered that one of them is a friend of one of my authors, and we have since been in touch, which was lovely.

Did your early career, working for a national magazine in Milan, give you the exposure to the industry that you needed to realise your own literary ambitions and projects?

Not directly, to be honest. I came back from Italy with six years’ solid work experience but at that time, in the 1990s, I think people were expected to follow a much more rigid career path than they are nowadays. I had never worked in the UK, and although I wanted to get into publishing, I found I was over-qualified for some jobs, but didn’t have the relevant experience in this country for others. I ended up taking what was for me the obvious easy route – becoming a freelance translator. It was something I had enjoyed doing in Italy, but literary translation work in the UK was hard to come by, so I went into translating for businesses. It wasn’t really what I wanted to do, but I suppose I was lucky I had it to fall back on. The upside was that being freelance meant I had the flexibility to work on developing my own projects as well. It took many years of working seven days a week, doing lots of projects for free, financing some myself, and numerous false starts before I was finally able to give up the day job. Now I do work in publishing again, with my own imprint, and in the end I was the one who gave me a job!

That has to be one of the main benefits of being self-employed.

Hardacre by CL SkeltonIn 2006 you founded www.shortstoryradio.com. How passionate are you about broadening the market for short story writers?

Very. Short Story Radio was one of those projects I developed in my own time, and initially at my own expense. I often read comments online and in print from creative people who say they refuse ever to work for free, but I don’t completely subscribe to that view. Even if you are passionate about your craft and believe in yourself, in the early days of your career sometimes the only way to get noticed is by creating your own opportunities. Through working on Short Story Radio I learned that there was an appetite for short stories in English not only in this country, but around the world. I met many talented writers and actors, some of whom are now good friends, and realised how difficult it was for short story writers to find paying outlets for their work. After a while I applied for a grant from Arts Council England. My application was successful and that support from ACE financed work for a lot of writers, actors and technicians, and raised the profile of Short Story Radio and its content. It was also a very important morale boost for me, and the start of building up an audio production business which led to many interesting commissions over a number of years. For most of the Short Story Radio writers it was their first experience of being broadcast, and a number have gone on to have successful writing careers.

Do you see a growing trend for shorter fiction evolving both through audio (The Story Player) and eBooks?

I do. However, I think enthusiasm for the short story among readers hasn’t yet caught up with the form’s popularity among writers. It’s often said that the short story is perfect for today’s busy, time-poor lives, but hearing that always makes me cringe. Good writing should be savoured no matter what the length, not because it is “convenient”. I don’t like the idea of a short story being considered the literary equivalent of “wash and go”. That said, I’m sure that new technologies will present all sorts of opportunities for creating, selling and experiencing short stories. We’re only just at the beginning.

Do You Take This Man by Sophie King coverYour connection with short fiction was further strengthened when you founded National Short Story Week in 2010, which has best-selling author Katie Fforde as its patron. What would you say is the essence of a good short story?

That’s a tough question! I suppose it depends on the opinion of the individual reader and their tastes. Personally, I enjoy stories which manage to say something about the human condition, and which I can relate to even if my life is nothing like those of the protagonists. I think that’s why the stories of authors such as Saki and Katherine Mansfield, mostly written more than 100 years ago, are still fresh and relevant today. Their themes are timeless and universal.

If I could just say something about National Short Story Week. One of the best outcomes, which wasn’t actually an original aim, has been the enthusiasm and involvement of schools and their pupils, librarians and teachers. The National Short Story Week Young Writer competition, for year 7 and 8 pupils, is now in its fourth year and going from strength to strength. I can highly recommend the anthology of last year’s winning stories – The Mistake. It reached Number 51 on Amazon’s book charts last November, and has raised funds for Teenage Cancer Trust. The children’s creativity, imagination and use of language are very impressive. If we are serious about championing the short story form, surely the best way to do this is to get people interested in writing and reading short stories from an early age.

The Property of a Gentleman cover artworkThat is excellent and inspiring for the future.

In 2012 you created your own publishing imprint Corazon Books (I love the tag line: Great stories with heart!). It was launched with a novel by bestselling author Sophie King. However, you have just published an out of print title The Property of a Gentleman by Catherine Gaskin who died in 2009. What inspired you about Catherine’s work and do you intend to publish more of her titles?

I was very lucky to launch my business with a title by Sophie King, who is a great writer (and whose work inspired the Corazon tag line!) and a lovely person. I have been familiar with Catherine Gaskin’s work since I was young, when my mother and grandmothers were reading her novels. Although I knew and loved the books, I didn’t know much about the author before I published The Property of a Gentleman. I have since done some research on her life, and was fascinated to discover she wrote her first book, which became a bestseller, while still at school! I have received many nice comments from readers since Corazon Books started reissuing her novels, and it has been very gratifying to see The Property of a Gentleman back in the bestsellers charts both in the UK and Australia. Corazon Books has also recently published Sara Dane, which is probably Catherine Gaskin’s best known work. The Lynmara Legacy is out in February 2015, and will be followed by Promises in the spring.

I heard you speak at three events last year: Society of Author’s day event in Bristol, R.N.A. conference and at the H.N.S workshop. You inspire, entertain and inform people especially about eBooks. How do you view the major changes happening within this very new industry today impacting upon what for decades has been a very set publishing industry in the future?

Thank you, that’s very nice of you to say so. I really enjoy talking at conferences and giving workshops. When so much of the average working day can be spent in front of a pc screen, it’s a good opportunity to get out there and meet like-minded people, and to share ideas and experiences. Obviously we are living through a period of huge technological change, in many aspects of our lives. The publishing industry is clearly going through a major transformation and as such there will be winners and losers. I think it’s too early to say who will be the winners and who the losers. You have to be able and willing to reappraise and adapt quickly.

What is next for Ian?

I’m very excited about the books lined up for publication by Corazon Books this year, which include a number of novels by new talents and other projects I can’t talk about just yet. Plans for National Short Story Week 2015 and the Young Writer competition are already under way. I’m looking forward to doing more ebook workshops for the Society of Authors in March, and at Sheffield Hallam University in April. I also have a long list of ideas I want to pursue, which are currently at different stages of development!

Thank you for taking the time to share your work and experience with us and every best wish for your continued success with all your projects in 2015.

Thank you very much for having me on your blog Valerie, I’ve enjoyed it. Best wishes to you, and for your writing, and to all of your readers too.

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