Laura’s Legacy – New from Endeavour Press!

Laura's Legacy

Laura’s story begins fifteen years after the fire that nearly destroyed Ebton in To Love Honour and Obey.
1820 Ebton, England.

Laura Pennington’s parents think it is time for her to marry, but they are concerned. She likes to take long walks by herself, and doesn’t quite fit in. Laura’s father, Obadiah, thinks local mill owner Daniel Tranton is the perfect husband for Laura, so he suggests marriage to Daniel while working on a business deal.

Daniel is not keen, but does not want to lose Pennington’s business. He is not sure what to do, as he has his hands full with disgruntled mill workers. Daniel has always treated his workers well, but that is the exception, not the rule.

A new problem arises, when Jeb, a young boy who works for Daniel’s cousin Roderick, runs away from the mill where he works. Daniel, not wanting to see him captured and beaten by the local louts who enforce the law, tries to track him down. He finds Laura hiding Jeb, who she stumbled upon while out on one of her walks.

Roderick has his henchman Mr Bullman hunting for Jeb as Laura hides him at her father’s boat house.
Checking on him one morning, Laura sees the boat is gone, but it’s seeing her father stepping out from the hotel he owns that shocks her the most.

For all his efforts to make Laura a lady, it seems Mr. Pennington is not a gentleman.
With the hint of revolution in the air, will Daniel and Laura find a love worth fighting for?
Laura’s Legacy is a historical tale of romance and family strife in a past world.

Laura’s Legacy is availble on Amazon Kindle

An Interview with Ben Adams

I am delighted to have author Ben Adams as my guest this month. Ben’s critically acclaimed novels Six Months to Get a Life and Six Lies chart two men’s journeys as they strive to make sense of their respective midlife crises.
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Welcome, Ben,

Please share with us how and when you discovered the joy of writing fiction!

I can’t remember a time when I didn’t enjoy making up a story. My dad is blind. Instead of reading books to me, he used to captivate me at bedtime, making up stories that would transfix me and keep me awake for hours. I caught the bug and used to invent equally inventive stories involving the most hideous of monsters. As I got older, my fiction expanded to include ingenious excuses for not having done my homework. Roald Dahl expanded my imagination still further as did Douglas Adams and Sue Townsend. But ultimately, I blame my dad.

When and how did you make the break from unpublished to published author?

I always wanted to write a novel. In my 20s I dabbled with crime fiction but too many hours spent staring at blank pages and a lack of life experiences meant that I couldn’t make my stories sing.

In my 30s I mostly wrote boring work-related web content and the occasional acerbic complaint letter to the authorities or to the dog over the road – it defecated on my drive.

And then my 40s came along. Sometimes it takes a life event to set you off on the right track. Six Months to Get a Life, my first novel, was ultimately triggered by my own family upheaval. It’s a story about a man overcoming a divorce and doing his best to build a new life for himself and his children. Having been through the pain myself, I felt able to give my characters some real depth. It was the first time I had felt truly able to write something believable, something memorable.

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And luckily, I found a publisher who believed in the characters as much as I did.

How would you describe Graham Hope, your protagonist in Six Months to Get a Life?

Graham, like a lot of the characters I invent, is a fairly unremarkable fellow. At heart he is a good guy but like most people going through a divorce, he can occasionally be a bit maudlin. And even bitter. He’s someone who generally knows what the right thing to do is, even if he doesn’t always do it. He’s concerned about his relationship with his children. He’s also concerned about his relationships with women. Or rather his lack of relationships with women.

It isn’t easy to take a difficult subject and inject humour and hope into the story successfully. How did you balance the harsh realities of life against the sense of renewal and wit?

The simple truth is that no one would have enjoyed Six Months to Get a Life if Graham hadn’t been able to laugh at himself. If a story about coping with divorce, learning to live separately from your children or arguing over maintenance payments didn’t contain a few comedic release points, the reader would more than likely be contemplating suicide by the end of chapter 3.

The same goes for my second novel, Six Lies. Dave Fazackerley, the protagonist in Six Lies, discovers after she has died that his mother wasn’t his mother after all. And to make matters worse, he was already reeling from his wife’s decision to run off with a librarian. About the only thing Dave actually managed to cling on to was his sense of humour…

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Writing a novel is a major achievement for anyone, but how hard have you found getting to grips with marketing and using social media to build up your author platform – or are you a natural?

I am probably your typical author. Inventing stories is my passion. I love talking to people about mine and their stories too. But trying to understand the difference between a Facebook page and a Facebook profile, uploading content to a website, getting my head around boring twitter protocols and ridiculous book marketing websites is, quite frankly, the bane of my life.

I do understand the need to establish a good author platform though. Twitter indirectly led to me being invited on to the BBC Breakfast sofa. It also led to you and I connecting. These days, few authors will be successful without a bit of investment in their author platform.

What tips would you give to anyone, of any age, who is determined to become a published writer?

Firstly, you need to write exceptionally well. The best way to do that is to write, write and write some more. The more you write, the better you will become. Oh, and read a lot too. Learn from writers within your chosen genre, but don’t copy them.

Secondly, you need to build your emotional resilience. Believe in your own talent. Don’t let a little self-doubt put you off. Imagine if JK Rowling had thought, ‘Oh, this is crap,’ when she was giving Harry his lightening bolt scar and gone off and got a proper job.

Thirdly, see the previous question and take a deep breath…

What is next for Ben?

I have written my third novel in draft form. Provisionally entitled ‘Trouble in the Staffroom’, it is a school-based drama-come-romp. I am really proud of the draft as it currently stands and am loving the feedback I am receiving from beta readers. Hopefully, Trouble in the Staffroom will be published in September to coincide with the start of a new school year.

I am really enjoying reading Six Months to Get a Life and wish you every continued success.

@benadamsauthor

Ben Adams on Facebook

Ben’s Website

A Stolen Heart – Download it for Free!

A special promotion for my readers!

If you love the adventure with mystery combined then download A Stolen Heart from Amazon today.

stolen_heart
Miss Ruth Grainger’s coach jolts to an abrupt halt when it is stopped by a highwayman.

Fearing for her life she is surprised when this highwayman seeks only to retrieve papers carried by a fellow traveller, her guardian, Mr Robert Grentham’s business associate, Mr Archibald Upton.

Ruth abhors thievery, but she is even more disgusted by the cowardice of the man, Upton, as he uses her as a shield.

Released unharmed, she is haunted by the dark blue eyes of the stranger.

What is his connection to Upton? And what is in the papers he was so intent on stealing?

Ruth returns to Grentham’s home, and along with his silly, young wife Eliza, prepares for an upcoming ball.

Little does she know that Grentham is orchestrating events so that the despicable Upton will become her husband.

As Ruth starts to suspect the truth, another stranger steps into her life, and once more she is bewitched by a pair of blue eyes …

Headstrong and independent Ruth is determined to marry for love, and on her own terms.

But everyone around her has other ideas …

Will Ruth be forced into a match she doesn’t desire?

Or will she end up with the man who has stolen her heart …?

A Stolen Heart is a charming regency romance about mistaken identities, and following your heart’s true path.

Promotion ends Sunday!

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New book launch!

To Love, Honour and Obey

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To Love Honour And Obey

1805

Six years ago, Willoughby Rossington’s father was murdered while searching for the kingpin of a smuggling and spy ring. Taken under the wing of his uncle, who is running a counter-intelligence operation against Napoleon’s spies, Willoughby is assigned to take up his father’s last mission—and, hopefully, in the process find who killed his father and bring them to justice.

He encounters a young woman, Beth, who works at the local inn. Her spark and resilience against her master’s attempts to break her will strike a chord in him and he, albeit reluctantly, takes her with him when he leaves town.

As they begin to talk, he finds out that her master is more involved in the ring that could have been thought. She overheard things and knows things about the seedy side of villages that could be helpful to him and his mission.

Though Beth hasn’t had the opportunity for education, she’s smart and quite cunning while still maintaining a child-like wonder. Even as Willoughby makes plans to set her up with a family in order to protect her from the perils of his mission, he finds himself a bit melancholy at the thought of losing her company.

Beth is having none of it. She knows she can be of help to Willoughby and isn’t going to be left behind now that she’s found someone nice. Part on purpose, partly because of fate, their two lives become intertwined as they race against the villains that plot to destroy them both.

Will they uncover the truth behind the smuggling ring and find who is responsible for Willoughby’s father’s death?

 

Majestic Moors

The North Yorkshire Moors are beautiful at this time of year. The heather is just coming into flower as a carpet of purple spread across the land. Bird lovers can see or hear red grouse, curlew and golden plover.

Meanwhile hikers and dog walkers can enjoy the open expanses as they follow the old paths trodden by the monks of old. However, as sheep roam freely over these vast areas of rare moorland, they must be kept on their leads so that both can live in harmony and mutual respect of farmer and walker.

I refer to Monks’ Trods in many of my stories such as To Love, Honour and ObeyBetrayal of Innocence. After the Norman Conquest the growth of monasteries meant that pathways across country were created to transport goods freely and to keep the monasteries and abbeys in touch. The region has many well preserved ruins: Rievaulx, Fountains, Whitby Abbeys as well as Guisborough and Mount Grace Priory to name a few. These pathways could also be used to take fish directly inland across moor to the dales, which made them excellent routes to be used by locals for the distribution of contraband in the heyday of smuggling in the late eighteenth and early nineteenth century.

Many have since become overgrown. But these flagstone paths still exist in some places. The Quaker’s Causeway, where my photos were taken, runs from Guisborough (the setting of my fictitious market town of Gorebeck) to Commondale. Part of these medieval trods can still be used in this wild and beautiful landscape.

Rhubarb!

Rhubarb is a very versatile vegetable, which is often used in desserts. It has a very strong acidic taste and cannot be eaten raw, but when steamed or boiled with sugar to taste it can provide the basis for a lovely crumble, pie or mousse.

This versatile plant was always a feature in my father’s garden when I was a child. Like blackberries and gooseberries, rhubarb grows easily in Yorkshire soil. The leaf is poisonous because of oxalic acid and should never be eaten. However, the root was highly prized and of higher value to the Chinese as a medicine for curing intestinal and liver problems than other well known spices and opiates. In 1777, an apothecary in Banbury, Oxfordshire produced roots at home to develop as a drug for many other ailments. This led to the discovery of how to force an early crop.

We now have what is known as ‘The Rhubarb Triangle’ around Leeds that supplied London’s Spitalfields and Covent Garden markets in the nineteenth century. Forced rhubarb is paler than the later crop, which is sweeter as it is grown outdoors.


When I want some I select the mature stalks that are ready to break off at the base of the plant. I then cut off the leaves and the base of the stalks, wash and cut into inch long chunks ready for the pan. I crush root ginger into the mix with sugar to taste. This is all that is needed to cook the rhubarb through. Always cover and simmer gently on a low heat for about 10 minutes until the lumps still hold their shape, but are soft to the fork.

Rhubarb crumble or pie is delicious, but if you want a lighter alternative, then a sprinkling of organic muesli on top, served with custard, Greek yoghurt or light cream goes down a treat.

 

More recipes:

http://www.bbc.co.uk/food/rhubarb

An Interview with Margaret James and Cathie Hartigan

I am delighted to welcome two successful writers and tutors of creative writing to my blog this month, Margaret James and Cathie Hartigan.

Margaret has been a shining light to me and many unpublished authors as she was the New Writers’ Scheme Organiser for the Romantic Novelists’ Association when I first became published. Cathie is a prolific writer, lecturer and founder of CreativeWritingMatters.

Welcome!

Hello, Valerie –thank you for inviting us to chat with you! It’s lovely to be here.

You are both successful writers so my first question must be where did your own writing journeys begin?

Margaret: I started writing short stories while my children were still babies and eventually I began selling them to women’s magazines.

Cathie: I was a hobby writer until about ten years ago, but after a foundation course with the Open College of Arts, I began having success in short story competitions. Since then I have taken my hobby much more seriously.

CreativeWritingMatters is the inspirational name of the business you founded along with Sophie Duffy. I love the logo. Could you tell us about CreativeWritingMatters and how it came into being?

Cathie: CreativeWritingMatters came into being when I left teaching in mainstream education. The flexibility of being freelance meant we could offer workshops and short courses on all aspects of writing. The competitions came later following the success of a flash competition that we ran for our students.

The name came about because of a conversation I had, during which I became rather too vehement about the importance of creative writing. ‘Creative writing matters,’ I heard myself shriek. Our logo features Sophie’s cat, Henry, the star of her story in our Cat Walks ebook. He’s perky and forward-looking, just like the three of us!

You have jointly written an excellent handbook and a workbook on aspects of creative writing so obviously have a great working relationship, but how do you set about working on a non-fiction joint project as opposed to your independent fiction?

Margaret: I first met Cathie when she joined my local writing group, Exeter Writers. I loved her short stories and she was kind enough to say she liked my own writing, too. We collaborated on producing an anthology of members’ work and found we got on very well. We both teach creative writing (Cathie teaches face-to-face while I teach online) and, after we’d finished editing and producing the anthology, we decided to write a guidebook for our students.

When we wrote The Creative Writing Student’s Handbook, we wrote alternate chapters and then we swapped files and edited these chapters. It all seemed to work well! But when we wrote The Short Story Writer’s Workbook, Cathie wrote the whole of the first draft and then I did a heavy edit, making the second draft twice as long as the first. This approach worked very well, too. We find our non-fiction writing styles are very similar. A few months down the line, we often can’t remember who wrote what.

Will there be more in this series?

We enjoy working together so we intend to produce a handbook for novelists and we have other projects in the pipeline, too. We hope to produce some more anthologies featuring either our own work or that of other people.

You are both very experienced tutors so I would like to ask:-

Margaret, what three tips would you give to an aspiring unpublished novel writer?

  1. Plan your story and know roughly how you want it to end. But don’t be too rigid in your planning. Be prepared for the story to change and grow while you write.
  2. Your reader should want to spend time with your characters. So don’t write about people you don’t actually like or don’t find very interesting yourself. Your characters ought to be your friends.
  3. A novel is a big project. So whenever you get tired or disenchanted – which you almost certainly will – take some time out to reflect and to think about how and where you want this story to go.

Cathie, what three tips would you give to an aspiring unpublished writer of short stories?

  1. Use vivid and specific details that tell a lot, rather than generalisations. If a character puts up an umbrella, we don’t need to be told it’s raining.
  2. How much time you have to set up your story depends on the number of words that have been stipulated by the competition or magazine. Your story needs to develop and reach its resolution without a sudden rush at the end. Once finished, check the balance of set up, development and resolution, then be prepared to cut ruthlessly at the beginning.
  3. Use dialogue and gesture to reveal character rather than word-hungry narrative.

The Exeter Novel Prize is going from strength to strength, what inspired this, and how do you see it evolving?

Margaret: The Exeter Novel Prize came into being because it filled a gap in the world of novel-writing competitions. It’s open to previously published and also self-published novelists. There is more information here: http://www.creativewritingmatters.co.uk/2015-exeter-novel-prize.html

Will there be a CreativeWritingMatters short story competition in 2016? If so, what advice would you give to entrants?

CreativeWritingMatters runs lots of competitions for both short and longer fiction, so here is some general advice.

  • Read the rules.
  • Abide by the rules.
  • Start your story as something interesting happens.
  • Round off your story with a satisfying ending.
Read Making the Grade by Cathie Hartigan
Read Cathie Hartigan’s story, Making the Grade!

What is next for Cathie and Margaret, jointly or independently?

Margaret: I’m about to start the second draft of a novel and to plan a new non-fiction project that has nothing to do with writing.

Cathie: My debut novel, Secret of the Song will be out later this year and there will also be another collection of stories by the three of us at CreativeWritingMatters. Right now, the characters in my next novel are twitching for me to get on with it.

Thank you for taking the time to share your experience and advice with my readers.

Thank you for inviting us! It’s been great to talk to you.

The Baker’s Apprentice

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US Readers: iTunes / Nook / Kobo

UK Readers: iTunes / Nook / Kobo

Molly Mason dreams of escaping from the control of Mrs Cresswell, her step-mother, by becoming an apprentice to her friend who owns the local bakery. This ill thought-out plan is stopped when Juniper Cresswell’s fiancé, war hero Lt. Cherry, returns accompanied with a soldier who had been presumed dead. The soldier brings with him suspicions of murder, mystery and the key to Molly’s heart.

An Interview with Rosemary Kind

I am delighted to welcome author Rosemary Kind, who is the founder of Alfie Dog, a publisher of short fiction based in the beautiful county of North Yorkshire.

Welcome, Rosemary.

What was the deciding factor that motivated you to switch from a successful business career to becoming a full time author?

My husband had the opportunity to move to work in Belgium and I said ‘Why not?’ Because we were going back and forth every fortnight to see my stepchildren an ordinary career wasn’t going to work, so as I’d proved everything to myself that I needed to in a traditional working environment it was the perfect time to follow my heart. I’ve always written, but in my spare time. I knew I’d regret it if I never found out if I could do more.

Please tell us about your published work and what inspires you?

I write in a number of genres. Inspiration can come from the strangest places. My first published book (leaving aside ‘Negotiation Skills for Lawyers’ which was commissioned), was a humorous guide to travelling on the London Underground ‘Lovers Take Up Less Space’. I wrote most of the ideas as therapy when I was working in London. ‘Alfie’s Diary’ started as a daily blog in January 2006 when our first dog moved in. I’d been in Belgium for a couple of months and was writing mainly non-fiction, business articles, company newsletters etc. I wanted to write fiction, but it felt like a big step. Writing Alfie’s view of the world was a way to make myself write something every day. I originally intended to write it for a year of two, but nine years on it’s still growing and has spun off into several other projects, not least because he set up his own political party The Pet Dogs Democratic Party.

Inspiration for my novels is more interesting. ‘The Appearance of Truth’ came out of a writing group project to write 300 words on ‘verisimilitude’. Once I’d looked it up in the dictionary I started mulling it over. I was researching my own family tree and had ordered a birth certificate. It occurred to me that it would be quite possible to pass a birth certificate off as belonging to someone that it really didn’t relate to and it all went from there. Lisa was given the birth certificate of a baby who died at 4 months old and the story is her search for who she really is and why it happened. ‘Alfie’s Woods’ came from our woodland walks. We’d just rescued a hedgehog, who was stuck in a fence, when a helicopter passed overhead. The rest of the walk was spent thinking ‘What if they were looking for the hedgehog? What if he had escaped from the woodland prison?’ ‘The Lifetracer’ was inspired by seeing an electronic countdown clock in a catalogue and finding myself thinking ‘What if it could be programmed with Time to Death and used to send a death threat?’ I have more ideas than I have time to write them.

What appeals to you most about Entelbucher Mountain Dogs and Alfie in particular?

I fell in love with the breed long before there were any in the UK. They are incredibly loyal affectionate dogs who are great with children and like nothing more than to be close to you. I also adored the way they look, not only their colouring but the fact they are such happy smiley dogs. Alfie is my pride and joy. He is a gentle giant who is everything I had ever dreamed of in a dog. We are incredibly close.

When did the inspiration for an online digital site for short fiction first occur to you?

Not only do I write short fiction as well as books, but I have many friends who are widely published in that field. The more I talked to other writers the more frustrated I felt that there were so few outlets for short stories and for earning an income from secondary rights. It was January 2012 when I wrote the business plan. I launched to authors in February and to readers in May. I was overwhelmed by the response and we had more than 100 stories by the launch and have rapidly built a library of 1700 stories. I also wanted to set up a site that gave as much back to authors as possible. The culture is very much to give support to the writing community where we can. I was amazed by how word of mouth spread the message across the globe and we very soon had writers from more than 25 countries, all writing in English.

stp version smallWhat can a reader expect to find on www.alfiedog.com?

We carry good quality stories in a wide range of genres. All submissions are reviewed and where necessary edited and only the best are accepted for publication. We want our readers to come away having had a really good read and be looking forward to coming back for more. We carry work by over 400 authors, so there really is something to suit everyone’s taste. Many of our authors are widely published, but we enjoy introducing high quality work from new writers too. Unlike most sites, we carry the stories in a range of formats to suit all types of ereader or to print. We also publish a range of books in both electronic and paper formats. They are mainly short story collections, but we do carry some novels as well.

Of course for writers, our International Short Story Competition may also be of interest. The closing date is the end of September so there is plenty of time to take part. First prize is £200 and book publication.


How do you see www.alfiedog.com developing in future?
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The site is already one of the biggest short story publishers in the world, but hopefully it will be the site on everyone’s list when they talk about short stories. I want it to be ‘THE’ place that people go to when they are looking for quality short fiction.

What is next for Rosemary?

I’m writing another novel at the moment. This one was inspired by a chance comment in a meeting. Someone made reference to the ‘Orphan Train’ movement in America in the late 1800s and I had to go and find out more. As soon as I did, I was hooked on a story idea and the lives of three Irish immigrant orphans, fighting for survival, was born. It is my first full historical fiction writing and the research has been fascinating. It even made me get on a plane for the first time in over seven years, but that’s another story!

More from Rosemary

Crime and Punishment 3: Man-traps

Before moving on from Ripon I would like to mention one exhibit in the Prison & Police Museum that brought home to me the cruelty of the era that my historical stories are set. I found a man-trap displayed on the wall. I have mentioned them in my work, but it is only when you see the ugly things close up that you realise how being caught in such a sprung trap could maim and kill, in what was a slow and excruciatingly painful way.

They were hidden in undergrowth to catch or deter poachers or trespassers. They had a spring mechanism that meant the metal jaws (many had teeth – serrated edges to really lame the culprit). However, the sentences for poachers were also severe and included hanging or transportation. Although they were a fact of life in the early nineteenth century, and had been for some time, fortunately they were banned from England C.1830. Nonetheless some must have stumbled upon them by chance and others by necessity of crossing private land…

Extract from Phoebe’s Challenge

Phoebe's Challenge KEC Thomas closed his eyes fleetingly. “Yes, we will,” he spoke the words after a few moments of silence.

“We’ll what, Didy?”

“Find Levi; he didn’t disclose us – we should help him too.”

His hand, still holding the bottle, dropped down, but his senses awoke as the clang of an iron mantrap snapped viciously shut next to him. His face paled as he looked down horrified at the sight of meshed metal teeth that greeted him. Phoebe had screamed as the great jagged jaws of the mantrap had snapped shut as Thomas lowered his arm, triggering the edge of mechanism, but fortunately his limb had not fallen within its evil grip; instead the bottle was smashed.

Extract from Hannah of Harpham Hall

HannahShe was gamely running along a path ignoring Betsy’s pleas for her to come back to her, when an arm reached out and grabbed her by the shoulder, pulling her backwards. She landed in a pool of mud and foliage.

“How dare you…you great bully!” Hannah shouted out in indignation at the figure who stood openly laughing at her dishevelled state, whilst boldly standing in front of her. Her ribbon had come loose and her hair started to fall down onto her shoulders. Her anger rose and she was about to vent her opinion at the lad, who must have only been a few years her senior, but he spoke to her first.

“You stupid little spoilt brat! Look what you nearly ran into!” He threw a stick at the ground in front of where she had been heading and, instantly, the metal jaws of a man-trap snapped shut, tearing it in two.

Hannah’s mouth dropped open. She wanted to cry out, but was too scared and confused. Betsy ran up behind her, panting heavily. She slapped the girl hard on her shoulder. Hannah fought hard to hold back her tears. This was not the kind of adventure she had envisaged. The lad looked nervously around him as her father’s voice bellowed to them through the woods, “What is the meaning of this?”

Featured image / RN

Pheobe’s Challenge and Hannah of Harpham Hall are also available to buy on Smashwords!