An interview with Linda Mitchelmore

LINDA WRITING ROOMI am delighted to welcome prolific short story writer and successful Choc Lit author, Linda Mitchelmore.

When did you first realise that you wanted to be an author?  
I did things rather back to front. I didn’t consciously start out to be a writer. One Christmas – back in the day – there was a short story writing competition in Woman’s Own. On Christmas Day evening, my family were all glued to the TV – something I don’t get a huge lot of pleasure from as I am deaf. So I thought I’d have a go at the short story competition for something to do. To my utter amazement my short story was short-listed  and published. And I was paid for it. The old cash registers behind my eyes started to ring and I thought, hey, I could make money from all the ‘stuff’ that goes around in my mind…

Your stories have sold internationally. How many have you had published to date? 
I’ve lost count of the exact number of short stories I’ve had published but it is definitely 300+ now. I’ve also had a story broadcast on radio – the irony of that not lost on me.

Writing short stories and longer fiction involve two very different disciplines. What attracted you to short fiction initially, and how much of a challenge was it making the switch to longer fiction? 
Short fiction is just that – short. 750 word stories are quite popular with some magazine editors. I tend to write 1000 word or 2000 word stories as they’re the lengths that tend to fit into most magazine slots. When working on a short story I don’t have to think too much about viewpoints – I only ever write one character’s viewpoint into a short story. I don’t have to have sub-plots, and foreshadowing is something that – depending on the story – doesn’t raise its head much. So they are much quicker to write. When I first started writing I had two teenage children at home, a husband (still got him!) and a part-time job as well as ageing parents and parents-in-law to be doing things for. Short story writing was easier to fit in around all that. Writing longer fiction – 80,000 words or so – seemed a natural progression for me once I had more time to write it. The same premise of ‘person, problem and plot’, with a ‘beginning, middle and an end’, is the same for short stories and novels. The only difference is the time it takes to tell the story.

Your novel, the first of a trilogy, ‘To Turn Full Circle’ is set in your beautiful home county of Devon. Please tell us something about the inspiration behind it? 
The seeds of To Turn Full Circle were sown when I was helping my husband research some family history. We discovered that his great uncle, George, had fished out of Brixham. George had had two trawlers. One of them was lost to the sea in a storm (although with no loss of life) and George had a bad accident on board the other one which meant he had to come off the sea and lost his livelihood. He had to move his wife and daughter back in with his mother. I had a ‘What If’ moment! What if it wasn’t a man who had lost his home because of circumstances, but a young girl? And ‘What If’ the sea still controlled her struggle to survive? And so, To Turn Full Circle was born.
When you begin a new project does your initial idea start with a character, situation, place or theme or does it vary? 
For me a story always starts with an emotion or a feeling – something deep inside my main character. In To Turn Full Circle’s story it was Emma’s determination to survive which drives the story.

You have two more novels to write to complete this trilogy. What do you see as the next challenge for Linda Mitchelmore? 
Writing the next two books is keeping me busy at the moment. I do, however, have a contemporary novel under consideration – the heroine is older than Emma. The feeling driving this story – tentatively called Red is for Rubies – is regret. Most of us have them and in Red is for Rubies, my hero and heroine have lived – apart – with their own regrets for a long time. Will they get a chance to redeem themselves?

Also, I have now signed a contract with Choc Lit for a novella – Hope For Hannah. It will be an e-book initially and out in the close future.

My thanks for a very insightful interview, Linda.

More by Linda:

CHOC LIT LOVE MATCH Layout 1

An interview with Valerie-Anne Baglietto

AuthorCentral

Thank you for being my guest this month.

When/how did you realise that you wanted to be a writer?

I was four when I ‘wrote’ and illustrated my first book, and my granddad stapled it together for me. I think I knew back then it was something I wanted to do. I quickly got bored of the books school tried to foist on me, with barely any plots, and my parents introduced me to Enid Blyton and the Famous Five. When I realised the worlds that books could introduce me to, I was hooked! I instantly wanted to reproduce some of that magic for myself.

You were born in Gibraltar. Do you think this has influenced your work?

I am currently working on a short story for Belinda Jones’s ‘Sunlounger’ anthology, coming out this summer. My contribution is set in Gibraltar, but this is the first time I have used it in a story this way. My great-grandfather and grandfather were writers, though, so I suppose the writing gene is in my blood.

Your stories mix reality, romance and fantasy, such as ‘Once Upon A Winter’. ‘The Moon on a Stick’ is another eye-catching title. Where does your inspiration for the titles come from? Do you begin with the plot, character or title first?

This really varies from book to book. Each one has been different. My first four novels, published by Hodder, were rom-coms, including ‘The Moon on a Stick’. Now that I’ve added a magical, fairytale element to my work, I suppose my titles will need to reflect that. ‘Once Upon A Winter’ had an altogether different title while I was actually writing it, but when I finally tested it out everyone hated it! So I started playing around with ‘Once Upon…’ until I hit the right note. When it comes to ideas for the books themselves, sometimes it stems from a fragment of a plot, or a character. I have no set rules I work by. I usually let ideas ‘slow-cook’ before I start putting them down on paper, but with ‘Once Upon A Winter’ it was more of a quick blast in the microwave before I sat down to write the first chapter.

Could you tell me something about the Novelistas?

I could go on all day about the Novelistas! The group has evolved over time, but it was started by Trisha Ashley over ten years ago. I was one of the early members, along with best-selling saga author Anne Bennett. I hadn’t long moved to North Wales from Essex, so it was wonderful to find a group like this so quickly. We became the ‘Novelistas’ about two years ago. I was inspired by the term ‘fashionista’. And the Spanish for ‘novelist’ is ‘novelista’… you can see where I’m going with this. There are a dozen of us at the moment and we meet once a month near St Asaph, coming from as far as Anglesey in one direction and Manchester in the other. We’re also very varied in what we write, and all at different stages in our careers. We’re good friends as well as writing buddies and we inspire and support one another, and we always seem to have something to celebrate, so lots of champagne corks get popped at our lunches – and launches!

What key advice/tips would you give aspiring writers?

OK, my favourite pieces of advice are: firstly, you can never please everyone, so above all please yourself and write something you feel passionately about. It will show if you don’t. Criticism is hard to hear, but it is inevitable because any sort of creative work is subjective. If you can truly connect with just one person through your writing, though, everyone else who may also come to love it is a bonus.

Secondly, don’t rush it. Write with your heart, finish it, put it away for as long as you can. A month or more, if possible. Come back to it and use your head this time. This is the only way you can really discover your inner editor and see your work through fresh eyes. Sending it out too prematurely can be the difference between rejection and acceptance, so why risk it? Similarly, publishing it yourself before it’s ready can be the difference between the best-seller charts and obscurity. Don’t hit that ‘publish now’ button too soon!

What is next for Valerie-Anne?

As well as the short story for the ‘Sunlounger’ anthology, I am working on a novella which will be out spring/summer this year. Just like ‘Once Upon A Winter’ it has a contemporary fairytale theme and is set in North Wales. I’m constantly inspired by my surroundings, and feel very lucky to live in such a beautiful part of the world. There is also another full-length novel simmering away, but this won’t be out until 2014.

Thank you for taking the time to write such interesting and inspiring answers.

More by Valerie-Anne Baglietto:

Once Upon A Winter is currently at a Valentine’s special promotional price!

Once Upon A Winter

The World of Valerie Holmes

“…dread of wandering mariner, where often, alas, the proud vessel hath floundered against thy iron ribs, or perished on they cruel rocks!” –W Braithwaite in his “Rural Reminiscences”.

Love is a timeless essential of life. Throughout history, love in all its forms is a constant: be it passionate, caring, needy, manipulative, possessive or one that is strong enough to cross barriers of culture or faith. When two souls meet in a situation which takes them out of their normal social strata or into a shared danger, a relationship forms as the adventure unfolds.

The historical romances are based in the early nineteenth century, set against dramatic social change at a time of war with France. Smuggling, espionage, press-gangs all add to the drama that the hero and heroine can face.

Created to be entertaining reads that pass away a few hours lost to the thrill of an adventure, the core of my work is based around the same area of North Yorkshire. My world features the rugged headland of Stangcliff, the old inn sheltered in the bay of Ebton below and Gorebeck, the fictitious market town on the edge of the moors, marking a major crossroads for travellers to Newcastle, Harrogate, Whitby, and York.

Dead to Sin (A Penn Mystery Book 1)

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The first Penn Mystery: When duty alone is not enough…

1812 North Yorkshire, England.

Nicholas Penn is summoned to Gorebeck Gaol to visit a man accused of the rape and murder of five wenches. Having been found holding the body of the last victim in his arms his plight seems sealed.
Nicholas is torn between a sense of duty and his feelings of hurt and disgust when being in the presence of the accused. The tables turn abruptly, and Nicholas becomes the incarcerated, duped and incensed he is sworn to find the man, Wilson, before another victim dies and honour can be restored.

Bethany’s Justice

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Early nineteenth century North Yorkshire, England.

If you cannot trust your closest friend, then who can you? One young woman is about to find out. When Bethany and Kezzie excitedly walk to a neighbouring village fair, Bethany discovers how fickle her friend is once they meet up with womaniser, local shepherd, Bill Judd. Deserted on the open moor road, Bethany’s feelings are hurt, but she is determined to continue her journey. In her anger she makes a life threatening decision, cutting through a wooded estate, she is shot at, wounded but her rescuer changes her life forever.

 

Truth, Love and Lies

Truth, Love & Lies KEC

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Florence Swan escapes before she is forced to work in a cotton mill. Naïve and ambitious, she ventures out into the world alone believing she can work her way up the hierarchy of servants within a manor house or hall.

Major Luke Stainbridge returns to his beloved estate in England after being a prisoner of Napoleon only to discover he has been replaced by an imposter.  Two lives are in chaos. Two destinies combine. Will the love of truth be enough to destroy a sinister network of lies?

The Captain’s Creek

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Early nineteenth century North Yorkshire, England.

Maggie Chase discovers an injured stranger fleeing for his life on the isolated beach near her secluded cottage in the nearby wooded gill. Her father, Captain Chase is away at sea, leaving her on her own. Trusting her instincts, she helps the man, Montgomery, to evade capture by a press gang. Little does Maggie realise that this rash act will threaten her reputation, jeopardise her own heartfelt plans to open up a village school and risk her life. Maggie soon sees that the handsome stranger is a dangerous man led by his own private ambitions for justice…

Chloe’s Friend

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Early nineteenth century North Yorkshire, England.

Chloe is hidden in the lowliest place in Hall’s service – the laundry. Here, away from prying eyes she is expected to work until her father sends word that all is safe for her to resume her more privileged life. Mr Thaddeus Poole, the estate’s groundsman, watches her. He is handsome and strong. Chloe is grateful that he has helped her when she weakened. However, Chloe does not know if he will betray her, or become her most trusted and loyal friend or more…

Abigail Moor

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Early nineteenth century North Yorkshire, England.

To avoid a forced marriage, Abigail has to escape from Beckton Manor by order of her ailing guardian Lord Hammond. With her maid, one bag and three mysterious letters, Abigail heads to York, seeking help from her father’s legal representatives. Her quest is foiled by Lord Hammond’s son who sends his man to fetch her back. A chance meeting with Captain Rusk ensures that Abigail’s world opens up to reveal more than she could ever imagine. Who should she trust – her lifelong maid or her new found friend?

Sophie’s Dream

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New South Wales, Australia C. 1830

Educated in a North Yorkshire workhouse, Sophie’s life has been disciplined and cold. Sophie’s heart is not. Her imagination fuels her spirit to be free and see the world beyond the austere workhouse walls. She is found work, but once outside the control of the institution, she uses her intelligence and daring to obtain a governess’s position in a new world. Such a position would be beyond her reach in England. The agency is a sham. Deserted on Sydney’s dockside, she thinks on her feet and attaches herself to reluctant hero, Matthias Wells. Sophie is about to make her dream come true…