Celebrate Mother’s Day with Silent Revenge: an exciting Regency adventure!

Mother’s Day is rapidly approaching, which also means that my pre-order Regency novel, Silent Revenge, is about to go live on #Kindleunlimted and #Kindle. I am so excited to announce this as it has been a labour of love completing my #FriendandFoes trilogy.

Intelligence Officer, widower, Lord Oscar Farrington, returns to his family estate with mixed emotions. This is unsettling for the powerful, charismatic, and loyal officer who likes to be in control of his own feelings. With his overseas duties finally completed, there is talk of insurgence within the country, so he is still under orders to gather intelligence on his own countrymen, another cause for inner conflict as he has fought alongside his fellow soldiers and has some sympathy for the plight of the returnees.

Sworn never to remarry, he is devoted to his young, adopted daughter, Jessica, who he rescued with her mother in Betrayal. But Lord Farrington of all people should know ‘never to say never’, especially when Miss Jemima Parkes re-enters his life.

Silent Revenge keeps the reader turning the pages and is available for pre-order now!

My other news is that the large print edition of The Baronet’s Prize is available for order directly form the publishers Ulverscroft or via Commonwealth libraries. The original short novel is also available on Kindle.

All my novels are set in the beautiful country of North Yorkshire, England. Littered amongst the actual places of Whitby, York, Harrogate and Northallerton are my fictitious market towns of Gorebeck, Beckton and Dibbledale, which are loosely based on the picturesque Helmsley, Guisborough and Hutton-le-Hole. Please share your favourite places to visit within the region.

Enjoy the coming of Spring and if it triggers the desire to start a new project, write your own adventure, then please check out my manuscript appraisal page. I have over twenty-five years  of experience as a creative writing tutor and love to encourage new writers to explore this fascinating world of possibilities.

Why Choose Large Print?

New edition, available now - large print, Regency romance (2)

After having written fifty short novels for the library large print market, I am delighted to announce that Discovering Ellie is now available directly from Amazon in traditional large print paperback format.

Large print is defined as 16-to-18-point font size, in a plain font style, which is even spaced, and is primarily targeted at the visually impaired or elderly. Although the font can be changed when reading an eBook, not everyone can manage, have access to or use this technology. Therefore, it is important that those who need or prefer a traditional large print book still have the option to buy one.

The process of turning physical pages is something that many, who have read physical books over many years, find their brains relate to and appreciate. Research is ongoing into this.

Screens emit blue light, this can affect the eyes, fatigue and may, in those who are sensitive to them, trigger headaches.

Other people who may also benefit from reading large print are those who are dyslexic or ADHD. So, from young to old the physical book with clearer larger print can aid more people to have an enjoyable read.

There is also the increased focus on the novel as there is no other distraction of social media, advertisements, or the temptation to check emails etc. also available on some devices. A physical book offers a focused and immersive experience, which for certain groups is beneficial.

IMG-20240115-WA0000

After working on a computer or studying – or socialising on a device, tired eyes can also find the large print physical book a relaxing alternative. Reading large print when travelling can also be helpful, especially when being jostled around.

With the challenges facing libraries currently, not everyone can access the large print service where so many have enjoyed these valuable resources over many years. such as provided by F. A. Thorpe Publishing.

Whatever the reason for choosing or preferring a large print book, I hope you enjoy Discovering Ellie.

Choice is important, which is why Discovering Ellie will still be available in an eBook format on Kindle.

Love the Adventure

To-Love-Honour-and-Obey-267x400Fifty novellas ago, I began writing love stories each wrapped around an adventure, set against the rugged beauty of the North Riding of Yorkshire. These found their home in the Commonwealth library market and from this base a further six novels have evolved.

When To Love Honour and Obey published by Sapere Books, was reviewed by a fellow author, he described it as ‘Where Poldark meets Heathcliff’ – I was delighted.

I have always loved reading both fiction and non-fiction exploring the Regency period. I enjoy the romance whether written from the perspective of the rigid society of London’s ‘Ton’, so beautifully portrayed by Georgette Heyer and more recently Julia Quinn, or the melodrama of the darker more menacing shadows of Daphne du Maurier’s Jamaica Inn.

Basically, my tastes cross genres within the period, from Jane Austen’s and the Bronte’s classics to E.V. Thompson’s20240126_161100 Cornish sagas, or Bernard Cornwell’s action and adventure series about the rifleman who rose from the ranks, Richard Sharpe.

I have worked as a creative writing tutor for years and one piece of advice commonly given to authors starting out, is to write about what you know. That does not mean that you must know everything first – no one can, especially where murder and mayhem is involved. Without a time-travel machine, a writer today cannot depict a bygone age with total accuracy capturing the language, attitude, beliefs, habits, understanding of people centuries ago when travel and knowledge were limited.

Research is the key! Whatever the genre; romance, crime, thriller, horror, fantasy or any other preferred, the author must accrue enough knowledge beforehand to write their story and make it credible and believable to today’s readership. Jane Austen was of course writing in her own time; about the world she knew.

Research can be all encompassing when it is focussed on a topic you are enthusiastic about. In first drafts ‘info-dumps’ can creep into a manuscript, slowing the pace of the story. Which is where an editor’s skills are needed to take out the non-essential information, as the author will always know more that the reader needs to about their created ‘world’.

DSC03023When I began writing I thought about the ‘write about what you know’ advice and started exploring my home area. The North Yorkshire Moors and the bay towns from Whitby to Saltburn provided a dramatic backdrop for many of my stories.

Saltburn-by-the-Sea had its own infamous ‘King of Smugglers’ John Andrew, who in 1780 was landlord of the unique Ship Inn, which nestles to this day under the shadow of the 110m high Huntcliff. My fictitious Ebton is based on Saltburn, my Coble Inn nestles in the shadow of Stangcliffe, the headland based on Huntcliff.

 “We’re on Stangcliffe, the headland!” Joshua exclaimed, as realisation hit him harder than the force of the wind. He was inches away from a sheer drop to the sea below where sharp-edged rocks hid under each of the crashing waves…

To Love, Honour and Obey Sapere Books

To Have and To Hold
Book 3

This Jurassic coastline encompasses rugged high cliffs and sweeping flat sandy bays. The wild moor inland would have been crossed by locals along small tracks for centuries by the Regency period. The dales, areas of fertile farmland and woodland, dropped down from the moors, with ancient abbeys and small villages of stone-built cottages nestled  within – but cottage industries were being replaced as manufacturing developed in the growing towns causing population shifts, consequently impacting livelihoods, Secrets, due to the Industrial Revolution, a theme resonated in To Have and To Hold, Sapere Books.

Unrest was growing nationally, the Luddite movement triggered fear in Parliament that revolution would happen in England as it had in France. In Phoebe’s Challenge, brother and sister are hunted as machine-breakers – punishment was  anything from a fine, to hanging or transportation to Australia.

secrets front
Friends & Foes Book 2

My books are not dark, but touch on the darker side of human-nature and society, Betrayal, ultimately showing that love and justice will win the day. In real life things may not always work out that way, but in fiction – which is a form of escape from reality – in my stories at least, things do.

The world of Valerie Holmes has the tagline ‘Love the adventure’ – a sentiment that I hope my readers will share.

Beyond the book cover, plot and protagonist, which has a greater influence on your choice as a reader: the physical setting or the period in which it is set?

Please share your thoughts and preferences.

If you are interested in writing, and want to create your own fiction, but need some professional guidance or support, please contact me via my manuscript appraisal page.

I am delighted to announce that Discovering Ellie is now available in Large Print Paperback for those who cannot manage an eReader – just click here

Valerie Holmes novellas. 99p each available in

Meet Sarah Quirke!

img_4007
Sarah Quirke, Publishing Manager of F A Thorpe Publishing

I am  delighted to welcome Sarah Quirke, Publishing Manager of FA Thorpe Publishing to my blog to talk about her work and interests.

 Firstly, Sarah, welcome! Could you tell us about FA Thorpe Publishing?

F.A. Thorpe Publishing is the publishing division of Ulverscroft Large Print Books Ltd, which distributes large print and audio books worldwide. It was established by Frederick Thorpe in 1964, with the intention of reproducing popular books in larger type for those who struggled to read standard print. Initially, there was scepticism on the part of publishers about this unknown format. However, a chance encounter with Agatha Christie allowed Dr. Thorpe to discuss this project with her, which resulted in her wholehearted support – she expressed a desire to see all of her titles produced in large print. This was a key factor in gaining the support of other publishers and authors. A Pocket Full of Rye was one of the first titles to be published in large print format, and we have, over the years, published all of Agatha Christie’s title in large print – along with a fair few others…

vals-blog-office-pic
The team working hard at F A Thorpe

Did you always want to have a career in publishing?

Although I had no doubts about what I wanted to study at university – English literature – I hadn’t a clue what I wanted to do once I finished my studies. I feel extremely fortunate to have landed my job. I’ve been with the company for nearly 14 years, so I feel rather fortunate about that, too!

Have you always been an avid reader?

Always! I vividly remember reading aloud to my dad when I was about six, and him telling me to read the words ‘as though you’re speaking’, and it suddenly clicked. And then there was no stopping me…

Which authors have, or do, inspire you?

I found A Land More Kind Than Home by Wiley Cash thoroughly inspirational in terms of the writing, which was exceptional; it just poured off the page and felt beautifully effortless. In terms of story-telling, and the moral dilemma presented, The Light Between Oceans by M.L. Stedman was utterly compelling.

What is your favourite genre for your own leisure reading?

I do enjoy a well-written, ‘unreliable narrator’/twisty-turn-y tale. I think Paula Daly is fantastic, and I also like Tamar Cohen. I’m afraid I’ve yet to read The Girl on the Train, but I definitely want to do so before seeing the film.

Could you describe the imprints you represent and the word limitations on each?

Our Charnwood and Isis imprints contain mass market popular fiction and non-fiction titles, and our big name authors. The upper limit here is very much dependant on how well we can expect a particular author to sell. Our Ulverscroft imprint tends to house much shorter titles, and the upper limit here is currently around 60-65,000 words. For our Linford Romance imprint, we’d ideally want titles to be somewhere between 30-50,000 words, although we have taken shorter and longer titles than this; the same is true of our Linford Mystery and Linford Western imprints, give or take a few thousand either way.

What do you look for in a new submission?

For most titles, the first consideration is always a practical one – if it’s too long or too short, I won’t be able to consider it. The next consideration is whether or not it will be a good fit for our lists.

What should writers avoid sending you?

If you’re aiming for one of the Linford imprints, then try to make sure it’s a clear fit within the genre – so, a romance rather than a general fiction title, for example. We tend not to do sci-fi or fantasy titles, or self-published non-fiction.

You must see a vast number of submissions, so is there any advice you could give to a writer who is considering submitting a manuscript to you?

Please read and re-read what you’re submitting with as clear an eye as possible. The fewer mistakes, the easier it is for us to see the story you’re trying to tell.

What is the most satisfying aspect of your work?

It’s great when I win an auction for a title I desperately want in our lists, and it’s also very satisfying putting a list together and seeing what I know are some absolutely cracking reads in there. Being surrounded by books all day is also a definite bonus!

Would you consider writing a novella/novel yourself?

I would love to. I note down ideas a lot, although that’s about as far as I’ve ever got.

When not involved in the world of books what do you love doing to relax?

Yoga and singing – I do both with great enthusiasm and questionable results.

My thanks for your continued support for my work (39 titles to date) and for the insight into your world and that of F A Thorpe Publishing.