Exploring Lord Oscar Farrington: A Character Study

February has been a time of celebrations for many, with Valentine’s Day and romance in this #RomFicFeb26 month of shared insights into writing romantic fiction.

This year the Christian Lent, the Chinese New Year welcoming in the the year of the Fire Horse, and Ramadan coincided.

Perhaps, you look forward to the first welcome signs of Spring here in the UK after what has been a wet and grey winter.

My year started with a desire to be more creative and so I tried to draw my first horse in ink and watercolour pens inspired by the Chinese New Year. Taking time out to do something completely different is fun.

This month, I have enjoyed sharing writing insights in #RomFicFeb26 and reading other writer’s posts. Writing is a solitary discipline (with some exceptions) so networking is a brilliant way of finding and linking with other authors and readers.

One of the questions posed in #RomFicFeb26 concerned introducing the main character of a novel. Lord Oscar Farrington is my charismatic protagonist in the final book of The Friends and Foes trilogy,  where his nemesis, Lady Bagby, from book one, tries to exact her revenge. Oscar provides the link between Betrayal, Secrets and Silent Revenge as each plot unfolds and we delve deeper into the life events that formed his complex character.  Here is a slightly longer introduction for anyone who is interested in creating characters or reading into Oscar’s background.

To know Oscar and give him depth, fascinating  research needed to be done into his role and the political forces at work in the early nineteenth century that affected his world at war and the very real and dire issues changing life in his homeland. That is part of  the challenge and enjoyment of creative writing to research more than is needed for the plot and selectively include on a need to know basis, the facts that support the fiction.

Everyone has their own method of researching and writing. I wanted to develop a credible background based on facts, then build his character based on this as he travels through the plot. Therefore, I created a life timeline for him.

Oscar needed to be: observant, brave, quick wited, healthy, knowledgeable of terrain, a natural linguist, and a loyal gentleman who loathed traitors. The total of all these attributes along with his own family past and upbringing formed the man.

So who is Lord Oscar Farrington?

Born 1780 Oscar carries an honorary title of ‘Lord’ as he is the son of the fictitious Earl Brandon Cross. His Coronet’s commission in the Light Dragoons was purchased in 1796. His adventurous spirit meant rapid promotion to captain. Oscar thrived, matured, loyal to King and country.

In 1801 his father arranged a marriage to the beautiful Countess of Marwick. His visits home were infrequent, as the Napoleonic wars rolled on, but in 1806 Frederick Farrington was born, whilst Oscar served abroad as an exploring officer for Sir Arthur Wellesley, often spying behind enemy lines.

The trilogy is set on his return to, Yorkshire, England, so the logistics of the missions he undertook whilst serving abroad were secondary to the detail of the man himself. I had a very clear physical image of him, but I like to let my reader’s use their own imagination to fill in the gaps.

His short marriage ended in 1809 when his wife fell whilst riding. Oscar returns to France briefly leaving his young son in the care of his trusted guardian on their family estate.

In 1813 Oscar returns wounded to an emotionally distanced son as they set up home in the Jacobean family home, Kepstone Manor, Yorkshire, close to Northallerton, North Yorkshire, and near enough to the major routes to the north and south; York/Durham .

Far from being retired he is commissioned by the Home Office to collect information on possible insurgents at home. Spying on an enemy in a foreign land to protect your own country is one thing, but spying on your countrymen, broken, poor and disheartened by post war hardship and vast social change, is quite another. This does not sit well with Oscar.

The story begins in 1814 in Betrayal, where duty and friendship are challenged and tested.

“Farrington had been the one person who took Samuel’s concerns seriously. The man was used to subterfuge, donning a guise and duping people, or simply disappearing in plain sight, melting into a crowd, when needed, but above all else he knew when to stay silent and listen…”

The series covers several years, carrying over key characters and introducing new ones, whilst subtly building and deepening Oscar’s character.

Book 2, Secrets, 1816, Oscar returns to England, where he meets a man who saved his life at Talavera and dutifully repays a debt..

In Silent Revenge 1818/9 The Home Office are concerned about a resurgence of Luddites and anarchists because of the social unrest and set him to monitoring illegal activities within the area. He can no longer disappear into the crowd, as he is known gentry, but he has local informants and his loyal man, his ex-sergeant, Burgess and a son he hardly knows.

If you want to follow Oscar’s adventures just click here.

What appeals to you in a hero?

Who is your favourite hero, and why?

The future of romance with Pia Fenton

I would like to welcome back Pia Fenton to my blog (Christina Courtenay) who has been the RNA Chair for nearly two years.

Hi Pia!

NEC front LatestAs Valentine’s Day approaches can you share with us some of the major changes you have seen in the last couple of years within the world of romance?

I don’t think the world of romance has changed very much, but rather the publishing industry as a whole.  With the advent of ebooks and ereaders (and especially the Kindle which had a massive impact the year it was first launched in the UK), the way people read books has changed enormously in a very short space of time.  Things seem to have settled down a bit now though and paperbacks are holding their own, which is great (I love proper books myself!), but I think ebooks have given both readers and authors more freedom to read/write what they like.

As for the books themselves, the popularity of certain sub-genres come and go, but editors and agents are always saying they’re just looking for really good stories.  I think that if a story is gripping enough, it doesn’t matter what it’s about – good story-telling is key.

Are you excited about the future of romance as a genre?

Yes, I think it’s going from strength to strength.  The RNA commissioned some research into sales and trends recently, and it showed that figures for romantic fiction are going up year by year, which is fantastic.  People will always want love in their lives and I’m sure they will continue to want to read about it too.

You have branched into the Young Adult market. Could you share with us the inspiration for this exciting new venture?

I discovered a while back that I love reading YA fiction – it’s an amazing sub-genre where imagination seems to have no bounds.  Then I went to a high school reunion and it really made me think about my own teenage years, both all the fun I had and the angst that comes with being that age.  I attended an American high school for three years, which was a bit of a culture clash to begin with and it occurred to me that it would be fun to write a series of books with UK heroines and US heroes and so the Northbrooke High series was born.  I have now self-published the second book in the series, New England Crush.

What is next for Pia/Christina?

I have just finished edits for the third book in my Japanese trilogy – sequel to The Scarlet Kimono and The Gilded Fan – which is due out in paperback in August this year.  I’ve also started work on a new time slip novel, which is based on the final few months of the English civil war.  I love that period in history and was inspired to write about it as there are several ruined castles, destroyed during that time, near where I live. (Both these books are for adults, not YA).

More from Pia:

Roses Are Dead

Roses Are Dead KECBuy and read now!

US Readers: Kindle / iTunes / Nook / Kobo

UK Readers: Kindle / iTunes / Nook / Kobo

Jen, a teacher, has broken away from a stifling relationship with Harris, who runs a gym. Naively, she tried to help him sort out his life, but did not realise that the man was a liar and a control freak until it was too late. Jen walked out on him determined to enjoy her independence once more when strange gifts begin to arrive. With Valentine’s Day approaching, the mystery of who is sending them disturbs her deeply. She fears it could be Harris. When they turn sinister Jen is frightened and does not know who should she trust: her ex, his friend, her neighbour, Sergeant Aidan Lee or just herself? When Jen needs help who will come?